[313] FA (ebay)
Exos, Panic in Detroit (Buzz), Slater, Carl Craig, Heaven 17, Hawtin, Sterac, Carsten Jost, Slam, more. Low start bids, no reserves. Thx. http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems[EMAIL PROTECTED]completed=0sort=0since=-1 seller id = [EMAIL PROTECTED] jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Catatonic
Anyone know if it would still be possible to find Kenny Larkin's Catatonic? More specifically the 8th state rmx, which I think is the Carl Craig I haven't had any luck seeing it around, and if anyone had an extra copy. Trevor Wilkes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
haehae.. i'm the one who fell in love with the song and it seems that i'll be the only one that will not buy the record. hehe.. this is the sad thing aout living in brasil.. : ] henrique - Original Message - From: [EMAIL PROTECTED] To: :P [EMAIL PROTECTED] Cc: 313@hyperreal.org; Niko Tzoukmanis [EMAIL PROTECTED] Sent: Thursday, January 24, 2002 12:42 PM Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation his the shittiest DJ I've even gone to see 3-4 times I think most people agree that Stacey Pullen is a top DJ. I've only been to see him once but he made me get off the seat I was sitting on and go dance to a great selection of solid tech-house grooves for the rest of the night. I'm just waiting for his return to the U.K. On a production note I can't really comment but I do like the remix of 'Air Frog' (the only record of his I own!) I'm gonna have to get this 'Theory Of Silent Phase' EP I think! GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] European festivals?
Hi everybody, I'm aiming to make the long hall to Europe for the northern summer (probably for the bulk of June/July), and was wondering what people pick to be the best music festivals on over that period. I'm aware of the bigger ones, so tips on lesser known/more localised events are welcomed as well... and website/contact details where possible. Thanks, Andy - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Kirk Degorgio
... so I really doubt he's explored his head to the extent he needs to, to produce something truly outstanding. But I believe he will. To me, the As One thing is a tight LP, good quality and from the heart ... but doesn't got the last, great step. Not quite. As far as the new album goes I agree, but I'll also add that, in my opinion, he has already taken this great step and produced something truly outstanding with the Planetary Folklore LP back in 97. An absolute classic. Respect JasonB - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] The Drive Home (DEMF documentary) Screening at Cranbrook
http://home.digitalcity.com/detroit/arts/event.adp?eid=635354type=overview - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Will any of you...
313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Catatonic
- Original Message - From: Trevor Wilkes [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 24, 2002 6:37 PM Subject: [313] Catatonic Anyone know if it would still be possible to find Kenny Larkin's Catatonic? More specifically the 8th state rmx, which I think is the Carl Craig I haven't had any luck seeing it around, and if anyone had an extra copy. Not only are the original and the 2nd state some of Kenny Larkin's best work, but the Carl Craig remix is one of his finest. It was reissued last year. You may still be able to find copies floating around. Tristan -- http://www.mp313.com - Music http://www.metrotechno.com - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] stacey pullen - electric relaxation
Thx, I also have a similar query with the 1st Model500 LP on cd - that seems quieter too, but I guess the explanation might be the same ... rather than an audio equipment problem. (Excuse my atrocious grammar, earlier - I'm trying to do other things in between rapping about more interesting stuff so I rush occasionally.) ... I blame Tom Stiehler who masters for Tresor - on those CDs everything seems 'up' in the mix, crystal clear and hard ... one gets habituated to expect that kind of sound. -Original Message- From: Ian [mailto:[EMAIL PROTECTED] Sent: Thursday, January 24, 2002 10:05 PM To: Odeluga, Ken; [EMAIL PROTECTED] Org Subject: Re: [313] stacey pullen - electric relaxation on 1/24/02 5:54 AM, [EMAIL PROTECTED] wrote: It's melancholy but upbeat at the same time ... By the way, cd owners, do you find that it is 'quieter' than normal, certainly than more recent stuf you may have, or do I have a (audio!) equipment problem? More likely related to EQ than anything. The CD release does not appear to be lower in overall volume, but has tons of high frequency stuff, and is pretty soft on the bass end. If your system is geared in the opposite fashion, or if you simply dig bass, it might appear to be quieter than other CDs. -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] new track - disco techno
Well I finally uploaded something new, its in that disco techno style that I know yall love. The tracks called Inhuman Motion. http://www.mp3.com/ScottVallance ScottV. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] british electronic foundation
Woh ... rewind that von Oswald bit! How'd that come about? -Original Message- From: Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Thursday, January 24, 2002 11:44 PM To: Frederic Madre Cc: 313@hyperreal.org Subject: RE: [313] british electronic foundation mmm, I got confused. it _is a collaboration song with holger hiller on his lp oben im eck and I should know cause I loved holger hiller too... Ah...Holger...Dorau...and the band from which they sprang, Palais Schuamberg - and to make it a bit more 313 relevant, didn't M. Von Oswald play drums with them as well (also produced some of Mackenzie's later stuff)? Holger is another highly unsung hero of the period. Amazing stuff!!! jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] someone doesn't like mp3.com....
http://stations.mp3s.com/stations/53/detroit_music_director_pic.html http://stations.mp3s.com/stations/53/detroit_music_director_pic.html
RE: [313] Dr.Blowfin
Yes, he's working on an experiment. :) Peace, Patrick. - Southern Outpost Distributed worldwide via Twilight 76 http://www.southernoutpost.com p:+61 412 313 151 f:+ 612 9032 6046 - -Original Message- From: Mario Atienza [mailto:[EMAIL PROTECTED] Sent: Friday, 25 January 2002 10:06 AM To: 313 Subject: [313] Dr.Blowfin Does anybody know to Dr.Blowfin ? Mario - Do You Yahoo!? Yahoo! Messenger! Comunicación instantánea gratis con tu gente. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Will any of you...
Any chance of a rough transcript or report? It may that the institution will have an outline of each othe speakers' addresses in advance, which can be posted if someone can get hold of them. Wd be appreciated by many. -Original Message- From: Pryor, Ryan N [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 5:37 AM To: '313@hyperreal.org' Subject: [313] Will any of you... 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Will any of you...
