Re: P30?
P3n > On 03/02/2024 13:10 GMT Mark Roberts wrote: > > > Could be. Its variant the P30n, by the way, is the famed Pentax "Ned". > > Feb 3, 2024 4:57:28 AM Bob W PDML : > > > https://www.instagram.com/p/C24TyRFNwjY/?igsh=MXJkcTNnd3VlMTBkOQ== > > -- > > %(real_name)s Pentax-Discuss Mail List > > To unsubscribe send an email to pdml-le...@pdml.net > > to UNSUBSCRIBE from the PDML, please visit the link directly above and > > follow the directions. > -- > %(real_name)s Pentax-Discuss Mail List > To unsubscribe send an email to pdml-le...@pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- %(real_name)s Pentax-Discuss Mail List To unsubscribe send an email to pdml-le...@pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
Re: P30?
Could be. Its variant the P30n, by the way, is the famed Pentax "Ned". Feb 3, 2024 4:57:28 AM Bob W PDML : > https://www.instagram.com/p/C24TyRFNwjY/?igsh=MXJkcTNnd3VlMTBkOQ== > -- > %(real_name)s Pentax-Discuss Mail List > To unsubscribe send an email to pdml-le...@pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- %(real_name)s Pentax-Discuss Mail List To unsubscribe send an email to pdml-le...@pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
P30?
https://www.instagram.com/p/C24TyRFNwjY/?igsh=MXJkcTNnd3VlMTBkOQ== -- %(real_name)s Pentax-Discuss Mail List To unsubscribe send an email to pdml-le...@pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
RE: Next body after P30?
I own a Super A as well as a P30 and P50. It's true that the (earlier) Super A is superior to the other two (TTL flash and shutter priority). One thing I like ablut both P30 and P50 is the very soft release. The P50 has a beautiful design as well. Jens Bladt mailto:[EMAIL PROTECTED] http://hjem.get2net.dk/bladt -Oprindelig meddelelse- Fra: Brian Walters [mailto:[EMAIL PROTECTED] Sendt: 9. juni 2004 02:11 Til: [EMAIL PROTECTED] Emne: Re: Next body after P30? Hi Peter I'd agree with Joe. The Super A / Super Program is a great manual camera. Apart from the LX, it was the most sophisticated manual camera that Pentax produced and it picked up a swag of well deserved awards. I've seen good examples offered on ebay so you could probably pick one up at a reasonable cost. It features program, aperture priority, shutter priority and metered manual exposure modes as well as TTL flash (program and shutter priority only available with 'A' series manual lenses). Also has depth of field preview, exposure compensation and a PC flash connector socket. I've been using one for many years and I still use it regularly even though I have more recent models. The P50/P5 is also good as a step up from the P30. Although not as full featured as the Super A, it is (in my opinion anyway), one of the best handling models that Pentax produced - it really feels good to use. It has 'landscape' and 'speed' program modes as well as aperture priority and metered manual. No TTL flash. It doesn't provide for manual setting of film speed - DX only (like the P30) but if you feel the need to change the rated film speed, you can get around this by using the exposure compensation facility (unlike the P30). I've never used the MZ-M so I can't comment on that one. Regards Brian + Brian Walters Australian Plants Societies http://farrer.csu.edu.au/ASGAP/ On Tue, 08 Jun 2004 18:24 , [EMAIL PROTECTED] sent: >I prefer Pentax manual lenses for travel due to their size, weight and >great optics. They are also relatively cheap secondhand. > >However, the bodies have always left me a bit flat. I can't afford an LX so >I started with ME Supers. More recently, the P30T has worked well ... >inexpensive and looks very unassuming to the locals. But I am perplexed >about what is the next step up. I understand the P30 was the last manual >body made. > >Could I expect better results using my manual lenses with an autofocus body >instead of the P30T. I guess what I am looking for is a brief rundown of >the merits of each body when used with manual lenses. What meter modes will >or will not work, and what advantages are gained from those of the newer >features that can be so utlilized. > >Thanks for any advice. > >Peter Nielsen > Msg sent via Spymac Mail - http://www.spymac.com
Re: Next body after P30?
