Hi list,
I've started learning me a bit of emacs, and I would love to get
lilypond working with it as well... However, the installation
instructions in the documentation left me a bit baffled. It
*seems* I should be able to just require the lilypond files, as
they are nicely tucked away in
Thank you for this example which explains me lot of things. Also I found the solution with the model Aikema proposed, that is when you write the music voices (soprano, alto or what else in another part of the file you should give them the same name of the new voice you write in the \score part. I
On Sun 21 Apr 2024 at 18:45:35 (+0200), Hans Aikema wrote:
> > On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:
> >
> > I read as you suggested but didn't find the way. Here is hte piece of score
> > code:
> >
> > \score{
> > \new StaffGroup <<
> > \new Staff \with {
> >
On Sun, 21 Apr 2024 at 20:44, Gian Paolo Renello
wrote:
>
> Your right, thanks. I noticed it and changed as well in my code, but the
problem won't solve (see previous mail about the context)
Hello,
The Lyrics should come after the \new Voice = "sopranoVoice".
If you get an error please send a m
Your right, thanks. I noticed it and changed as well in my code, but the problem won't solve (see previous mail about the context) GP21.04.2024, 19:12, "Hans Aikema" :Fixing up my reply... spotted that I had a difference between the name I gave to the staff and the reference to it in the alignAbov
this part of code: \new Staff = "sopranoStaff" \with { midiInstrument = "choir aahs" instrumentName = "Soprani" } { \new Voice = "sopranoVoice" { \soprano } } works well, but the second part: \new Lyrics \with { alignAboveContext = "sopStaff" } { \lyricsto "sopranoVoic
Fixing up my reply... spotted that I had a difference between the name I gave to the staff and the reference to it in the alignAboveContext. Both have now been synchronised to "sopranoStaff" belowOn 21 Apr 2024, at 18:46, Hans Aikema wrote:On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:I rea
> On 21 Apr 2024, at 17:58, Gian Paolo Renello wrote:
>
> I read as you suggested but didn't find the way. Here is hte piece of score
> code:
>
> \score{
> \new StaffGroup <<
> \new Staff \with {
> midiInstrument = "choir aahs"
> instrumentName = "Soprani"
I read as you suggested but didn't find the way. Here is hte piece of score code: \score{ \new StaffGroup << \new Staff \with { midiInstrument = "choir aahs" instrumentName = "Soprani" } { \soprano } \addlyrics {\sopranoVerse_sup} \addlyrics { \s
Hi, i have a question:ho can i add a 5th voice (for soprano) in a SATB choral work. The 4 voices are all under the staff. I need the fifth one to be over the Soprano staff while the second soprano voices sings the part under the staff. See attached image. Thank you. Gian Paolo
Hi, I am new to lilypond, using Frescobaldi.I read manuals and other stuff but i am not able to repduce with lilypond such a score: There are 8 voices plus the oktavist.The lirycs are above the soprano, for voice 1 and under soprano for voice 2. The same happens for Alto and Tenor voices (when the
Hello,
*Problem*
I have got an extra treble clef on the second Staff when using a PianoStaff
with two \clef bass staves. See the example below
*Example*
\version "2.23.14"
\score {
\new PianoStaff = bayan {
<<
\new Staff = rightHand {
\tempo Lento
\clef bass
Как определить в define-scheme-function аргументы "lyricup" и "lyricdown", чтобы их значения брались из данных \makeScore? При этом у верхней и нижней строк текста должны быть заданы разные шрифты. \version "2.22.1" \header { title = "Сборник мелодических формул знаменного распева" composer=
Dear lilypond fellow users,
it sometimes occurs in barock music that only every other barline is
visible, (see e.g. Haendel's Salomo, choir at the end of Act II ) or that
every other barline is printed in reduced size.(see e.g. Bach Mass in
H-moll, nr 27 "dona nobis pacem" ).
Is there a way to get
Starting lilypond-windows.exe 2.21.4 [the-conflict-of-the-ages.ly]...
Processing `C:/Users/yming
tsang/Documents/CHOIR_2020/the-conflict-of-the-ages/
the-conflict-of-the-ages.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
Interpreting music...
fatal error: cannot crea
Dear community,
the following code is very old, written by Rune Zedeler, but it is very
useful.
