(313) Bloc weekender lineup
Booked. For those who don't remember, reports of last year's first Bloc were fairly immense. http://www.blocweekend.com Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) A couple of new toons
A bit of activity round here all of a sudden! Here's some copy-and-pasted new stuff which I've only ordered based on clips, but I reckon deserves a mention: SUBSTANCE/VAINQUEUR: Libration (Scion Versions Germany) -Sounds absolutely immense based on the clips, but I need to add the caveat that I'm listening through laptop speakers REINBOTH, Michael/JOASH/NO THEORY/NEIL LANDSTRUMM: Future Sound Of Jazz Vol 11 (Compost Germany) -The Michael Reinboth thing sounds wicked. Good enough that I didn't even properly check the other two tracks, even though it was the new No Theory (1/2 of which is Pascal Schaefer) which brought me to the clips. FREER, Hauke: My Beat (Real Soon) -New one-sided limited thing. The A-side sounds like it's got a big build-up in store. Don't sleep! Keep up the good work Paul - you're setting the pace for a few of us around here. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) Re: [SPAM-LOW] Re: (313) R.I.P. Rob Deacon (Abstract/Sweatbox/Volume/Trance Europe Express)
As much as the Trance Europe/Atlantic CDs sorted me out, I also always used to check each Volume CD as it made its way in to the radio station. Turned me on to untold quantities of music. Definitely a sad loss. :( Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk [EMAIL PROTECTED] wrote: That's terrible news :-( I have some deep love for the Trance Europe/Atlantic Express compilations. The whole book with CD thing is a great concept and while it didn't originate with Mr Deacon - he did it so well. I'd pour over it for hours whilst listening to the CDs. The Pacific State compilations were where I first got exposed to Ken Ishii and some of the best Japanese techno I'd ever heard. MEK Greg Earle [EMAIL PROTECTED] wrote on 10/10/2007 03:03:58 PM: Rob Deacon has died aged 42 in a canoeing accident. The Guardian has Rob's obituary today: http://www.guardian.co.uk/obituaries/story/0,,2187245,00.html Who's he then? you might ask. Abstract Magazine? Sweatbox Records? Volume? Trance Europe Express? Trance Atlantic Express? (You know - the one with all that Detroit Techno on it) I owned something from nearly every incarnation Rob had a hand in. While I never knew who he was, he had a huge influence on my musical taste for a good 10 years or more, without me even knowing it. His own musical taste evolution clearly followed my own - brothers in timeline, as it were. R.I.P. Rob. Thanks for all the music.. - Greg
(313) Ghosts + Popkomm
- Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Klaas-Jan Jongsma [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Wednesday, September 21, 2005 8:55 AM Subject: SPAM-LOW: Re: (313) Dale Lawrence Where's Unsel Brown? I wanna see the Luke Monteiro vs. Steve what's-his-face deathmatch. ;) Good to see lots of old faces back on here! OB313: Los Hermanos Live @ Panorama Bar last weekend were excellent for the two tracks I caught of them (unfortunately we got there too late to see the whole thing). Gerald Mitchell was baaad on the live keys. From what I saw, I'd say it blew the Timeline show out of the water. Much more live at any rate. But I'm not exactly Mr. UR so take that with a grain of salt. Also on my Popkomm expedition I caught Fat Freddys Drop for the third time, who were utterly fantastic. Possibly the best I've seen them. We almost caused a riot calling for a second encore. That was bloody intense. Saw A Guy Called Gerald and Sleep Archive at WMF, both of whom were not quite as good as when I've seen them previously. Zip and Soulphiction (I'm pretty sure that's who they were) were OK at Watergate. They played some really nice tracks but some the set didn't have much flow. Also caught Lindstromm (I think) at Panorama Bar (amazing venue BTW) and he was purty damn good. Berlin was great in general, although as you can tell I didn't really go all-out on the clubbing. I just really enjoyed the city though. Almost as much as London. ;) Thanks everyone who helped me find the good stuff! Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) Popkomm
I'm off to Popkomm from the 12-18. Anyone have good info on parties? I'd particularly like to catch Fat Freddy's Drop (who are the only people I know are playing), Henrik Schwarz - basically anything Sonar Kollektiv, Shed, maybe a Playhouse party, dunno... Basically looking for recommendations b/c I hear the parties are dope, and I've not got the first clue where to look other than the official programme at http://www1.messe-berlin.de/vip8_1/website/MesseBerlin/htdocs/www.popkomm/en/Festival/Programme/index.jsp which I'm assuming is only a partial list. Thanks! Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) Stormtoopers
LONG LIVE THE EWOKS! Welcome back Magnus. :) So is Andre Brown a new addition to the Moving repertoire? Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk - Original Message - From: dr.dog [EMAIL PROTECTED] To: Jason Brunton [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Thursday, August 25, 2005 5:04 PM Subject: Re: (313) RE: mayday mix - news on Jerry Lewis Jason - private answer on the way to your mailbox - :) howdy list ? some of you might like this (from the D): http://www.pranatronic.com/electric_eyes_are_watching.mp3 http://www.pranatronic.com/ soon m Wow! There's a blast from the past- how you doing Magnus!!!? cheers Jason On 25 Aug 2005, at 15:44, dr.dog wrote:
(313) (Hahaha)ppy birthday
Scroll down to the bottom of this page and you can see all the birthday mix posts. The stuff at the bottom gets kinda funny. http://elists.resynthesize.com/313/2005/08 T
(313) Re: stacey pullen in SF
FWIW, I saw Stacey Pullen play in Seattle '97, which was at that point the best set I'd ever seen, then saw him in San Francisco at the MOMA in '99 for the second time and he was already beginning to get dissapointing then. Basically I think I've seen two sets from him that I've liked since then, but most have been far too progressive for my liking. Just when I'd nearly given up on him, he did play quite well when I last heard him @ Fabric, throwing in Pepe Bradock, etc. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) Birthday mix for Hannah
Original Message From: Carlos de Brito [EMAIL PROTECTED] Sent: 23 August 2005 16:30 To: [EMAIL PROTECTED] Subject: Re: (313) Birthday mix for Hannah ...now THAT's a wicked mix full of classics of different genres! awesome mix, listened to it various times during the last couple of days, everyone who listened to it asks what it is. THX a lot for that mix, tristan! i'm sure hannah enjoys it pretty much! Thanks guys! :) there's just one thing to complain about it: pitching henrik schwarz' marvin to + 8 (or is it +10?) is way too fast. for me, at least. My friend Steve just called me out on this last week as well. He said the Piccadilly clip sounded way slower. Now, I've always been playing it at 45 -8 ish, as it was in this mix, and have always thought it sounded right, even though it would be the fastest Henrik Schwarz track I own at that speed. I dunno... I can see that it would sound stupidly fast if you've always been listening to it on 33, but I've always listened to it at 45 and it's my favourite track of his, so take that for what it's worth. ;) anyway, once again: awesome mix! cheers, c* p.s.: oh, and Dirk Leyers - New Serious One [Kompakt] is wrongly credited, that ambient tune's called come to where i go. now call me a nitpicker... ;) Doh! Will make that amendment when I finally post it for real on my site. Cheers, Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) Birthday mix for Hannah
Hey all. I did a mix for my girlfriend's birthday which she's opted to share with the world. It's my stab at putting down a bunch of tracks that I figured she liked, that she didn't already have, and some of it's a bit unusual for my mixes (i.e. more disco than you'd usually get). It's got Rob's tune of the Summer in it to boot. http://www.phonopsia.co.uk/mixes/BirthdayMixForHannah_06-08-05.mp3 Track list --- Fat Freddys Drop - Flashback [The Drop] Dirk Leyers - New Serious One [Kompakt] Exuma - Exuma, The Obeah Man [Soul Jazz] James Mason - Sweet Power Your Embrace [Soul Jazz] Earth, Wind Fire - Brazillian Rhyme (Danny Krivit Re-edit) [Sony Japan] Skyy - First Time Around (Larry Levan Canadian 12 Remix) [Salsoul] Osunlade presents Nadirah Shakoor - Touched My Soul [Set] Amp Fiddler - Love and War [Genuine] The Detroit Experiment - Think Twice [Planet E] Carl Craig - Sandstorms [Planet E] Omar-S - Detroit #1 [FXHE] Theo Parrish - Music [Sound Signature] Norma Jean Bell - Dreams [Peacefrog] Stateless - Leave Me Now (Brooks' Fair Light Mix) Henrik Schwarz - Marvin [Moodmusic] DJ Gregory - Elle [Faya Combo] Rima - This World (12 Version) [JCR] RSL - Wesley Music [Players] Kerri Chandler - Bar a Thym [Nite Grooves] Claro Intellecto - Peace of Mind (Electrosoul) [AI Records] Paul St. Hilaire Rene Lowe - Faith (Vox) [False Tuned] Quadrant - Infinition [Basic Channel] Depeche Mode - Behind the Wheel [Mute] Juan Atkins - I Love You [New Religion] Brooks - Tell Somebody About Us (Akufen raconte sa Version des Faits) [Soundslike] Enjoy! Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) Blaze live in Minneapolis!