Hi, Peter, The next step "up" is probably a brief step back chronologically, to the Super Program/Super A, which is a better and more advanced body than the P30t, with the sole exception of a lack of an exposure lock/hold button. It has TTL flash and program/aperture priority/shutter priority/manual modes along with program flash and TTL flash modes. It doesn't set the film speed for you, but this means you can expose film at other than its rated speed, and it has a really nice viewfinder with full information (at least in program & shutter priority mode) that's a pleasure to use for manual focusing. Other directions to go may be the slightly harder to find P5/P50, which I believe at least has a choice of program modes, or the Program A/Program Plus, which is the budget model of the Super Program. In autofocus, the SF1n/SFXn is actually very nice for manual focusing, with the best Pentax viewfinder (all glass) of the autofocus bodies until the MZ-S came along. Most of the autofocus bodies are fine for manual focusing, though there are no split-prism or microprism focusing aids. The cameras can give you a beep or a viewfinder indicator for proper focus with manual focus lenses. Most of the PZ/Z series and the ZX/MZ series of autofocus bodies will give you multi-segment metering if you have manual focus "A" lenses and several have spot metering and other nice features that work just fine with manual focus lenses. The sole current manual-focus body, the ZX-M/MZ-M, is quite nice, although very small and light, and while the viewfinder is much smaller than the ME Super/Super Program's, it does have the split image/microprism focusing aid. Joe I prefer Pentax manual lenses for travel due to their size, weight and great optics. They are also relatively cheap secondhand. However, the bodies have always left me a bit flat. I can't afford an LX so I started with ME Supers. More recently, the P30T has worked well ... inexpensive and looks very unassuming to the locals. But I am perplexed about what is the next step up. I understand the P30 was the last manual body made. Could I expect better results using my manual lenses with an autofocus body instead of the P30T. I guess what I am looking for is a brief rundown of the merits of each body when used with manual lenses. What meter modes will or will not work, and what advantages are gained from those of the newer features that can be so utlilized. Thanks for any advice. Peter Nielsen -- Joe Wilensky Staff Writer Communication and Marketing Services 1150 Comstock Hall Cornell University Ithaca, NY 14853-2601 e-mail: [EMAIL PROTECTED] tel: 607-255-1575 fax: 607-255-9873
Re: P30 and AF201SA
On Fri, 26 Sep 2003, Dr E D F Williams wrote: > Call it what you like. But the manual calls it programmed "AE" mode, quite I guess AE means Automatic Exposure, or sth like that. In general, I have seen programmed AE, aperture priority AE and shutter priority AE. The P30 only has programmed AE. > clearly, in several places: page 19, 22, 27 and many others. The P30T is > slightly different. I have one of those as well. What I don't have is an > AF200 or 201 flash so I can't do the experiment. I have a Metz 45 and a > Popular 30TB D. I use both on Auto and they work perfectly. Thanks Don. Kostas
Re: P30 and AF201SA
On Thu, 25 Sep 2003, Dr E D F Williams wrote: > 'AE' mode with the P30 is attained by setting the lens to the 'A' position. That's P mode, as you then have no control of the shutter either. In the P30 you cannot put the shutter dial to the "Program" or "Auto" position. Are you thinking of the P30t perhaps? http://kmp.bdimitrov.de/bodies/P/P3.html The film made no difference either. Unlucky :-( Kostas
Re: P30 and AF201SA
On Thu, 25 Sep 2003, Dr E D F Williams wrote: > I would suggest that it works the same way; that the aperture and speed will > be set automatically in AE mode. The P30 does not have AE, only P and Manual. In P (even without the flash) the shutter setting is irrelevant; the camera does as it pleases (but tells you what it thinks). > The P30 film speed is ISO 100 without a > film in the camera. But why not just put one in? Or an empty cassette? I don't do my own processing, so I don't have empty cassettes. But what I can do is put one in and then move it to another camera if I don't shoot; it's the DX that I want to get. Thanks for the suggestions. Kostas
Re: P30 and AF201SA
