Any hints on how I can accomplish this? Thanks.
With parallel music and skips
<< { \someMusic } { s1*33 \pageBreak } >>
I have one parallel global part for time and tempo indications, etc.,
one for notes and one for dynamics and I do as
e clearly
output to stderr I don't see how if you do the following:
lilypond test1.ly 2> err.txt
you get the error messages on the command line.
I'd be glad to follow this farther if you want.
Paul Scott
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James E. Bailey wrote:
> Maybe I don't understand what role the 2 has in this. But it really
> doesn't work for me
2 is stderr. (0 is stdin, 1 is stdout)
>
> bash-3.2$ lilypond test1.ly 2 > err.txt
There is no space between the "2" and the ">" .
> GNU LilyPond 2.11.47 »test1.ly« wird verarbeitet
why it would be a good idea to let the computers
> do the job... :-)
But that analysis software would be programmed by humans. :)
Paul Scott
>
>
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> lilypond-
luis jure wrote:
> El Wed, 11 Jun 2008 11:26:30 -0700
> Paul Scott <[EMAIL PROTECTED]> escribió:
>
>
>
>> But that analysis software would be programmed by humans. :)
>>
>
> ( the joke was supposed to lie there... :-)
hat I want or I break the
piece into parts and transpose the parts differently.
This is not to discourage the solution presented by Mats as an option.
Paul Scott
> Cheers,
> Valentin
>
>
> ___
> l
Robert Glover wrote:
>I'm the (newbie) person whose post instigated this thread. I faithfully
> applied the advice given, but alas the result was not satisfactory. The lead
> sheet is a classic example of the worst possible case:
(snip)
>Anyway, thank you very much for the timely su
erent approach
than I do when I often rearrange music for groups which don't have the
exact instrumentation as the original composition.
(Thanks for reminding me to use \transposition for midi output).
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Kieren MacMillan wrote:
> Hi Paul,
>
>> I always do this manually even if I put the concert key in a global
>> block.
>
> I'm not sure what you mean here... what do you always do manually?
Change the key in the music when the player changes to an instrument in
another key. I do have shortcut macro
Kieren MacMillan wrote:
> Hi Paul,
>
>> Change the key in the music when the player
>> changes to an instrument in another key.
>
> But when this happens at the same time as the \global key change,
> don't you get an error?
For what I've done which includes transcribing pieces for different
than th
rfect as the final output.
>>
>
> That's a lot harder than you realize. It might be possible with
> svg export; it's a bit faster than pdf/png.
>
What occurs to me here is just temporarily turning off all of the
intelligent collision avoidance options.
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utilising chordmode correctly
\new Staff {
\clef bass
\key d \major
\relative c {
d e d g a}
\chordmode {
d e:m d g a:sus}
}
Maybe you want the chords parallel to the roots. Something like this:
chords1.ly
Description: Binary data
Paul Scott
_
= \key a \major). I have commands like cueOn (and Off) and
caesuraOn, etc.
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tic?
>
The GUB's on this page are trivial to install on any LInux system:
http://lilypond.org/web/install/#2.11
I run them on Debian which as you know is the base for Ubuntu.
Paul Scott
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ht
Joseph Haig wrote:
> 2008/7/26 notesetter <[EMAIL PROTECTED]>:
>
>> Is there an Ubuntu package for LilyPond? Suppose I'm using LilyPond 2.10.33
>> and want to upgrade to the latest (development) branch. Is there a "software
>> source" I can type in and then have the latest version downloaded and
music.
Any ideas or pointers to documentation to make more sense of this?
TIA,
Paul Scott
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Trevor Daniels wrote:
>
> Paul Scott wrote Sunday, July 27, 2008 4:01 AM
>
>
>> Hi,
>>
>> When I use << { } \\ { } >> without voice naming to show note variations
>> in different verses of a song the parallel music gets skipped by the
>> l
Kieren MacMillan wrote:
> Hi Paul,
>
>> When I use << { } \\ { } >> without voice naming to show note variations
>> in different verses of a song the parallel music gets skipped by the
>> lyrics. I have read all the relevant 2.11 docs without finding a way to
>> name the voices so that the lyrics
>
>
> %
> % Start cut-&-pastable-section
> %
>
> \paper {
> #(define dump-extents #t)
>
> line-width = 160\mm - 2.0 * 0.4\in
> ragged-right = ##t
> indent = 0\mm
> force-assignment = #""
> line-width = #(- line-width (* mm 3.00))
> }
at's the way Lily works. It may not be completely intuitive. The
lyrics just go along straight following the notes ignoring any other
structural commands like \volta and \alternative. You have to put skips
in your music to skip endings, etc. where you don't want lyrics. I
usually do t
ame directories as data (your .ly files).
