(313) 313er in the media
Just wanted to let the list know that Detroit ex-patriate and ex-313 lister (if I remember correctly) Jon Santos is featured as one of the FRESH Forty Designers under Thirty in the JAN/FEB issue of I.D. (the American one, not the UK one). It's on page 71 and the article is entitled "Uncommon Senses." Way to go Jon! -D P.S. His design for the Throw Record "Too Many Clowns, Not Enough Jokers" is shown as well. -- Dan Sicko [EMAIL PROTECTED] http://www.reverbmag.com http://www.techno-rebels.com
Re: (313) Theo Parrish ID
On Tue, 11 Jan 2000, Viti Davide wrote: > 2) Sound Signature Presents: 2 > ... I don't know anything else about this one; it includes 3 cuts > "Good Kiss" produced by Rick Wihite > "Blue Out" produced by Theo Parrish > "Transit" produced by Kenny Dixon Jr. > Does anyone have more details on this one? I mean: is it a Theo Parrish's > release or what??? This sounds like 3 chairs part 2...part 1 was a double pack...featuring the same artists...real nice smooth Detroit house...anyone know who Brett Dancer is? His tracks are sick! minto
(313) Theo Parrish ID
Hi, Just got back from London where I managed to get a few records; I got 2 Theo Parrish's- related 12": 1) Essential Selections vol.1 (Sound Signature) is that a sort of compilation or is just a normal release with that name? 2) Sound Signature Presents: 2 ... I don't know anything else about this one; it includes 3 cuts "Good Kiss" produced by Rick Wihite "Blue Out" produced by Theo Parrish "Transit" produced by Kenny Dixon Jr. Does anyone have more details on this one? I mean: is it a Theo Parrish's release or what??? I also got Underground Evolution's "Primordial Passage" on Peace Frog which I really like... does any of you have and/or like this one Thanx a lot Davide
Re: (313) Re: 313-Digest V1 #1272
I dunno if it's up to par. Long solid builder very much on the drama tip.. It's alright considering what John Thomas gave him to work with (the original is a long lifeless snoozer). From: "martin clark" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: (313) Re: 313-Digest V1 #1272 Date: Tue, 11 Jan 2000 15:06:52 GMT anyone heard this: Hood, Robert & J. ThomasSquare LOGISTIC12" how does it compare to his recent stuff. martin __ Get Your Private, Free Email at http://www.hotmail.com __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) Re: 313-Digest V1 #1272
i like it...hoods track is the one i play...its kinda like his work on hardwax, harder and more metalic sounding... _burns From: "martin clark" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: (313) Re: 313-Digest V1 #1272 Date: Tue, 11 Jan 2000 15:06:52 GMT anyone heard this: Hood, Robert & J. ThomasSquare LOGISTIC12" how does it compare to his recent stuff. martin __ Get Your Private, Free Email at http://www.hotmail.com __ Get Your Private, Free Email at http://www.hotmail.com
(313) Re: 313-Digest V1 #1272
anyone heard this: Hood, Robert & J. ThomasSquare LOGISTIC12" how does it compare to his recent stuff. martin __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) "...I'm Watching You"
>you forgot the best part of the vocals when it goes something like >"you walk away, i watch your butt, muhahahaha'. in this dark, wicked witch >of the west voice. my records are disorganized now, or id get it out to be It's kinda more deep and resonant ... like Tim Curry in Legend. :) For some reason it reminds me of an even more twisted version of "Irresistible Bitch." God bless Prince B-Sides. -d -- Dan Sicko [EMAIL PROTECTED] http://www.reverbmag.com http://www.techno-rebels.com
Re: (313) "...I'm Watching You"
the "stalking" track is by Paris the Blak Fu actually i thought it was by Paris the Black Fu and Jock Costeau? (with all respect to mr.selway of coarse) this record in total is a great chunk of comedy and example of paris. theres sketches in the biggining of the record with paris doing two characters and playing out a psuedo kung-fu movie with paris the black Fu as one of the ppl. he also does this grandma-ish thing at the end telling ppl to go buy the record. you forgot the best part of the vocals when it goes something like "you walk away, i watch your butt, muhahahaha'. in this dark, wicked witch of the west voice. my records are disorganized now, or id get it out to be exact on the lyrics. really dark track though. the spooky side of paris.if there is one? with my record i also got these poster like deals with a great shot of paris' tongue. Paris actually is a great cook, hes worked (dont know if he still is) as a cook in some of the restraunts around royal oak.just some "before they were sandwich stars" trivia there for ya.:) diana ps.for those who asked about todd sines in nyc this weekend, i'll have a post together by the end of the week when everything is a bit more finalized. "oh...and one more thing...it's been emotional..."(l,s&2sb) ::icq::30793657 __ Get Your Private, Free Email at http://www.hotmail.com
(313) CHLT003
Heyas. I am looking for the Push Button Objs Unauthorized 12" with that kick ass Gescom remix. If anyone has it and wants to sell it..or mp3 it, please drop me a note. thanks, alex
(313) Another 'Ghetto Tech' article...
