I wonder why they've been pulling them, and stopped showing those Sundays on IFC. I used to set my clock by them.
"If all the world's a stage and all the people merely players, who in bloody hell hired the director?" -- Charles L Grant http://www.youtube.com/watch?v=fQUxw9aUVik To: scifinoir2@yahoogroups.com From: hellomahog...@gmail.com Date: Wed, 10 Feb 2010 12:28:44 -0800 Subject: Re: [scifinoir2] Re: movie review: A bittersweet life I saw Snoop Dogg in one movie recently. Unfortunately, IFC stopped showing the Bollywood movies on Sunday mornings. :( I have yet to see one that was at least a 4 out of 5 so far. Netflix has been removing some of the movies that I picked from my list due to "various" reasons. On Wed, Feb 10, 2010 at 12:18 PM, Martin Baxter <truthseeker...@hotmail.com> wrote: Yes, Mr Worf, they do make watching a hit-or-miss proposition. I saw "The Don" on IFC once. I think. "If all the world's a stage and all the people merely players, who in bloody hell hired the director?" -- Charles L Grant http://www.youtube.com/watch?v=fQUxw9aUVik To: scifinoir2@yahoogroups.com From: hellomahog...@gmail.com Date: Wed, 10 Feb 2010 11:30:36 -0800 Subject: Re: [scifinoir2] Re: movie review: A bittersweet life Yea. The same for Bollywood as well. They use the older method and it is effective. There is a guy in some of the Bollywood movies that borrows from Jackie Chan (jumps, shimming down pipes etc.) but they rarely go overboard or do the quake cam. His name is Shah Rukh Khan. (Check out the Don) The problem with Bollywood is that they use too many of the bad styles that make their movies look like they were shot by Hype Williams. On Wed, Feb 10, 2010 at 11:15 AM, Keith Johnson <keithbjohn...@comcast.net> wrote: Compare the fight scenes of this and other Asian films you watch with American fight scenes. As discussed ad nauseum, I'm really despairing of so much American action fare, which is horribly choreographed. If you list Transformers, Crank, G.I. Joe, and other stuff, it's beyond ridiculous. I honestly couldn't see or register one clear punch or kick in "Joe", the camera moved so much. It's been my experience that Asian cinema is much better at fast action that one can still follow, due to better usage of the camera, more long shots that let you see the total scene and the fighters whole bodies, and less frenetic scene shifts. Is that the case in the stuff you're watching? ----- Original Message ----- From: "Kelwyn" <ravena...@yahoo.com> To: scifinoir2@yahoogroups.com Sent: Wednesday, February 10, 2010 7:02:00 AM GMT -05:00 US/Canada Eastern Subject: [scifinoir2] Re: movie review: A bittersweet life Added to my list. I am on somewhat of a South Korean cinema binge. Watched "A Dirty Carnaval (Biyeolhan geor)" last night. Overall, I didn't care much for it but the fight scenes were brutal and realistically choreographed. ~rave! --- In scifinoir2@yahoogroups.com, "Mr. Worf" <hellomahog...@...> wrote: > > Movie Review: Dalkomhan Insaeng aka A Bittersweet Life, directed by Kim > Jee-Woon > > Made in South Korea, this is a mob story about a very sharp mob enforcer > named Kim. Kim’s boss runs a large hotel downtown. One evening he is asked > to take care of a situation in one of the private rooms in the restaurant > that is being held by three members of a rival gang. Kim goes into the room > and counts to three for them to leave. On the count of three he leaps on top > of the table kicking one thug in the face, while punching another. The third > got the worst of it with a bottle of wine to the head. This all happened in > the first five minutes of the film! > > Unfortunately, this set off a chain of events that slowly reveals itself as > the film progresses. A couple of days later, Kim’s boss asked him to keep an > eye on his new girlfriend while he is away on a trip. She is a college age > woman that he suspects may be seeing someone her own age. If she was he > ordered Kim to kill her and her lover. After spending time following the > girl, and spending time with her he realizes that he couldn’t kill them, and > orders them both not to see each other again. That may have been a big > mistake. > > With the boss out of town Kim makes the situation between his gang and the > rival gang a little more intense by not apologizing to the Jr. Boss’ son. > The mob never forgets no matter where you live, and Kim found that out the > hard way. > > The fight scenes in this movie are top notch. There were even some moments > that was so well done that it was hard to believe that they were > choreographed. They open a six pack of whip ass quick fast and in a hurry > in this film which adds to the realism. One of my favorite scenes in the > movie involves one man against a gang in a warehouse. Very good stuff. > > Pros: Good plot. Great fight scenes. Great acting. > > 3 out of 5 kicks to da head > Rated MA > > -- > Celebrating 10 years of bringing diversity to perversity! > Mahogany at: http://groups.yahoo.com/group/mahogany_pleasures_of_darkness/ > -- Celebrating 10 years of bringing diversity to perversity! Mahogany at: http://groups.yahoo.com/group/mahogany_pleasures_of_darkness/ Your E-mail and More On-the-Go. Get Windows Live Hotmail Free. Sign up now. -- Celebrating 10 years of bringing diversity to perversity! Mahogany at: http://groups.yahoo.com/group/mahogany_pleasures_of_darkness/ _________________________________________________________________ Hotmail: Powerful Free email with security by Microsoft. http://clk.atdmt.com/GBL/go/201469230/direct/01/
