Re: The Society of the Unspectacular

2007-06-12 Thread Jon Lebkowsky
On 6/11/07, Felix Stalder <[EMAIL PROTECTED]> wrote: > On Sunday, 10. June 2007 19:42, Morlock Elloi wrote: > > > If "empowerment" of the public by cheap self-publishing has demonstrated > > anything, it is that a vast majority has nothing to say, lacks any > > detectable talent and mimicks TV in p

Re: The Society of the Unspectacular

2007-06-12 Thread Morlock Elloi
One reason for this is that in each "battle space", symbolic or real, the stronger wants, well, to win. So if the increase of secrecy is seen as empowerment, it's only natural that one will want opponents (subjects) dis-empowered in that respect. Otherwise it would take all the fun and profit from

Re: War profiteers in art (Biennale di Venezia, 2007)

2007-06-12 Thread Ana Peraica
the role of the war reporter that has emancipated indicating a cultural Well, the text not immediately on that, but... >> need for the distant trauma in public > Sometimes it's not so distant. People in Iraq do watch TV news > reports about the war going on around them. Good if they have the el

Re: War profiteers in art (Biennale di Venezia, 2007)

2007-06-12 Thread Benjamin Geer
On 11/06/07, Ana Peraica <[EMAIL PROTECTED]> wrote: > I am thinking again on the role of the war reporter that has emancipated > indicating a cultural need for the distant trauma in public Sometimes it's not so distant. People in Iraq do watch TV news reports about the war going on around them.

ephemera "Immaterial and affective labor: explored" issue released

2007-06-12 Thread stevphen shukaitis
ephemera "Immaterial and affective labor: explored" issue released The new issue (7.1) of ephemera: theory & politics in organization, entitled "immaterial and affective labor: explored," has just been published at http://www.ephemeraweb.org. This latest special issue offers a critical engag

Re: The Society of the Unspectacular

2007-06-12 Thread Keith Sanborn
We all like to stand on the corpses of giants; it makes us seem taller, but one should note, that it makes the footing mushy. A superficial attachment of the historical limits of the situationists to a particular set of technologies or their social configurations is very old and very tired ne

Re: War profiteers in art (Biennale di Venezia, 2007)

2007-06-12 Thread Ana Peraica
Good if they have the electricity! Not quite common for war zones. > Some people apparently have electricity often enough to make scathing > comments about what they see on TV; blogger Riverbend is an example: > > http://riverbendblog.blogspot.com/ good one! I actually believe more can be done wi