I would suggest that it works the same way; that the aperture and speed will be set automatically in AE mode. But if you have the shutter set below 1/100 it will not be changed - apparently. The P30 film speed is ISO 100 without a film in the camera. But why not just put one in? Or an empty cassette? I usually keep a few of those around -- useful for checking the meters of my P30s (I have three of them now) against a hand held meter. Don ___ Dr E D F Williams http://personal.inet.fi/cool/don.williams Author's Web Site and Photo Gallery See New Pages "The Cement Company from HELL!" Updated: August 15, 2003 - Original Message - From: "Kostas Kavoussanakis" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Thursday, September 25, 2003 11:50 AM Subject: Re: P30 and AF201SA > On Wed, 24 Sep 2003, Dr E D F Williams wrote: > > > In programmed AE mode the camera will be set to 1/100 and the aperture will > > also be set according to where you have the switch - Red, Green or Yellow . > > But this information applies to the AF200SA since the 201 was probably not > > yet on the market at the time the P30 manual was written. > > Thanks :-( > > The AF201SA does not have Red or Yellow, just Auto. I thought that the > A in the name would mean that it sets aperture and speed :-( > > My hope is that the P30 gets confused because it's not loaded with > film, does not have an ISO number and plays up. Plausible? > > I may load it at some point (but the ME Super I am waiting through the > post takes priority now). > > Thanks, > Kostas >
Re: P30 and AF201SA
In programmed AE mode the camera will be set to 1/100 and the aperture will also be set according to where you have the switch - Red, Green or Yellow . But this information applies to the AF200SA since the 201 was probably not yet on the market at the time the P30 manual was written. Don ___ Dr E D F Williams http://personal.inet.fi/cool/don.williams Author's Web Site and Photo Gallery See New Pages "The Cement Company from HELL!" Updated: August 15, 2003 - Original Message - From: "Kostas Kavoussanakis" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Wednesday, September 24, 2003 7:00 PM Subject: P30 and AF201SA > > Hi, > > Does anybody have the above combination? I just bought the AF201SA > (thanks Eric) and I expected it to set the aperture and speed > automatically in the P mode; I tried it in near-darkness and, while > the flash worked, the mirror stayed open for a second, so... I don't > have a manual for the P30 (the Pentax site only has a manual for the > P30t), can anybody check for me please? The flash works fine on the > MZ-50. > > TIA, > Kostas > >
P30 and AF201SA
Hi, Does anybody have the above combination? I just bought the AF201SA (thanks Eric) and I expected it to set the aperture and speed automatically in the P mode; I tried it in near-darkness and, while the flash worked, the mirror stayed open for a second, so... I don't have a manual for the P30 (the Pentax site only has a manual for the P30t), can anybody check for me please? The flash works fine on the MZ-50. TIA, Kostas
Re: P30 vs. Super program (Super A)?
So, just curious, how quickly do the pentax flashes fully discharge? eg, 200T, 280T, 200SA, 400T, and others? --Daniel Liu "It's no longer a question of staying healthy. It's a question of finding a sickness you like." On Thursday, Jun 12, 2003, at 03:33 US/Pacific, Anthony Farr wrote: Should be "Hensel 3200 and 6000 joule packs" - Original Message - From: "Anthony Farr" <[EMAIL PROTECTED]> (snip) For instance my Metz 60CT-1 has full power duration of 1/400sec, and the big Hensel 3200 and 600 joule packs I formerly used burned for about 1/100sec at high powers (requiring 1/60sec or longer). regards, Anthony Farr
Re: P30 vs. Super program (Super A)?
Should be "Hensel 3200 and 6000 joule packs" - Original Message - From: "Anthony Farr" <[EMAIL PROTECTED]> (snip) > For instance my > Metz 60CT-1 has full power duration of 1/400sec, and the big Hensel 3200 and > 600 joule packs I formerly used burned for about 1/100sec at high powers > (requiring 1/60sec or longer). > > regards, > Anthony Farr >
Re: P30 vs. Super program (Super A)?
Agreed. Anthony Farr wrote: The exposure comp. detents may be 'only' at full stops, but they're not very strongly detented, or sprung towards the detents. It's very easy to set them at any intermediate point to get fractional stops of compensation. regards, Anthony Farr - Original Message - From: "Lon Williamson" <[EMAIL PROTECTED]> Exposure compensation detents are full stops. (snip)
Re: P30 vs. Super program (Super A)?
I don't think this is the case, Anthony. The shutter speed curve has a wiggle right at 125th that happens on flash synch or on manual. To me, this is no big deal. However, someone questing for a perfect "within a third stop" exposure would probably have to factor it in. Anthony Farr wrote: I read this often, and yet those times that I have shot with flash at a selected 1/125sec, rather than at the X-position of the mode selector, I've never got any 'half-framing'. Perhaps the X-position is under-speed even though the camera still truly synchs at 1/125sec. regards, Anthony Farr - Original Message - From: "Lon Williamson" <[EMAIL PROTECTED]> (snip) synch is at 1/90 (although specified as 1/125) (snip)
Re: P30 vs. Super program (Super A)?