It allows You define a motive like:
\motiv #'Stefan {c'8 d' c' d' e2}
and later it can be used like this:
\Stefan {e f g }
and You will get
{e8 f e f g2 }
it can save a lot of typing.
Unfortunately it do
Hi Aaron,
thank you for looking into it. I think I'll get along with the suggestion in
the current score, but I'll also file a bug report because I think this should
not happen in the first place, and the notation is not terribly excentrly ...
Best
Urs
24. September 2019 19:23, "Aaron Hill" s
On 2019-09-24 9:35 am, Urs Liska wrote:
Is there any reason why the slrus in the attached example come out the
way they do (i.e. so horizontal, with the left edge being so far away
from the notehead)?
Seems to be a combination of slurring identical pitches and the
articulation on the one note.
Is there any reason why the slrus in the attached example come out the way they
do (i.e. so horizontal, with the left edge being so far away from the notehead)?
What would be the best way to deal with that? Of course I could \shape them
individually, but there's a lot of them in the scores, so I
get index hpschd96
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Hi everyone,
Has anyone encountered this error in Terminal before? I'm on a Mac (latest
OS) and invoking Lilypond on about 30 parts. This error came up on about
the 25th part.
warning: g_spawn_sync failed (0): gs: Too many open files
All the best,
CRaig
--
[image: photograph]
*Craig D
Dear LilyPond fellows,
who has some experience in creating PNG files on MacOSX?
The problem is that conversion from EPS to PNG fails:
---
Processing `OOoLilyPond.ly'
Parsing...
Interpreting music...
Preprocessing graphical objects...
Ca
Only telling the Truth sincerely, frankly, is powerful, helpful, hopeful.
Who is telling the Truth sincerely, frankly, is powerful, helpful,
hopeful — even when is telling about his/her false, powerless,
helpless, hopeless, desperate — is paradoxically powerful, helpful,
hopeful, and is begging mer
I'm finding that when I use a TabStaff and also set some properties (either
or both of minimumFret and restrainOpenStrings), my first line has an extra
TabStaff! What can I do to get rid of it? Thanks!
Here's what it looks like:
[image: Screen Shot 2017-03-26 at 4.46.59 PM.png]
And here's the c
Hello,
Is it possible to use lily pond online from a server so I can use it on
my chromebook!
thanks
cr
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Exporting to image file in LilyPond version 2.18.2.
1. Command line help tells that lilypond can export prints not only to
pdf but also to png format.
2. Command line help does not tell how set resolution for image
format. I have found the setting in Learning help file. The setting
is: "lilypond -
Thiago,
The parentheses are not needed in the tempo marking.
\tempo Andante
Mark
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Dear All, I would like to add an up bow symbol to the
middle of a tie between two notes. The file seg.pdf is a snippet
of the problem. In the second tie I would like to place a V to denote
up bow. However, the up bow and down bow symbols are attached
to notes in the lilypond file.
Is there some way
So I downloaded lilypond... All I get when I start the application is the
following message: "%{
Welcome to LilyPond
===
Congratulations, LilyPond has been installed successfully.
Now to take it for the first test run.
1. Save this file
2. Select
Compile > Typeset f
Hi guys,
I just downloaded the Lilypond Notation Reference pdf for version 2.19.38
from here:
http://www.lilypond.org/doc/v2.19/Documentation/notation.pdf
and I noticed that in the Table of Contents the page numbers next to the
entries are not clickable hyperrefs like in previous verisons.
Do yo
Dear All, here is perhaps a silly little question.
I am trying to get a slur from a crotchet "into" one of the voices in a
polyphonic voicing. In measure 1 the third blue note should have a
slur connecting it to the next blue note, which is in the polyphonic part.
I tried ( ) and \( \) with no succ
i thought i sent you something showing how to move it
anyway not sure where you want it, but do it like this
HTH
Stephen
VS.ly
Description: Binary data
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}
\relative c'{
\time 6/8
8^[
\shape #'((0.7 . 1.3) (0.2 . 1.1) (-0.1 . 0.7) (-0.2 . 0.4)) Slur
16_( a ) 8 ]
}
And just so you know, the << { ... }\\{ ... } >> implicitly applies
\voiceOne and \voiceTwo, so those are unnecessary.