Not too sure if anyone has posted this, but here you go... more coverage for the Ghetto Tech scene. Gary Chandler, DJ Assault, DJ Godfather, etc... almost a summary of the Details article. http://www.platform.net/beats/01_00/10ghettotech/ghettotech.php3 Peace, Patrick. - Southern Outpost http://www.southernoutpost.com http://www.darkenergy.southernoutpost.com -=D E M A N D I N N O V A T I O N=-
Re: (313) UR vs. BMG/Ariola
Hi man I was out of the mail list the last two weeks. I didn't have all messages. What can we do against BMG/Ariola? I find an adress with BMG contact persons on the german homepage: http://www.bmgentertainment.de/company/kontakte/ Do we send like to Sony protest mails to the managers of BMG? How can we help you? Respect Underground Fighters --- Cornelius Harris <[EMAIL PROTECTED]> wrote: > Yes, it's true. My original statement was... > > Folks, things are not what they seem. Then again, > they are. Dirk commented > about other folks coming to "milk the cashcow" or > some other crap like that. > He wasn't joking. He was telling us about how he > would set us up. This > is all rumor, so I'll need a minute to get this all > straight, but the word > is that the two individuals responsible for the > "creation" of this rip off > track are now moving from Sony to BMG. I don't > think I have to tell you the > odds for BMG putting this track on the guys' debut > release as a "legitimate > cover". His response was meant to give the > impression they were backing > down so that folks would ease up on them. Media > would say, "hey, it's over, > no need to write about this," angry fans would > rejoice and stop bothering > them, and so on. Many of you went for it. Many did > not. Bottom line is, > this is not over. I'm preparing a more direct > statement to Dreyer and > others, but Sony has made their intentions clear by > being absolutely silent. > Even "allies" at Sony Japan are now refusing to > communicate with us. > Whatever hope of any positive outcome with Sony has > been destroyed. They're > fucking laughing at us. I don't think it's very > funny. > > ...since then, I recieved this (edited by me)... > > In the new german dance charts the Jaguar is on #4 > with the label BMG no > longer Sony ! BMG make a deal with the coverversion > producers after Sony has > cancelld the record. They will do more club and > radiopromotion and > advertising and give a videoclip to Viva Television. > Sony send out a > statement to the press and the promotion company > Public Propaganda DJs > before christmas telling the story. It is printed in > Raveline. contact > [EMAIL PROTECTED] > > ...I have no doubt that Dreyer was paid nicely for > the track. There's no > way BMG could get it without Sony's approval (good > Lord, what am I > saying?!?), uh, yeah, anyways, you can't tell me BMG > did this without Sony's > involvement. Other parts are making more sense to > me. The producers of > this track are from Cologne. Wouldn't you know, > Dreyer is a DJ(?!?!) at a > club there. (Too incredible to believe? Check out > http://www.f-t-w.com/dj2.htm for some confirmation) > > It just kills me because these majors are basically > uniting, saying, "we can > all gang up on you, so the hell what." I'm trying > to hook up with folks > beyond the techno community on this because, hell, I > figure, there's a lot > of us, too. Some folks thought I was being > reactionary, but look at what is > happening. I think if anyone thinks that this stops > with UR, you're > deluding yourself. It's kind of funny. The > underground, being what it is, > can be eliminated and who is going to notice? > Independent labels will > suffer and may die out, fans will sit at home bored, > but the machine will > roll on and...I like to think that...I'm a little > too stressed and pissed > to continue. You all know where I was going with > this. > > Not having much peace, > Cornelius > > > >From: _tan_ <[EMAIL PROTECTED]> > >To: 313@hyperreal.org > >Subject: (313) UR vs. BMG/Ariola??? > >Date: Tue, 11 Jan 2000 00:18:55 +1030 > > > >again? > > > >after giving mr dreyer another serve he wrote back > this email... > > > >tan... > > > > > >>Thanks for your email. Please be advised that > reacting to statements like > >>yours > >>we have cancelled the release of the coverversion. > Meanwhile the producers > >>of > >>the remake have signed a deal with BMG / Ariola. > They will release it on > >>CD maxi > >>and compilations early february. We have no > further control of what is > >>happening > >>to the track. > __ > Get Your Private, Free Email at > http://www.hotmail.com > > __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
(313) New Burnt Freidmann album on Scape label...
