> In the music with which I am familiar, Cape Breton fiddle, this type of
> bowing was quite common in reels. In fact it was frequently used where
> the written music had notes of equal value. In that style the first note
> was played with a down bow, the bow then lifted of the string and the
> next three notes played with an up bow bounced for all three notes to
> achieve the "staccato" effect. The result, I believe, if used sparingly,
> is more rhythmic drive to the music.
> I have used the word "was" deliberately. This style is now almost
> extinct in Cape Breton.


  Oh yeah, I forgot about that. I've heard Alex Francis MacKay do that
trick now and again. I noticed him doing that the time that I visited
him. I copied that trick for a few tunes I picked up off of him. Just to
make it sound more like the way he was playing them. However I don't use
that kind of bowing often enough to remember doing it. :-) Or maybe I
do, but I don't think about it because I started doing it in an attempt
to copy what I was hearing, as opposed to consciously thinking about the
bowing technique which was required in order to get that sound.  It does
have a cool sound. 
 Something else I do which is kind of like that type of bowing (at least
my wrist feels like I'm doing a similiar action) is a low-note
substitution followed three of the exact same notes in quick succession,
all played on the upbow, but with a slight separation between them. I
don't know if there's a formal name for that type of bow trick. I like
to do that quite a bit though, especially in strathspeys and certain
reels.  Do that the second time through a phrase, Mmmmm... Gives it so
much flavor!
  I'm trying to think of example tunes for this and the one that comes
to mind first is that A strathspey called John R. Fraser. I'm certain I
do that on alot of those modal E tunes that tend to get played with Bog
An Lochan as well. They lend themselves well to that. 



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