Ken, I saw Blaze semi-live with a Body Soul crowd in full effect, two years ago in Brooklyn. They were playing at Danny Krivit's then-residency at 66 Water Street. It was pretty damn good. Can't recall the details of how they put it all together unfortunately but I remember the result was tasty. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk - Original Message - From: Odeluga, Ken [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, August 12, 2005 11:44 AM Subject: RE: (313) Blaze live in Minneapolis! I had a think about this. Am I right in thinking that Blaze have not played out for years, if ever? Maybe they did at one point, but I can't recall the last time I ever heard of them doing so, singularly or together. Live, now that would be interesting... Ken -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 10 August 2005 18:01 To: 313@hyperreal.org Subject: (313) Blaze live in Minneapolis! Brand new night being put on by a guy I know from NYC. Seems he's bringing in the big guns for the first night. It's Sunday Sept 11th Blaze's first time here - sadly I'm not back from the UK until a day later. http://www.souledoutsundays.com/ anyone know where I could find some online Blaze sets or Kevin Hedge dj sets? (not Soulseek) I checked Deephousepages.com but there wasn't anything there. thanks MEK
Re: (313) New Mix - Ate
Thanks! feel free to spread it around. Still have a few gigs of bandwidth to spare. :) T Original Message From: Carlos de Brito [EMAIL PROTECTED] Sent: 01 June 2005 19:32 To: Robert Taylor [EMAIL PROTECTED] Subject: Re: (313) New Mix - Ate indeed, seconded! very, very dope mix, lots of tunes i bought too. i'll spread that here in my neighbourhood, ok? (o_*) c* Robert Taylor wrote: Nice one T! - my colleagues seemed perturbed by the Vibert track but f*** 'em, they have poor taste! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 June 2005 13:00 To: 313@hyperreal.org Subject: (313) New Mix - Ate Download here: http://www.phonopsia.com/mixes/Tristan%20Watkins%20-%20Ate%2026-05-05.mp3 Recorded on May 26, 2005. Straight-up house and techno. Encoded at 192 Kbps. Enjoy! Tracklist: Pascal Schäfer - Mystére [Karaoke Kalk Pets] DJ Yoax B. - Hot One [Wabi Sabi] Lowtec - In Fail We Trust [Playhouse] Firefly - Snowblind in Ann Arbor [Poussez] Dirk Leyers - New Serious One [Kompakt] Max Mohr - Sound City [Playhouse] Mr. Oizo - Last Night Herbert Murdered My Poodle [Peacefrog] Luke Vibert - Orch Garage [Planet-Mu] Róisín Murphy - Dear Diary [Echo] Riton featuring Watine - By My Side (Extended Mix) [Parasonic] Crusho - Someone to Love (Blackjoy Mix) [Q-Tape] Henrik Schwarz - Leave My Head Alone Brain (Mix 2) [Sunday Music] James Duncan - Yes I Can [Real Soon] Omar-S - Track #8 [FXHE] Sleeparchive - Elephant Island [Sleeparchive] Heiroglyphic Being - Liquid Sex (Portable Rmx) [Spectral] Move D - Marshmellow Boots [Airbag Craftworks] UND - Christmas [Trapez Ltd] Daniel Bell - Work That s**t [Klang] The Model - The Shot [Traum] Trolley Route - Tempura (Sterac Mix) [Pure Plastic] Chateau Flight - Celestial Showers [Versatile] Orlando Voorn - Underwater [Ignitor] Zero Duma - Eargasm [Ibadan] # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) New Mix - Ate
Download here: http://www.phonopsia.com/mixes/Tristan%20Watkins%20-%20Ate%2026-05-05.mp3 Recorded on May 26, 2005. Straight-up house and techno. Encoded at 192 Kbps. Enjoy! Tracklist: Pascal Schäfer - Mystére [Karaoke Kalk Pets] DJ Yoax B. - Hot One [Wabi Sabi] Lowtec - In Fail We Trust [Playhouse] Firefly - Snowblind in Ann Arbor [Poussez] Dirk Leyers - New Serious One [Kompakt] Max Mohr - Sound City [Playhouse] Mr. Oizo - Last Night Herbert Murdered My Poodle [Peacefrog] Luke Vibert - Orch Garage [Planet-Mu] Róisín Murphy - Dear Diary [Echo] Riton featuring Watine - By My Side (Extended Mix) [Parasonic] Crusho - Someone to Love (Blackjoy Mix) [Q-Tape] Henrik Schwarz - Leave My Head Alone Brain (Mix 2) [Sunday Music] James Duncan - Yes I Can [Real Soon] Omar-S - Track #8 [FXHE] Sleeparchive - Elephant Island [Sleeparchive] Heiroglyphic Being - Liquid Sex (Portable Rmx) [Spectral] Move D - Marshmellow Boots [Airbag Craftworks] UND - Christmas [Trapez Ltd] Daniel Bell - Work That s**t [Klang] The Model - The Shot [Traum] Trolley Route - Tempura (Sterac Mix) [Pure Plastic] Chateau Flight - Celestial Showers [Versatile] Orlando Voorn - Underwater [Ignitor] Zero Duma - Eargasm [Ibadan]
Re: (313) joe lewis
- Original Message - From: Dan Bean [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, May 17, 2005 3:46 PM Subject: SPAM-LOW: Re: (313) joe lewis Seconded, the LP's nice, quite a range of sounds on there. Some of it sounds old, like early Derrick May stuff as Marsel said, other tracks have a more modern 'beefy' production sound. A few tracks sound a bit dated, but for the most part it's pretty strong. Particularly like the track 'Rain' (or something like that, haven't got the CD in front of me). Huh. Is it meant to be all new stuff? Rain Pt 2 was on the Netherlands EP: http://www.discogs.com/release/137558 ...and apparently there was a track called 'The Rain' on this SSR comp: http://www.discogs.com/release/91727 Anyway, count me among the excited. Tristan
(313) Lon, long overdue Movement 2004 report
Offered better late than never, in order to remind and excite for Fuse-in! Looking over this the last couple of days, I'm really sad to be missing it this year. :( http://www.phonopsia.co.uk/Mov2004dex.htm Lots of pics and a few video clips, even if you're not in the mood for the wanky descriptive stuff. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) summer techno
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 12, 2005 2:29 PM Subject: Re: (313) summer techno you f'ing weirdo :) there's nowt wrong with QC sherry on a sunny day. ask your local 'hobo'. (please note the american term, I like to mix it with the foreigners) its like pimms. but different ; ) Most Americans don't know what PIMMS is etiher, and wouldn't think you any less of a weirdo for comparing it to your Summer beverage of choice. Anyway... Summer techno, eh? I tend to be more of Summer house guy, but couldn't begin to list them off. Or maybe I can. How about The Bucketheads' 'Whew'. Tristan
(313) Festival goes for $5 fee
http://www.freep.com/entertainment/music/fest13e_20050413.htm
(313) New Records
32 PROJECT: Rule Of Humanity (Ibadan US) [Hiroshi Watanbe in fairly-technoish mode. Not sure if I'll like it quite as much as the last 32 Project, but sounds nice] DUBIOUS: Heavy Hands (Prize) [Couldn't conclude on this one at first, but finally decided I needed it for the 2nd track] DUNCAN, James: Peoples Are Peoples (Real Soon US) [second recent thing from him - both great] FERRER/SYDENHAM INC/ZERO DUMA: DJ Tools Volume 5 - Alternative Conclusions (Ibadan US) [finally answered my Wayne Gardiner question! He is Zero Duma on this, and the track sounds sick. Imagine him doing proper techno! Not sure how I missed this on release. Also found some other pseudonyms for him that aren't listed as him on discogs, like Sinister Concepts, which sounded OK from the clips, but nothing I'd rush to buy] GARDINER, Wayne EDDIE MADURO: The Warning (Bolshevik US) [OK, not a new release, but I'm sure other people will want to know this Logic track has been remixed by the man himself. Think these mixes are new, but not 100% sure. Don't sound terribly different than the original] VOORN, Orlando: Underwater (Ignitor US) [first ignitor thing I've picked up. Sounds dope] Also got the Sam Prekop album, and passed on the Dimlite 12 - waiting on the album. Crossing my fingers for confirmation of my order of Arthur Russell's 'World of Echo' on wax, which seems to have finally been re-released in the last week. Tristan
Re: (313) New Records
Original Message From: J.T. [EMAIL PROTECTED] Sent: 12 April 2005 15:57 To: [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) New Records DUNCAN, James: Peoples Are Peoples (Real Soon US) [second recent thing from him - both great] different from realsoon UK??? and not related? Yep, there was one on Le Systeme last month. http://www.discogs.com/release/281626 Discogs says '04, but I didn't see it until a couple of weeks ago. VOORN, Orlando: Underwater (Ignitor US) [first ignitor thing I've picked up. Sounds dope] you have been sleeping like a rock!! Well, I had a good listen to a good chunk of them last night (and many of them as they came out). Basic Bastard Volume 6, and maybe 3 sounded like something I would like, but some of the other stuff was not so much my thing. I very well may pick up 6 or 3 or whatever the one that sounded kinda housey was - just ran out of money last night. Can anyone remind me if these are all new, or are some of them reissues of older stuff. I coulda sworn one of the Outland Basci Bastards I have was volume 4, and that's gotta be nearly 10 years old now. Tristan
Re: (313) new records
- Original Message - From: matt kane's brain [EMAIL PROTECTED] To: robin [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, April 11, 2005 5:16 PM Subject: SPAM-LOW: Re: (313) new records At 12:10 PM 4/11/2005, robin wrote: matt are you talking about that new mathew jonson by any chance? no, I meant things keep falling down by the field. didn't know there was a mathew jonson coming out on kompakt (oh looky, there it is on kompakt extra), and i missed his last few. liked all the others. 3 out of 4 times i've bought kompakt records, they always sound bad once i get home from the shop :( speaking of mathew jonson, looks like he has started a new label, and the itiswhatitis site is gone. Hmm. The newest Mathew Jonson is him with The Mole (duking it out for Mr.-prolific-of-the-moment award with Jamal Moss), and it sounds like each of them takes turns on the beats, with a bit of each -of them on top. It's on Spriecher (or whatever that Kompakt offshoot is called). The 2nd half of it when (what sounds to me like) The Mole's bassline/beat comes in, it gets well dirty. When I mixed it on Saturday I let it go to almost the middle before bringing it in, and mostly just played the second half. It's pretty cool, but doesn't 'do' a ton, especially in the first half. A really slow builder in typical Mathew Jonson style. This is the first of his releases I've bought post-deluge. I think it sounds different enough to the rest of them to warant the purchse, but I'm sure some won't agree. I assume by Mathew Jonson's label you mean Wagon Repair? I came up with the theory it means fixing the damage those bandwagon f*ckos like me created. I hear the b-side on that first 12 is the tune, but haven't heard it myself yet. Tristan
Re: (313) new records
- Original Message - From: matt kane's brain [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, April 11, 2005 6:25 PM Subject: Re: (313) new records At 01:23 PM 4/11/2005, [EMAIL PROTECTED] wrote: I assume by Mathew Jonson's label you mean Wagon Repair? I came up with the theory it means fixing the damage those bandwagon f*ckos like me created. That's what I mean. What damage in particular are you talking about? Just that I think there's been a bit of a backlash against some of his productions per the hype of Decompression, etc, probably not aided much by the sheer volume of releases in a short time, and the relative samey-ness of some of them. Tristan
RE: (313) Main Street/New Henrik Schwarz
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, April 05, 2005 10:47 PM Subject: SPAM-LOW: (313) Main Street/New Henrik Schwarz Following on from that Main Street conversation last week, has anyone bought that new Henrik Schwarz record? I know there's a few Henrik Schwarz fans about. it's here: http://www.piccadillyrecords.com/mp3/Henrik%20Schwarz%20-%20Leave%20My%20Head%20Alone%20Brain%20Mix%202.mp3 Mix three sounds like the one for me. Well BC-ish in the same way the last Henrik Schwarz on Sunday Music 'Digital World' was. Thanks for the tip Alex! I'm sure it won't be around for long. On this note, has anyone picked up any of the Must records? Discogs credits them all to Henrik Schwarz and Klaus Lindbad, which kinda makes sense since the first one is. I've passed on one and three so far. Haven't heard two. Am I making a huge mistake? Also on this note, anyone remember Precious Hall by Kunuyuki? My favourite song of 2002. I was searching for some info on these Must records the other day and stumbled across a Japanese club called... Precious Hall. Carl Craig is playing there soon. I always thought he was just really into reverb. Tristan
Re: (313) planet delsin
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, April 05, 2005 10:10 PM Subject: SPAM-LOW: Re: (313) planet delsin JT said154 cultmember hmm. I hate to say it, but I'm there with you. he's number 1 for me at the mo. this cult is going to be weird, I can see it now. where do I sign? alex Count me in too! This comp is sounding fantastic. Also looking forward to Flushpoint with Mr. Bond and Peteri next Saturday. Had tried my best to make it to Berlin for the last night of Tresor, but I think I'll actually enjoy this even more. Tristan
Re: (313) Isolee Question
I'd recommend Brazil.com: http://www.discogs.com/release/99575 ...and It's About (Lopazz Und Casio Casinos Maxi Mix): http://www.discogs.com/release/138541 Both pretty durn good. Tristan - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, April 02, 2005 6:25 PM Subject: SPAM-LOW: Re: (313) Isolee Question Thanks for the help, all. I looked on discogs.com before asking but evidently I didn't look hard enough. ;) *will take another look* Thanks again! Lauren
(313) Main Street - Buy
Hehe. I was a bit slow on the up-take too: http://elists.resynthesize.com/313/1999/01/28650/ I even had two copies of that record and didn't realise it had anything to do with BC. Doh! There is some pretty interesting discussion along the Prescription/BC lines following that as well. Those were the [313] days... Tristan (earning extra old school 313 points today for his Cognition t-shirt)
RE: (313) dynamic duo's
- Original Message - From: Robert Taylor [EMAIL PROTECTED] To: Gerald [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] Sent: Friday, April 01, 2005 4:58 PM Subject: SPAM-LOW: RE: (313) dynamic duo's Derrick May Eh? How is he a duo? What about MAW Autechre Plaid B12 BC Sun Electric The Orb Quite a few I reckon. Tristan
(313) re: SPAM-LOW: (313) free Magazine FACT...