I've posted about this separately, but it bears re-asking. Do you refer to the speed of the X-position of the mode dial, or the speed when the shutter-speed selector is on 1/125sec? I would frequently use that setting if I wanted to mix TTL ambient and OTF-flash metering (the X-position is unmetered, OTF flash is always on depending on the flash unit connected). I never got half-framing. The X-position isn't a battery-less position, unlike the ME Super AFAIK, so the reason for this is beyond my ken, but if I had to guess then I'd say that 1/125sec doesn't have enough 'dwell' (to steal a motoring term) to permit slower electronic flashes. For instance my Metz 60CT-1 has full power duration of 1/400sec, and the big Hensel 3200 and 600 joule packs I formerly used burned for about 1/100sec at high powers (requiring 1/60sec or longer). regards, Anthony Farr - Original Message - From: "Lon Williamson" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Thursday, 12 June 2003 8:04 PM Subject: Re: P30 vs. Super program (Super A)? > I've had both of my SuperPrograms tested by the local > crusty old repair guy. Synch on both is very close to > 1/90th. I posted to PDML about this once upon a time > and got a fair amount of confirmation from other folks > around here. > > -Lon > > Alan Chan wrote: > >> Pentax lied about synch speed. It's 1/90th. > > > > > > But how did you tested it out? > > > > regards, > > Alan Chan > > > > _ > > Tired of spam? Get advanced junk mail protection with MSN 8. > > http://join.msn.com/?page=features/junkmail > > > > > > >
Re: P30 vs. Super program (Super A)?
I've had both of my SuperPrograms tested by the local crusty old repair guy. Synch on both is very close to 1/90th. I posted to PDML about this once upon a time and got a fair amount of confirmation from other folks around here. -Lon Alan Chan wrote: Pentax lied about synch speed. It's 1/90th. But how did you tested it out? regards, Alan Chan _ Tired of spam? Get advanced junk mail protection with MSN 8. http://join.msn.com/?page=features/junkmail
Re: P30 vs. Super program (Super A)?
The exposure comp. detents may be 'only' at full stops, but they're not very strongly detented, or sprung towards the detents. It's very easy to set them at any intermediate point to get fractional stops of compensation. regards, Anthony Farr - Original Message - From: "Lon Williamson" <[EMAIL PROTECTED]> > Exposure compensation detents are full stops. > (snip)
Re: P30 vs. Super program (Super A)?
Exposure compensation detents are full stops. Pentax lied about synch speed. It's 1/90th. That's my story, and I'm sticking to it. Got two SuperPrograms. -Lon Alan Chan wrote: 15 - 1/2000 shutter speeds, synch is at 1/90 (although specified as 1/125) ??? Exposure compensation +/- 2 EV, continuous, with detents at full stops 1/2 stops as I remember. regards, Alan Chan _ Add photos to your messages with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
Re: P30 vs. Super program (Super A)?
15 - 1/2000 shutter speeds, synch is at 1/90 (although specified as 1/125) ??? Exposure compensation +/- 2 EV, continuous, with detents at full stops 1/2 stops as I remember. regards, Alan Chan _ Add photos to your messages with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
Re: P30 vs. Super program (Super A)?
No, the Super ME is an older one with aperture priority, only. That was ME. ME Super has full manual also. regards, Alan Chan _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
Re: P30 vs. Super program (Super A)?
Here's the list of essential features on the Super A: One screen, horizontal split and microprism surround. Mechanical DOF, self timer, analogue TTL flash Program, aperature, shutter, manual modes LCD shows shutter and (sometimes) aperature Winder & motor drive available (Winder is MEII) PC connector for external flash Small, removable plastic grip on front (must be removed when using winder/drive) LCD can be backlit in dim light No exposure lock 15 - 1/2000 shutter speeds, synch is at 1/90 (although specified as 1/125) Exposure compensation +/- 2 EV, continuous, with detents at full stops Jose Luis Gonzalez Martin wrote: Thanks to everybody who answered my message about my old P30 camera. I´m new in the forum, and I like it a lot. Some of you recommended me to get a manual old Pentax Super Program (Super A here in Europe). Is the Super better enough to get it even having the P30? I like manual SLR, so I would go for one of them if it´s really worthy: there are some Super Program bodies in eBay to bid for. So, can anybody tell me the differences between both cameras? Maybe best the MZ-M (ZX-M)? Thank you! P.D.- Is the Super ME the same camera than the Super Program?