(Just like Windows and Mac actually). If you had installed Lily in a
directory like /usr/local you wouldn't have to worry about running
commands in the current directory. This is again part of the learning
of the Linux command.
HTH,
Paul Scott
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Kieren MacMillan wrote:
> Hi all,
>
>> You have to put skips in your music to skip endings, etc.
>> where you don't want lyrics. I usually do this with "_" (underscore).
>
> I tend to use
>
> \repeat "unfold" 42 \skip
>
> where 42 is replaced with the appropriate number of skips required.
Sure
Dominic Neumann wrote:
> It can be, but this only works in \lyricmode:
>
Which is the only way I do lyrics. :)
Paul
> OKAY: \repeat unfold 4 \skip 1
> NOT OKAY: \repeat unfold 4 _
> OKAY: \lyricmode { \repeat unfold 4 _ }
> ALSO OKAY: \repeat unfold 4 \lyricmode { _ }
>
> Instead of what Kier
Dominic Neumann wrote:
> Good point!
>
> But if I have a score with three ore more verses and one refrain at
> the beginning, I define a command refrSkip which I add at the
> beginning of verses 2, 3, ...
>
> refrSkip = \repeat unfold 42 { _ }
>
> doesn´t work then.
>
> I use it that way:
>
> \
h of
your files, or you create one "stylesheet" containing all your
customizations, which you then include into all your .ly files).
I just usually use the \header fields piece or poet for the
instrument. These fields are both on the left a
/Documentation/ (development version)
HTH
Paul Scott
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#x27;(LEFT)
Paul Scott
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lles
>>
>> Attachment (countLilyNotes.pl): text/x-perl, 665 bytes
>>
>>
>
> I am unable to get the attachment (I get http error 404). What am I missing?
>
Your browser is probably the default application for perl scripts. Try
right-clicking and doing a
h part
or score I am working which I can also atl-tab to. I never use Emacs
commands like compile. I have discovered that crtl-L will refresh an
instance of gv.
To save time I also compile to PS (--ps).
I do the same thing on my Linus box.
Paul Scott
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lo' and 'tutti' ?
^\markup\small{ solo } following a note.
HTH,
Paul Scott
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Hi,
>From here lilypond.org seems to be down. I can't even ping it.
Paul Scott
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Reinhold Kainhofer wrote:
> Am Freitag, 26. September 2008 schrieb Patrick Horgan:
>
>> Paul Scott wrote:
>>
>>> Hi,
>>>
>>> >From here lilypond.org seems to be down. I can't even ping it.
>>>
>> From here
)
There has not been a Debian package for quite a while since the GUB's
are so easy to install. I run Debian unstable.
Perhaps someone will make another package when 2.12 is released but then
any improvements will not be available until another stable version of
Lily is released.
Paul Scott
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%d" (localtime (current-time)))
>
> \header{
> .
> .
> .
> subsubtitle = \date
>
>
> BUT, how do I do this:
>
> subsubtitle = { "version " + \date}
>
> I cannot find an example, and haven't been able to figure it out
> empirically.
Just add \markup.
subsub
t" for the following
page in it's \score block.
HTH,
Paul Scott
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idn't seem to eliminate the bar
numbers.
More later,
Paul Scott
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Mats Bengtsson wrote:
Paul Scott wrote:
If you have a good reason to do what you ask for, why not simply
define a macro
which both draws a rehearsal mark and does a \once \override
BarNumber #'transparent = ##t
I just gave that a quick test and it didn't seem to eliminate the bar
n
Mark Polesky wrote:
Mats Bengtsson wrote:
If you replace it by \once \override
Score.BarNumber #'transparent = ##t,
it should work. Sorry!
Paul,
alternatively you could use this solution:
barNumberMark = {
\once \override Score.BarNumber #'break-visibility = #'#(#f #f #f)
\mark
x27;t \skip for many many versions
since 's' became functional enough.
2. I usually use _ (underscore) to skip applying a lyric syllable to a
note. ( \repeat unfold nn _ )
3. Are the quotes on "unfold" necessary? I don't put quotes on volta,
unfold or percent and h
e bar numbers is moved to the right which looks ugly. Is there
another way to move the bar numbers without moving the music?