Original Message From: [EMAIL PROTECTED] Sent: 21 March 2005 09:44 To: 313@hyperreal.org Subject: SPAM-LOW: (313) free Magazine FACT... ..is a great read this month, an american special. not techno orientated, but if you like music, its a great read. Good article on chicago, convincing me I have to go...etc etc etc... But, theres a chart in the back: 10 detroit classics Compiled by Matthew Dear, aka Rob Theakston. that true? LOL. No, that's not true, but it is pretty damn funny! Tristan
(313) re: SPAM-LOW: (313) Some tunage
Robin, Couldn't convince myself I needed that A Greenman. Sounded good though. Clips just weren't convincing. I assume it's quite expansive? Anything I could fit in a set or is it a bit mellow for that? Trying to reduce expediture a bit (and failing badly as evidenced below). Last week from Piccadilly: Georg Levin : Heaven EP - 12 (with RIMA remix. Really growing on me) MF DOOM : Operation: DOOMsday - 2xLP (according to Piccadilly this is the final batch of these ever per licensing issues, so run don't walk) Omar S : 001 - 12 (i.e. not AOS #1. Loving it BTW) Patchworks Pres. Mister Day : Deep Ocean EP - 12 (sounds a bit St. Germaine-ish, in a very good way. Some of the best Patchworks stuff I've heard) Shed : Citylicker EP - 12 (really good. His stuff keeps getting better) And this week, 3 records with wicked titles from Piccadilly: Afx : Analord 05 - 12 Brownstudy : Tell Me More About Bubbles - LP (Groovy Jason Hogans stuff) Plant Life : When She Smiles She Lights The Sky - 4Hero / Interfearence Remixes - 12 (I like the original on this one. Nice vocals) These from Juno: Crusho: Traffic Jam EP (Q Tape France) - 12 (trying to order this for the third time, and I think this remix is better than the new three with Osunlade, etc BTW) James Duncan : Night Tracks (Le Systeme US) - 12 (Phwoar. Sounds like it's probably his best yet) Kid Sublime : Basement Works Volume 4 (Jahwell/Rush Hour Holland) - 12 (Tasty Moodymann-esque action) The Model : Robotiko (Traum Germany) - 12 (RAVE!!!) Cris Prolific : People (Versatile France) - 12 (Bit of a hip hop and RB departure on Versatile, but some sweet beats and inoffesive MCing) Sleeparchive : Research EP (Sleeparchive Germany) - 12 UND : Coccopuffs (Trapez Ltd Germany) - 12 (Listened to loads of recent Trapez stuff last night and this was the only one I really felt I needed. That Xmas tack is the nuts) Luke Vibert : Lovers Acid (Planet Mu) - 12 The firs ttwo tracks sound excellent. The second almost like a YosepH meets Kerrier ting) Wen / Een Tuell / Hendrik Luuk / Move D : Airbag Craftworks Compilation Vol 2 (Part 2) (Out To Lunch Germany) - 12 (first David Moufang I've seen in years. Love his stuff. Cheers to Jason Brunton for the tip if he out there. The other tracks sound tasty too. Very deep, dubby and a bit of everything stuff)
Re: (313) Stick Men
This would appear to resolve *my* confusion on the matter: http://www.discogs.com/label/Aquarius+Recordings+(Ontario) Aquarius was a sub-label of Stickman (run by The Stickmen), and Paul Jacobs would appear to be the main dude on that label. No clue if Paul Jacobs might be a psuedonym for the Paul in the Stickmen or not though (purley unfounded speculation). Discogs also lists both Stickmen groups. Tristan - Original Message - From: Jason Brunton [EMAIL PROTECTED] To: Placid [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Friday, March 04, 2005 9:38 AM Subject: Re: (313) Stick Men Ahhh, that explains the completely differeing styles I've heard over the years! thanks Jason On 4 Mar 2005, at 09:16, Placid wrote: I thought the stick men who appeared on clubhouse are completely different to the ones on definitive. The only similar thing i know is K Alexi stick music but i'm guessing you know that already... Original message Subject: (313) Stick Men Author: Jason Brunton [EMAIL PROTECTED] Date: 03rd March 2005 12:12:19 Hiya, just listening to Stick Men- Entruder on Clubhouse- any other recomendations for their stuff? I'm sure I've heard some TERRIBLE Stick Men stuff in the past but this is pretty fine spooky acid/club stuff?? cheers Jason
(313) Ron Trent
- Original Message - From: robin [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Friday, March 04, 2005 10:27 AM Subject: Re: (313) well well, prescription re-issues?? and new still music... [EMAIL PROTECTED] wrote: hey James. Yeah good news indeed. Hmm, I think I have virtually all the good early ones already tho. bah. anybody know of any ron trent mixes online? hmm, I do remember seeing one once. Maybe it was on that groovetech site though. did you try and search the dhp archives? my mate saw him dj in new york. said he was good. i've seen him a couple of times. like his productions he seems to have two styles. that smooth kinda broken sophisto-house (new genre! :) ) style which i kinda like but only for short bursts, after which i get bored and the deep dubbed out kinda style of house/techno which i love. Ron Trent is easilly one of my top 5 favourite DJs. I know what you mean about his style, but he always seems to pick out the smooth kinda broken sophisto-house gems, in my mind anyway. His 4-hour set to close the KMS party @ DEMF 2002 is totally legendary. He played Blaze's 'Glora Muse' twice from CD-R. Otto and I were pretty much beside ourselves with curiosity and hypnotism. He seems to have gotten over his aviaphobia (new word! - had to one-up Robin) though, as he played NYE @ Cargo in London. Tristan
(313) Blaze - Gloria Muse (The Yoga Song): was Re: (313) Ron Trent
- Original Message - From: Placid [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, March 04, 2005 12:31 PM Subject: Re: (313) Ron Trent He played Blaze's 'Glora Muse' twice from CD-R. that's that lush piano track isn't it... anyone know if it ever got booted or released on any kind of vinyl p That's the one. I have it on this LP: http://www.discogs.com/release/56586 - see the CD for a real tracklist: http://www.discogs.com/release/56758 Kind of a quiet pressing but totally playable. It's in my 543 mix coming out of the Saga of Resistance edit at about 20:15: http://www.phonopsia.com/mixes/TristanWatkins543Mix.mp3 When Ron Trent played it from CD-R it hadn't been released yet. Tristan
FW: (313) Ron Trent
I knew that was coming as soon as I pressed 'send'. However, both aviation and aviary have the same origin in the latin 'avis', so maybe Alex is right and he's just afraid of British women. Tristan - Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, March 04, 2005 12:45 PM Subject: FW: (313) Ron Trent -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 04 March 2005 12:29 He seems to have gotten over his aviaphobia (new word! - He's scared of birds?
(313) FAO Ian Malbon because I recall he was looking for this, and other Joe Dukie fans - was Re: (313) recloose on peace and love frog. Long subject, eh?
Hmm... this didn't seem to get through yesterday. Think I was sending in HTML. Trying again: From: [EMAIL PROTECTED] Sent: 22 February 2005 13:19 To: 313@hyperreal.org Subject: FAO Ian Malbon because I recall he was looking for this, and other Joe Dukie fans - was Re: (313) recloose on peace and love frog. Long subject, eh? - Original Message - From: David Gillies [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 22, 2005 11:10 AM Subject: SPAM-LOW: Re: (313) recloose on peace and love frog On Tue, 2005-02-22 at 10:13 +, [EMAIL PROTECTED] wrote: -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 February 2005 13:32 so, anyone got/heard the new reclose yet? any good? how is it? blah blah. Anyway there's a (non-RIAA/BPI friendly 2 min) clip up on Vinyl Underground http://www.vinylunderground.co.uk Loving the new Recloose track. The vocalist on Dust is Joe Dukie from NZ's Fat Freddy's Drop. On this note (and safe in the assurance that I've secured mine), I should mention that Piccadilly have copies of Flashback and Midnight Mauraders live for Gilles Petersen in stock at the moment. Limited to 500 copies, so run, don't walk. Fat Freddy's stuff seems to be very hard to come by on vinyl and disappears really fast. http://www.piccadillyrecords.com Tristan
Re: (313) new records
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 08, 2004 12:27 AM Subject: RE: (313) new records I-Cube - Fr33z (Versatile Records) If you've never heard of I-Cube the catch up now. He is unstoppable in many genres. i know who i-cube are : P , i just didnt see anything about this record anywhere, i would have thought if it was on versatile i would have seen it on distro lists by now. weird. Seconded. It was top of Tom Churchill's chart last month too (so make that thirded). All the tracks are excellent, although the Dixon remix of that album track doesn't do much different than the original. The Fulton remix of Vaccuum Jackers is really compelling too. He does a great job of integrating the original into his slow-mo funk-house whatever. On that note, Scott, you may want to try Tom Churchill for Russ Gabriel's contact details. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) [SPAM] Liverpool - Tfunkshun, 17/9/04
Not sure if Scott's still about these parts, so I'll toot my own horn. If any of the northern crew fancy saying hello, you can find me playing here: T-FUNKSHUN FRIDAY 17TH SEPTEMBER @ MAGNET, Hardman St 9-2am £4/£5 along with residents: SCOTT NOCTURNE DAVID LAWTON MARK FORSHAW BEN DEVEREUX Hope to see some new and old faces. It's my first gig in the North so I'm pretty excited about it! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Check Out Kit Clayton This Autumn
- Original Message - From: dave cronin [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, September 02, 2004 9:57 PM Subject: Re: (313) Check Out Kit Clayton This Autumn for some proper dancefloor minimal techno stuff from him (a la Rob Hood), check the B side of Moles Avocados on Background. Took the words right out of my mouth. Also, some of his older Betalounge live sets are devastating. I used to listen to one of them incessantly. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) KDJ
Just had a listen to both sides properly. I dig the A-side but doubt I'd find a place for it in a set. I really like the B-side though. It's fun! Novelty schmovelty. ;) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) new kdj private collection
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, September 01, 2004 5:07 PM Subject: Re: (313) new kdj private collection -- Original Message -- From: J.T. [EMAIL PROTECTED] mario winans re-edit one side, funny jazzy thing on the other...i like the sound of the mario winans one! http://www.piccadillyrecords.com/ver2/genreWeekly.php? whichWeek=0genre=6 so many people have passed over this one at the record shop i work at. it makes me sad. that mario winans cut is a nice super deep loopy kenny joint. i get very happy when i listen to it. the flip is funny as hell, too. and it gets funky when the chopped up jazz breaks come in. how could someone pass this up? Just picked this up myself today. Both sides sounded good to me! KDJ invokes harmony. ;) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Apparently, drums don't suck anymore
Carl Craig's Tres Demented played London Express's room at the Cross Festival last night. The lineup = 2 drummers with full trap kits 1 pianist on two Korg keyboards 1 trumpet blown by Marcus Belgrave 1 conductor who sometimes played keys, triggered a few sequences, screamed in a microphone, looked moody for a while then started smiling a lot The three songs that lasted about an hour were Tres Demented, the Climax and Throw, loosely. The intro had bits that vaguely sounded like Chaz Vincent's 'Dream Zenith' synths and there was one part in the middle that sounded kinda like Landcruising. The drummers pounded the whole time w/o a break - both extremely competent and complimentary. The keyboardist was really good - he knew when to take the fore and when to accompany. Marcus Belgrave was clearly the star though, and everyone on stage seemed thrilled to be playing with him. He seemed to be having a blast too. There was relatively little electronics involved, except a looping synth and bassline, and some beats that Carl Craig tweaked a little. It still felt really thechno though! Some people asked if he did anything at all up there, but he did conduct some (as much as you can given the improvisational nature of the show), and he bitched a lot about some early sound/organisational problems. ;) They all seemed to be loving it about 1/2-way though though. Not sure where the next stop is, but I would say it's worth a hefty cover + substantial travel if it's not coming near you. Probably not everyone's cup of tea, but that room was about twice as full (and happy) as 1/2-hour later for Derrick May (mostly in loop-mode). Didn't catch a lot of other stuff. Gilles Peterson was good, not great. Idjut Boys were pretty tight. Unabombers were dope until about the last twenty minutes when I just really wanted to see Carl Craig. Brooks Live was a bit too slow to develop for the first half, but was excellent for the second. Luke Vibert did a great HDJ set as well, of which I only caught maybe 40 minutes before severe fatigue took over. In that time he pulled out YMO, LFO, Meat Beat Manifesto, the Knight Rider theme song, some acid I couldn't spot, and a bunch of other really good stuff. Boundaryless. The overall vibe was pretty good given I'd seen adverts for the festival on TV. There were definitely some sketchy people around, but on the whole it was a surprisingly good vibe. If there's a next year I will not be playing football the day before... This was probably the best weekend for music in London so far this year. Would love to hear how the 14-hour Co-op session was yesterday if anyone made it! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) ah, as well..