Re: P30 vs. Super program (Super A)?
Thanks to everybody who answered my message about my old P30 camera. I´m new in the forum, and I like it a lot. Some of you recommended me to get a manual old Pentax Super Program (Super A here in Europe). Is the Super better enough to get it even having the P30? I like manual SLR, so I would go for one of them if it´s really worthy: there are some Super Program bodies in eBay to bid for. So, can anybody tell me the differences between both cameras? Maybe best the MZ-M (ZX-M)? P.D.- Is the Super ME the same camera than the Super Program? Super A is the most feature rich Pentax K mount body, and it is the best on paper. However, as Pentax have proven time and again, no camera should be too perfect. So they installed a few things to balance things out. 1) Dim & coarse focus screen (worse then P50). 2) Relatively low viewfinder magnification in its era. 3) Noise mirror/shutter (worse than P50, don't even touch the Motor Drive A). 4) Too much vibration from the mirror/shutter (worse than P50). However, it is the only manual focus camera with 4 expoure modes - manual, auto, aperture priority & shutter priority. It is also the only one with TTL flash beside the LX. This model is also quite reliable. Dirt self-timer & shutter release button contacts are common problem on used models, but they don't require new parts to fix. The area near the semi-transparent plastic on the top plate is the weak part so don't bang on it. IMHO, if you expect super sharp images handheld, get the ME Super or MX. The Super A will disappoint you due to the mirror flip. I don't recommend MZ-M due to its poor viewfinder. regards, Alan Chan _ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
Re: P30 in 2003?
The bright viewfinder was the only thing I missed when I sold the P30t ( had it for some months). And I think the sound of the MZ-M-motor is not more bothering than the CLACKK of the P30t-shutter. BTW: Is the viewfinder of the MZ-S brighter than that of the MZ-M (and the MZ5-N, - I think it's the same)? I am sure you can evaluate that, Alan, am I right? I hade the P50 which is the elder brother of the P30. It has brighter and better viewfinder than the supposed should be good Super A/Program. Personally, I would not consider any MZ/ZX model if you plan to use manual focus, except the MZ-S. The reason is that they all have highly distorted, low magnification, and difficult to manual focus viewfinders. I believe the problem lies at their poor quality uncoated plastic eyepieces which distort everything you see. Pentax abandoned the good old multicoated glass eyepieces since the Z/PZ & MZ/ZX series, until the MZ-S. For this reason, if you want AF body with good viewfinder, MZ-S is your only choice (Z-1p is ok too, but ok only). However, at 0.75X magnification, it is still lower than the P30 that you had. But it did not seem to be a problem the last time I tried it with some manual focus lenses. MX has the highest viewfinder magnification, ME/ME Super 2nd. I currently use the MZ-M screen in the MX and the viefinder is bight and "big". :-) regards, Alan Chan _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus
P30 vs. Super program (Super A)?
Thanks to everybody who answered my message about my old P30 camera. I´m new in the forum, and I like it a lot. Some of you recommended me to get a manual old Pentax Super Program (Super A here in Europe). Is the Super better enough to get it even having the P30? I like manual SLR, so I would go for one of them if it´s really worthy: there are some Super Program bodies in eBay to bid for. So, can anybody tell me the differences between both cameras? Maybe best the MZ-M (ZX-M)? Thank you! P.D.- Is the Super ME the same camera than the Super Program?
Re: P30 in 2003?