Just got a preview of the forthcoming Burnt Freidmann & the Nu Dub Players album, called Just Landed, on Pole's ~Scape label. The album, which follows the Burnt Freidmann & the Nu Dub Players Do Not Legalize It ep, also on Scape, contains nine new tracks all firmly 'rooted' in the classic instrumental dub sound with only light electronic touches like ocassional warm melodic synth beds and sparse complex drum programming. But overall this has a very deep classic sound that Lee Perry, King Tubby, Mad Professor, and Wackies Rhythm & Sound fans should all enjoy. Here are the release details: . Burnt Freidmann & the Nu Dub Players: just landed cd/lp (~Scape 004) Tracks: - hut selector - just landed - cassock attack - worldwide watchdog peepshow - railway palace, melbourne - hohoura head far north - i shot the fahion victim - it's thunder - dub to the music My only complaint is the length of this album which clocks in at just of 36 minutes. But for that short period of time, Just Landed is a deep groovy head-bobbing journey. Scape continues to impress. Release date is mid february. -->-Lance--- [EMAIL PROTECTED] p.o. box 450715 westlake, ohio 44145 united states
Re: (313) UR vs. BMG/Ariola
I saw this posted on Usenet regarding the Jaguar rip-off situation... don't know if anyone has posted this here already? http://mycal.net/ifj/ur/ Matt E-mail: [EMAIL PROTECTED] Homepage: http://magicmattkelly.tripod.com - Original Message - From: "Cornelius Harris" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, January 10, 2000 8:56 PM Subject: Re: (313) UR vs. BMG/Ariola > Yes, it's true. My original statement was... > > Folks, things are not what they seem. Then again, they are. Dirk commented > about other folks coming to "milk the cashcow" or some other crap like that. > He wasn't joking. He was telling us about how he would set us up. This > is all rumor, so I'll need a minute to get this all straight, but the word > is that the two individuals responsible for the "creation" of this rip off > track are now moving from Sony to BMG. I don't think I have to tell you the > odds for BMG putting this track on the guys' debut release as a "legitimate > cover". His response was meant to give the impression they were backing > down so that folks would ease up on them. Media would say, "hey, it's over, > no need to write about this," angry fans would rejoice and stop bothering > them, and so on. Many of you went for it. Many did not. Bottom line is, > this is not over. I'm preparing a more direct statement to Dreyer and > others, but Sony has made their intentions clear by being absolutely silent. > Even "allies" at Sony Japan are now refusing to communicate with us. > Whatever hope of any positive outcome with Sony has been destroyed. They're > fucking laughing at us. I don't think it's very funny.
(313) Paging Cornelius Harris
Hey drop me an E. I tried sending you something but it came back Peace, J.D.
Re: (313) UR vs. BMG/Ariola
Yes, it's true. My original statement was... Folks, things are not what they seem. Then again, they are. Dirk commented about other folks coming to "milk the cashcow" or some other crap like that. He wasn't joking. He was telling us about how he would set us up. This is all rumor, so I'll need a minute to get this all straight, but the word is that the two individuals responsible for the "creation" of this rip off track are now moving from Sony to BMG. I don't think I have to tell you the odds for BMG putting this track on the guys' debut release as a "legitimate cover". His response was meant to give the impression they were backing down so that folks would ease up on them. Media would say, "hey, it's over, no need to write about this," angry fans would rejoice and stop bothering them, and so on. Many of you went for it. Many did not. Bottom line is, this is not over. I'm preparing a more direct statement to Dreyer and others, but Sony has made their intentions clear by being absolutely silent. Even "allies" at Sony Japan are now refusing to communicate with us. Whatever hope of any positive outcome with Sony has been destroyed. They're fucking laughing at us. I don't think it's very funny. ...since then, I recieved this (edited by me)... In the new german dance charts the Jaguar is on #4 with the label BMG no longer Sony ! BMG make a deal with the coverversion producers after Sony has cancelld the record. They will do more club and radiopromotion and advertising and give a videoclip to Viva Television. Sony send out a statement to the press and the promotion company Public Propaganda DJs before christmas telling the story. It is printed in Raveline. contact [EMAIL PROTECTED] ...I have no doubt that Dreyer was paid nicely