Apologies for cross postings
You are cordially invited to two CRiSAP (Creative Research into Sound
Arts Practice) events on Thursday, June 9th, 2011
The Uses and Abuses of Field Recording
will explore the role of field recording in artistic practice as a
pechakucha 20x20 event featuring
presentations by Viv Corringham, Peter Cusack, Felicity Ford, Michael
Gallagher, Ruth Hawkins, Bill Thompson, Salomé Voegelin and Mark
Peter Wright.
Followed by tea, cakes and music from Viv Corringham (voice), Peter
Cusack (guitar, saz, samples & electronics) and Jan Hendrickse
( flute, shakuhachi & ney)
3pm to 6pm
Podium Lecture Theatre
London College of Communication
SE1 6SB
and
Sound Art at the Swiss Church in London
Mark Peter Wright A Quiet Reverie
Thomas Gardner Lipsync
The Automatic Writing Circle (Seth Ayyaz, Peter Coyte, Kirsten
Edwards, Thomas Gardner, Stephen Preston)
Doors open 7pm for 7.30pm start
The Swiss Church, 79 Endell Street London WC2
More details below
the uses and abuses of field recording
a pechakucha 20x20 event
June 9th, 2011, 3pm to 6pm
Podium Lecture Theatre
London College of Communication
SE1 6SB
On the 9 June this year CRiSAP is holding its fifth research
symposium. In celebration of the beginning of our two year EU Cultural
Partnership Project, the event will explore the role of field
recording in artistic practice. We have invited eight speakers who
all, in different ways and for different reasons, use microphones to
capture something of the world around them: Viv Corringham, Peter
Cusack, Felicity Ford, Michael Gallagher, Ruth Hawkins, Bill Thompson,
Salomé Voegelin and Mark Peter Wright.
For this symposium we wanted to try something a little different and
adapt the PechaKucha format where, while presenters are talking, their
chosen 20 slides are each projected for 20 seconds. According to its
originators this “makes presentations concise, and keep things moving
at a rapid pace”. We want to spice the pot a little by asking the
presenters to conclude with 2 minutes of recorded sound.
This exciting event will conclude with tea and cakes and a concert
featuring Viv Corringham (voice); Peter Cusack (guitar, saz, samples &
electronics)
Viv Corringham and Peter Cusack perform songs, mixed with
improvisation, and soundscapes created from environmental recordings -
all controlled live. Songs are from the Eastern Mediterranean area,
including Greek rembetika and Turkish folk, others are self written.
They will be joined by flute, shakuhachi and ney player Jan Hendrickse.
"Interesting, challenging stuff…" Folk Roots
"ingeniously crafted settings… make for fascinating listening...
unorthodox yet entirely persuasive arrangements" Julian Cowley, The Wire
All are very welcome and admission is free.
For further information contact CRiSAP [email protected] or visit our
website www.crisap.org
Sound Art at the Swiss Church in London
Mark Peter Wright
A Quiet Reverie
Thomas Gardner
Lipsync
The Automatic Writing Circle (Seth Ayyaz, Peter Coyte, Kirsten
Edwards, Thomas Gardner, Stephen Preston)
Thursday 9 June. Doors open 7pm for 7.30pm start
The Swiss Church, 79 Endell Street London WC2
British Composer of the Year in Sonic Arts 2009 Mark Peter Wright,
whose work A Quiet Reverie, a composition made entirely from location
recordings of four ruined abbeys in North Yorkshire, will resound the
church space through association. Renowned cellist and live
electronics artist Thomas Gardner will perform Lipsync, and with
improvising group ‘the Automatic Writing Circle’, will perform with
various electronic and acoustic instruments to re-engage with the
church space and the instruments.
Cathy Lane
www.crisap.org
www.soundarts.co.uk
http://soundcloud.com/playingwithwords
[Non-text portions of this message have been removed]
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