Thanks,
Paul Scott
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the closing bracket in with it to, but that
had the same result.
The documentation you refer suggests more, It is:
<< { voice_one } \\ { voice_two } >>
All of those symbols are necessary,
Paul Scott
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the closing bracket in with it to, but that
had the same result.
The documentation you refer suggests more, It is:
<< { voice_one } \\ { voice_two } >>
All of those symbols are necessary,
Paul Scott
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e else.
What could I be doing wrong?
LilyPond is not a point and click GUI program. There is no icon. It's
more like a compiler.
Please start with the tutorial.
http://lilypond.org/doc/v2.10/Documentation/
Paul Scott
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Tao Cumplido wrote:
yes, I tried that but the double-barline needs to be there and when I remove it
the second ending bracket is closed which shouldn't be.
Replace "||" with "||:"
Paul Scott
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oBarline = ##f
{ s16 s8.\> s2 s4\! }
>>
e\f %112
s2*0^\markup{ \left-align{ "Poco meno" } } R2*5 %117
R2*2
}
TIA for any ideas.
Paul Scott
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thing like the current instrument
header field for each movement?
TIA,
Paul Scott
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block
doesn't seem to make sense.
Is there a current way to change something like the current instrument
header field for each movement?
TIA,
Paul Scott
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-margin = .3\cm
bottom-margin = .3\cm
}
\layout{
indent = 0\in
\context { \RemoveEmptyStaffContext }
}
TIA for any ideas,
Paul Scott
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t the tutorial in a while. This is great!!
Thanks to everyone improving the documentation!!!
Paul Scott
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and Vertical Spacing sections of the manual.
TIA for any ideas or references to previous discussions,
Paul Scott
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Moved back to list:
Steven Weber wrote:
I always use extra-offset: \once \override Score.RehearsalMark
#'extra-offset = #'( 0 . -2 )
It's not optimal, since it removes the rehearsal mark from future collision
detection, but if you're just moving it vertically, it should be fine.
Thanks! I
d for several hours reducing my real example to the
following. If a simpler example is needed I will see what I can do.
Thanks,
Paul Scott
\version "2.11.34"
\include "english.ly"
#(set-default-paper-size "letter")
#(set-global-staff-size 20.8)
\paper{
paper-size = &q
Michael David Crawford wrote:
> Paul Scott wrote:
> > 2.11.34
> >
> > In this example there is clearly room for another system on the first
> > page. Removing anything from the header will allow another system to
> > move to the first page. Whatever is removed fr
Jeff Elliott wrote:
I also have (just last night) had a similar vertical spacing problem
(2.11.34).
I had a piece covering two pages, the majority on the first page, and
the page break was where
I wanted it. Then I change a bit of the spacing of a text markup
(extra-offset) and I lost one of t
Joe Neeman wrote:
On Sat, 10 Nov 2007 14:58:45 Paul Scott wrote:
2.11.34
In this example there is clearly room for another system on the first
page. Removing anything from the header will allow another system to
move to the first page. Whatever is removed from the header clearly
doesn&#
Han-Wen Nienhuys wrote:
2007/11/11, Paul Scott <[EMAIL PROTECTED]>:
Thanks very much. Sorry I missed the bug report.
Will there be a 2.11.35?
Yes. There is finally light at the end of the GUB tunnel, so
hopefully this or next week.
Great! Thanks,
Joe Neeman wrote:
On Mon, 12 Nov 2007 19:00:02 Risto Vääräniemi wrote:
Dear Han-Wen and all,
2007/11/11, Han-Wen Nienhuys-5 wrote:
Yes. There is finally light at the end of the GUB tunnel, so
hopefully this or next week.
Thanks for the info. I was just about to write a bitteri
relative c' {
r4 << { fis2 ~ fis8. d'16 } \\ { d,2 ~ d4 } >> r2 |
}
}
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Han-Wen Nienhuys wrote:
> 2007/11/17, Joe Neeman <[EMAIL PROTECTED]>:
>
>
>> PPPS: In the next version, you will be able to set page-count = #some-number
>> in the paper block, which should make these things easier to control.
>>
>
> I've just release 2.11.35.
>
I'll be happy to test it
Han-Wen Nienhuys wrote:
2007/11/21, Paul Scott <[EMAIL PROTECTED]>:
I've just release 2.11.35.
I'll be happy to test it when it's available.
it's already on lilypond.org, however, something must have broken with
our mirroring process to linuxaudio
Paul Scott wrote:
Han-Wen Nienhuys wrote:
2007/11/21, Paul Scott <[EMAIL PROTECTED]>:
I've just release 2.11.35.
