There has been some discussion between me and others about mandos, citterns,
bouzoukis etc recently. I have mentioned Rob MacKillop and his 18th century
Scottish guittar (the closest ancestor of the modern folk cittern, mandola
and in many ways of the Irish bouzouki).

We just spent a weekend at Kilconquhar Castle in Fife, and to my delight
discovered two undocumented 17th century carvings of cherubs playing well
defined, properly carved citterns. I have subsequently shown this to Rob and
he agrees. He says that the only instruments to have the wires cross the
bridge and go to a tailpiece at this dates were wire-strung citterns - and
these little guys are playing just like you and me at any decent session
(except, of course, we dress up a bit more).

One cittern has distinct f-holes, the other has no discernible sound hole
but the playing hand would cover a central o-hole. Both are distinctly
carved to show five courses of strings (they would have been double-coursed,
but the carver naturally shows just five lines). This is the same instrument
that I call a cittern, and which most Scottish luthiers still call a cittern
- scale length between mandolin and mandola, but usually the latter, five
double courses.

Here's my photograph of both the two carvings over the fireplace:

http://www.maxwellplace.demon.co.uk/pandemonium/kilconquharguittars.jpg

The provenance of the panelling is not known to me - the castle was burned
down some ago and refitted, but they state the panelling is original 17th
century. We now have to find where it came from, if not the original. It
looks rustic and probably Scottish and it's hard to see how the banqueting
hall could easily have been fitted out from any other source - I would
assume this part of the building was not in the fire.

So, all you celtic mando family players out there, you are not just 20th
century inventions. You are really part of a long tradition and here is your
instrument's ancestor from over 300 years ago.

David Kilpatrick

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