HTH,
Abraham
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I understand that however you still can not control what note it goes to.
\slashedGrace b8_( 4 )
How would I indicate to have the slur attach to the 'a' note?
>And, until there is a
>better solution, you may have to tweak the shape of the slur to go to
>the correct note (say you wanted to go t
hey for partial after first one in statement use
% part bars
\set Score.measureLength = #(ly:make-moment 1 8)
% done
a'' -4\f |
% set back
\set Score.measureLength = #(ly:make-moment 4 8)
% done
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ed to search for?
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On Wed, Jan 15, 2014 at 3:48 PM, jensgc wrote:
> Kieren MacMillan wrote
>> It’s not… I do exactly this all the time.
>> Simply put your ritardando or stringendo in the same global variable as
>> your \tempo and \mark items.
>
> Hi. Not sure if you have seen my earlier posts - but I don't have my \
Hi,
> Hi. Not sure if you have seen my earlier posts
Sorry… yeah, I missed those.
> I don't have my \tempo and \mark items in a global variable.
I do recommend using a global variable in the future.
> I wrote the quartet part (starting at
> approx. bar 70) in a separate file, making proofreadi
ime 2/4
\tempo Hurtigere 4 = 126
r4\mp gis, |
\time 3/4
gis gis ais |
\time 2/4
b b |
\time 3/4
ais cis b |
ais2.\fermata ~ |
}
voiceAA = {
\time 2/4
R2 |
\time 3/4
R2. |
\time 2/4
R2 |
\time 3/4
R2. |
R2. |
}
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Hi,
> he doesn't want to use a global structure variable:
Sorry… I missed this. =\
>> The reason I don't like the idea of a global "structure" definition is that
>> I have the individual parts (e.g. the quartet and the choir parts) defined
>> in seperate files to be able to test and work with t
Hi,
> Not a bad idea - but I would then have to abandon the idea of the normal
> "rit. _ _ _ _ _ _ _ _ _ al" construct where the text spans the entire
> duration of the ritardando.
Why not just put everything “global” in a global variable?
Then all of this is handled for you easily.
Thanks,
Kier
hi kieren,
On Wed, Jan 15, 2014 at 3:04 PM, Kieren MacMillan
wrote:
>> In regards to tempo markings, it is a different matter, since any change in
>> tempo needs to apply to each and every voice in the system. It makes perfect
>> sense that the \tempo marking always goes to the System - I just do
SystemSpanner
- and perhaps a \startTempoChange \ritardandoAl %%music%% \stopTempoChange
(with 2nd parameter options like \ritardando, \ritardandoAl, \rallentando,
\rallentandoAl, \stringendo, \stringendoAl)
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Hi,
> In regards to tempo markings, it is a different matter, since any change in
> tempo needs to apply to each and every voice in the system. It makes perfect
> sense that the \tempo marking always goes to the System - I just don't
> understand why it is much more difficult to give a ritardando
jensgc wrote Wednesday, January 15, 2014 1:03 PM
> In regards to tempo markings, it is a different matter, since any change in
> tempo needs to apply to each and every voice in the system. It makes perfect
> sense that the \tempo marking always goes to the System - I just don't
> understand why i
and every voice in the system. It makes perfect
sense that the \tempo marking always goes to the System - I just don't
understand why it is much more difficult to give a ritardando or stringendo
the same behavior.
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out {
\context {
\Staff \RemoveEmptyStaves
}
}
}
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On Wed, Jan 15, 2014 at 11:28 AM, jensgc wrote:
>
> Just a quick thought - if I with the temporary polyphony construct shown in
> your example can direct TextSpanner content to a special Dynamics context -
> would it then be possible to skip the Dynamic context (and the spacer
> definitions that g
I use \RemoveEmptyStaves since there are long
sections with empty bars in various voices (the topmost 4 voices form a solo
quartet that is not active before bar 70).