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, August 28, 2004 9:19 PM Subject: RE: (313) ah, as well.. -- Original Message -- From: Brendan Nelson [EMAIL PROTECTED] I think that one of the things that made the track appeal to me was how obviously different in sound it was to what people generally expect from modern techno releases - I thought it was quite daring. I see what you mean about it not sounding right, but to me, the idea of a right sort of sound isn't really how I tend to connect with electronic music. Sometimes a different sort of sound will get me pretty excited, as it did with this track. perhaps it sounded a little forced to me maybe. that might be why it soounded wrong. i appreciate juan trying out some different things, like the breakbeat on the first 12, and now this cut. but it seems like hes not really hitting the mark as straight on as he does with the style you expect to hear from him. though i have heard the breakbeat cut from the first one grows on you with many listens. I saw a flyer in London last night and one of the DJs was Tom His Cox. Cool! :) BTW - Titonton killed at the Medicine Bar last night. KILLED! Capital A played beofre him, and was so-so, but then he took the mic during Titonton's set and kept saying he is from Detroit, so I felt compelled to yell Ohio every time he did it. Ohio techno is the best anyway. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) for the Madlib fans
- Original Message - From: Southern Outpost [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, August 24, 2004 12:36 AM Subject: Re: (313) for the Madlib fans I can't get past the Monk Hughes release, it's damn hot property IMHO. Madlib can do no wrong at the moment and i'm lookin forward to hearing the full length Disco mix. I'm really feeling all the new Madlib stuff I've heard lately. The DJ Rels kinda reminds me of Nu Era's 'Broken Soul' for some reason, although I can't pinpoint it and it isn't an obvious comparison. I'm probably just wrong about that... The Madlib Remixes Vol. 2 2x 12 is particularly interesting because it's all hip hop acapellas over samples from 1977-1982. There's some nice disco and even vaguely techno bits in there, as well as some properly 80s sounding stuff. I was [this] close to buying the Monk Hughes but ran out of funds. Sounded great from the clips. Did anyone else pick up the Okayplayer 'True Notes Vol. 1' compilation? I've not properly had a chance to ingest it all yet, but the Madlib with Aceyalone track on there is the business, and I believe it's exclusive to that comp. The Madvillain album is probably the best full length so far this year (to continue my trend of lofty, untimely proclomations). ;) MF Doom is a bad-ass MC. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) for the Madlib fans
- Original Message - From: J.T. [EMAIL PROTECTED] To: Ken Odeluga [EMAIL PROTECTED]; [EMAIL PROTECTED]; Phonopsia [EMAIL PROTECTED]; 313@hyperreal.org; Southern Outpost [EMAIL PROTECTED] Sent: Tuesday, August 24, 2004 3:38 PM Subject: RE: (313) for the Madlib fans hi um er not trying to cause trouble MF Doom and I will be seeing you and Minto by the flagpole after school. Troublemakers... ;) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) for the Madlib fans
- Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@Hyperreal.Org 313@hyperreal.org Sent: Tuesday, August 24, 2004 10:10 AM Subject: RE: (313) for the Madlib fans Tristan The DJ Rels kinda reminds me of Nu Era's 'Broken Soul' for some reason, although I can't pinpoint it and it isn't an obvious comparison. I'm probably just wrong about that... Maybe it's that record he had called 'Broken Soul'! : ) Err... I meant to say 'Broken Techno' when referring to the Nu Era album above, but that's probably obvious. Doh. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Werk boat party
Apparently they're having trouble with their server at the moment. You may want to PM Darren J. Cunnigham on LD or just post on the thread: http://www.littledetroit.net/forums/viewtopic.php?t=3814start=75 Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, August 19, 2004 8:29 PM Subject: (313) Werk boat party anyone have contact info for them? I'm tying to email Gavin but everythings bouncing back. MEK
(313) OT: Happenings in Austria this weekend
Anyone have suggestions for clubbing in Linz (or Vienna) this Friday-Monday? I'll be there. Please reply off-list. Thanks! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) 313 Tenth Anniversary Party
- Original Message - From: J.T. [EMAIL PROTECTED] To: Phonopsia [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, August 04, 2004 2:57 AM Subject: Re: (313) 313 Tenth Anniversary Party this party is so hyped up it makes me wanna puke! Who needs hype when there's alcahol? Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Moving
It's a matter of degrees, ain't it? If you were born in Vernon, FL and happened to cultivate an interest in Detroit techno, do you think there'd be a chance in hell you could evangelize about it there? We had some success doing it in Iowa City (a city of less than 100,000), and thankfully some people like Kent keep making it happen for those who can't get out. But I don't see how anyone who wants to leave an insular place for a cosmopolitan one can be seen as a scene-deserter. Sometimes it's more important to enjoy life on your own terms (musical and otherwise), than it is to stay put somewhere, fighting for the good of a scene that shows little promise. Not everywhere can satisfy everyone and no one moves purely for the musical benefits, even if they may be a primary motivator. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) 313 Tenth Anniversary Party
I can understand the sentiment, but Brendan had this on his mind for a while and tried (is trying???) a number of ways to make this inclusive. It was *never* meant to be an exclusive London party, just a party in London for those on [313] who *can* make it to this one, in honour of the tenth anniversary. Similarly, people in Scotland could make an argument that the party should be up there. Let's face it, there's been a hell of a lot of British participation in this list for a long time, so it follows that those of us who live an ocean away would want to celebrate the list that helps us participate in Detroit's music when so many of us can't make the trip. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Wayne Gardiner / Logic
- Original Message - From: Phonopsia [EMAIL PROTECTED] To: Chris Anglesey [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, July 14, 2004 10:39 PM Subject: Re: (313) Wayne Gardiner / Logic - Original Message - From: Chris Anglesey [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, July 14, 2004 6:15 PM Subject: (313) Wayne Gardiner / Logic PS - Has anyone else noticed that Abacus remixed 'The Final Frontier' on the B-Side of his My Brazilian Love ep on Balance. The tracks called Phases. I think that's actually an older track that both Wayne Gardiner and Abacus sampled independently (perhaps Abacus first heard it through Wayne Gardiner though)??? I'm sure I was talking to someone about this Saturday, but can't recall much of the conversation. When you listen to the track after 'The Warning' you can hear that Wayne Gardiner is giving his own vocal sequel to the original, or at least that's how I always assumed it was, and I've heard a few other tracks that sample different bits of the Phase 1/Phase 2/The Warning thing. My first exposure to it was through Abacus though... Agghhh. Had another listen to this tonight for the first time since acquiring my Wayne Gardiner comp CD, and you're absolutely right it's totally based around the Wayne Gardiner track. The bassline is identical and the chords are almost the same. Still a very imaginative remake/re-edit, and maybe that's why I was so immediately drawn to the original when I heard it. Original playing now. F*cking dope. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) ACT
- Original Message - From: theREALmxyzptlk [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED]; 313 Detroit 313@hyperreal.org Sent: Friday, July 30, 2004 9:33 AM Subject: Re: (313) ACT The 12 mix of Savage Progress' Heart Begins to Beat is another worthy dig (and one I heard turn up in one of Theo Parrish's cdr mixes). Tieing together two of today's threads, I'll be dropping this as my second song (following some serious pirate themage) tomorrow night on the boat. I first heard it in a Ron Hardy DHP mix and frantically requested a track ID. Makes me think of slightly punkier Love and Rockets meets mid-80s dance music. Wicked. On this note, I've been really in to the '80s dance music I grew up with lately, a la New Order (well, they've been my favorite band for an eternity, but I've had a resurgent interest). Stuff with live instruments, especially New Order's early stuff. I wanted to play a lot of it at this boat party but had to kill some of my children for the greater good of the set. On that note, I recently recovered my copy of Music for the Masses, but wasn't compelled to play any of it, although I'm an enormous Depeche Mode fan. Maybe I'm just really into New Order right now and thinking of it in broader terms. I've also been well into my industrial stuff but haven't revisited Pet Shop Boys, so maybe I'm just looking for something edgy. Given that I'm in a techno mood this Summer, that would confirm, and is totally contrary to most of my Summer (Chicago housey) moods. Weird Summer (weather and music)... Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Fwd: BLACK MAHOGANI 2
- Original Message - From: placid [EMAIL PROTECTED] To: 'David Beattie' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, July 29, 2004 3:01 PM Subject: RE: (313) Fwd: BLACK MAHOGANI 2 Is it jus me or do people not want to hear some new dancefloor orientated moodymann instead of the noodly 37 hour wind pipe inspired noodle sesh Personally getting bored of the noodle.. bring back the oomph Not sure if I agree. I totally love some of the newer stuff with live instrumentation, like I'm Doing Fine and Runaway to name two, and haven't lost any faith in the trackier end via M-7 (I know it's not KDJ himself) and KDJ 30. I know what you mean about some of it being a bit self-indulgent, and totally see Matt's point about Theo Parrish going that way, but can't see a trend towards this for either of them on the whole. Look at Theo's output in the last year and it's more than half dance floor stuff (as I see it anyway). Same with Moodymann really. Granted, I still haven't heard the 2nd Rotating Assembly or the Three Chairs album but I don't see that they've turned their backs on any styles, just that they've started stretching their wings more consistently, especially in album efforts (which would be expected). I think 2003 was one of their best years (both of them). If they've slowed down on dance floor output because of the 6x and 3x packs, then I don't think that indicates a trend towards the noodle. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Fake Los Hermanos record?