I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] So Cal record sale
For those of you that are in the So Cal area, I just thought I would mention that Higher Source is having a huge record sale. They have lots of records that are $.99 and tons that are 50%. The reason I mention this on the list is because I saw some records from Titonton Duvante, Jeff Mills, Robert Hood, John Tejada, Adam Beyer, Morgan Geist and more for $.99. Higher Source Records 9122 Adams Ave Huntington Beach, CA PS - I don't work there so don't email me about it. _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] song ID
about 10 mins in, gene farris mix on frequency detroit (thanks christian...). http://www.frequencydetroit.com/instructions/Gene_Farris1.htm it's a common one, Derrick Carter also plays it a lot. undulating piano line and some guy talking over it wherever I go, I'm always on the move... sort of thing. -s _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] song ID
it's a common one, Derrick Carter also plays it a lot. undulating piano line and some guy talking over it wherever I go, I'm always on the move... sort of thing. please answer on the list, also I am very interested. Got change for a twenty .. Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] inside out
Could someone please mail me the tracklisting of the inside out ep from Kevin Saunderson (as reese) on Fragile? Thanx a lot, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, January 25, 2002 4:43 AM Subject: [313] inside out Could someone please mail me the tracklisting of the inside out ep from Kevin Saunderson (as reese) on Fragile? Thanx a lot, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] british electronic foundation
At 01:21 AM 1/25/2002, you wrote: Woh ... rewind that von Oswald bit! How'd that come about? mmm, I got confused. it _is a collaboration song with holger hiller on his lp oben im eck and I should know cause I loved holger hiller too... Ah...Holger...Dorau...and the band from which they sprang, Palais Schuamberg - and to make it a bit more 313 relevant, didn't M. Von Oswald play drums with them as well (also produced some of Mackenzie's later stuff)? Probably via his Holger Hiller connection. The MacKenzie ep he produced was Colours Will Come around 90-91. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
I think that it may be on the Network version. Funky funk funk is entirely forgettable, but bassline redeems the record. Niko Tzoukmanis [EMAIL PROTECTED] on 25/01/2002 10:19:44 AM To: Mark S Flintoft [EMAIL PROTECTED], 313@hyperreal.org cc: Subject: Re: [313] inside out isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
Well it doesn't say on the record...Discogs.com says they're both untitled, but Sonic Groove's site has it listed as I posted it. Dunno really...isn't that half the fun?? Cheers, m* - Original Message - From: Niko Tzoukmanis [EMAIL PROTECTED] To: Mark S Flintoft [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, January 25, 2002 5:19 AM Subject: Re: [313] inside out isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? Thanks [EMAIL PROTECTED] on 25/01/2002 10:29:59 AM To: Niko Tzoukmanis [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out The Uk release on Network records of this on red vinyl had 'bassline' and 'Funky, funk funk' From: Niko Tzoukmanis [EMAIL PROTECTED] Date: Fri 25/Jan/2002 11:19 CET To: Mark S Flintoft [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] inside out isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Detroit 1992 - Flyer
From the Board of Submerge Site : - Do You Yahoo!? Yahoo! Messenger! Comunicación instantánea gratis con tu gente.
Re: Re: [313] inside out
Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? i know what yer talking aboutthe reese bassline is in vogue again now. check anything by mr.sliff (a beyer alterego) or diabla by funk d'void and by now a million other copyists robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
but where did the name reese bassline come from? robin pinning [EMAIL PROTECTED] on 25/01/2002 11:08:16 AM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? i know what yer talking aboutthe reese bassline is in vogue again now. check anything by mr.sliff (a beyer alterego) or diabla by funk d'void and by now a million other copyists robin... -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
No, you're right... I think the track in question is Reese Just Want Another Chance, originally released on Incognito. on 1/25/02 5:30 AM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? Thanks [EMAIL PROTECTED] on 25/01/2002 10:29:59 AM To: Niko Tzoukmanis [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out The Uk release on Network records of this on red vinyl had 'bassline' and 'Funky, funk funk' From: Niko Tzoukmanis [EMAIL PROTECTED] Date: Fri 25/Jan/2002 11:19 CET To: Mark S Flintoft [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] inside out isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ __ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. = = - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). 'Master Reese' is a spin of from his middle name, Maurice... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] it's all over my face
It was repressed recently on West End records. Should be easy enough to find. Awesome classic Garage jamm! on 1/25/02 5:57 AM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: Does anyone know whether Loose Joints' It's all over my face is easy enough to get hold of / on vinyl compilations etc. ? -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. = = - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] inside out
... Pls also include the year. Cheers. -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 9:43 AM To: 313@hyperreal.org Subject: [313] inside out Could someone please mail me the tracklisting of the inside out ep from Kevin Saunderson (as reese) on Fragile? Thanx a lot, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: Re: [313] inside out
1/25/2002 6:19:25 AM, Jongsma, K.J. [EMAIL PROTECTED] wrote: Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). 'Master Reese' is a spin of from his middle name, Maurice... Uh... The Reese Bassline that people were talking about in the jungle/dnb world does come from Alex Reese. I don't know if Kev Saundy ever made a bassline that was called the Reese, but that is irrelavent, that's not what they were talking about. Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
but where did the name reese bassline come from? kevin master reese saunderson :) robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
also there is a Samuel L. Session record, I thnk Cycle number one. On it there is a typical Reese sounding tune. The best for me though is the 100 not out ep by DJ Q on Filter records. It has been appropriately described as the best Kevin Saunderson tune not to be done by Kevin Saunderson. I had it but some bastard switched it at a gig once - it's that good. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: Niko Tzoukmanis [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, January 25, 2002 10:30 AM Subject: Re: Re: [313] inside out Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? Thanks [EMAIL PROTECTED] on 25/01/2002 10:29:59 AM To: Niko Tzoukmanis [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out The Uk release on Network records of this on red vinyl had 'bassline' and 'Funky, funk funk' From: Niko Tzoukmanis [EMAIL PROTECTED] Date: Fri 25/Jan/2002 11:19 CET To: Mark S Flintoft [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] inside out isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] song ID
It's Unterschrift by DC himself on Classic. What a tune? I thought it was Cal Craig at first as tehy have a similar lilt to there voices. SMc - Original Message - From: seth redmond [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, January 25, 2002 9:33 AM Subject: [313] song ID about 10 mins in, gene farris mix on frequency detroit (thanks christian...). http://www.frequencydetroit.com/instructions/Gene_Farris1.htm it's a common one, Derrick Carter also plays it a lot. undulating piano line and some guy talking over it wherever I go, I'm always on the move... sort of thing. -s _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] The Reese bass
HmI believe I stand corrected here, although I would like some clarification on this. So the Reese Bass that was used in Jungle/DNB back in 1994 was sampled from Kev Saundy? I did some searching and this appears to be the case, however, is it just a coincidence that Alex Reese was floating around at this time in Jungle/DNB, and he had nothing to do with it? That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the Reese Bass comes from Alex Reese... If this is the case, what is the name of Kev Saundy's tune where this bass comes from, cause I'd like to hear it. *learnsomethinneweveryday* Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] The Reese bass
i thought Kevin S was well known for the 'Hoover Bass' found on some of the e-dancer tracks. Is this the same thing as the 'Reese Bass' ? -Original Message- From: DJ Entropy [SMTP:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:27 AM To: 313@hyperreal.org Subject: [313] The Reese bass HmI believe I stand corrected here, although I would like some clarification on this. So the Reese Bass that was used in Jungle/DNB back in 1994 was sampled from Kev Saundy? I did some searching and this appears to be the case, however, is it just a coincidence that Alex Reese was floating around at this time in Jungle/DNB, and he had nothing to do with it? That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the Reese Bass comes from Alex Reese... If this is the case, what is the name of Kev Saundy's tune where this bass comes from, cause I'd like to hear it. *learnsomethinneweveryday* Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