About two years ago I got a brand new P30T from a dealer in LA. He had put one on eBay and I emailed asking if he had any more. He had and I paid about $120 I think. Its a fine camera and with a good lens I cannot see how other cameras can 'run rings' around it? Perhaps you'd be able to find a new one as well? I like mine and have a slightly older one, a P30, as well. They are more automatic than any other cameras I've used over the last 50 years or so and if I had to buy something else it would be an MZ-S. The P30T as you know is mostly plastic, but I don't find this a problem. I've never broken a camera and don't intend to start. I did lose one in the sea, but that's another story. Don ___ Dr E D F Williams http://personal.inet.fi/cool/don.williams Author's Web Site and Photo Gallery Updated: March 30, 2002 - Original Message - From: "Peter Alling" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Sunday, June 08, 2003 3:09 AM Subject: Re: P30 in 2003? > The only 'current' camera made by Pentax that is manual is the ZX-M (US > designation) > or MZ-M as it's known in the rest of the world. It's inexpensive and > reliable but > probably doesn't have as nice a view finder as the P30, it's been a long > time since > I've handled a P30 so I can't be entirely sure of that. In all other > respects the > ZX/MZ-M runs rings around the P30 as a picture taker. > > At 01:58 AM 6/8/03 +0200, you wrote: > >Hi! > > > >I own an old P30t as my main slr camera. I like manual photography; can > >anybody tell me if there´s another camera now in the market to buy similar > >to the P30? Pentax, if it´s possible. I would like to buy a new one, but > >manual (I hate AF...). Give me your opinion. Is the P30t "too much old > >fashioned"? What´s the "actual" P30? > > > >Thanks! > > Outside of a dog, a book is man's best friend. > Inside of a dog, it's too dark to read. --Groucho Marx >
Re: P30 in 2003?
Except the viewfinder. Sorry, can't resist. regards, Alan Chan ZX-M would be the closest current equivalent. Also IMO an improvement. _ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
Re: P30 in 2003?
> Hi! > > I own an old P30t as my main slr camera. I like manual photography; can > anybody tell me if there´s another camera now in the market to buy similar > to the P30? Pentax, if it´s possible. I would like to buy a new one, but > manual (I hate AF...). Give me your opinion. Is the P30t "too much old > fashioned"? What´s the "actual" P30? > > Thanks! > ZX-M would be the closest current equivalent. Also IMO an improvement.
Re: P30 in 2003?
The only 'current' camera made by Pentax that is manual is the ZX-M (US designation) or MZ-M as it's known in the rest of the world. It's inexpensive and reliable but probably doesn't have as nice a view finder as the P30, it's been a long time since I've handled a P30 so I can't be entirely sure of that. In all other respects the ZX/MZ-M runs rings around the P30 as a picture taker. At 01:58 AM 6/8/03 +0200, you wrote: Hi! I own an old P30t as my main slr camera. I like manual photography; can anybody tell me if there´s another camera now in the market to buy similar to the P30? Pentax, if it´s possible. I would like to buy a new one, but manual (I hate AF...). Give me your opinion. Is the P30t "too much old fashioned"? What´s the "actual" P30? Thanks! Outside of a dog, a book is man's best friend. Inside of a dog, it's too dark to read. --Groucho Marx
P30 in 2003?
Hi! I own an old P30t as my main slr camera. I like manual photography; can anybody tell me if there´s another camera now in the market to buy similar to the P30? Pentax, if it´s possible. I would like to buy a new one, but manual (I hate AF...). Give me your opinion. Is the P30t "too much old fashioned"? What´s the "actual" P30? Thanks!