- Original Message - From: [EMAIL PROTECTED] To: kj at technotourist dot org [EMAIL PROTECTED] Cc: Sean Creen [EMAIL PROTECTED]; 313 Mailinglist List 313@hyperreal.org Sent: Wednesday, July 28, 2004 9:36 PM Subject: Re: (313) Fake Los Hermanos record? recording records, lame thing to do but hey it happens and isn't there a canadian guy who makes techno under a name that looks a lot like Derrick May? there is a white derrick may who's from windsor. it's his birthname, but i'm quite certian he finally switched to derrick michael He bares no resemblance either. A pretty good DJ though! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Equinox playlist 07/25/04
- Original Message - From: matrix313 [EMAIL PROTECTED] To: Gerald [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, July 27, 2004 12:52 AM Subject: Re: (313) Equinox playlist 07/25/04 on 7/26/04 7:06 PM, Gerald at [EMAIL PROTECTED] wrote: Model 500 The Martian - Search Your Feelings (Red Planet) whoa! whats this?? I never heard anything about this release. 313 have you been caught sleeping again? whats this record like? It's RP-4 (probably my favorite Red Planet record): http://www.discogs.com/release/4604 Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Matthew Johnson
I could not agree more with all of Derek's rant. Note for the record, I've been evangelizing about Mathew Jonson since I first saw him live @ Fabric this Spring. I'm not saying that to underscore the 'ahead of the curve' factor, just to say that this is not some f*cking trend based on two new releases! Everyone will love it, and I want everyone to take note! That is the only reason I've taken time to mention it. Precisely as Derek said, the hype is there because the music represents everything that techno is. I simply don't have enough superlatives for it. If people want to see it as a trend, that speaks more about their jadedness than the quality of the music they're critiquing. No one has has ever consitiuted a trend on thier own, and his inimitability will always keep him afar from classification. Let's revisit this discussion in 5 years and see if it's a trend. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Matthew Johnson
J.T., For the record, if I'm saying a record is clearly record of the year, I'm not presuming to speak for others. Apologies if that's not implied. Perhaps 'everyone will love it' is a bit strong, but I didn't think anyone would react so strongly to my enthusiasm for it. If I'm very excited about a record I'll use strong superlatives to describe how much I like it. That's just me and clearly we differ in that regard. If I'm creating hype, so be it. If people listen to what I'm saying and buy a record mindlessly as a result (which I very much doubt, David excepted ;)), then I think of that as a mild drawback compared to the positives of opening people's eyes to (IMO brilliant) music they may not have otherwise heard. Obviously I don't expect everyone will like it as much as I do but I think a good chunk of the people on this list will like it a whole lot. I guess I don't see the harm in that enthusiasm. Mindless consumption will happen in lots of places. If there are a few people consuming underground techno mindlessly (I really don't see that there are a lot who do) and I'm adding to their rank, so be it. If you see my enthusiasm as a fascist squashing of dissenting opinions, you're wrong. One of my least favorite things in the world is people who think they're right. Also for the record, my response was more directed at Tom's perception that this may be a trend, than your choking on my hype. I've not been this excited about anyone in techno since I don't know when, so perhaps that will make my hype a bit more credible, or maybe it's just more hype. I see the value in comparison. It may not be fair to say one thing is clearly better than the rest, but if it's an accurate assessment of my feelings then I'll say it. Charts and reviews are always tricky but they serve their purpose as recommendation. If there weren't room to compare, rank (and hype), this list would be as flacid and uninstructive as a promo sheet. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Matthew Johnson
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, July 23, 2004 10:54 PM Subject: Re: (313) Matthew Johnson -- Original Message -- From: atomly [EMAIL PROTECTED] God, what an amazing set. im actually kinda salty for not seeing that. but of course, i didnt realise that he was the cobblestone jazz guy at the time. He's actually just one of the guys in Cobblestone Jazz /pedantry and i also cant see why he would be playing in the middle of all that other mediocre techno. weird. Well, to be fair there were three floors at St. Andrews, each quite themed. The top floor was Monolake, Deadbeat and Biosphere, the main room was Speedy J and Chris Liebing all night and Mathew Jonson was on downstairs with Derek Plaslaiko and Matthew Dear following him. It was easily one of the best live sets I've ever seen. I think there might be a few sets of his floating around on SLSK if you're interested. I can't wait to see where he takes things next. That Minus record is clearly the single of the year so far - by a long way. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Matthew Johnson
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, July 23, 2004 3:57 PM Subject: (313) Matthew Johnson spotted this. single of the week! I'm just a hive of info today fact fans. http://www.boomkat.com/item.cfm?merchID=14451 Just wait for the Minus 12 is all I can say. It seriously devastated at the end of his live set @ Paxahau's Yel 2 party @ Movement this year. The bassline was reverberating in my ears for 2 weeks after hearing it. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Trevor Horn Fans Rejoice
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, July 19, 2004 10:00 PM Subject: RE: (313) Trevor Horn Fans Rejoice Here is a KW connection from Detroit: http://www.metrotimes.com/editorial/story.asp?id=6436 If I'm not missing something, that's Jay D, hip hop producer extrodinaire, AKA Jay Dilla, collaborator w/Madlib as Jaylib, recently performed at DEMF w/him and Peanut Butter Wolf, etc - rather than Jay Z, who is not that good, and not from Detroit AFAIK. I don't mind him that much though. The rap in the Neptunes Frontin' is OK. It sounds good in the Yam Who edit at any rate. The original doesn't sound right any more! It's a pretty common mistake though. You can see why! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Spotters Quiz
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, July 19, 2004 2:19 PM Subject: (313) Spotters Quiz OK folks, fingers on the buzzers. Round One On the first Maurizio record (Ploy?), on Maurizio's mix, What is the artist/title of the track that it is based around? I'm guessing it's AshRa/Schulze/Gottsching or some other cosmic shenanigans. You sure it's a sample? BTW - Ploy is deffo the first Maurizio record. [sorry list: Alex, will hit you with an email soon] Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Wayne Gardiner / Logic
- Original Message - From: Chris Anglesey [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, July 14, 2004 6:15 PM Subject: (313) Wayne Gardiner / Logic PS - Has anyone else noticed that Abacus remixed 'The Final Frontier' on the B-Side of his My Brazilian Love ep on Balance. The tracks called Phases. I think that's actually an older track that both Wayne Gardiner and Abacus sampled independently (perhaps Abacus first heard it through Wayne Gardiner though)??? I'm sure I was talking to someone about this Saturday, but can't recall much of the conversation. When you listen to the track after 'The Warning' you can hear that Wayne Gardiner is giving his own vocal sequel to the original, or at least that's how I always assumed it was, and I've heard a few other tracks that sample different bits of the Phase 1/Phase 2/The Warning thing. My first exposure to it was through Abacus though... Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) OC/Digital Soul, UR v. Wayne Gardiner and Joe Louis/Lewis
- Original Message - From: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Monday, July 12, 2004 1:34 AM Subject: Re: (313) UR v. Wayne Gardiner do you mean 'final frontier/the warning'? some of the finest new york deep house. haven't noticed the similarity. do the wayne gardiner releases use samples? i can never tell. every time i buy another salsoul repress i discover the source of a box full of house records. btw final frontier is in a mix at my site Sorry. Meant to follow-up on this earlier but couldn't face the computer for long last night following the lingering effects of the OC/Digital Soul party (which was fantastic by the way). People should book Dan Curtin more. He said he's only played Detroit once, which floored me. I s'pose the midwest's loss is our (temporary) gain. Anyway... the track I was on about (that sounds like Millenium to Millenium) is probably Blues For You off this: http://www.discogs.com/release/22685. Can't say for certain since I only have a comp CD, but Jonny said that is likely it. It may have been a sample - hard to tell as you say. I should clarify I don't think UR sampled it, as the chord stabs are comprised of quite a few notes, and with Millenium to Millenium's extra chord change I think they likely gained (a lot of) inspiration from it and re-played it simlirarly. Or maybe I'm overstating the similarity... Would be nice to know if others think it sounds the same if they can line 'em up next to each other. I've been lining up the CD at the same time as an RA sample of M II M across different rooms, so I can't put them in the mix together or hear it with that much fidelity. Alex, you should definitely check these releases above (I'd be really surprised if you didn't like them) and some of his newer stuff on Spiritual Life and Natural Resource. I think of him as the Larry Heard of the east coast. Here's some of my other fav's: -His remix of Oda Oya on http://www.discogs.com/release/37819 or http://www.discogs.com/release/44433 -Dan Curtin's remix of this: http://www.discogs.com/release/4254 (the rest is pretty good but not great) -His Natural Resource record: http://www.discogs.com/release/59777 (seriously deep. You can check one of the tracks in my mixon Emotion Electric) Re: Joe Louis/Lewis there's quite a bit to chose from, and quite a range, from older Chicago jack and acid (of which I know very little - Placid and James would be much better resources), some mid-'90s Relief stuff that goes from what you'd expect to very deep Detroit house/techno on the last release, and that Netherlands EP on Elypsia which was totally unexpected for me. Ultra-lush techno and electro. I guess some of this variety can be explained by the whole Jamie v. Joe thing, of which I also have heard very little until recently. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Bad Day
- Original Message - From: placid [EMAIL PROTECTED] To: 'robin' [EMAIL PROTECTED]; '313 Org' 313@hyperreal.org Sent: Tuesday, July 13, 2004 6:13 PM Subject: RE: (313) Bad Day I know I shouldn't really say my own but I did a mix called echoes and vibes last year which always seems to make me happy I don't see anything wrong with that. It has your favorite tracks on it! Makes perfect sense. Can't think of anything I turn to that often myself, but having had a fairly shitty day (scratch that - last two weeks), I can say these mixes have been some of the brighter points: Danny Webb's Emotion Mix and Alex Bond's Salford House Association presents: An Hour of Rave from Emotion Electric. Alex/Jochem, what's the untitled NWAQ track from? I assume it's not out yet? It's sick. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Joe Lewis is back!
- Original Message - From: Matt MacQueen [EMAIL PROTECTED] To: placid [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, July 09, 2004 8:23 PM Subject: Re: (313) Joe Lewis is back! Joe's work on Target is awesome.. I agree w/ the blurb by Peacefrog that he bridges the chicago and detroit sounds... Exactly! I wonder if this will be Joe or Jamie then? I just recovered his last 12 on Relief and the Netherlands EP on Elypsia. Hadn't heard either in about 2 years and both still sound amazing. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) UR v. Wayne Gardiner
Has anyone ever noticed a striking similarity between that Wayne Gardiner track (I think it's one of his Logic ones on Strictly Rhythm) and UR's 'Millenium to Millenium'? The stabs are nearly frickin' identical (although UR add a chord change - as they do). Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) pontiac techno fest
- Original Message - From: theREALmxyzptlk [EMAIL PROTECTED] To: Tim Pratt [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, July 07, 2004 3:33 PM Subject: Re: (313) pontiac techno fest At 04:13 AM 7/7/2004, Tim Pratt wrote: are you planning to attend? Yes - although I am having LASIK tomorrow and don't quite know how that will play out for outdoor excursions as of yet. I hope I can drive by then! Surely the real Mxyzptlk needs not such things, let alone cars!?! Let us know how it is if you regain your powers by then. :) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Movement DVD + CD
Anyone else pick up the Movement 2003 DVD at this year's festival? It's predictably a bit self-promotional, somewhat limited in scope and somewhat short, at about 45 minutes, but there's some very nice footage in there and a great interview with Marcus Belgrave, Francisco Mora and the other horn player from Detroit Experiment who's name escapes me. At any rate, I think the high-quality video of some of it makes a much better memento of the festival than online video or pictures. Wonder what others think of it and if anyone knows where it can be purchased online, if it is available commercially yet. [313 spotting]: There's a great shot of John Ossalaer and Anick, another one of Bart (AKA Red D) dancing and a few good short shots of Steven Roy (DJ Revolver) and Bill Van Loo of Thinkboxx. Also, had a brief listen to the CD the other day and thought it was a nice cross-section of what's happening in Detroit right now. Haven't properly ingested it yet but it seemed good on a scan. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) washington dc?