for the track. There's no way BMG could get it without Sony's approval (good Lord, what am I saying?!?), uh, yeah, anyways, you can't tell me BMG did this without Sony's involvement. Other parts are making more sense to me. The producers of this track are from Cologne. Wouldn't you know, Dreyer is a DJ(?!?!) at a club there. (Too incredible to believe? Check out http://www.f-t-w.com/dj2.htm for some confirmation) It just kills me because these majors are basically uniting, saying, "we can all gang up on you, so the hell what." I'm trying to hook up with folks beyond the techno community on this because, hell, I figure, there's a lot of us, too. Some folks thought I was being reactionary, but look at what is happening. I think if anyone thinks that this stops with UR, you're deluding yourself. It's kind of funny. The underground, being what it is, can be eliminated and who is going to notice? Independent labels will suffer and may die out, fans will sit at home bored, but the machine will roll on and...I like to think that...I'm a little too stressed and pissed to continue. You all know where I was going with this. Not having much peace, Cornelius From: _tan_ <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: (313) UR vs. BMG/Ariola??? Date: Tue, 11 Jan 2000 00:18:55 +1030 again? after giving mr dreyer another serve he wrote back this email... tan... Thanks for your email. Please be advised that reacting to statements like yours we have cancelled the release of the coverversion. Meanwhile the producers of the remake have signed a deal with BMG / Ariola. They will release it on CD maxi and compilations early february. We have no further control of what is happening to the track. __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) personal favs of 1999
It is contained on the 3X12" as well as the CD. Later - Mark* - Original Message - From: *** ASKEW <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, January 10, 2000 1:18 AM Subject: (313) personal favs of 1999 > Greg wrote: > Markus Nikolai 'Bushes (Freaks Turning Yellow Speakeasy)' [Perlon] > > >Is this the same mix as is on the Farina san fran sessions release? > >Also, can anyone tell me if this bushes track is on the LP release? > >I've tried to search for it and nothing lists the tracks on the LP > >release. I've heard one mix of this song onperlin, and frankly I don't > >like it, but the mix on the farina CD is pretty smooth. > > I'm not familiar with the Farina mix-CD, and I don't have the Markus Nikolai > LP... but I do know of four other versions of the 'Bushes' track. > > The first house mix of the track came out on the 'Superlongevity' 2LP > various artists comp. (Perlon 10). This version is simply entitled 'Bushes' > and is a nice Herbert/Cologne-styled house track, built around guitar and > vocal loops. > > Markus Nikolai's 'Passion' 12" (Perlon 12) has three more mixes of the > track. 'Bushes (Zero Volt)' is a short acoustic pop-song (presumably where > all the samples/vocals have been taken for the house mixes). > 'Bushes (Freaks Turning Yellow Speakeasy)' is a house remix by Justin Harris > and Luke Solomon... which lays most of the original vocals over a new catchy > arrangement. 'Bushes (Freaks in Outer Space Dub)' is an instrumental version > of the first Harris/Solomon mix... with a slightly different arrangement. > > hope this helps! > ~Askew > __ > Get Your Private, Free Email at http://www.hotmail.com > >
Re: (313) Sandwiches --> Track ID "...I'm Watching You"
In a message dated 1/10/00 11:14:10 PM Eastern Standard Time, [EMAIL PROTECTED] writes: > but I heard the earlier releases are also very funny. > How do they (like Paris the Blak Fu) sound like? > The tracks is pretty dark and creepy (long gong and > thunder samples...) and there is a low pitched voice > that says something like: > " You walk awayI'm watching you...You don't know > that I'm stalking you...etc...etc.". the "stalking" track is by Paris the Blak Fu actually
Re: (313) Sandwiches --> Track ID "...I'm Watching You"