I was disappointed to see Stacey in the backroom of the End a year ago. It was the Plus8 night with Mr C, Hawtin and Acquaviva in the other room. Stacey was playing a slow jamming house set and more or less sitting down. I was gutted at this point because I had gone all the way to see him especially. I remember seeing him in 95-97 play sets at Voodoo and he was tearing it up. Very different style of djing, all top end mixing so it was like a watery sound just like his album in parts. This is a lot harder to mix like this as you can notice when the hats start to go out quicker than a kick but he was always premier league. Maybe he hasn't felt the need to perform as hard these days or suffering from a change in direction but I certainly wouldn't write him off. Fair enough though if you have seen him 4 times and he hasn't delivered for u. - Original Message - From: :P [EMAIL PROTECTED] To: 313@hyperreal.org; Niko Tzoukmanis [EMAIL PROTECTED] Sent: Friday, January 25, 2002 2:31 AM Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation is Staceys release work good? his the shittiest DJ I've even gone to see 3-4 times -Joe -- R17 is not a fixed velocity, but it is clearly far too fast. -- - Original Message - From: Niko Tzoukmanis [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 24, 2002 7:43 AM Subject: RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation rs still exists, latest releases afaik is air frog 'bon voyage' with a remix by... stacey pullen ;O) At 12:41 24.01.02 -, you wrote: Wow, the end of an era then. Best see if I can stil pick up that 'Ten years...' comp from about 2 yeras back. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, January 24, 2002 12:01 PM To: Maarten Baute; 313@hyperreal.org Subject: [313] RE: (313) RE: (313) stacey pullen - electric relaxation I don't know why they did it, but one thing is sure: TMT-01, TMT-02 and MS-19 MS-20 will never get a repress... You can get any transmat record nowadays, except for those four released thru RS.. (and I hate it) Oh? Didn't know that. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Probably been answered already but yes, it's the same Reese - (NOT Alex Reese either!) I doubt it's necessary to sample it though - it's relatively easy to produce I understand from my lil bro' with an er 808? Is it? I'm sure I'll be told. n/eway, he says only a fool would sample it - unless of course you don't have the required kit ... And of course now you have soft emulators .. definitely not worth sampling. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:30 AM To: [EMAIL PROTECTED] Cc: Niko Tzoukmanis; 313@hyperreal.org Subject: Re: Re: [313] inside out Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? Thanks [EMAIL PROTECTED] on 25/01/2002 10:29:59 AM To: Niko Tzoukmanis [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out The Uk release on Network records of this on red vinyl had 'bassline' and 'Funky, funk funk' From: Niko Tzoukmanis [EMAIL PROTECTED] Date: Fri 25/Jan/2002 11:19 CET To: Mark S Flintoft [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] inside out isn't that bside track called 'funky, funk, funk' At 05:04 25.01.02 -0500, you wrote: Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] --- --- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. === === - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Detroit 1992 - Flyer
Not visible to everyone. Shame. -Original Message- From: Mario Atienza [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:56 AM To: 313 Subject: [313] Detroit 1992 - Flyer From the Board of Submerge Site : - Do You Yahoo!? Yahoo! Messenger! Comunicación instantánea gratis con tu gente. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Tonight in Chicago
--- friday 25 jan gramaphone, interrupt media, and material present: OLIVER HO @ rednofive oliver ho has shown himself to be one of the most talented producers of out-of-the-ordinary dancefloor techno in recent years, investigating a distinctive sound that fuses cut-up vocal samples with well-designed percussion and dark textures. as a solid 3-turntable jock, his dj skills are also not to be discounted. don't miss it! with JOSH WERNER (somebody come up with a rhyme for this guy) KARL (the fire) MEIER MARKO KATIC (no static) MANI MIGLANI (the urban turban) mail [EMAIL PROTECTED] before 7 pm friday for reduced admission. come out and enjoy material while it lasts! rednofive 440 n halsted 21+ $15 --- -- ken meier interrupt media group www.interrupt-media.com [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] it's all over my face
I know there were at least 2 complilations on the 'Garage last year or so and from reading the listings they all contained 'Is it...' so -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:57 AM To: 313@hyperreal.org Subject: [313] it's all over my face Does anyone know whether Loose Joints' It's all over my face is easy enough to get hold of / on vinyl compilations etc. ? --- --- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. === === - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
Djing reflects that sound - well when I've seen him - hence trax selection like Mr Sliff, Oxia etc - still one of the best DJs I've seen. - Original Message - From: Mann, Ravinder [CCS] [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, January 25, 2002 11:38 AM Subject: RE: [313] The Reese bass i thought Kevin S was well known for the 'Hoover Bass' found on some of the e-dancer tracks. Is this the same thing as the 'Reese Bass' ? -Original Message- From: DJ Entropy [SMTP:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:27 AM To: 313@hyperreal.org Subject: [313] The Reese bass HmI believe I stand corrected here, although I would like some clarification on this. So the Reese Bass that was used in Jungle/DNB back in 1994 was sampled from Kev Saundy? I did some searching and this appears to be the case, however, is it just a coincidence that Alex Reese was floating around at this time in Jungle/DNB, and he had nothing to do with it? That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the Reese Bass comes from Alex Reese... If this is the case, what is the name of Kev Saundy's tune where this bass comes from, cause I'd like to hear it. *learnsomethinneweveryday* Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
The Reese Bassline that people were talking about in the jungle/dnb world does come from Alex Reese. Does it bollocks. It comes from Kevin 'Master Reese' Saunderson - a track like 'Human Bond' is a good example of his use of the sound. Alex Reece (note correct spelling of his surname) has absolutley nothing to do with it... Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Eh? Kevin 'Master Reese' Saunderson was the early nickname. Which in itself is derived from his real middle name Kevin Martin Saunderson ... At last somebody knows (a bit) less than me :o). Not anymore tho. :o( -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:02 AM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: Re: [313] inside out but where did the name reese bassline come from? robin pinning [EMAIL PROTECTED] on 25/01/2002 11:08:16 AM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: Re: [313] inside out Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? i know what yer talking aboutthe reese bassline is in vogue again now. check anything by mr.sliff (a beyer alterego) or diabla by funk d'void and by now a million other copyists robin... --- --- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. === === - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Wrong. KMS was called 'Reese' much earlier. -Original Message- From: DJ Entropy [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:11 AM To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: Re: [313] inside out 1/25/2002 6:08:16 AM, robin pinning [EMAIL PROTECTED] wrote: Pardon my ignorance but the drum and bass people around 5 years ago were all doing variations on a fat bassline sound, which they called a Reese bassline. Although pretty easy to synthesize, I think that a KMS record's bassline was widely sampled for this. I thought when I picked up 'bassline' that it would be that one, but I don't think so. Have I just invented this, or does someone know what I'm talking about? i know what yer talking aboutthe reese bassline is in vogue again now. check anything by mr.sliff (a beyer alterego) or diabla by funk d'void and by now a million other copyists Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Oops. I said Martin. Sorry. I was closer than suggesting it was lame d n b'er Alex Reese though, so I can still hold my head up high ... -Original Message- From: Jongsma, K.J. [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:19 AM To: '313@hyperreal.org' Subject: RE: Re: [313] inside out Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). 'Master Reese' is a spin of from his middle name, Maurice... [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Contact information for Jacek Sienkiewicz?