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jensgc writes:
> Eluze wrote
>> you can define the spanner in its own (dynamic) context and move it
>> wherever you want:
>
> thanks for the answer. I am aware of the possibility to have the dynamics in
> a separate voice - and it might be the solution here. I am however not fond
> of having to e
if you plan to use spanners in the voices too you can not remove the
Text_spanner_engraver from the Voice and you would have to \override the
Voice.TextSpanner with empty properties each time you override a
Score.TextSpanner (this could be tedious...)
Eluze
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hi,
On Wed, Jan 15, 2014 at 9:53 AM, jensgc wrote:
> thanks for the answer. I am aware of the possibility to have the dynamics in
> a separate voice - and it might be the solution here. I am however not fond
> of having to enter dynamics in a voice "without music" - for the score in
> question I
Am 15.01.2014 09:53, schrieb jensgc:
Are there any plans on making a "SystemSpanner" or similar that will combine
the flexibility from the TextSpanner with the "only on top of system"
property from \tempo and \mark ?
This sounds like a reasonable idea.
If it isn't possible to do something like
\tempo and \mark ?
What I'd like to do is to write a command that puts the output of
TextSpanner to the top staff in the system, regardless of which staff it is
defined in. Is it possible by tweaking something or do I need to make the
dynamics voice separate?
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TextSpanner #'(bound-details right attach-dir) = #LEFT
s2. s4
\startTextSpan
s2. s4
\stopTextSpan
s1
}
<<
\new Dynamics \myDynamics
\new Staff { R1*3 }
\new ChoirStaff <<
...
...
Eluze
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Hi. In a large choral score I'd like to write a ritardando that appears
only in the top of the entire system (together with \tempo markings) -
without having to define the ritardando in the topmost staff. The voices in
the top staffgroup have no music (just a long series of rests) where the
ritarda
Message: 2
Date: Thu, 5 Dec 2013 18:34:53 +0100
From: Janek Warcho?
To: Jacques Menu
Cc: "lilypond-user@gnu.org discuss"
Subject: Re: improving LilyPond useability
Message-ID:
Content-Type: text/plain; charset=UTF-8
2013/12/4 Jacques Menu
> My recent experience creating choir scores f
Hello to all. I quote from the file usage.pdf in the section about
lilypond-book:
"Each snippet will call the Following macros if they have been defined by
the user:
\preLilyPondExample [...]
\postLilyPondExample [...]
\betweenLilyPondSystem [...]
»
A few pages after this point, there is a concre
Hello to all,
here's a minimal code:
%%
\version "2.16.2"
\relative c {
\clef "bass"
\key c \major
\cadenzaOn
c,2
^\markup { \tiny { Serie armonica del fa (+: crescente; -: calante) } }
^\markup {\small { Corno in Fa } }
c' \clef "treble" g' c e g \stemUp bes4-- \stemDow
hello can someone please help me export my file to lilypond it will not do
it for some reason :(
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Is it possible, with LilyPond, to have something like the "\hfill" effect
in TeX, that is, "fill the rest of the staff with blank space"?
If I type:
{ a b c d \break a b c d \bar "|." }
the layout is ugly because the notes are spread over the whole staff. I
know that:
\layout {
ragged-
Hello,
I start typesetting some songs. I know how to add the lyrics. But the
one song has a short chorus in front of the verses. This looks similar
like this
when I come home
I like the cho - rous { when I sleep at night
but can't li
I am a new user of lilypond and tried the (unchanged) example
Defining predefined fretboards for other instruments
from
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Fretted-strings#Fretted-strings
To my regret I cannot compile it with version "2.14.2"
I get an error list starting wit
What's special about the \clef command in the following:
According to section 2.2.1 of the manual:
"To determine the number of staves in a piece, LilyPond looks at the
beginning of the first expression. If there is a single note, there is
one staff; if there is a simultaneous expression, there is
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LP users,
I encounter compile error from init.ly. Can anyone experience this before?
Detail of the error .
Starting lilypond-windows.exe 2.14.2 [definities-1159.ly]...
Processing `D:/mingtsang-2/lied-1159/definities-1159.ly'
Parsing...
C:/Pro
Dear community,
I have the following problem, which is more a problem with rumor and linux
than with lilypond.
