Black Jesus film aims to start talk
'Son of Man' premieres Sunday at Sundance

Friday, January 20, 2006; Posted: 4:08 p.m. EST (21:08 GMT
JOHANNESBURG, South Africa (Reuters) -- Billed as the world's first
black Jesus movie, "Son of Man" portrays Christ as a modern African
revolutionary and aims to shatter the Western image of a placid savior
with fair hair and blue eyes.

The South African film, which premieres on Sunday at the Sundance
festival in Utah, transports the life and death of Christ from first
century Palestine to a contemporary African state racked by war and
poverty.

Jesus is born in a shanty-town shed, a far cry from a manger in a
Bethlehem stable. His mother Mary is a virgin, though feisty enough to
argue with the angels. Gun-wielding authorities fear his message of
equality and he ends up hanging on a cross.

"We wanted to look at the gospels as if they were written by spin
doctors and to strip that away and look at the truth," director Mark
Dornford-May told Reuters in an interview.

"The truth is that Christ was born in an occupied state and preached
equality at a time when that wasn't very acceptable."

By portraying Jesus as a black African, Dornford-May hopes to sharpen
the political context of the gospels, when Israel was under Roman
occupation, and challenge Western perceptions of Christ as meek, mild
and European.

"We have to accept that Christ has been hijacked a bit -- he's gone
very blond-haired and blue-eyed," he said. "The important thing about
the message of Christ was that it is universal. It doesn't matter what
he looked like."

In fact, there was a film called "Black Jesus" made in 1968 and
starring Woody Strode, but it is described as a political commentary
rather than an interpretation of the life of Christ.

Made by the same theatre company behind last year's award-winning
"U-Carmen eKhayelitsha," "Son of Man" is in the tongue-clicking Xhosa
African language and English and was filmed in the sprawling black
townships near Cape Town.

Jesus begins his public ministry after an encounter with Satan -- who
appears cloaked in black leather -- during his traditional Xhosa
circumcision rite.

He gathers followers from the factions of armed rebels across the
country and demands they lay down their guns and confront their
corrupt rulers with a vision of non-violent protest and solidarity.

Dornford-May, who says he subscribes to Christ's teachings without
necessarily believing he is the son of God, says the Jesus in the film
is a divine being who rises from the dead.

His resurrection is meant to signal hope for Africa, the world's
poorest continent which is sometimes dismissed by foreigners as a
hopeless mess of conflict and corruption.

"The ending is optimistic but realistic. There is an incredible
struggle to get to the optimism," he said.

Dornford-May says focus groups of church leaders and ordinary
Christians in South Africa, where Christianity often comes in a
conservative form, broadly praised the film, which he hopes will prove
a hit on the continent and worldwide.

Mary, played by the star of "U-Carmen," Pauline Malefane, gets a
beefed-up role as the inspiration for Christ's politics and humanity,
compared to her fairly brief biblical appearances.

And Malefane, who is married to Dorford-May, makes a smooth transition
from playing the seductive heroine Carmen to the world's most famous
virgin, he said.

"They are both women who are prepared to stand outside of society.
They may be different sides of the coin but they are still the same
coin -- but I'm not going to be very popular for saying that."






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