Anyone? I know his brother or relation comes on here. appreciated, SM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: Re: [313] inside out
u sure? Nearly all the young bass heads are in awe of Kevin Saunderson and it's definitely him they mean when they say a Reese Bassline. Can't think of any who actually admit to liking Alex Reese ... he's almost akin to Adam F to them ... Did you know Alvin Stardust is Adam F's dad? -Original Message- From: DJ Entropy [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:18 AM To: '313@hyperreal.org'; Jongsma, K.J. Subject: Re: RE: Re: [313] inside out 1/25/2002 6:19:25 AM, Jongsma, K.J. [EMAIL PROTECTED] wrote: Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). 'Master Reese' is a spin of from his middle name, Maurice... Uh... The Reese Bassline that people were talking about in the jungle/dnb world does come from Alex Reese. I don't know if Kev Saundy ever made a bassline that was called the Reese, but that is irrelavent, that's not what they were talking about. Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: RE: Re: [313] inside out
1/25/2002 6:46:36 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: u sure? Actually, I was worng, I just corrected myself. As it turns out, the tune that was sampled by all the jungle/dnb cats was Just Want Another Chanceby Reese (aka kevvy saundy)still lookin for a sample of it, or an mp3... Nearly all the young bass heads are in awe of Kevin Saunderson Well, I dunno about that ;) and it's definitely him they mean when they say a Reese Bassline. Can't think of any who actually admit to liking Alex Reese ... he's almost akin to Adam F to them ... Did you know Alvin Stardust is Adam F's dad? Hey, Circles is a classic tune. :) Who is Alvin Stardust? Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
on 1/25/02 6:43 AM, Odeluga, Ken at [EMAIL PROTECTED] wrote: Oops. I said Martin. Sorry. I was closer than suggesting it was lame d n b'er Alex Reese though, so I can still hold my head up high ... Well, IMO, Alex REECE has actually done some quite nice drum n' bass stuff like the classic Pulp Fiction. But hey, to each their own... -J - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Contact information for Jacek Sienkiewicz?
http://recognition.art.pl/ (under construction) mailto:[EMAIL PROTECTED] -Original Message- From: s mcgill [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:42 PM To: 313 Subject: [313] Contact information for Jacek Sienkiewicz? Anyone? I know his brother or relation comes on here. appreciated, SM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: Re: [313] inside out
Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). surely this should be in the FAQ, lol. did we ever settle on a FAQ? 'Master Reese' is a spin of from his middle name, Maurice... which is why my cat is known as maurice :) robin... ps. it's kevin sauderson not kevvy saundy! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: RE: Re: [313] inside out
Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the guy people into DnB love to hate. Not always justifiably. But it's true that he doesn't have much of a body of work behind him - compared to say someone like Ed Rush ... AF's making a packet now as a hip hop producer ... good for him. -Original Message- From: DJ Entropy [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:49 AM To: [EMAIL PROTECTED] Org; Odeluga, Ken Subject: Re: RE: RE: Re: [313] inside out 1/25/2002 6:46:36 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: u sure? Actually, I was worng, I just corrected myself. As it turns out, the tune that was sampled by all the jungle/dnb cats was Just Want Another Chanceby Reese (aka kevvy saundy)still lookin for a sample of it, or an mp3... Nearly all the young bass heads are in awe of Kevin Saunderson Well, I dunno about that ;) and it's definitely him they mean when they say a Reese Bassline. Can't think of any who actually admit to liking Alex Reese ... he's almost akin to Adam F to them ... Did you know Alvin Stardust is Adam F's dad? Hey, Circles is a classic tune. :) Who is Alvin Stardust? Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 313-FAQ
No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). surely this should be in the FAQ, lol. did we ever settle on a FAQ? This is what is on the [313]-website (geez, the 313-faq, that's almost callisc 313 history:)): http://music.hyperreal.org/lists/313/faq.html I doubt if this is the good ol' FAQ Otto Koppius and Matt Macqueen where making some years ago ;) the website also says this as the the [313]-FAQ: For some historical perspective about the stated subject matter of the list I encourage you to pick up a copy of Dan Sicko's book on the early days of techno entitled Techno Rebels. Consider it the unabridged version of the 313 FAQ. [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT: Adam F
1/25/2002 7:09:38 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the guy people into DnB love to hate. Not always justifiably. But it's true that he doesn't have much of a body of work behind him - compared to say someone like Ed Rush ... AF's making a packet now as a hip hop producer ... good for him. Well, Adam F is a guy who hopped into jungle/dnb for a little bit, made a few totally innovative tunes (for the time), and then hopped out as fast as he got in. He just said this is my intrepetation of what you guys are doingI can respect that. He brought some outside influences into the genre, which is usually a good thing. I don't care too much, I don't necc love him or anything, there are people I'm way more into for jungle/dnb that deserve more of my respect, but he has way more integrity than say, Bad Company or Klute or any of those clowns.. :) Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: Adam F
on 25/1/02 12:14 pm, DJ Entropy at [EMAIL PROTECTED] wrote: Name another Adam F classic, except Colours :o)? Metropolis. techno pads and rolling Reese bass. awesome. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: RE: Re: [313] inside out
i played drum and bass for 5 years and was pretty into that scene in Boston, where i lived at the time. other dnb head friends from coast to coast pretty much all respected adam f. but then again, most dnb people love to hate almost anyone anyway, admittedly. colors metropolis brand new funk were all adam f anthems, all from around the same time though. good to see he's moving on. lk On Fri, 25 Jan 2002, Odeluga, Ken wrote: Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the guy people into DnB love to hate. Not always justifiably. But it's true that he doesn't have much of a body of work behind him - compared to say someone like Ed Rush ... AF's making a packet now as a hip hop producer ... good for him. -Original Message- From: DJ Entropy [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 11:49 AM To: [EMAIL PROTECTED] Org; Odeluga, Ken Subject: Re: RE: RE: Re: [313] inside out 1/25/2002 6:46:36 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: u sure? Actually, I was worng, I just corrected myself. As it turns out, the tune that was sampled by all the jungle/dnb cats was Just Want Another Chanceby Reese (aka kevvy saundy)still lookin for a sample of it, or an mp3... Nearly all the young bass heads are in awe of Kevin Saunderson Well, I dunno about that ;) and it's definitely him they mean when they say a Reese Bassline. Can't think of any who actually admit to liking Alex Reese ... he's almost akin to Adam F to them ... Did you know Alvin Stardust is Adam F's dad? Hey, Circles is a classic tune. :) Who is Alvin Stardust? Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
I remember the night you're talking about although I think I was mainly in the main room for Hawtin Aquaviva that night. I caught him the time before at The End and that was only about a month earlier. That time was the first time I heard him spin and I liked what I heard, all good dancefloor material. I imagine this style to be a more typical Pullen set, somewhere in between techno house but all excellent tracks to dance to. After that night I remember going record shopping looking for Stacey Pullen material as I was so impressed by what I heard. My point is really that he must have played a lounge set in the lounge, let him play in the main room and you'll get the harder side of Pullen - unless you're at Motor of course ;o) GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
So the final verdict on DJ Pullen? :o) I vote yes (as in I think he's 'good'). My reasons is that he's versatile and competent. Any reports to the contrary I'd attribute to fatigue or deliberate archness. Someone said that one of the nights upon which it's claimed he played poorly there were a lot of 'MTVers' in the crowd ... I know of at least 2 other occasions I've seen djs deliberately attempt to rile a crowd they didn't like: Aphex Twin - when his assessment of some skinheads he'd spotted at the front was not good, Carl Craig at The End - when no one liked his remix of Buena Vida - that was funny: 'What The Fuck!' he said when no one danced - But it got a cheer! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:22 PM To: s mcgill Cc: 313; :P Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation I remember the night you're talking about although I think I was mainly in the main room for Hawtin Aquaviva that night. I caught him the time before at The End and that was only about a month earlier. That time was the first time I heard him spin and I liked what I heard, all good dancefloor material. I imagine this style to be a more typical Pullen set, somewhere in between techno house but all excellent tracks to dance to. After that night I remember going record shopping looking for Stacey Pullen material as I was so impressed by what I heard. My point is really that he must have played a lounge set in the lounge, let him play in the main room and you'll get the harder side of Pullen - unless you're at Motor of course ;o) GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