When I type
> rumor --oss
>
I get
Can not open /dev/sequencer
When I just type rumor
I get
> ALSA port connection error; do it manually using `aconnect'
>
and it doesn't react von midi
ymingt wrote:
>
> I compile the .ly file in v2.15.14, there is a programming error and a
> warming. The generated output .pdf file seems OK.
> Questions:
> 1. what is a programming error? Where can I find explaination in NR? --
> red text below.
>
> 2. what is the warning complain about (n
I compile the .ly file in v2.15.14, there is a programming error and a
warming. The generated output .pdf file seems OK.
Questions:
1. what is a programming error? Where can I find explaination in NR? -- red
text below.
2. what is the warning complain about (no line # reference given - don'
hi!
i have a definition that takes a list as an argument
\include "bezier.ly"
beza = {
\bezier #'( 0.1 1.0 0.15 1.0 0.5 )
}
i would like to be able to assign one of the elements of the list with a
variable like this
beza #0.4
feeding into something like this
beza = #(define-music-functio
Paul Thompson-13 wrote:
>
> I am having an error in using lilypond 2.13.38
>
> Here is my input file:
>
> \book {
> \bookOutputName "Romanze"
> a a a
> }
> \book {
> \bookOutputName "Menuetto"
> \score{
>a a a
> }
> }
>
> I am getting a persistent error:
>
> testa.ly:3:4: error:
I am having an error in using lilypond 2.13.38Here is my input file:\book { \bookOutputName
"Romanze" a a a}\book { \bookOutputName "Menuetto"\score{ a a a}}I am getting a persistent error:testa.ly:3:4: error: syntax error, unexpected NOTENAME_PITCH I am inexperienced, but have gone thru
In
/v2.6/Documentation/topdocs/NEWS.html:
The SVG backend is now a fully functional backend.
Please, can this be fixed this in 2.12? It is hardly a new feature.
Hasn't it been out of commission long enough? TAI. Regards, daveA
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Dear Sandeep,
Yes, there is an solution, hope You can use it:
#(define (naturalize-pitch p)
(let* ((o (ly:pitch-octave p))
(a (* 4 (ly:pitch-alteration p)))
; alteration, a, in quarter tone steps, for historical reasons
(n (ly:pitch-notename p)))
(cond
((and (> a 1
Dear Patrick,
Yes, why not using latex and vector-graphic, but I also don't know how to do!
But I guess, that everything, that we need can be done by lilypond itself.
Cheers
Stefan
Dear Stefan,
>
> thanks for your snippet. That's about what I was looking for. I like your
> idea
> of jointly buildi
How to make an easy installation on vista ? I have very little it background.
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Hi.
Given these three bars:
{c c c c | c c c c | c c c c}
with the following output:
1) I would like to change the spacing of the second bar in
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Greetings -
I'm running LilyPond 2.11.53 under WinXP SP2.
I'm trying to add ossia to a traditional Nova Scotian fiddle tune, and
I can't figure out how to get rid of the initial clef in the ossia
staff. I've tried using explicitClefVisibility, but I can't get it to
work. Anyone have any suggestio
Hey Graham (et al.):
I'm back out of my rabbit hole for a while... =)
What can I do to help the docs project? At one point, we were talking
about me doing some "large scale", "real world" examples — putting
together a real tutorial on chord name changes, revamping the
examples on styleshe
Hello.
In the following example I need all the stems to be up.
<<{c1} \\ {c8 f a d e d a f}>>
How could I do it? I tried to put \stemUp anywhere but it didn't work.
I'm sorry if my question is stupid. I'm a newbie.
Thank you for any answers.
Petr Muzikar
Dear all,
I want to have both of the first two notes tied -the d and the f-
sharp. How do I achieve that?
Thanks for a hint
ole
%%%
\version "2.10.15"
\new Staff {
\time 3/4
\relative c' {
r4 2| \voiceOne
<< { fis8. d'16 } \new Voice = "1" { \voiceTwo
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I am trying to get an "ossia" section like the example in section
6.4.8 of the user guide, but for a voice within a ChoirStaff.
Attached is my attempt at modifying the example but a clef and time
signature appear at the start of the line (also, a key signature would
appear if there were one). Is
And yet another problem.
In the following code bar 23 is only 7 instead of 8 16ths long.
