Hi Don,
your approach to use an integer for timing is similar to what MusicXML
does.
But they are using an integer parameter "dimensions", which signifies
the duration of a quarter note.
Everything else is being calculated relative to this value. It can be
chosen according to needs (e.g. w
2016-12-14 6:33 GMT+02:00 Don Simons :
> This is not an unreasonable request.
I'll agree with that assessment as soon as someone can
point me to a composition regarded as more or less repertoire
for a concert pianist and containing 128th notes. Liszt, Scriabin,
Rachmaninov, anyone?
> So without
@ Dirk: I wonder whether you regard the Beethoven Piano Sonata in
c-minor, op. 13 as repertoire.
@ Don: I do not have the faintest idea, why and how you produce the
128th in the sample. In case you change your mind and find some time for
analyzing the problem, I would offer my time to help in th
2016-12-14 12:33 GMT+02:00 Dieter :
> @ Dirk: I wonder whether you regard the Beethoven Piano Sonata in c-minor,
> op. 13 as repertoire.
My mother used to play it (only the Andante Cantabile though).
> It seems that the Lilypond people are quite active and that we
> are losing market to them.
@
Dieter, your Beethoven example is an interesting challenge. Without worrying
about the internal hows and whys, I believe PMX as is could handle the
entire thing straightforwardly. That's because the only notes with 5 beams
(in the 4th and last bars) are xtuplets, and there are no single notes with
Doing these empirical experiments without digging into the code is kind of
fun. I started wondering whether PMX could do the 16-tuplet in the last bar
of Dieter's example. (I had a vague recollection there was a limit on the
number of notes in an xtuplet...and there is, but it's 24 notes) Anyhow, t
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