Wasn't Aphex's NYC debut playing sandpaper on one deck? I'm sure I read something ludicrous like that some years back? Saw Mills in Zurich late last year and after about 2 hours he looked at the admittedly lame crowd and raised his eyebrows, and probably thought I can't be arsed with this... he had been dropping a number of classics throughout. - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org Sent: Friday, January 25, 2002 12:48 PM Subject: RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation So the final verdict on DJ Pullen? :o) I vote yes (as in I think he's 'good'). My reasons is that he's versatile and competent. Any reports to the contrary I'd attribute to fatigue or deliberate archness. Someone said that one of the nights upon which it's claimed he played poorly there were a lot of 'MTVers' in the crowd ... I know of at least 2 other occasions I've seen djs deliberately attempt to rile a crowd they didn't like: Aphex Twin - when his assessment of some skinheads he'd spotted at the front was not good, Carl Craig at The End - when no one liked his remix of Buena Vida - that was funny: 'What The Fuck!' he said when no one danced - But it got a cheer! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:22 PM To: s mcgill Cc: 313; :P Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation I remember the night you're talking about although I think I was mainly in the main room for Hawtin Aquaviva that night. I caught him the time before at The End and that was only about a month earlier. That time was the first time I heard him spin and I liked what I heard, all good dancefloor material. I imagine this style to be a more typical Pullen set, somewhere in between techno house but all excellent tracks to dance to. After that night I remember going record shopping looking for Stacey Pullen material as I was so impressed by what I heard. My point is really that he must have played a lounge set in the lounge, let him play in the main room and you'll get the harder side of Pullen - unless you're at Motor of course ;o) GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: Adam F
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Had to forward some of these posts onto a D B head I know ... ;o) -- Forwarded by Gary Girard/Sales/Blyth/EUK on 25/01/2002 13:00 --- Rob Mckechnie [EMAIL PROTECTED] on 25/01/2002 12:59:02 To: [EMAIL PROTECTED] cc: Subject: Re: [313] OT: Adam F Lemme at em! lemme at em! Adam F is damn good. His tune, Brand New Funk is the tune that really got me into Drum and Bass. Just ask KT, i'd scream like a loon when it came on. I'm listening to the Andy C remix of Stand Clear as we speak, it's got the whole scene buzzing at the mo. And his tune Metrosound is currently one of the most saught after tunes as well, it's only on promo. I want it bad, and Sheldon went ape on NYE when he heard it. And the guy who said that about Bad Company - who's he? Cheeky sod. Rob. Original Message Follows From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: [313] OT: Adam F Date: Fri, 25 Jan 2002 12:46:58 + ** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** -- Forwarded by Gary Girard/Sales/Blyth/EUK on 25/01/2002 12:46 --- DJ Entropy [EMAIL PROTECTED] on 25/01/2002 12:14:39 Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] Org 313@hyperreal.org, Odeluga, Ken [EMAIL PROTECTED] cc: Subject: [313] OT: Adam F 1/25/2002 7:09:38 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the guy people into DnB love to hate. Not always justifiably. But it's true that he doesn't have much of a body of work behind him - compared to say someone like Ed Rush ... AF's making a packet now as a hip hop producer ... good for him. Well, Adam F is a guy who hopped into jungle/dnb for a little bit, made a few totally innovative tunes (for the time), and then hopped out as fast as he got in. He just said this is my intrepetation of what you guys are doingI can respect that. He brought some outside influences into the genre, which is usually a good thing. I don't care too much, I don't necc love him or anything, there are people I'm way more into for jungle/dnb that deserve more of my respect, but he has way more integrity than say, Bad Company or Klute or any of those clowns.. :) Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] string 'n' pad
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Ok, I'm new to this mail service, so I'm not familiar with the topics you discuss. But, surely if you subscribe to a mail service like this, you have more than a passing interest in music from Detroit? How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm gobsmacked. Also Drum and Bass. A load of ex-ravers who discovered a few techno records round about 1993, what are most of 'em doing now? Speed bloody Garage, 2-Step, what ever you want to call it. Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but overall, I have to say it's bobbins, and barely worth a discussion, that music is full of people just trying to make a fast buck (I don't blame 'em for that) but really, is it 'music'? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] song ID
It's a Derrick Carter track - Derrick L Carter : The Unterschrift EP (Classic) UK Release the particular track is : End Of the Line (Got Change For A Twenty?) The rest of the EP is superb also. Cheers, Howard Date: Fri, 25 Jan 2002 10:39:39 +0100 To: 313@hyperreal.org From: Maarten Baute [EMAIL PROTECTED] Subject: Re: [313] song ID Message-ID: [EMAIL PROTECTED] it's a common one, Derrick Carter also plays it a lot. undulating piano line and some guy talking over it wherever I go, I'm always on the move... sort of thing. please answer on the list, also I am very interested. Got change for a twenty .. Cheers, Maarten This e-mail and any attachment is for authorised use by the intended recipient(s) only. It may contain proprietary material, confidential information and/or be subject to legal privilege. It should not be copied, disclosed to, retained or used by, any other party. If you are not an intended recipient then please promptly delete this e-mail and any attachment and all copies and inform the sender. Thank you. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT: Adam F
He's also the son of Alvin Stardust. - Original Message - From: DJ Entropy [EMAIL PROTECTED] To: [EMAIL PROTECTED] Org 313@hyperreal.org; Odeluga, Ken [EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:14 PM Subject: [313] OT: Adam F 1/25/2002 7:09:38 AM, Odeluga, Ken [EMAIL PROTECTED] wrote: Name another Adam F classic, except Colours :o)? ... OK, I admit, he's the guy people into DnB love to hate. Not always justifiably. But it's true that he doesn't have much of a body of work behind him - compared to say someone like Ed Rush ... AF's making a packet now as a hip hop producer ... good for him. Well, Adam F is a guy who hopped into jungle/dnb for a little bit, made a few totally innovative tunes (for the time), and then hopped out as fast as he got in. He just said this is my intrepetation of what you guys are doingI can respect that. He brought some outside influences into the genre, which is usually a good thing. I don't care too much, I don't necc love him or anything, there are people I'm way more into for jungle/dnb that deserve more of my respect, but he has way more integrity than say, Bad Company or Klute or any of those clowns.. :) Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: Re: [313] inside out
doesn't it all depend on how it is spelled?? Reece-Kevin Saunderson Reese-Alex Reese? or something like that. i could have it backwards. i know they are both big names in their respected genre's, but i think the names are spelled backwards... but then again i could be wrong as usual... jeff -Original Message- From: DJ Entropy [SMTP:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 3:18 AM To: '313@hyperreal.org'; Jongsma, K.J. Subject: Re: RE: Re: [313] inside out 1/25/2002 6:19:25 AM, Jongsma, K.J. [EMAIL PROTECTED] wrote: Reese, of course, coming from Alex Reese, who first used that wobble type sound in 1994, I believe. *useless hardcore/jungle/dnb knowledge tidbit #8757345763* Ian Scott aka DJ Entropy No, Alex Reese has nothing to do with it. The name Reese comes from Kevin Saunderson nickname Reese, actualy he called himself Kevin 'Master reese' Saunderson (KMS). 'Master Reese' is a spin of from his middle name, Maurice... Uh... The Reese Bassline that people were talking about in the jungle/dnb world does come from Alex Reese. I don't know if Kev Saundy ever made a bassline that was called the Reese, but that is irrelavent, that's not what they were talking about. Ian Scott aka DJ Entropy [EMAIL PROTECTED] (bhpc, cheesestep rec., n.e. hardcore, raverporn.net, neverworld, boston) http://www.djentropy.comhttp://www.ne-hardcore.com Upcoming gigs: http://www.warblevx.net/djentropy/upcominggigs.html There is no ONE right way to live - Daniel Quinn Producers: http://groups.yahoo.com/group/us-production Educate the narrow minds, they see what they want to see. Educate the narrow minds, they feel what they want to feel. - Narra Mine - Genacide II - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Careful about asking 'Is it music?' almost any dance music afficionada has to ask themselves the same question in a dark night of the soul ... But for me personally, it IS music. Perhaps a new kind of music which takes the aesthetic principles of modern art and applies them to sound - CF: The Art of Noise (the name itself is a kind of manifesto, non?). Their early records could be seen as early techno, in which the potentional of Kraftwerk, Devo, etc were finally fused into as much a new way of appreciating sound as a new kind of music(That's my stock answer to 'Is it Music' anyway!). Also, I'm happy for people to come here ignorant - to educate on modern detroit dance music is what the site's meant to do, after all. Finally, sorry for preaching to those who know more than me. Peace. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 1:19 PM To: 313@Hyperreal.Org Subject: [313] string 'n' pad Memo from Alex Bond of PricewaterhouseCoopers Start of message text Ok, I'm new to this mail service, so I'm not familiar with the topics you discuss. But, surely if you subscribe to a mail service like this, you have more than a passing interest in music from Detroit? How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm gobsmacked. Also Drum and Bass. A load of ex-ravers who discovered a few techno records round about 1993, what are most of 'em doing now? Speed bloody Garage, 2-Step, what ever you want to call it. Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but overall, I have to say it's bobbins, and barely worth a discussion, that music is full of people just trying to make a fast buck (I don't blame 'em for that) but really, is it 'music'? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