Re: Info on P3, P30, P3n, P30n
Levente -Levi- Littvay wrote: Can you tell me what the screen looks like. (is it the diagonally split prism one?) If you have a service manual to these or to the P30t, ME Super SE or ME SE please look up the screen part number. I have a P30t and the screen is diagonal... But do not have a parts manual. -- Later, Gary
Info on P3, P30, P3n, P30n
Does anyone have these? Can you tell me what the screen looks like. (is it the diagonally split prism one?) If you have a service manual to these or to the P30t, ME Super SE or ME SE please look up the screen part number. Thanks L
Vs: The P30 and Land's experiment
This is an old experiment, from the 19th century, I think. It works because the filters are not perfect, they let through some light that they are supposed not to. That´s why Maxwell succeeded. All the best! Raimo Personal photography homepage at http://www.uusikaupunki.fi/~raikorho -Alkuperäinen viesti- Lähettäjä: Dr E D F Williams <[EMAIL PROTECTED]> Vastaanottaja: [EMAIL PROTECTED] <[EMAIL PROTECTED]> Päivä: 24. joulukuuta 2002 15:12 Aihe: The P30 and Land's experiment >Long ago, when he was working on the development of colour film, Land did an >interesting experiment. He took two pictures of the same scene with B&W >film, one through a green filter and one through red. The pictures were then >projected on a screen from two different projectors: one with a green filter >and one with a red filter over the lens. The result was a full colour image. > >In 1963 I found a description of this experiment in Scientific American and >did the experiment myself. Sure enough it worked. How and why? I don't >remember the details, or the explanation, but it had much to do with the >human eye and brain and less to do with the wavelength of the light >involved. I'm going to try the same experiment, but instead of projectors >I'm going to try to do something on my screen with Photoshop and layers. It >may not be possible, but will give me something to mess with between now and >when things get back to normal in a week or so. > >The most interesting thing about the whole experiment is that there were >shades of blue in the images. I'm going to pick up some B&W film for my P30, >before the shops shut, and have a go at this over the holidays. > >Don > >Dr E D F Williams > >
Re: The P30 and Land's experiment
IIRC that was the same method used by NASA to obtain color photos from the Mars lander missions. Bill
Re: The P30 and Land's experiment
Prokudin-Gorskii used a similar method to make color photos across imperial Russian in the late 19th and early 20th century. His work was chronicled in a book unfortunately I don't recall the name, Evan From: "Dr E D F Williams" Subject: The P30 and Land's experiment > Long ago, when he was working on the development of colour film, Land did an > interesting experiment. He took two pictures of the same scene with B&W > film, one through a green filter and one through red. The pictures were then > projected on a screen from two different projectors: one with a green filter > and one with a red filter over the lens. The result was a full colour image. > > In 1963 I found a description of this experiment in Scientific American and > did the experiment myself. Sure enough it worked. How and why? I don't > remember the details, or the explanation, but it had much to do with the > human eye and brain and less to do with the wavelength of the light > involved. I'm going to try the same experiment, but instead of projectors > I'm going to try to do something on my screen with Photoshop and layers. It > may not be possible, but will give me something to mess with between now and > when things get back to normal in a week or so. > > The most interesting thing about the whole experiment is that there were > shades of blue in the images. I'm going to pick up some B&W film for my P30, > before the shops shut, and have a go at this over the holidays. > > Don > > Dr E D F Williams > > http://personal.inet.fi/cool/don.williams > Author's Web Site and Photo Gallery > Updated: March 30, 2002 > > > >
The P30 and Land's experiment
Message text written by INTERNET:[EMAIL PROTECTED] >Long ago, when he was working on the development of colour film, Land did an interesting experiment. He took two pictures of the same scene with B&W film, one through a green filter and one through red. The pictures were then projected on a screen from two different projectors: one with a green filter and one with a red filter over the lens. The result was a full colour image.< Maxwell was the first to discover this and publish. Herb...
Re: The P30 and Land's experiment
Don, Thanks for the reference, I'll have to look for some of the articles. Land and Polaroid did some interesting stuff with color perception. Regards, Bob S. [EMAIL PROTECTED] writes: > Long ago, when he was working on the development of colour film, Land did an > interesting experiment. He took two pictures of the same scene with B&W > film, one through a green filter and one through red. The pictures were then > projected on a screen from two different projectors: one with a green filter > and one with a red filter over the lens. The result was a full colour image. > > In 1963 I found a description of this experiment in Scientific American and > did the experiment myself. Sure enough it worked. How and why? I don't > remember the details, or the explanation, but it had much to do with the > human eye and brain and less to do with the wavelength of the light > involved. I'm going to try the same experiment, but instead of projectors > I'm going to try to do something on my screen with Photoshop and layers. It > may not be possible, but will give me something to mess with between now and > when things get back to normal in a week or so. > > The most interesting thing about the whole experiment is that there were > shades of blue in the images. I'm going to pick up some B&W film for my P30, > before the shops shut, and have a go at this over the holidays. > > Don