It solves both problems in this thread!
Thanks!
Paul
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http://li
Francisco Vila wrote:
2007/11/21, Paul Scott <[EMAIL PROTECTED]>:
Han-Wen Nienhuys wrote:
2007/11/21, Paul Scott <[EMAIL PROTECTED]>:
I've just release 2.11.35.
I'll be happy to test it when it's available.
it's
Paco Vila wrote:
> GNU LilyPond 2.11.35
> ERROR: In procedure primitive-load-path:
> ERROR: Unable to find file "ice-9/boot-9.scm" in load path
>
> I promise further testing.
>
> switching back to .De34 works fine.
>
Works fine on my Debian sid system.
Paul
__
the end of the repeated section
since ":||" is apparently undefined:
{ a'1 \repeat volta 2 { g'1 } \break \bar ":||" f'1 g'1 }
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Dominic Neumann wrote:
2007/12/9, Paul Scott <[EMAIL PROTECTED]>:
why does "||:" exist and ":||" not? seems unlogical to me...
The second question is not answered and should be considered something
like a bug.
The following leads to no bar line at the e
Trevor Daniels wrote:
Paul Scott wrote on 09 December 2007 15:06
Now you know the meaning of "||:". What would
then be the sense of ":||"?
"||:" produces a double barline at the end of
the bar before "||:" if
the
(32, 16, 8, etc.) with half of that duration and then do it for
the duration twice that long, etc.
Paul Scott
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Mats Bengtsson wrote:
Paul Scott wrote:
Deacon Geoffrey Horton wrote:
I'm not looking at triplets (or tuplets) here. I've got a piece
entered in 4/2 time, and I'd like to convert it to 4/4 without going
through and manually altering all the durations. If the manual says
ho
e a \score command in each included file.
Create sections like
parti = \relative c' { ... }
and
partii = \relative c' { ... }
in the separate files and
\score {
\parti partii
}
in the main file.
Paul Scott
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ually, the only tied note is g.
8 4.
works in 2.11.36
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e caesura glpyh right where I wanted it.
This code used as:
\caesuraOn \breathe
doesn't seem to work in 2.11.36 (I get scripts.rcomma).
TIA for any ideas why,
Paul Scott
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check my nested brackets, they seem all right (but not sure). Can
you help me?
The result is one staff in bass clef. I believe you need to have a
separate \relative { ... } for each staff rather than enclosing the
whole PianoStaff in one \relative { ...
On Dec 30, 2007, at 9:51 PM, hhpmusic wrote:
These are my files.
I'll check more in a few minutes but I never create a Staff of any
kind inside a \relative{ ... }. Try reversing the \relative and \new
Staff for each hand.
Paul
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On Dec 30, 2007, at 9:59 PM, hhpmusic wrote:
Sorry, the octave of rh is wrong, for I'm writing the file in my
braille computer with braille keys. I often miswrite ' to ,.
But the error is still here.
I now have both staves. Something you will have to deal with is that
LilyPond is cas
On Dec 30, 2007, at 9:59 PM, hhpmusic wrote:
Sorry, the octave of rh is wrong, for I'm writing the file in my
braille computer with braille keys. I often miswrite ' to ,.
But the error is still here.
I now have both staves. Something you will have to deal with is that
LilyPond is cas
Wilbert Berendsen wrote:
Op zondag 30 december 2007, schreef Paul Scott:
I used to be able to replace the breath mark with something like the
following which I have corrected for the new straight caesura glyph name:
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-m
cst.ly
Description: Binary data
On Dec 31, 2007, at 5:43 AM, Wilbert Berendsen wrote:
I created a file only containing:
---8<--8<--
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-markup "scripts.caesura.straight")
{ c d
\caesuraOn \breathe
Wilbert Berendsen wrote:
Op dinsdag 1 januari 2008, schreef Paul Scott:
\version "2.11.36"
caesuraOn = \override BreathingSign #'text =
#(make-musicglyph-markup "scripts.caesura.straight")
caesuraOff = \override BreathingSign #'text =
#(make-musicglyph-mar
next
projects.
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doing the builds and a Mac G3 and possible access to an XP box.