Reece-Kevin Saunderson Reese-Alex Reese? or something like that. i could have it backwards. Yeah, you do have it backwards... T - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Is It All Over My Face
Was reissued in 2001 on 12 inch Loose Joints ~ Is It All Over My Face - West End Records A HREF=www.westendrecords.comwww.westendrecords.com/A
RE: [313] string 'n' pad
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Point taken Ken, Sorry, just was on a bit of a rant. Of course people should come here ignorant, it's a good resource for people. I just can't stand a lot of that sort of music - the boundaries between that and techno, I admit ,are blurred. It's a lot of the jokers associated with that sort of music that I have a pet hate for as well (of course, NOT ALL of them). For the record I hate Student, Puffa-Jacket wearing wanna-be bad boys as well (You know the sort, were dead into rave/happy hardcore, then found some 'credibility' with 'Jungle' and now are speed garage producers/know-it-alls) - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
No offense, Alex, but it sounds like you have more of a hatred for the people and not the music... TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Will any of you...
Uh...I take that lie back: my lift to the event backed out on me last min, so somebody else will need to do the reporting. =( Grand opening, Grand closing, Glyph. glyph1001 wrote: I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] is it music?
the age old is it music or is it noise debate,at the end of the day if it makes you moove then it is justified as a form of entertainment, thus who are we to comment on whether or not it is or is not music. for the people who enjoy d'n'b it most certainly is music but for the rest it sounds like, a person that fell down a flight of stairs with their drum kit. however if it entertains then it justifiably takes its place as a musical genre. i would like to think thath there are a number of people that enjoy d'n'b that enjoy all good music not just their own particular favourite, there is after all only two types of music out there good and bad music. as the old saying goes beauty is in the eye, or in this case ear, of the beholder. finaly if you get nothing out of a particular piece of music it's fair to say for you it's bad music and vice versa if it's good music, but your bad music is just your own taste or opinion and as everyone knows opinions are like arseholes. everyone has one and sometimes they are full of shit. so now a little pause for thoughtit's all house music Shosh. P.S it's just my opinion _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
i like delsin. and mangos for breakfast! -Original Message- From: SHAUN SWINDELL [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:06 AM To: 313@hyperreal.org Subject: [313] is it music? the age old is it music or is it noise debate,at the end of the day if it makes you moove then it is justified as a form of entertainment, thus who are we to comment on whether or not it is or is not music. for the people who enjoy d'n'b it most certainly is music but for the rest it sounds like, a person that fell down a flight of stairs with their drum kit. however if it entertains then it justifiably takes its place as a musical genre. i would like to think thath there are a number of people that enjoy d'n'b that enjoy all good music not just their own particular favourite, there is after all only two types of music out there good and bad music. as the old saying goes beauty is in the eye, or in this case ear, of the beholder. finaly if you get nothing out of a particular piece of music it's fair to say for you it's bad music and vice versa if it's good music, but your bad music is just your own taste or opinion and as everyone knows opinions are like arseholes. everyone has one and sometimes they are full of shit. so now a little pause for thoughtit's all house music Shosh. P.S it's just my opinion _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Will any of you...
So still need someone who's going to kindly give us even the most sketchiest of reports back please please please ... in the name of anorak-dom at least! :o) Shorter Oxford English Dictionary: Anorak - noun; colloquial; (UK) an obsessive about a particular hobby or pastime, e.g. angling, philately, Detroit techno. Have a nice weekend all. K -Original Message- From: glyph1001 [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 2:34 PM Cc: '313@hyperreal.org' Subject: Re: [313] Will any of you... Uh...I take that lie back: my lift to the event backed out on me last min, so somebody else will need to do the reporting. =( Grand opening, Grand closing, Glyph. glyph1001 wrote: I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
From: Rob Theakston [EMAIL PROTECTED] To: 313@hyperreal.org Subject: RE: [313] is it music? Date: Fri, 25 Jan 2002 10:12:04 -0500 i like delsin. and mangos for breakfast! -Original Message- From: SHAUN SWINDELL [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 10:06 AM To: 313@hyperreal.org Subject: [313] is it music? the age old is it music or is it noise debate,at the end of the day if it makes you moove then it is justified as a form of entertainment, thus who are we to comment on whether or not it is or is not music. for the people who enjoy d'n'b it most certainly is music but for the rest it sounds like, a person that fell down a flight of stairs with their drum kit. however if it entertains then it justifiably takes its place as a musical genre. i would like to think thath there are a number of people that enjoy d'n'b that enjoy all good music not just their own particular favourite, there is after all only two types of music out there good and bad music. as the old saying goes beauty is in the eye, or in this case ear, of the beholder. finaly if you get nothing out of a particular piece of music it's fair to say for you it's bad music and vice versa if it's good music, but your bad music is just your own taste or opinion and as everyone knows opinions are like arseholes. everyone has one and sometimes they are full of shit. so now a little pause for thoughtit's all house music Shosh. P.S it's just my opinion _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] i dunno what delsin is, is it nice? oh i like traffic lights little hobby of mine. red...yellow...green...ah bliss Shosh _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
music is so much more - communication and projections much of 313-music is full of things to talk about but it should happen a much higher level then only comments about taste - incl. some respect 4 the musicians beeing judged by others - so much more then any other people get judged 4 what they do 4 some reason Of course it also can´t go without bringing in your perspective... but a lil more reflective then sometimes b4 - pleeez (respect 4 some ewoks too) ... still preparing some blabla in my mind bout that 4 the list soon m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
hey alex... youre from the uk so you really should know it ,,, seems like youre a bit narrow minded bout that,,,drum n bass is music in deed,you might not like itz but you really cant say that there are only some producers that cut it,,,you should really go and look how people like optical, ed rush or bad company have pushed music and also mastering,,,just have a listen to some of their plates on your system and then play some of your own records,,,you will see what i talk about another tihng,,,you should go to a garage/2.step,,anyway called party and enjoy it,,,dont say its all crap,,be a bit more open-minded and enjoy music.. thats what i mean.. ronster -Ursprüngliche Nachricht- Von: [EMAIL PROTECTED] An: 313@hyperreal.org Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad Memo from Alex Bond of PricewaterhouseCoopers Start of message text Ok, I'm new to this mail service, so I'm not familiar with the topics you discuss. But, surely if you subscribe to a mail service like this, you have more than a passing interest in music from Detroit? How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm gobsmacked. Also Drum and Bass. A load of ex-ravers who discovered a few techno records round about 1993, what are most of 'em doing now? Speed bloody Garage, 2-Step, what ever you want to call it. Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but overall, I have to say it's bobbins, and barely worth a discussion, that music is full of people just trying to make a fast buck (I don't blame 'em for that) but really, is it 'music'? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
... still preparing some blabla in my mind bout that 4 the list no, not more blabla! robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] artist question
hi,,, can anyone tell me whos behind the project A.E.S. ,, i got a tracl called music in my head and its just so awesome was it released on vinyl?? i didnt find anything ron ron lux _ jahnstr.7 _ d-71299 wimsheim _ fon | fax _ (+49)_7044_48199 _ cell _ (+49)_171_6574162 _ come to www.megahertz.org www.heckengaeu.de www.fortransit.com --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: is it music?