I marked the part in the code.
I can't figure out what's wrong, maybe someone can help me here.
Thanks in advance.
Tao
{
\time 2/4
\key d \minor
\partial4
\relative c''
Hi ! I try to use markup text and \with-url. That works fine if I authorized
point-and-click. But if I run lilypond with the -dno-point-and-click option I
don't have link in my PDF. Is it a known issue ? If not to reproduce it I
enclose a test file.If you run lilypond test.ly. The pdf file conta
Dear all,
I use Trillspanners without the "tr" at the beginning (left side) for
"vibrato ampio"
Yesterday Night I downloaded the last version of LP (2.11.15-1).
Now my tweak below does not work any more but I'am not sure if this
is the reason
\override Voice.TrillSpanner #'edge-text = #'("
Good morning!
Today I downloaded LilyPond, gave it a first try, and liked it a lot.
So I will see if I can get to learn the how-to. I have started with
my string quartet ( I still prefer to write with my own hands, but it
is a nice way to practise) and with some didactical work for my
pup
In trying to use the OOoffice LP macro, I get:
Parsing..ERROR: unbound variable: ly:parser-print-score
I suppose this is because the templates are designed for LP 2.6 and I'm using
2.8. but I don't know what to change in the templates to make them work.
Can someone tell me?
Many thanks, especial
Right, that looks like an excellent start. I don't know much scheme; could
I
pass variables into that? Thing is, as it stands, i'll have to define
multiple versions of the same thing, with different coordinates for
control-points.
Ideally, I'd have a... function?... into which I can pass two li
Greetings,
I attach a minimal example of my problem. I have some tweaking to do of slurs,
by overriding control-points. I have hit a problem when I try to do this
across a line-break; as can be seen in the attached file.
Is there any way of doing this over line-breaks? Is this a bug, or could
i
Im having problems with this file
http://www.ezequielsierra.com/1.txt
Lyrics Jumping to next staff
Removing Staff Numbering
Adding repeat to the end of the song
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Geoff said:
Every now and then, assigning durations to syllables really is easier than
\lyricsto. I was trying it with long-duration notes and ran into a
problem--\breve is not interpreted as a duration in Lyrics context.
Fr. P says:
I think you can do this: { word1*4 } That's the same duration as
Hi,
I'm trying to move some dynamics downards. From
various places from the internet, I've come up with:
\context Staff =
violini <<\property
Staff.DynamicLineSpanner \override #'direction =
#-1\global\set
Staff.instrument = "Violin I"\set Staff.instr =
"Vln.
I"
Quoting Marcus Macauley <[EMAIL PROTECTED]>:
As an alternative to the second method -- and a perhaps more
conventional one, recommended by Kurt Stone -- niente can be notated
not with the dynamic letter "n" but with the italic "n." (this time
with a period). This should be possible to do no
Mats Bengtsson wrote:
Quoting Marcus Macauley <[EMAIL PROTECTED]>:
As an alternative to the second method -- and a perhaps more
conventional one, recommended by Kurt Stone -- niente can be notated
not with the dynamic letter "n" but with the italic "n." (this time
with a period). This
Arno Waschk wrote:
dear list,
for a contemporary music score i need hairpin having a circles around
their tip, indicating cresc./descresc. from/into silence.
what is the easiest way to enter these into the score? or does this
need to be implemented yet? i did not find that mentioned in the
On 3/16/06, Marcus Macauley <[EMAIL PROTECTED]> wrote:
> On Thu, 16 Mar 2006 14:27:24 -0800, Trevor Bača"" <[EMAIL PROTECTED]>
> wrote:
>
> > On 3/16/06, Marcus Macauley <[EMAIL PROTECTED]> wrote:
>
> >> Another way of notating this, which I prefer, but also I think needs to
> >> be
> >> implemente
On Thu, 16 Mar 2006 14:27:24 -0800, Trevor Bača"" <[EMAIL PROTECTED]>
wrote:
On 3/16/06, Marcus Macauley <[EMAIL PROTECTED]> wrote:
Another way of notating this, which I prefer, but also I think needs to
be
implemented, is to follow the decresc. (or precede the cresc.) with a
bold/italic
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