There's actually a load of good local deep house DJs but the touring artists that come through are very un-chancey. Not many people you can't see in every other large urban area in the US. Some of my favorite locals were Darrow, Milo, Omar Faisson, Brian Stewart, Doug Smith (of 95 North) and Sam the Man Burns. Brett Dancer lives in Balto now I think, and was doing Vicki's Sanctuary stuff this time last year, which Pope and Oji from Balto also used to do - on the more spiritual tip. Looks like that is still the case according to this: http://www.dcsanctuary.com/. If you're looking for a good, largely black crowd, this is the place to go. The best party I saw in DC was when Ron Trent played there. My favorite venue in DC is the Blue Room in Adam's Morgan: http://www.blueroomdc.com/. The food's good and the beverage selection is top-notch. They have a very fun open turntables night there (still on but not sure what the music will be like these days - show up by 7 to spin). The amazing Sunday night 'Filler' party is now gone unfortunately and it appears Milo's 'Root' weekly is as well. :( Carl 'El Hombre Pintado' or Brian Stewart still seem to be spinning some Saturdays, which should be a nice option for deep house, although the crowd at most places in DC on Saturdays can be a bit annoying. Conversely on Wednesdays, on the broken beat tip, try to check out Julius and John Johnston at the free Abstract Motion party on Wednesday's at club 5 (Upcoming Guests: Kyoto Jazz Massive, Bugz in the Attic, and Ian Frost), or wherever else they may be playing when you get there. More info on these guys here: http://www.groovedistrict.com. Good peepz and tunes. Should avoid most of the typical '5' crowd on a Wednesday. Thursdays you can usually find something good at Red or 18th Street Lounge in Dupont Circle, both around the corner from '5'. Most Friday's in DC are pretty bleak due to Buzz's overwhelming domination of the scene. As Lara said, the techno scene is virtually non-existant post-Filler and Metrotechno evacuation (not that it was very prevalent then). All that said, it's a fun place in general. Tool around in Dupont Circle or Adams Morgan long enough and you'll find fun. More info on venues here: http://www.lemurgene.com/venues/ (oh and on that note the Lemur Lounge parties in Alexandria were fun - not sure if they're on still though). 313 topicality: Did Keith Worthy ever move out there? He'd be durn good to see too. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Kenny Larkin
- Original Message - From: theREALmxyzptlk [EMAIL PROTECTED] To: 313-hyperreal.org 313@hyperreal.org Sent: Monday, June 28, 2004 7:22 PM Subject: (313) Kenny Larkin If this hasn't been mentioned, Narcissist is delicious. Even if it has, it's still delicious. Very smooth, deep, melodic Detroit. Ace. 2nd'd. Been rocking my minidisc for the last week or so. It's not perfect straight through or anything, and I dunno about the 'next level' comments, but some very very nice music on there. Not a ton for the dancefloor but who cares? I think the Dark Comedy album is supposed to have more dancefloor material anyway. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) DJ Bone/SubjectDetroit
- Original Message - From: Matt MacQueen [EMAIL PROTECTED] To: Martin Dust [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Tuesday, June 08, 2004 4:23 PM Subject: Re: (313) DJ Bone/SubjectDetroit On Jun 8, 2004, at 11:01 AM, Martin Dust wrote: This highly anticipated release captures the funk and inspiration behind what the world now knows as Techno. The originator, true innovator and pioneer of Detroit Techno brings us back into the world of soulful electronic music with REBOUND. Side A: Rebound Side B: 1. I-94, 2. Idea 1 sounds cool, looking forward to it. Didn't Juan release I-94 previously as Infiniti, or is this just a new track w/ the same name. After his wicked 12 on New Religion I'm looking forward to more. This was his contribution on Volume's Trance Europe Express vol. 3 comp as well. Could be a new version? Cripes there sure was a lot of crap on here today. Not that I'd like to inspire a discussion of that. OT: I'm off to Iowa and Chicago for two weeks to try my hand at groomsman, then usher, so I'll be off-list for a while and offline most of that time. I'll catch up with anyone I owe an email sometime in 2005. Hold down the fort! ;) Tristan with his speach-writing hat on np: Kenny Larkin - The Narcisist (which is very good at the 1/2-way point. Not 'next level' or anything but some *damn* fine music). === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) two ghetto tech id's
- Original Message - From: jurren baars [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, June 07, 2004 5:15 PM Subject: (313) two ghetto tech id's only caught a small portion of all the movement action through the webcast last week. think i heard orlando voorn, playing loads of ghetto tech/electro funk classics. must buy 'dick ride' one day [a song about a football coach and his long journey to portugal]! all of which resparked my yearly interest in the genre. On this note I must take this chance to big up our own Brelson and DJ Guy as Non-Stop DJs. Their (debut??? not sure as it's marked 002) EP is stellar. Lots of pure detroit techno chords and vibe atop booty beats. It's really unique! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Future of Movement
Right. I was at the press conference and this was discussed in some detail. It must be noted that there already is an existing management structure behind the festival who have credibility independent of it. Check Barbara Deyo who seems to have been running most of it, the Scottish woman (who's name I don't remember that handled the bookings) that has experience organising large festivals in the UK, the Detroit dude who is also on the Superbowl planning committee, etc. My impression from the press conference (given that there was some obvious spin in bits) was that there is a committed group of experienced people running things who are totally pressured between the tension we're feeling in these arguments - commercialism versus integrity. What I took from the discussion is that they actually *have* the people in place now, they just need the funds from Movement '04 to make things happen right in '05. Perhaps that's an overly optimistic simplification and the opinion formed based on a glimpse of info from someone 4000 miles away, but there you have it. The most salient thought in my mind is that the money has to come from somewhere other than the city. You remember that thread about federal cutbacks on school funding in Detroit the other week? Is Movement really more important? No. We either need to fund it out of our own pockets or there has to be more sponsorship. My recommendation (for what it's worth): charge $1 per entry. That way you incent people to support the vendors and can get at least an additional $500,000 of support, which also gives advertisers more of a feeling that they will get the attention they want. Just a thought. Also keep in mind that people are going to fight hard to make it happen in its current format, not f*cking with the integrity, perhaps experimenting with different means of funding it in order to retain the $75-80 million of revenue this means to the city every year. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Movement Report
A few hundred pictures later we are back safely in London. Hannah and I had a great festival. I thought it was as good as last year or the second year, and really have trouble measuring the greatness of the festivals side by side except to say that the first wil always be the best (as you'd expect) and the third held the least appeal for me personally. Anyway... I think everything I saw at the festival this year was excellent. That was: Derek Plaslaiko Cam Amp DJs Amp Fiddler TP + MoReese Fat Freddy's Drop Alton Miller Ron Trent Danny Krivit Sean Deason Aardvark All Out K Kenny Larkin Electrofunk A couple of scheduling collisions mean I missed a few things I most wanted to see, but... you'll have that every year. Long sets meant it looks like we didn't see that much but we watched most of these acts straight through. Top three highlights of the afterparties were: Claude Young and Shawn Rudiman (unfortunately the only bit of that I caught) Mathew Jonson Live Carlos Souffront Only huge dissapointment was the Osunlade no-show. :( All told, I think the thing that will stand out the most for me about this year's festival was how funny it was, like: May is Drinking Water Month in Detroit Derek Plaslaiko playing 'Baby Got Back' The Japanese fella and the chicken-white-girl-hater wrestling The Hard Rock Cafe playing Rob Hood on its outdoor speakers Derrick May on a golf cart with bullhorn in-hand, demanding people's money Kenny Larking getting heckled for a comedy routine The cleaning lady at the Shorecrest showering Pittsburgh and Iowa with a trash can Argh... I'm going on far too long. Need sleep. Full report with loads of pics forthcoming. Big ups to technotouring friends new and old plus the Detroit folk who make this happen every year. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Timeline (WAS RE: (313) Movement report (for alex :P))
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 02, 2004 6:42 PM Subject: RE: (313) Timeline (WAS RE: (313) Movement report (for alex :P)) -- Original Message -- From: Andrew [EMAIL PROTECTED] ...sake it's MAD MIKE DOING THE NOODLING. MORE!! MORE!! PLASE!! How was his skills? mike keys skills were wildly better than i would have thought. the guy is ill. and he has a pretty funny moustache. he didnt look mad at all, maybe slightly miffed. Agree 100% with all that. He was definitely a really skilled pianist. I think the gospelly track showcased that the most but it was evident throughout. And the other dudes, did they all fit, were they tight as a group? What about Dex? Any particular highlights of the set? rolando deejayed with them, not dex. That was Santiago Salazar DJing before them, and Dex was the guy on the two CDJs during the live performance. the others were buzz goree and suburban knight, one on keys and one on a drum box of some sort. Rolando, Buzz Goree and Suburban Knight were the other DJs billed, which is where I think the confusion may be coming from, as their names were flashed on the screen throughout. From what I can piece together from Keleigh Casper's In the Flesh article in last week's Metro Times with a picture of 10 UR peepz and my dim memory of the dimly lit show, the other keyboardist was Unknown Soldier. Not sure about the drummer. the guy on the drums was way hot. Yeah. That was an octopad he was playing I believe. Think it's a Yamaha drum pad. He played that really well! the other guy on keys was damn good too. they were really really good. inspiration with the transition acapella over it was hot, as was hi tech jazz. they dropped a few bits of classic electro (numbers, clear) in with some of their electro cuts (cant remember the names, sorry) which was very fun. definitely the best possible way to end the weekend. From what I could tell (I could be totally wrong), most of the tracks were coming out of the CD players, with added bits coming from the keyboardists and the octopad. I imagine these were semi-stripped down versions of the tracks to allow the keyboardists a bit more room to play. But this is how 'Numbers' was brought in if nothing else. Dex kinda faded it across while the live bits continued atop it, then he faded back to get back into the other track, 'Return of the Dragons' IIRC. There were a few really amazing moments in this show, but I was in a horrible allergies-gone-wild + too much smoking phlegm evacuation state to really enjoy it with the thickness of the air in there. I had to step outside a few times to avoid fainting. The overall sound was about what I expected. The noodliness got a bit much for me in parts, but the stripped-down bits really hit the nail on the head for me. Ilana Weaver AKA Invincible did a cool rap to an Interstellar Fugitives track (someone told me that's what it was anyway). I'm gonna be totally in the minority when I say it didn't blow me away, but I'm glad I saw it because there were some really memorable bits there. The one thing I think is sort of strange is that in that Metro Times interview, Mad Mike says he didn't want to show off their music at the festival because it goes over better in small spaces, but I think that's precisely where I'd like to hear something that was so much of a 'jam', if that makes any sense. At any rate, I'm sure the more adorring fans can fill in more of the blanks. I'm only really into a couple handfuls of UR tracks *that* much, so I enjoyed it about as much as I thought I would! Those who love UR would definitely love this show. $.02. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Conspicuous Absences
- Original Message - From: Carissa Tintinalli [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, May 25, 2004 2:25 AM Subject: RE: (313) Conspicuous Absences There hasn't been any word of Planet E or SS afterparties, but neither threw parties last year so I don't think it's out of the ordinary. Doh. These festivals are beginning to blur a bit me thinks. Well maybe Carl Craig, Moodymann and Theo Parrish should throw a party at the Detroit Contemporary then - just to shut me up. :) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Conspicuous Absences
Any word on Planet E or Sound Signature parties? Not looking for details ahead of time or anything, just wondering if they're gonna happen. Seems odd Carl Craig is not on any of the lineups I've seen so far given his (deservedly) ever-increasing profile as a DJ. No sign of Theo Parrish either... By my count, these two Detroit DJs have probably played London more than anyone else in the last year. Am I reading too much into this, or would this not be a huge indication that both parties are due for announcement soon? Am I just thinking wishfully? Is it conceivable they wouldn't get booked anywhere for the festival? Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Planet-E.Net
Check it for a good laugh. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Techno Brings People Together
