[EMAIL PROTECTED],.Internet writes:
>If any of you are interested in doing this, July 10-31, every
>day, one item, event, thought, over and over, every day, record
>the change or nonchange. I have a friend who will put them
>online as a time project. He is a doctor. Every day, mind you,
>takes
Sure. Sounds like fun. Perhaps I'll do a nondigital version? drawings, maybe, or a
thought
about a particular topic revisited every day--I'll tune something up. Hey, maybe a
record of
my progress learning a new piano thing? O god no, that would be painful.
Charming notion. Someday I do want to
Not current ones. She did a show at St. Norbert in Winnepeg, Manitoba, a year or
so ago. There were images on the web then. She did a thing called Monstrance
(which translates as a reliquary that you can see into, one with a window) where
she put tiny photos of herself into rabbit carcasses that s
>From: Patricia <[EMAIL PROTECTED]>
>Reply-To: [EMAIL PROTECTED]
>To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
>Subject: [Fwd: FLUXLIST: Time pieces ...]
>Date: Mon, 03 Jul 2000 13:14:51 -0700
>
>Getting serious here, getting serious...(and, believe me that's
>hard to do)
>
>If any of you are in
>From: Patricia <[EMAIL PROTECTED]>
>Reply-To: [EMAIL PROTECTED]
>To: [EMAIL PROTECTED]
>Subject: Re: FLUXLIST: story
>Date: Mon, 03 Jul 2000 13:16:05 -0700
>
>I already got it, but maybe Josh will let me change it around and send it
>to
>you. Josh?
>
>PK
>
I want it next then, and then I ca
oh yes--out of the freezer and into the frying pan!
never a dull moment--
as the senses remain SHARP! with the extremes--and the skin
acutely aware
as the painter Gulley Jimson says of first really seeing a
painting, in Joyce Cary's novel THE H
On Mon, 26 Jun 2000, ann klefstad wrote:
> Would you be interested in discussion of other photographers' work? That of
> Diana Thorneycroft, for example, who plays at the boundary of evidence and
> theater, very different from you but with relations to what you do.
I'm not a 'photographer' *shud
>From: Heiko Recktenwald <[EMAIL PROTECTED]>
>Reply-To: [EMAIL PROTECTED]
>To: [EMAIL PROTECTED]
>Subject: Re: FLUXLIST: Re: trial [freedom from transgression]
>Date: Sat, 1 Jul 2000 10:55:23 +0200 (CEST)
>
>Tell us more about your music.
>
>Heiko
>
Disco is just a name, I don't particularly
No way Ken! You have to post 'em right now, or it doesn't count!
/:b
On Sun, 2 Jul 2000, Ken Friedman wrote:
> Rich history time pieces available.
>
> Am leaving for France, so can't gather
> mine to post.
>
> If still interested, can do so on return.
On Sat, 11 Mar 2000, David A. Ross (D
On Sat, 1 Jul 2000, David Baptiste Chirot wrote:
>
> camouflage in a sense, as with the vanishing bunkers, is very much
> a manifestation of the vanishing of qualities both in their menacing and
> their defeated aspects of war machines and structures
>
> a recent example is the Steal
The Mystic Eye Replies:
the journey of a thousand miles begins with a single step.
Just Do It.
Okey Dokey.
PK
Eryk Salvaggio wrote:
> I just got a digital camera. I am up for it. But I will be in spain in the end
> of july. So I can do it, maybe, for a two weeks. starting today, ending Jul
I just got a digital camera. I am up for it. But I will be in spain in the end
of july. So I can do it, maybe, for a two weeks. starting today, ending July 17th.
Is that okay?
Patricia wrote:
> Getting serious here, getting serious...(and, believe me that's
> hard to do)
>
> If any of you are i
I am trying to reply here, but I can't stop laughing. It's making my fingers
funny. Don't worry, be happy, the doctor has his credentials through Fluxus.
Yet, if you want to document a doctor, or viagra, what the hell, just quite
banging your head, it's got so many writings that I want to read.