i personally like when artists put thought into their craft... be it minimal house/tech...d'n'b or ambient...you can tell. but at other times no thought is just as good...as long as it has funky rythms!! Is your boss reading your email? Probably Keep your messages private by using Lycos Mail. Sign up today at http://mail.lycos.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] string 'n' pad
Personally I enjoyed Alex's post, if only for the outstanding use of the word 'bobbins', one of my favourite English colloquialisms and one I've hardly heard since the great days of Madchester. Discuss. And if you ask me, he's right about that garage/2-step bobbins too. So Solid my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) TOM -Ursprüngliche Nachricht- Von: [EMAIL PROTECTED] An: 313@hyperreal.org Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad Memo from Alex Bond of PricewaterhouseCoopers Start of message text Ok, I'm new to this mail service, so I'm not familiar with the topics you discuss. But, surely if you subscribe to a mail service like this, you have more than a passing interest in music from Detroit? How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm gobsmacked. Also Drum and Bass. A load of ex-ravers who discovered a few techno records round about 1993, what are most of 'em doing now? Speed bloody Garage, 2-Step, what ever you want to call it. Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but overall, I have to say it's bobbins, and barely worth a discussion, that music is full of people just trying to make a fast buck (I don't blame 'em for that) but really, is it 'music'? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: RE: [313] is it music? Date: Fri, 25 Jan 2002 16:30:30 +0100 (MET) music is so much more - communication and projections much of 313-music is full of things to talk about but it should happen a much higher level then only comments about taste - incl. some respect 4 the musicians beeing judged by others - so much more then any other people get judged 4 what they do 4 some reason Of course it also cani?t go without bringing in your perspective... but a lil more reflective then sometimes b4 - pleeez (respect 4 some ewoks too) ... still preparing some blabla in my mind bout that 4 the list soon m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] I know exactly what you mean it is so much more than just taste, but before anything else you have to appreciate the music, first you have to feel it then and only then can you offer a view. In the end though if music is a feeling and you ain't feeling it it ain't music to you. Your view can however change if you are prepared to open yourself to new experiences and through practice, ie. listening, you can then train your ear to enjoy it. When you know the effort and thought that has gone into a composition you can't help but admire the individuals or person that created the piece. Question is a piece of music as valid knowing the creator/s are doing it to make a quick killing or are the struggling musicians out there the true music makers? Blimey what a heavy composition! Shosh _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] Will any of you...
Surely listmember Prof. Sicko should just publish his paper online, or better still, on this list, once all the brow-furrowing is over?Maybe Adam Miller could be persuaded to do the same... TOM So still need someone who's going to kindly give us even the most sketchiest of reports back please please please ... in the name of anorak-dom at least! :o) Shorter Oxford English Dictionary: Anorak - noun; colloquial; (UK) an obsessive about a particular hobby or pastime, e.g. angling, philately, Detroit techno. Have a nice weekend all. K -Original Message- From: glyph1001 [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 2:34 PM Cc: '313@hyperreal.org' Subject: Re: [313] Will any of you... Uh...I take that lie back: my lift to the event backed out on me last min, so somebody else will need to do the reporting. =( Grand opening, Grand closing, Glyph. glyph1001 wrote: I'll be going...it'll be VERY interesting. =) Glyph Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
This is barely comprehensible. Sorry. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 3:31 PM To: 313@hyperreal.org Subject: RE: [313] is it music? music is so much more - communication and projections much of 313-music is full of things to talk about but it should happen a much higher level then only comments about taste - incl. some respect 4 the musicians beeing judged by others - so much more then any other people get judged 4 what they do 4 some reason Of course it also can´t go without bringing in your perspective... but a lil more reflective then sometimes b4 - pleeez (respect 4 some ewoks too) ... still preparing some blabla in my mind bout that 4 the list soon m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] string 'n' pad
Put that in your column and smoke it, I dare you! -Original Message- From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 3:47 PM To: 313 mailing list Subject: Re: [313] string 'n' pad Personally I enjoyed Alex's post, if only for the outstanding use of the word 'bobbins', one of my favourite English colloquialisms and one I've hardly heard since the great days of Madchester. Discuss. And if you ask me, he's right about that garage/2-step bobbins too. So Solid my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-) TOM -Ursprüngliche Nachricht- Von: [EMAIL PROTECTED] An: 313@hyperreal.org Gesendet: Freitag, 25. Januar 2002 14:19 RON Betreff: [313] string 'n' pad Memo from Alex Bond of PricewaterhouseCoopers Start of message text Ok, I'm new to this mail service, so I'm not familiar with the topics you discuss. But, surely if you subscribe to a mail service like this, you have more than a passing interest in music from Detroit? How on earth did anyone ever confuse Kevin Saunderson and Alex Reece??? I'm gobsmacked. Also Drum and Bass. A load of ex-ravers who discovered a few techno records round about 1993, what are most of 'em doing now? Speed bloody Garage, 2-Step, what ever you want to call it. Alright, there's a few D+B producers who can cut it (Photek/Dillinja?) but overall, I have to say it's bobbins, and barely worth a discussion, that music is full of people just trying to make a fast buck (I don't blame 'em for that) but really, is it 'music'? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 2001 gems
As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I haven't missed anything major which I should have bought. I bought Cannibal Ox The Cold Vein the other day, which has turned out to be really interesting musical hip hop (although I'm not a big fan of the genre). Has anyone any comments on this album, or any albums which they resisted buying / didn't hear about all year, and have now bought, and recommend. Cheers. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 2001 gems
If you like that you should check out One/Three by Dabrye on Ghostly International. One of my top 10 of '01. Agci -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] 2001 gems Date: Fri, Jan 25, 2002, 11:11 AM As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I haven't missed anything major which I should have bought. I bought Cannibal Ox The Cold Vein the other day, which has turned out to be really interesting musical hip hop (although I'm not a big fan of the genre). Has anyone any comments on this album, or any albums which they resisted buying / didn't hear about all year, and have now bought, and recommend. Cheers. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 2001 gems