Sandwiches reminds me a lot of these old Dance Mania Tracks and somewhat of Green Velvet as well. This is already the third release from Throw records, but I heard the earlier releases are also very funny. How do they (like Paris the Blak Fu) sound like? Speaking of spoken word tracks, I am also curious what the track was that can be heard on the new Gigolo Tapes featuring Highfish & Diringer. For those who have it, that's the one right after Afro Germanic. The tracks is pretty dark and creepy (long gong and thunder samples...) and there is a low pitched voice that says something like: " You walk awayI'm watching you...You don't know that I'm stalking you...etc...etc.". Thanks --- Lay Y2Kay <[EMAIL PROTECTED]> wrote: > > Haye! > > Sorry, it's allready been talked about... > Can someone post the lyrics on Detroit Grand Pu > Bahs' "Sandwiches" and > an url for a RA clip or something? > > > Sayonara! > > _ > _. . . . - * . * . > Lay - . * _ - > * . + Patrocina o ano > 2000 . > [EMAIL PROTECTED] . * .- * . > . _. > > Our similars await us... The Decay is our path > Counterforce - PUMC-S16-P4 > http://barkingcat.org/counterforce [EMAIL PROTECTED] > > > > > --- [POLBOX - REKLAMA] > - > Zagraj mecz z Fibakiem - www.aukcje-online.pl > Platforma - najwiekszy serwis aukcji internetowych w > Polsce. > > > > > __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: (313) Sandwiches --> Track ID "...I'm Watching You"
Sandwiches reminds me a lot of these old Dance Mania Tracks and somewhat of Green Velvet as well. This is already the third release from Throw records, but I heard the earlier releases are also very funny. How do they (like Paris the Blak Fu) sound like? Speaking of spoken word tracks, I am also curious what the track was that can be heard on the new Gigolo Tapes featuring Highfish & Diringer. For those who have it, that's the one right after Afro Germanic. The tracks is pretty dark and creepy (long gong and thunder samples...) and there is a low pitched voice that says something like: " You walk awayI'm watching you...You don't know that I'm stalking you...etc...etc.". Thanks --- Lay Y2Kay <[EMAIL PROTECTED]> wrote: > > Haye! > > Sorry, it's allready been talked about... > Can someone post the lyrics on Detroit Grand Pu > Bahs' "Sandwiches" and > an url for a RA clip or something? > > > Sayonara! > > _ > _. . . . - * . * . > Lay - . * _ - > * . + Patrocina o ano > 2000 . > [EMAIL PROTECTED] . * .- * . > . _. > > Our similars await us... The Decay is our path > Counterforce - PUMC-S16-P4 > http://barkingcat.org/counterforce [EMAIL PROTECTED] > > > > > --- [POLBOX - REKLAMA] > - > Zagraj mecz z Fibakiem - www.aukcje-online.pl > Platforma - najwiekszy serwis aukcji internetowych w > Polsce. > > > > > __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: (313) claude young central mix
At 09:53 PM 1/10/2000 -0500, you wrote: >regarding claude young's mix at www.central-records.com ...the website says >the mix is from a mix cd on central records. > >if anyone on this list happens to have this cd, could you please post the >tracklisting? > >mr. young is ABSOLUTELY AMAZING! The tracklisting for the Claude Young central mix is: 1. ratio: chillin with da dogs 2. The Skinless Brothers: it's the g 3. Ratio: as we proceed 4. Ratio: subsequent 5. Ratio: rectum 6. Ratio: inter-central-express 7. Die Rhythmiker: stassen in flammen 8. Ratio: positronic cycle 9. Die Rhythmiker: come and go 10. The Skinless Brothers: backyard 11. The Skinless Brothers: zwung 12. Ratio: skeleton crew 13. Ratio: spacecats 14. Ratio: nighttrain 15. Ratio: preview 16. Die Rhythmiker: 1999 It came as a limited edition 2nd cd in the Ratio "Welcome to Central" cd. -->-Lance--- [EMAIL PROTECTED] p.o. box 450715 westlake, ohio 44145 united states
(313) claude young central mix
regarding claude young's mix at www.central-records.com ...the website says the mix is from a mix cd on central records. if anyone on this list happens to have this cd, could you please post the tracklisting? mr. young is ABSOLUTELY AMAZING! thanks in advance, john
Re: (313) viagrateks dirty top 10/biz o.d etc
i believe the "biz o.d vs the h" track on ultrasonic mix is called "scratch and sniff." its a great acid track, although i think the fact that the sound of scratching and sniffing is in the track is a little too obvious. > biz o.d is one of the names that new york based > producer khan has recorded > under. > most of his biz o.d. releases have been on force > inc. > probably the best known biz o.d. track is 'i'm > coming out of the speakers.' blair __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: (313) Sandwiches
I'll be playing it during our Seismic Shoutcast here in Portland on Friday night. Absolutely a classic. It's not just the lyrics, it's that slightly demented vocal :) phred
Re: (313) Sandwiches
At 4:33 PM + 1/10/00, Lay Y2Kay wrote: >Haye! > >Sorry, it's allready been talked about... >Can someone post the lyrics on Detroit Grand Pu Bahs' "Sandwiches" and >an url for a RA clip or something? I played it on my Plug Research radio show (#2), at http://www.plugresearch.com. Sandwiches comes in around 15:30. For those of you who may have tried to listen over the weekend, there was a problem with the RealAudio file (it was only streaming at a very low rate), but it's now fixed and the show will stream at multiple rates, from 33.6 up to dual ISDN. -Seth
