Mel's bio can be viewed at 
http://www.goacom.com/saligao_tinto/articles/poetry.htm

from where links to 2 of 3 pictures are found
http://www.goacom.org/saligao_tinto/img/inlays/mel_day_of_fox.jpg
http://www.goacom.org/saligao_tinto/img/inlays/mel_feast_of_names.jpg

for some reason the third link is inactive.

Kevin


Original Message:
-----------------
From: Frederick Noronha (FN) [EMAIL PROTECTED]
Date: Sun, 29 Jan 2006 12:55:49 +0530
To: [email protected]
Subject: [SALIGAONET] A repeat posting


AN ARTIST... WHOSE NOSTALGIA SHOWS UP IN HIS WORK

LIKE MANY A Goan based overseas, Mel D'Souza is often struck by nostalgia
for his homeland. Memories of the home left behind are expressed in an
unusual way in his case -- through art.

Besides his volunteer work and drawing for local magazines near where he
lives, Mel has put together a series of drawings depicting the
fast-changing Goa that most would be familiar with. 

Canada-based Mel was born in what was then Tanganyika (Dar es Salaam) in
1937. He studied at St Joseph's Convent there, and later matriculated from
Saligao's Mater Dei, which was a popular English-medium school among expat
Goans then.

He did a year of college at St. Xavier's in Mumbai "where I just went
through the motions and never pursued my studies". But his passion was
art... and travel, as he discovered later in life.

Back in Tanganyika in 1953, he joined Caltex as a mail-clerk. He left it as
Operations Manager in 1971, and emigrated to Canada. During this time, he
was also cartoonist for the 'Tanganyika Standard'.

In Canada, the pressures of life saw him take up jobs as a compounder,
packaging supervisor, warehouse and shipping manager, and purchasing
manager. At 55, he quit in 1993 on "deciding to devote time to art and
travel". 

Mel's drawings of the Saligao Feast depicts a pack of foxes in the national
costumes of their adopted lands. In the background is the local Church of
Mae de Deus and the imaginary global village of Saligao. As the artist
says, this work "portrays the Goan flair for assimilation and their love
for the best of both worlds".

Canada-based Goan writer Ben Antao wrote likened Mel to a "Saligao 'fox'
using the crow's wings to promote Goa". 

In addition, his other art-works document what Mel calls "the way of life
that makes Goa so unique". His illustrations are, he says, a "crow's eye
view". They show village scenes from "above", as would be seen just how the
crow flies.

'Feast of Names' is a projection of villagers from Saligao dressed up in
costumes that portray their family nicknames. So many homes in the village
carry their own nicknames, says Mel. 

Mel points to the Goa that was, and says villages here have a familiar
layout: several wards, each having its own chapel or temple, adjoin paddy
fields while the imposing village church or temple overlooks its rural
realm. Life in the village involves the daily visit to the market, work in
the field, a "neighbourly visit" or just relaxing in the 'bolcao' (balcony)
and watching the world go by. 

An expat's view of life in Goa... (ENDS)

***************************************************
SALIGAO: SOME NICK-NAMES FROM THE VILLAGE
Residents of this small village of Bardez have a number of traditional
house-names, as do other villages. Mel has done a listing of these, as
below:
(Please carry in a separate box)
***************************************************

Godgodo Distican        Sacro   Kochreagher
Bokdi   Sorak   Bebo    Mankegher
Chapenkarn      Kawlo   Botmodi Gorokullo
Bodveagher      Devchar Menkar  Dukormaro
Kombeagher      Tallo   Poko    Kankatro
Tallo   Rano    Kulo    Saibin
Fujao   Bhendeagher     Porque  Kolleagher
Fogo    Wagh-Waghmaro   Delegad Pinglekarn
American        Ghirgiro        Ale-kar Dandeagher
Arsekarn        Philip-100      Munkuto Aboli

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