- Original Message - From: Rebelbass/bookings [EMAIL PROTECTED] To: 313 hyperreal.org 313@hyperreal.org Sent: Thursday, May 20, 2004 6:49 PM Subject: (313) Techno Brings People Together In an Irish pub in Detroit ;) http://www.technobringspeopletogether.com Damn. Looks good! Last years was excellent. Really enjoyed the parts from Felton Howard and especially that dude from Detroit public radio, giving the history of US radio. That guy was really educational. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) beta lounge
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, May 19, 2004 7:40 PM Subject: (313) beta lounge looks like they're back in full swing. new site and lots of new sets. checking maurice fulton funky disco sh*t right now. M u s t g e t s o u n d c a r d a t w o r k . . . For now... I'll check the latest Monolake set. How I've neglected this site... Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) movement lineup
- Original Message - From: /0 [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: Kent williams [EMAIL PROTECTED]; 313 list 313@hyperreal.org Sent: Thursday, May 13, 2004 8:48 PM Subject: Re: (313) movement lineup yes, but not publicly. unless it was a ploy by the demf folks to attract more of an audience. just because the man mixes records and may have skills doesn't mean he's rocked them out before a crowd. :) that being said, it was a good time, and hopefully he drew from the confidence it no doubt instilled. thats very important for musicians and performers in general Well, I played with him and Stewart Walker in Iowa City in '99, so it wasn't his first public performance. I'd be *really* surprised if that was his first too. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) I killed canonball
- Original Message - From: kj at technotourist dot org [EMAIL PROTECTED] To: 313 Mailinglist List 313@hyperreal.org Sent: Monday, May 17, 2004 10:38 PM Subject: (313) I killed canonball Taken from: http://interdimensionaltransmissions.com/ Interdimensional Transmissions and Soft Curls present I Killed Cannonball Traxx (gigolo, kode) once you lock in to the sound of the underground, there is no escape.. BMG of Ectomorph (IT) Sal Principato of Liquid Liquid (99, DFA) man and machine mix in an improv collaboration bmg- electronics sal-live vocals and percussion Highfish (WMF, berlin) resident of WMF in berlin, no relation to lowfish + expect special suprises Sunday May 30 2004, 10 PM Oslo John R Woodward SE corner 5 blocks north of fest $10 pre pay $15 night of limited capacity, try to arrive before 2 for best seats the offical movement anti afterparty advance tickets at oslo 313 963 0300 (open daily at 5 for food and tickets) We've got a secret weapon. God is our co-pilot! My driving is rivaled only by the lightning bolts from the heavens! Nah. I know, a bloodmobile. They wouldn't stop a bloodmobile, would they? An ice cream truck! Yeah, an ice cream truck! Y'know, they gotta get there before it melts! She doesn't fit in the AMBULANCE! Yeah, and we're going to stay in pursuit until we catch them. Terrorists my dimpled ass! These people make terrorists look like the Sisters of Charity! These guys are Cannonballers! Maybe next year, we'll do this again. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Ministry was Re: (313) Playlist WNUR Chicago - 7 May 2004 - download it
- Original Message - From: [EMAIL PROTECTED] To: Thomas D. Cox, Jr. [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, May 13, 2004 8:39 PM Subject: RE: (313) Ministry was Re: (313) Playlist WNUR Chicago - 7 May 2004 - download it funny- most people i know regard psalm 69 as the ministry album that jumped-the-shark. i'll admit to rocking it in high-school, but it can't compete with land of rape and honey and mind is a terrib;e thing to taste. Or anything from the offshoots of that era, like Acid Horse, PTP, Palehead, RevCo, Lard, etc... Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Tracklist for Akufen's - Fabric 17
Per the recent discussion: 01 Philippe Cam - LFO Drive - Traum 02 Matthew Dear - Dog Days [Pantytec Mix] - Spectral/Ghostly Int. 03 Cabanne - Karasmik - Katapult 04 Krikor - 1968 [Ark Mix] - Dialect 05 Pantytec - Alabaster - Perlon 06 Kalabrese - Set Me Free - Perlon 07 The Rip Off Artist - Little Tiny Eight Inch Jack - Vertical Form 08 Senor Coconut - Smoke On The Water - Multicolor 09 Dub.E. Us - Blood Red [Demarkus Lewis Lyin, Beats Mix] - Fairpark 10 Wighnomy Brothers and Robag Wruhme - Bobb - Freude Am Tanzen 11 FYM S/MAX - Red Fibreglass - 7th City 12 Ultrakurt - McGell - Telegraph 13 Herbert - Close To Me - K7 14 Freaks - Instrument [Soul Capsule On It Remix] - Music for Freaks 15 Crackhaus - Ample Slacks - Onitor 16 Mossa - Bucolik - Circus Company 17 Luciano et Serafin - Yaki Soba - Telegraph 18 Soul Center - Funky Sterling - Mute 19 Horror Inc. - Siamese Twins [Mike Shannon Mix] - Revolver 20 Jeff Milligan - In My Life - Background 21 Steve Beaupre - My Old Lady - Musique Risquee Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Playlist WNUR Chicago - 7 May 2004 - download it
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, May 12, 2004 6:55 PM Subject: Re: (313) Playlist WNUR Chicago - 7 May 2004 - download it -- Original Message -- From: [EMAIL PROTECTED] who can tell me the track(s) that sample the keys line to 'is it all over my face' i think there's a few out there. i cant even think of all of them really. i know pal joey's loop'd'loop #2 samples it, theo is playing an edit of it that i hear he didnt do, this track by underground solution did it famously as well: http://www.discogs.com/release/24963 its been pillaged. Yeah. The first one I heard it on was DJ Sneak's I Came (All Over) on DownTown 161 (I think). Very loopy, features the vocals too. I used to think it said I came up the mountain, then I realized it says I Came All Over My Face, then I realized it mixes really well with Dajae's Is It On My Face, then I realized there's an unfilled niche for comedy mixing. ;) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) behind the scenes movement shenanigans
- Original Message - From: Kent williams [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Wednesday, May 05, 2004 8:54 PM Subject: (313) behind the scenes movement shenanigans It sounds like business as usual for Movement -- lots of behind the scenes drama, a cliffhanger as to what will happen, no lineup announced, etc. The usual craziness. I will be there. Otto will be there. KJ will be there. Greg will be there. Marie will be there. Fred will be there. Mother-effing Tristan will be there. What more do you people want? ;-) Seriously though, the 7th City party is reason enough to go to Detroit. Exactly. Mother-effing *I* will be there. ;) Kent, why the sudden interest in effing??? The Shorecrest looks like it's going to be out of control, with the Iowa and Pittsburgh techno mafias staking out a sizeable chunk. Festival schmestival, I say. Come the 5th year I just wanna have a good party with the peepz. If it happens in Hart Plaza, that's a big bonus, but mostly it's a time for the Detroit lovers of the world to come together and party full-stop. You KNOW the afterparties are gonna be the business. Why must people doubt? Every year it gets sh*t on, every year (even the 3rd) we have an amazing time. I won't be canceling plans for attendance until I see it turn in to something trully horrendous first-hand. How good does the Green Light Go party look? Seriously. I've missed Claude Young too many times to count since I was stupid enough to skip out on the Black Nation party in Kalamazoo circa '99 (I think). Getting to see him spin in Detroit for the first time would be some very tasty icing on *that* cake. Yel 2 looks fairly unmissable as well; don't know that I can skip another chance to see Mathew Jonson. Seriously y'all, DO NOT SLEEP! Also, I note that TP has been confirmed in the 'Necto tent' (not sure if that's an equivalent to the CPOP tent, or an equivalent to the Ford Focus stage), as has Kai Alce. Not sure if I posted this before, but has anyone else noticed his remix of Noni's Nobody's Fool on Prescription 104 since he came to prominence? That's a long gap between 1994 and 2003!!! I know there was other stuff in between, but damn! Any word on Planet E, Sound Signature or KMS parties? Cannonball? I'd find it *very* difficult to skip a Cannonball if it came around again. Surely those in the know would keep quiet, but I can't help but ask given my years of faithful patronage. ;) I know DC's Sanctuary (of which Brett Dancer is now a part - you may also know Pope and Oji's anthem 'We all lift our hands in the Sanctuary') will be having a bash, but not sure that I need to do that on a trip to Detroit. Is Traxx playing anywhere? How 'bout them Thinkboxx boys? Karaoke, but not on a Thursday this year? Any Metro Area sightings I may have missed? LFO? Ron Trent? Fabrice Lig? Zach Lubin? Rick Wilhite? Brooks? Afronaught? Seiji? Domu? OMOA Peepz? Stones Throw? Fat Freddy's Drop? Any number of Glaswegian dudes? Akufen? Plaslaiko? Body and Soul Reunion? [droool] I swear... I could be happy for the rest of my life if I just made it to 4/5 7th City, Planet E, Sound Signature, KMS and Cannonball parties in the same weekend once every year. I don't show up 'til Friday night courtesy of my Furnicha Flattenin' friend, via O'hare. Motha-effas best not punch out his windows this time! :) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Caspar Pound RIP
As posted on LD earlier: Personally, his influence, and that of Rising High was enormous. The House is Mine did as much for my love of techno as any other song - no exageration. I used to listen to it on the radio in '91 (the only outlet around me at the time), and I'd always wait impatiently for that Chuck D sample to appear. After they stopped playing it routinely I'd harass them with requests until I finally found it on the 'Rising High Techno Injection' comp that Instinct released in the US. Thankfully, Instinct paid a great deal of attention to them, since Instinct were one of most widely available labels for CDs at the time. Those compilations opened my mind to all the stuff named above, even moreso than RS. I quickly started to track down the Rising High originals and found some gems that totally extended my tastes. At that time in the states, very little was available on CD except for extremely cheesy novelty rave, and a few random releases that would be very hard to track down without a good store or a lot of luck. Rising High were probably the first label that got that attention (via Instinct), and they were a huge eye-opener for me. I always loved Casper Pound and/or Pete Smith's stuff a ton, including some oft-neglected things like the New London Scool of Electronics but there was so much other amazing stuff too: Paragliders, Air Motherf*cking Liquid, the first two Wagon Christ's and that amazing Wagon Christ remix of MLO's Wimbourne (not to mention the other amazing mixes of it), Irresistible Force's 'Global Chillage' (probably the best shelf-life of any of their releases) and some trance stuff that hasn't dated quite so well but totally killed at the time, like Union Jack, etc. All of this acted as a gateway to so much other music for me. I seriously can't imagine where my tastes may have wound up if it weren't for Mr. Pound and Rising High. A very sad loss indeed. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) My take on Yussel
This whole argument is moot. I've seen Mills spin like six times in the last year and a half, and he certainly hasn't played the same set every time, or anything even close. The only commonality has been that he's played lots of his own material, and lots of those tracks are similar set-to-set. Fair play, it's his music. If he played the same set while on one tour, that's one thing (and understandable for reasons already cited), but tour-to-tour it just doesn't hold water. Late last year he played Fabric and was throwing in house and disco, as he was when he played The End earlier that Autumn. It was different stuff each time as well. Since then I haven't heard him do that as much, but each set has still been substantially different. Perhaps this argument held water a few years ago - I don't know. It certainly doesn't now though. Reading tracklists of online mixes does not equate to seeing him perform regularly first-hand. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) akufen question
- Original Message - From: [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@Hyperreal.Org 313@hyperreal.org Sent: Friday, April 30, 2004 4:40 PM Subject: RE: (313) akufen question I've got a recent remix he did of a track called 'Blue' by Plej. It's ace. Agree that one sounds awesome. Unfortunately I ran out of record buying budget right when it came out. I'm not as hook line and sinker on most of his stuff, although I am sort of in awe of it, but his Horror Inc. material is the business. He has one 12 on Revolver - both tracks excellent, and one other track on the Perlon Superlongevity 3 comp. All the Horror Inc. stuff is much more techno than most of his Akufen stuff. As he puts it, all of his music has his 'signature', which the Horror Inc. stuff definitely has, but it's all much more dubbed, spooky, ethereal and synthetic. I love it. I put the one from the Perlon comp on my latest mix if you wanna hear it. It's the track right after JAN. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) akufen question
- Original Message - From: Hans Veneman [EMAIL PROTECTED] To: jason kenjar [EMAIL PROTECTED] Cc: 313 mailing list 313@hyperreal.org Sent: Friday, April 30, 2004 5:00 PM Subject: Re: (313) akufen question On 30 apr 2004, at 17:13, jason kenjar wrote: What has he been up too? I know he has put out a few records and remixes, but I haven't heard anything that comes close to this modern masterpiece. ( the horror inc. album is great too) Does anyone know if something else is in the works? I would like to contact him as well, can anybody point me in the right direction. Apparently he's got a Fabric mix coming out in july: http://www.amazon.co.uk/exec/obidos/ASIN/B00022VMQM/ ref=sr_aps_music_1_1/026-6908555-8960464 I wonder what this will be, an Ableton Live mix? Could be interesting... I think he spins as well - not sure. When he last played Fabric I'm pretty sure he used Ableton to do his live set, which was all his own material and remixes. Excellent it was as well. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Detroit In Effect/Whatever Happened To The Future?