The P30 and Land's experiment
Long ago, when he was working on the development of colour film, Land did an interesting experiment. He took two pictures of the same scene with B&W film, one through a green filter and one through red. The pictures were then projected on a screen from two different projectors: one with a green filter and one with a red filter over the lens. The result was a full colour image. In 1963 I found a description of this experiment in Scientific American and did the experiment myself. Sure enough it worked. How and why? I don't remember the details, or the explanation, but it had much to do with the human eye and brain and less to do with the wavelength of the light involved. I'm going to try the same experiment, but instead of projectors I'm going to try to do something on my screen with Photoshop and layers. It may not be possible, but will give me something to mess with between now and when things get back to normal in a week or so. The most interesting thing about the whole experiment is that there were shades of blue in the images. I'm going to pick up some B&W film for my P30, before the shops shut, and have a go at this over the holidays. Don Dr E D F Williams http://personal.inet.fi/cool/don.williams Author's Web Site and Photo Gallery Updated: March 30, 2002
Flash for P30 and SPII
I have a third party brand (TUMAX) AF flash for my Z1P. Could I use it with P30 and old Spotmatic SPII? Thanks. _ Weight Loss products, Herbal Viagra, and much more!http://www.VitaDepot.com _ Promote your group and strengthen ties to your members with [EMAIL PROTECTED] by Everyone.net http://www.everyone.net/?btn=tag
K28/3.5 & P30 for 120 US$
Hello!Just run into a P30 (P3) with K28/3.5 in some sort of pawnshop.I was looking for this lens for a long time to replace my A28/2.8. The camera is in perfect working condition, very clean inside,some paint is missing on the edges of metal bottom plate.The lens is surprisingly totally dust free inside - it was very dusty outside and had some goo from some sticky tape.There is some paint missing on the aperture ring.It is perfect mechanically; it only has couple of cleaning marks on front elementthat are so tiny, that at first, I thought that they were some dust particles. I paid 120 US$ for everything.Was the price OK and how much these things go for? I was thinking of selling P30 with my old A28/2.8.Or maybe I'll keep them as a cheap point&shoot camera for some rough trips! AleksandarJoin the worlds largest e-mail service with MSN Hotmail. Click Here
P30 and P30t macro photography
Hi all, I've been here, but off the list for a while. Now I'm outside crawling about taking pictures of flowers, many being only 2-3mm diameter, as usual. Macro Photography with P30 and P30t: Equipment: Pentax P30 and P30t, Sigma Macro 50mm, several Pentax lenses with Soligor macro converter, small shoe-mounted flash gun (name lost), aluminium reflectors, Fuji and Ferrania negative colour. Processing Tetenal Colortex C-41; s/s tanks in thermostat controlled water-bath. I've devised a new, double, flash reflector. One part goes on top of the flash gun with Velcro and the second part is fastened to the tripod socket - with an adapter so the tripod can still be used. As before the reflectors are made of 0.5mm sheet aluminium polished to remove blemishes and then matted with 'Putkimies' (Pipe-man or plumber) drain cleaner. This drain cleaner contains 10% NaOH and does a creditable job. It takes a little longer than a more concentrated solution, but its right here under the kitchen sink. This time the top reflector is more or less 'T' shaped, extends 130mm from the front of the flash and is directly above the object when the lens is fully extended. The front is bent down and the two 'wings' are curved left and right. The shape is parabolic and I did a lot of calculating to get the angles right. The light is now reflected downwards at about 50 degrees and concentrates (I won't say focuses) on the object. The lower reflector (flat) bounces back some of the light so that the shadows are not as pronounced as they were with only a top reflector. Naturally when I designed this thing I considered only a single ray. The flash, to start with, scatters the light widely. The attached top reflector does more and the light by the time it reaches the object is very diffuse. The light coming up from the lower reflector is much weaker. Using a Seconic flash meter I get a nice f22 at 1:1 with 200 asa film at the subject position. A picture taken with ambient light under these conditions would require four or more times the exposure on a sunny day, even more under cloud. The flash, set on automatic, serves to freeze movement nicely because the ambient contribution to exposure is small. The busiest bees and flies, not to mention wind-blown blooms, come out nice and sharp. I'll be putting a picture of this contraption on my website in a week or so and anyone wanting to see it let me know and I'll give you the address of the directory. Don Dr E D F Williams Author's Web Site and Photo Gallery Updated: March 30, 2002 - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
Re: what a deal! (damaged P30 & K135/2.5)
Mishka, All it takes is an ebay id to bid, and some perseverance. I saw this yesterday and never checked the details...just let it float by! For $46, it is a real deal for the 135mm. Didn't you want one of those? Regards, Bob S. [EMAIL PROTECTED] writes: << http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=1346937180 >> - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .