This thread was alive last week, but I did not have an opportunity
to add my two cents then.

Regarding the set-up question...one thing that I did a few years
ago, but I should have done sooner is this.

I made a screen with a centerline, also left and right-chest lines
(4" out from center) and horizontal lines every two inches, which
I printed onto all my platens with two-part, epoxy ink.   Since I
use double-sided pallet mask instead of liquid or spray tack
whenever possible (try it you'll like it), I can see the board
very easily through the mask and through the screen.   Every time
I create a design in my computer, I put two registration marks at
the top and bottom center of the designs, so it takes about three
seconds to set the job up.
I used to use a t-square and a measuring tape to set-up.   This is
much easier.   If I have to set more than one board to the screen,
I measure out along the arm of the press to a reference point and
set all the board the same distance.   If I am printing sweats and
the boards are covered in fuzzy spray tack and so I cannot see the
lines, I use a board I can see to set up and then switch it for
the fuzzy sweat board.

This systems works well for us.

John P. Steindl
[EMAIL PROTECTED]
A2Z Screen Printing, LLC

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
Christine Mantz
Sent: Thursday, March 08, 2007 10:31 AM
To: Screenprinter's Mailing List
Subject: Re: [SE-List] Does anyone use this list anymore?

I have been wondering the same thing.  Where is everyone?

I would like to start a discussion.  We have been screen printing
for a
little over a year.  And who ever said that "screen printing is
not rocket
science" must have been kidding.  For some reason, screen printing
seems
about as close to rocket science as you can get as far as we are
concerned.
It is a never ending, learning process.  Just when you think you
got it, you
realize you really don't.

As simple as it may be, I would like to discuss the best way to
ensure the
artwork is positioned on the shirt in the correct spot
consistently?  We
have a "chart" that we use but it seems like we are having to
"reinvent the
wheel" everytime we print a new job.  Sometimes we print too low,
sometimes
too high.  Is there a secret to ensure proper placement on the
shirt...especially when you have an order of a variety of
different size
shirts?  Do you do anything specific when placing the image on the
screen
before exposure?  What about the press?  Have you found a system
for making
changes to the press as far as platen or screen adjustments?

Along the same lines...what is the secret to getting a shirt
square on the
platen so the design is not crooked?  I have found the printers
marks on the
shirts to be unreliable.  Do you have a favorite brand of shirt
that you
have found to be most consistent?  We typically use Gildan Ultra
Cotton, but
I have found the collar placement on these shirts to be
inconsistent which
doesn't help when you are trying to get a shirt centered on the
platen.  I
was wondering what shirts you all prefer and why?

Hope this spurs a discussion and activity on this list.  I have
been meaning
to ask these questions for sometime.

Thanks
Chris Mantz
Identity Elements


----- Original Message -----
From: "Scott Weaver" <[EMAIL PROTECTED]>
To: "'Screenprinter's Mailing List'"
<[email protected]>
Sent: Thursday, March 08, 2007 8:54 AM
Subject: Re: [SE-List] Does anyone use this list anymore?


> Thanks John,
> The list is dead compared to what it used to be.  The difference
from
> before to now is unbelievable.  Apparently everyone (but me)now
knows
> everything!

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