- Original Message - From: Arne Weinberg [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 30, 2004 7:05 PM Subject: RE: (313) Detroit In Effect/Whatever Happened To The Future? (- right not it's the 'Cologne' school, Kompact, Dial et al which gets my vote for genuine unforeseen music, imho). But if you're honest the Kompakt labels also follow a typical route, something we know as the Cologne sound, means they also don't invent anything really new. They have their own sound which all of the artists you mentioned have (Juan Atkins, Kenny Larkin, etc.) but in their sound they are also repetive that's a simple rule in music you will always be repetive in some way If Let me think is really 14 years old that it's much more impressive of course as it still sounds fresh and not dated. Not sure if it's quite that simple. Kompakt have a fair amount of variety, if sticking to a basic mold most of the time. Think: Kaito, Fehlmann and a few others that aren't immediately springing to mind. That first Kompakt Pop release was rather different as well. Maybe I'm totally misunderstanding though? Been out of the [313] loop for a few weeks. I have a feeling I'm barking up the wrong tree. :/ Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) AON - was Re: (313) deadbeat
- Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, April 26, 2004 4:27 PM Subject: (313) deadbeat or any reports from the czech party that the london peeps dj'd at with rolando? Here's a few more pics: http://www.phonopsia.co.uk/pics/Resized/Foundation2.htm ...and this is my review from Little Detroit, which I don't have time to re-type at the moment, since it's the fourth day of Rob's birthday tonight. ;) Well that about sums it up. The things that made the biggest impression on me about the main event is how happy everyone seemed to be with their sets, and how open-minded the crowd was. I guess I just don't often get the same sense of excitement from larger crowds. It still felt very intimate although the venue was fairly big and reasoanbly full. It's really hard to pick out a highlight of the evening for me, because I was running back and forth between everything all night, and it's rather blurry anyway. Gutted about missing all of the Blowmen (our sets overlapped). Really really enjoyed what I heard of Rolando. Chris Finke's drum 'n bass action was dope (slept through his later set, as pictures will evidence with much hilarity soon). Lee's set was a particular stand-out for me as well, since we're on such a similar musical wavelength. The rest of the weekend was rather messy of course. Think I got about six hours of sleep the whole time, including the flight back. I'm totally astounded we weren't chucked out of the place we had the 2nd party. There was some serious WWF-necro-catpengiun absurdity going on up in that bitch. Not much more to add other than that Czech is lovely, the new and old travel companions were tops, and I can't wait to do it again! Oh - actually how about this! Just over £7 (360kr) for a carton of smokes @ the duty free! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Walter Jones is/is not Walt J?
- Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, April 20, 2004 11:46 AM Subject: Re: (313) Walter Jones is/is not Walt J? I wondered that as well and feel the same about this record too. All three tracks are wwonderful. I asked this some time last year when a 12 of his with a Maurice Fulton remix came out. Turned out I prefered the original! At the time I was told they were indeed different people. Can't recall the source though. :/ Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Private Pressings (was 69 represses)
- Original Message - From: Matt MacQueen [EMAIL PROTECTED] To: Stewart Caig [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, April 15, 2004 9:48 PM Subject: (313) Private Pressings (was 69 represses) Theres loads of better records coming out that are better and much better value for money from a pure musical point of view that are struggling to even sell 500 copies, so it kinda smacks of arrogance from Peacefrog to release 500 and then use the numbers to justify the price. Great point. It is a great point! But as Placid said in the very first post, I don't think you can put a price on great music. Yes, that is precisely what is driving these prices. Yes, it is expolitative. But am I willing to say no to a great record if I really really want it? No. This is the point. I am much more of a neophite than most of the vocal members on this list, or indeed most Detroit techno heads in general, but if I love a record then very few prices will stop me. I still try to rationalise the purchase versus other record buying options, but I don't think it deserves this much debate as though it were a policy issue. If you like it enough to buy it, then you buy it. If you don't, then you don't. Let your actions drive the market. No one is shopping in a record buying vaccum. I'm not saying people shouldn't speak up about being ripped off, but in my mind this is nowhere near the same league as SID prices (the records not the store), or Pixies tickets 2 hours after going on sale, etc. This is pricing something at a higher value and hiding nothing about that process. In my mind that clarity of sales is rare enough that it leaves no one to blame but yourself for either buying it and regretting it or not buying it and regretting it. Everyone deals with the limits of their record buying budget. Everyone draws the line somewhere. This is why I've only bought 'Shattered Dreams' so far. I've liked the others as well, but not enough to justify the price of a 3x pack of Ennio Morricone remixes in its place. I'm happy with that tension. Why is everyone else complaining? I just want more money period, but who doesn't? And it's not like people are poaching these on Ebay like Pixies tickets. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Derrick May pre-Movement interview at Technotourist.org
- Original Message - From: Kent williams [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Cc: 313 Detroit 313@hyperreal.org Sent: Thursday, April 15, 2004 11:37 PM Subject: Re: (313) Derrick May pre-Movement interview at Technotourist.org Completely off topic: I live on a dead end street I can confirm. Kent really does live on a dead end street. THIS IS NOT A METAPHOR! :) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) new moodymann album
- Original Message - From: Thomas D. Cox, Jr. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, April 15, 2004 9:20 PM Subject: Re: (313) new moodymann album ill give a review of the highlights later tonight after i have a couple good listens. i was slightly irritated to see im doing fine get a full side since i already have it twice, but im glad to finally get shades of jae. i hope its the good mix. When you do get around to it, please focus on the unreleased stuff. This *is* something that rather irritates me. I don't want to buy this album because Moodymann albums seem to be designed to miff fans - full stop, with the number of re-released tracks on almost every one of them. It's not like *this* policy is designed to get the music into the hands of those who want it most. It just seems to be antagonistic. Tristan - owns zero Moodymann albums and about 20-30 Moodymann 12s as a result === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) OT prototype 909 live
- Original Message - From: /0 [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, April 15, 2004 8:25 PM Subject: Re: (313) OT prototype 909 live yeah mines the same. I was just curious about it, thansk for the reply. I thought they split up around '95, if that helps date it any. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) London Spam: Freelance - 22/4/04
If you're in the area, come help us celebrate Rob Taylor's birthday on Thursday April 22 at The Cube in Camberwell, from 9pm - 2am. It's the day before Deadbeat, so many of you might have Friday off already. If this goes well, it could become a monthly. We'll be playing the usual assortment of house, clicks, electro, techno and broken business. Bountiful helpings of [313] of course... Laszlo and Steve have had some stuff on Planet Mu in various guises, and are now kicking off their new label 'Hand on the Plow'. Show the south side some respect and get your asses down! :) FREELANCE == Laszlo Beckett and Steve Taylor - Live Tristan Watkins Nick Craddock Jamie Steere The Cube is a new venue on 58a Camberwell Church Street: http://www.multimap.com/map/browse.cgi?lat=51.474lon=-0.0905scale=5000 It's about a mile from Oval tube station - a quick jaunt down Camberwell New Road via a 36/436 or 185, but you can get there easilly on a 35 from Shoreditch or Brixton. Or a 45/345 will do the trick from London Bridge. Audio and additional info below: http://www.cubebar.com http://www.handontheplow.org http://www.phonopsia.co.uk http://www.nickcraddock.co.uk Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) TP - was Re: (313) That Friday Question/Claude Young Mixes
- Original Message - From: DelCimmuto [EMAIL PROTECTED] To: ed612313 [EMAIL PROTECTED]; [EMAIL PROTECTED]; David Powers [EMAIL PROTECTED] Cc: 313 List 313@hyperreal.org Sent: Wednesday, April 07, 2004 3:25 AM Subject: Re: (313) That Friday Question/Claude Young Mixes speaking of which, wasn't TP calling it quits at the end of 2002 or 2003? To summarize briefly, he was going to retire for religious reasons - issues with the rave scene (and more), but then opted to adjust his musical policy and continue to do things on terms he could feel comfortable with. He is still DJing quite actively, but with more of a focus on gospel house, and while I've not heard him since the shift, all reports indicate he still rocks it. Please let's not turn this into another opportunity to crap on Terrence's religiosity. He's had a very difficult and intense life, and if his ever-increasing devotion to God makes him happy, then I'm happy for him. Yeah, he can get a bit preachy about it, but if you were to speak to him in person about it you'd know that he's not trying to impose his views on anyone - he's just very enthused about what he believes. Or at least that's how I see it. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) No play in the USA (was Movement I-F discussion)
- Original Message - From: [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Cc: 313 Detroit 313@hyperreal.org Sent: Monday, April 05, 2004 6:41 PM Subject: Re: (313) No play in the USA (was Movement I-F discussion) obviously there isn't an audience - but why? I have no idea why. Clearly, I'm not a big DJ but I had a radio show for five years, and DJ'd out with some consistency from '92-'02 in the states, so I have a decent view of the troubles radio DJs, club DJs and promoters have faced in small and large markets in the US. For instance, Baltimore/DC is the 4th largest music market in the US, and you could probably count the number of Detroit DJs that have played there in the last five years on your fingers, and all of the bigger names that once lived there (Stewart Walker, Christian Smith, John Selway???) moved as soon as they could from what I can tell. Brian Zentz would be one of the few counter-examples to this (and not really in that area IIRC) but he's had a following in that scene for a long time - since before progressive crap completely took over. Stewart Walker on the other hand didn't get a chance to play in DC until a few years after he moved away, and he already had records on Tresor and Force Inc. at that point. If I had to point my finger at anything, I'd say the biggest problem for building an audience in the states is that so few people ever get enough time with deeper, or more difficult styles before they ditch electronic music all together. You see the same thing everywhere, but in the states I think the proportion of those that 'crack through' is much less equal. In the UK and Europe I think there's a lot of differences, like the lingering impact of acid house on today's older clubbers and in the states there is more of a racial divide in clubbing, but I won't bother beating that dead horse any more on this occasion. For me, the motivation to move to the UK was less inspired by DJing opportunities than that I would have the chance to actually get to enjoy a vital scene with some regularity sometime before I keel over. 11 years of fighting against audience disinterest gets pretty damn tiring. At some point it becomes more important to allow yourself to enjoy your time with the music you've immersed yourself in, and for me the best way to do that was to move myself to the scene that held the most interest. Obviously I was really lucky to be able to do that. And as others have said, the political climate adds that much more incentive. Re: the schools. I think this is f*cking appauling - as if it wasn't bad enough already. Am I reading right that Granholm authorized this? I mean, clearly the money has to come from somewhere, but I thought she was meant to be fairly liberal. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Claude Young and MXF Pioneer in Berlin last Saturday
- Original Message - From: Deep Sea Dweller [EMAIL PROTECTED] To: ian cheshire [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Monday, April 05, 2004 11:34 PM Subject: Re: (313) Claude Young and MXF Pioneer in Berlin last Saturday look for the Advent to have one next in his live shows... Any idea when? He's @ Fabric next Saturday. Would like to hear it first-hand! Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) techno renaissance (was dutchie DEMF)
I'm really enjoying this! I think you two are both making some great points. I'll say this much. Like with every trend in music, it's impossible to predict what takes hold or to what degree, and people spend ages trying to figure out why things have taken hold after the fact: what other influences were surrounding it at the time, what other styles were dieing out, etc. Trying to predict the effect of a growing (or peaking???) influence is pretty shaky stuff though. There's simply too many factors to account for, and I think the future is what you guys are really arguing about (i.e. the effects of lots of new heads, and whether or not they stick around). Basically I think the argument boils down to a basic difference in optimistic vs. pessimistic outlook, and that isn't something you can really hash out. But by all means, please do go on. :) £.01 (with approximate currency conversion for Mr. Earle's benefit, or tears as it may be) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