Paul Scott
- Documentation Editor (1 hour): when there's a submission to
lilypond-devel (*not* lilypond-user) for new docs, add them. If
there's a bug discussion that requires noting the bug in the
docs, do it. Revi
Han-Wen Nienhuys wrote:
2008/1/1, Paul Scott <[EMAIL PROTECTED]>:
Graham Percival wrote:
An previously announced, am I gradually leaving LilyPond. This
leaves a large number of tasks unfilled.ate lilypond knowledge)
I would consider the job of Documentation Editor. D
ke it free to accept other
types of text such as Chinese, Japanese, Russian and Arabic languages?
LilyPond fully supports UTF-8. Just make sure your editor supports
it and it is enabled.
Paul Scott
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Is it clear that you have the correct paper size? I believe it's A4 but
I haven't found that in the doc's yet.
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o a zero-length skip note, i.e.
s1*0^"Allegro"
R1*4
Attached is an example which doesn't work that way. It centers the test as
MultiMeasureRestText
<http://lilypond.org/doc/v2.11/Documentation/user/lilypond-internals-big-page#MultiMeasureRestText>
would be expected t
Jonas Nyström wrote:
Hi!
Where can I find information about how to install the latest Lilypond
versions on my Ubuntu machine?
No problem with the .deb versions I've found, but they're a bit dated...
This has changed recently. 2.10.33 is available for Debian sid by
apt-get.
I can no longer find (with the 2.11 docs) how to put special (reserved)
characters into text markup. Can someone please remind me?
TIA,
Paul Scott
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Germain G. Ivanoff-Trinadtzaty wrote:
I can no longer find (with the 2.11 docs) how to put special
(reserved) characters into text markup. Can someone please remind me?
TIA,
Paul Scott
Maybe :
\markup \char #'2014-Germain
That's a good answer which I can use.
I was actuall
, Clifford Brown, Gerry
Mulligan and
others. All licks present in the database were carefully transcribed and
examined to contain no errors.
I just visited the site and it would seem the search mechanism is
somewhat awkward. One should be able to click to the final result.
Paul Scott
Valentin Villenave wrote:
2008/1/11, Paul Scott <[EMAIL PROTECTED]>:
That's a good answer which I can use
This is not really needed anymore, as LilyPond can support all UTF-8
characters natively.
I was actually thinking about normal characters like '"
\global
{ r1\fermata
R1^\fermataMarkup \repeat unfold 6 c''1 }
>>
>>
}
Thanks,
Paul Scott
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Ole Schmidt wrote:
I looks like it treats percussion like alto clef with middle C on the
center line.
alto clef is so hard to read :)
What instruments are you writing for that need pitches and also need
percussion staff.
This is possibly related to
Showing melody rhythms
e you trying to write?
I looks like it treats percussion like alto clef with middle C on the
center line. This is possibly related to
Showing melody rhythms
in Section 2.4.1 in the documentation.
Paul Scott
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Ole Schmidt wrote:
I write for "Schlitztrommel" which is a tuned percussion instrument
I recognize the instrument but I don't know how to write for it. Does
it not use a normal treble or bass clef?
Paul
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least November. There are some partial
workarounds. Google for LilyPond on 10.5 or Leopard for more
information. I don't know why a notice isn't on the LilyPond downpage
by now.
Paul Scott
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Mats Bengtsson wrote:
The TextScript and MultiMeasureRestText objects have the same
outside-staff-priority (450) by default. If you for example set
\override MultiMeasureRestText #'outside-staff-priority = #'400
your example will look better.
Thank you very much. That works perfectly for my rea
Bars = ##t
<< s4*0^"first" R1*2 >>
<< s4*0^"second" R1*2 >>
}
Paul Scott
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Trevor Daniels wrote:
Paul
Release 11 differs from release 10 in this respect. IIRC
release 10 expanded a bar to accommodate text attached to a
skip note in a multi-measure rest bar. The R11 NR now says
at the end of 1.2.2, Writing rests:
...
Long text is better attached to a
zero-lengt
Mats Bengtsson wrote:
If you replace the spacing note with an ordinary note, you see better
what happens.
If you then keep playing around with the example, you will notice that
it's the "*0"
that's the culprit. If you use s4^"..." instead, the result looks much
better.
Thanks. It does look muc
e the \revert cancels the \override before the
\override happens:
\override Score.RehearsalMark #'font-size = #1
\mark "text"
\revert Score.RehearsalMark #'font-size
Paul Scott
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Paul Scott wrote:
In 2.11.37 NR 6.1.5 mention is made of \revert not working. This
should probably be expanded to explain what it takes for an \override
to be established so that the corresponding \revert will work. If I
knew the answer I would attempt to do this but I don't.
OTOH
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