PK:
thanks for the project--yes! i will participate
though i wonder--is going everyday to the doctor--it reminds me of
a methadone program!
when it is "hard to get serious" (well, will skip some
connotations!--"when it is serious to get hard"
I also think of Roman Opalka, who is making his 1- infinite, 1965, which is
a continuous counting work, started by one, two, three, four, five etc. ad
infinitum. He writes the numbers in write with oil on black painted
canvases, and each time he ends with a canvas, he shoots a photo
selfportraict
this reminds me of the pseudo-triathlon piece my friend and i were doing for
a while in the spring along chicago's lakefront during the prime jogging
hours of 6-7 am. we wore bedsheet togas and had the plastic cactus shot-put,
the miniature golf club javelin, and the camera-relay. our performance
Dear Patricia and Fluxall-
This project brings me out of lurking. May it be the memory of an object? If so, sign
me up-
it happens to be part of a project I am starting.
thanks,
-sa
Patricia wrote:
> Getting serious here, getting serious...(and, believe me that's
> hard to do)
>
> If any of y
I already got it, but maybe Josh will let me change it around and send it to
you. Josh?
PK
Alex Cook wrote:
> I'll take it...
>
> Alex
>
> >From: "Ronsen, Josh" <[EMAIL PROTECTED]>
> >Reply-To: [EMAIL PROTECTED]
> >To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>
> >Subject: FLUXLIST: story
> >Da
Getting serious here, getting serious...(and, believe me that's
hard to do)
If any of you are interested in doing this, July 10-31, every
day, one item, event, thought, over and over, every day, record
the change or nonchange. I have a friend who will put them
online as a time project. He is a
I'll take it...
Alex
>From: "Ronsen, Josh" <[EMAIL PROTECTED]>
>Reply-To: [EMAIL PROTECTED]
>To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>
>Subject: FLUXLIST: story
>Date: Mon, 3 Jul 2000 14:15:11 -0500
>
>Hello Fluxlist Friends,
>
>Last night, while waiting for something to print at a copy sho
Someone has won my short short short story, so no need to send email.
-Josh Ronsen
http://www.nd.org/jronsen
go
"Ronsen, Josh" wrote:
> Hello Fluxlist Friends,
>
> Last night, while waiting for something to print at a copy shop, I used
> their typewriter to write an improvised short, short, short story. I will
> mail it, the only copy in existence, to the first person who emails me. The
> story involve
Hi all,
I'm now at home with access to my references.
The Tom Philips project I mentioned earlier is called "20 Sites n years".
>From 1964 onwards he has consistently photographed 20 sites local to where
he lives in South London. He has even begun to involve his son in the
project as of a few y
Hello Fluxlist Friends,
Last night, while waiting for something to print at a copy shop, I used
their typewriter to write an improvised short, short, short story. I will
mail it, the only copy in existence, to the first person who emails me. The
story involves Aldous Huxley, death, Cleveland, and
> I once took photos of the sky looking up over the rooftops from my front
> porch everyday for a couple of months. When I showed them in a slide show
> people couldn't believe how beautiful the changing weather was.
Koyanikatzi (sp?)
Every day for a year I would walk up to the Halifax citadel/fort and
silently film the discharging of the noon-day gun/cannon. The retired
legionnaire who fired-it would often see me coming and set-it-off early.
<< http://bbrace.laughingsquid.net/sf.html >>
I once took photos of the sky looking up over the rooftops from my front
porch everyday for a couple of months. When I showed them in a slide show
people couldn't believe how beautiful the changing weather was.
-Original Message-
From: Sol Nte <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED] <[E
note: fluxlisters may find this of great ineterest as a lot of work by
visual poets and mail artists who may be familiar to the list
Copies of BLACKBIRD 2 are still available.
BLACKBIRD ia an international anthology of Art, Poetry, Prose
begun in 1998 by Editor Da
In a different way, Monet did something similar in his studies of
cathedrals and lilies at different times of day, weather--documenting the
energy and life of light on the objects which generate its appearnce--
by being attentive to the same object from the same viewpoint
also
PK wrote:
>Proof of perforation<
Nice to see the act of perforation. I've heard about, but never seen, one of
those machines before. In fact I used to think it would be cool to have a
perforator but I now realise that you need a very big space to house it.
Thanks for a view of the proce
PK wrote:
>I've always liked the time piece in the film "Smoke" where Harvey Kietel
places his tripod/camera at the same spot in front of his shop every day
at the same time and takes a photograph.
This might be a great fluxlist group project. Well, maybe not for a
year, but for a month...photo
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