Everybody on this list has probably got and savoured it but Herbert's Bodily Functions. Why this guy is not a star is beyond me. - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, January 25, 2002 4:11 PM Subject: [313] 2001 gems As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I haven't missed anything major which I should have bought. I bought Cannibal Ox The Cold Vein the other day, which has turned out to be really interesting musical hip hop (although I'm not a big fan of the genre). Has anyone any comments on this album, or any albums which they resisted buying / didn't hear about all year, and have now bought, and recommend. Cheers. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Bobbins
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this, but he nearly shares his name with a little bit of English rhyming slang. E.g. What do you think of that dope new So Solid mix little Johnny? It's f***in Tim Robbins that mate By the way Tom, what happened to the rather excellent little magazine you used to do? Any other 313ers remember that? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bobbins
I do and I thought it was great [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM To: 313@hyperreal.org cc: Subject: [313] Bobbins Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this, but he nearly shares his name with a little bit of English rhyming slang. E.g. What do you think of that dope new So Solid mix little Johnny? It's f***in Tim Robbins that mate By the way Tom, what happened to the rather excellent little magazine you used to do? Any other 313ers remember that? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bobbins
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Sorry to kiss a**e, but, yeah it was a great little mag. It's been a long long time since I saw a copy though, 3/4 years? [EMAIL PROTECTED] on 25/01/2002 16:17:30 To: Alex Bond/UK/INF/PwC cc: 313@hyperreal.org Subject: Re: [313] Bobbins I do and I thought it was great [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM To: 313@hyperreal.org cc: Subject: [313] Bobbins Memo from Alex Bond of PricewaterhouseCoopers Start of message text Mr Magic Feet will not thank me for saying this, but he nearly shares his name with a little bit of English rhyming slang. E.g. What do you think of that dope new So Solid mix little Johnny? It's f***in Tim Robbins that mate By the way Tom, what happened to the rather excellent little magazine you used to do? Any other 313ers remember that? - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 2001 gems
From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] 2001 gems Date: Fri, 25 Jan 2002 08:11:21 -0800 As it's still near the beginning of the year, I thought that this is still a relevant topic. Over the last few weeks there have been loads of lists in magazines, net etc. with top lists of 2001. While I don't slavishly go out and buy all the top 10 records, I do find these useful to check I haven't missed anything major which I should have bought. I bought Cannibal Ox The Cold Vein the other day, which has turned out to be really interesting musical hip hop (although I'm not a big fan of the genre). Has anyone any comments on this album, or any albums which they resisted buying / didn't hear about all year, and have now bought, and recommend. Cheers. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] did you pick up the album by maurice fulton stress why put me through it? very good experimental, quircky, cool use of sounds. very nice. also Labfunk by Atjazz on mantis-recordings and something by Schmoove called while you wait on diy's label DiY Discs. Does anyone remember DiY the crowd from nottingham? Check these three albums out if you didn't get them first time round. Shosh _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
In a message dated 1/25/02 7:03:48 AM Eastern Standard Time, [EMAIL PROTECTED] writes: That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the Reese Bass comes from Alex Reese... Just goes to show you that junglists need to pull the blinders off and listen and learn about something else besides drum'n'bass. Kevin Master Reese Saunderson released some of the first UK hardcore records in America on KMS for fuck's sake. pw gg ny
[313] mysterious mag mystifys
Yeah I can remember that magic feet magazine used to think it was ok but could never find it very easily. Whilst on the nostalgia trip does anyone remember the old fanzine that the droid used to put out forget its name was it overload or something like that please advise or I will go insane otherwise. Also does anyone out there remember Chillin FM Aaahh happy days Shosh _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Reese bass
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Yesss, tell 'em how it is Oscillate. That's my point exactly, put exactly how I would want to put it. [EMAIL PROTECTED] on 25/01/2002 16:39:31 To: [EMAIL PROTECTED], 313@hyperreal.org cc: Subject: Re: [313] The Reese bass In a message dated 1/25/02 7:03:48 AM Eastern Standard Time, [EMAIL PROTECTED] writes: That's really odd, because everyone I have ever known in the jungle/dnb scene has thought the Reese Bass comes from Alex Reese... Just goes to show you that junglists need to pull the blinders off and listen and learn about something else besides drum'n'bass. Kevin Master Reese Saunderson released some of the first UK hardcore records in America on KMS for fuck's sake. pw gg ny - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] inside out
At 1/25/2002 + 11:19, you wrote: but where did the name reese bassline come from? kevin master reese saunderson (ehm.. plug alert) about mr reese, he'll be doing a five hours (!) set next week at the melkweg (milky way) here in amsterdam. . fri feb 1 before that, you can enjoy two hours of dj'ing by peel seamus, the guy from delsin.. fri 1feb from 10h pm - 5am bleep .. . :: http://nomorewords.net
RE: Re: [313] inside out
delsin's good. so are mangos. kevin saunderson rocks. i'd like for him to bring back some of those older tracks via repress. and i thought it was Kevin Maurice Saunderson into Master Reese as a nickname/play on words which led to Reese? maybe professors sicko/van loo/malbon know the answers? -Original Message- From: marsel [mailto:[EMAIL PROTECTED] Sent: Friday, January 25, 2002 12:01 PM To: 313@hyperreal.org Subject: Re: Re: [313] inside out At 1/25/2002 + 11:19, you wrote: but where did the name reese bassline come from? kevin master reese saunderson (ehm.. plug alert) about mr reese, he'll be doing a five hours (!) set next week at the melkweg (milky way) here in amsterdam. . fri feb 1 before that, you can enjoy two hours of dj'ing by peel seamus, the guy from delsin.. fri 1feb from 10h pm - 5am bleep .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] is it music?
This is barely comprehensible. Sorry. what do you mean by that ? - the grammar and stuff ? - pffr or you got the meaning and you complain about that ? you could complain a bit more detailed then - - oh and robin - about the bla-man thing hm listen - I would love to shut up and just read and learn more about the deeper things in 313-culture - (beside the always good2know record collector-stuff) but most comments here - are so flat and are just üärgh - I mean why the f±±± is this rubbish almost every day, like: Mills should do and write this and that, or yesterday - Stacey Pullen should mix like this so people give him a mark as if it´s about getting marks at school ? the Music needs to be like this and that ? ? ? What do you know about the meaning of certain drum patterns ? The meaning of african culture in music (and techno music) and how it developes through the circumstances the dominating nations create on the planet. What is it that makes you move - beside banging beats or that it´s hot ? I´m here 4 understanding more ... does that make sense ? ps - alex reece c not s was the pulp fiction one - and - adam f - bob james sampling - octave one - bob james roadies off 2day party nite nite m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
