Regarding the audio/recording theory book:
John Eargle - Handbook of Recording Engineering, and 'The Microphone Book'
There are others but the difference is of degree. The Glen Ballou book
is good to be VERY technical in a mathy/electrical engineering way.
Seth
On 3/16/11 12:53 AM, [email protected] wrote:
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Today's Topics:
1. Re: Recording and Audio theory book recommendations? (Tony Seaton)
2. Concordia Live and Interactive Electroacoustic Colloquium
(26/3) (Eldad Tsabary)
----------------------------------------------------------------------
Message: 1
Date: Tue, 15 Mar 2011 20:30:02 +0000
From: Tony Seaton<[email protected]>
To: Richard Scott<[email protected]>,
[email protected]
Subject: Re: [Sanlist] Recording and Audio theory book
recommendations?
Message-ID:
<20110315203054.vpag28282.aamtaout03-winn.ispmail.ntl....@gustav.ntlworld.com>
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Message: 2
Date: Wed, 16 Mar 2011 00:52:55 -0400
From: Eldad Tsabary<[email protected]>
To: [email protected], [email protected]
Subject: [Sanlist] Concordia Live and Interactive Electroacoustic
Colloquium (26/3)
Message-ID:<[email protected]>
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Apologies for cross-posting
*Two live-electronics events at Concordia (Montreal) in less than 10 days:
*Concordia Live and Interactive Electroacoustic Colloquium 2011 (26/3)
Concerto for T-Stick and Two Laptop Orchestras (25/3)
FREE ADMISSION
*/Concordia Live and Interactive Electroacoustic Colloquium (CLIEC) 2011/*
Concordia Hexagram Institute for Research/Creation in Media Arts and
Technologies
In Collaboration with Concordia's Music Department (Electroacoustics)
Saturday, March 26^th 2011, 9AM-11PM
FREE ADMISSION (requires registration)
@ Concordia Music Department
MB Building, 8^th Floor
1450 Rue Guy
Montreal, QC H3H 0A1
DESCRIPTION:
A one day colloquium focusing on issues surrounding the marriage between
electroacoustics and the performing and media arts. Topics include
interdisciplinary collaboration, artistic and technological innovation,
comprovisation, human-machine interface, aural and visual perception,
laptop orchestras/ensembles, notation, preservation, stage techniques,
audience interaction, related education and pedagogy, social and
cultural contexts, and others.
Admission is free but requires registration.
To register follow this link: http://cliec2011.hexagram.ca/
<http://cliec2011.hexagram.ca/> or send an email to [email protected]
with the subject "registration request: your name". Your registration
will be confirmed by email.
Presenters include keynote speakers Bob Gluck and Neil Rolnick, Per
Bloland, Thomas Ciufo, Rebecca Danard, Mara Helmuth, David Ogborn,
Alyssa Lai, Stephanie Moore, David Rothenberg, Benjamin Schroeder,
Isabella Stefanescu, Klaus Engel, Miles Thorogood, and Alan Tormey.
The evening concert consists of performances by Neil Rolnick and Bob
Gluck, Liselyn Adams (with J?r?me Delapierre, Navid Navab, and Pamela
Reimer), Adam Basanta, Thomas Ciufo, Rebecca Danard and Mara Helmuth,
and KimMin Kyu.
More information is available on http://cliec2011.hexagram.ca/
<http://cliec2011.hexagram.ca/>
*/Concerto for T-Stick and two laptop orchestras/*
Friday, March 25^th 2011, 8PM
FREE ADMISSION!
DB Clarke Theatre
Concordia University, Hall Building
1455 De Maisonneuve Blvd. West
Montreal QC
Thirty laptopists from The Concordia Laptop Orchestra (CLOrk) and
McMaster's cybernetic orchestra will collaborate with T-Stick performer
D. Andrew Stewart in a live performance at the DB Clarke Theatre.
The concert will also include networked performances by CLOrk and The
Cybernetic Orchestra, utilizing inter-client communication and control
over wifi.
The Cybernetic Orchestra is directed by David Ogborn and CLOrk is
directed by Eldad Tsabary.
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