(313) The first nearly complete track I've done in about 8 years...

2010-02-17 Thread George Jones IV
The title pretty much sums it up.

http://www.soundclick.com/senoj

Renew isn't 100% complete, there's still some editing to be done (mix it
on monitors instead of headphones, track mutes, pattern changes so it's not
SO repetitive, etc), but it's the first time I've really sat down in front
of this board and actually focused long enough to get an idea out (in
contrast, I've done a crapload of hip hop over the last few years...). 


Don't be too brutal y'all... 


George / Senoj



RE: (313) No UFO's on the New Dance Show

2009-07-11 Thread George Jones IV - logic7
That would be The Scene. I know that set anywhere.

I aspired to be on the Rap A Dance contest on The Scene back in the late
80's.

-Original Message-
From: southernoutp...@gmail.com [mailto:southernoutp...@gmail.com]on
Behalf Of Southern Outpost
Sent: Thursday, July 02, 2009 11:33 AM
To: list 313
Subject: (313) No UFO's on the New Dance Show


Just cruising the New Dance Show clips on 'Tube, love this one, classic!

http://www.youtube.com/watch?v=EarSRa19sZc



RE: (313) Netbooks; worth it for music applications?

2009-06-28 Thread George Jones IV - logic7
I look at it like this:

I'm currently running an extra old IBM Thinkpad 570. It's a P2-300MHz
machine with 192MB RAM in it. I run XP Pro on it with FL Studio 7 and Cubase
VST 5.1. I don't use any other plugins other than what shipped with either
app save EVP73 and ESXP24. In conjunction with the Korg nanoKEY, it's a good
idea pad for when I'm at work. I also use it on the bus to watch flicks and
surf the web via wireless card.

I'm looking at replacing it with an Acer Aspire ONE 10.1 netbook (1GB RAM,
XP Home, 160GB HD) . With this, I'll be able to run a few decent VST's and
some better fx and won't have to resize all of my videos in order for them
to run. I've already heard some positive stuff about the Aspire ONE with
regard to running audio apps.

-Original Message-
From: Arturo Lopez [mailto:arturo.m.lo...@gmail.com]
Sent: Tuesday, June 23, 2009 9:01 AM
To: Three-One-Three
Subject: (313) Netbooks; worth it for music applications?


Was wondering if anyone out there had any experience running any music
applications on a netbook? Seems like it might be a nice/cheap
solution for running ableton/serato/whatever and quite a bit more
portable than a larger laptop.  Concerned a bit weather a $250 netbook
has a beefy enough processor to handle these apps, but then again
people were running those apps on slower laptops 3 or 4 years ago.
Hmm.  I'd imagine you'd have to buy an external soundcard though.
Thoughts?

-Arturo



RE: (313) J--- M----- on DJing CDs and vinyl

2009-02-21 Thread George Jones IV - logic7
FWIW...

I still prefer DJing with vinyl for pretty much the same reasons he lists.
I've only done one show out here in PHX, and that was the first where I used
a CD deck. Didn't like it for pretty much the same reasons. The tactile
response was gone, the work I had to put in to gtting the mix right wasn't
there.

-Original Message-
From: Fred Heutte [mailto:ph...@sunlightdata.com]
Sent: Wednesday, February 18, 2009 1:39 AM
To: 313@hyperreal.org
Subject: (313) J--- M- on DJing CDs and vinyl


from the Wire interview.  Says it all for me.

--


D: Was last night the first time you’ve DJed with just CD decks?

J: I think so.

D: That’s funny that you’re not sure.

J: It’s different, and I really don’t like it so much. Having to look at
a list of what’s on the disc and pushing too many buttons. …. Vinyl, you
don’t have to look at the meter. Your mind can be elsewhere, your eyes
can be elsewhere. You use your ears less in the digital format than you
do in analogue, in a vinyl situation, because your listening very much
to the frequencies to know, or the structure of the song to give you
cues for when to do what. Or how to weed away those frequencies so that
you can mix the next record in. But when you have to look at the screen
or a computer read out it’s different. In some cases, it’s OK, because
last night I was concerned about the vibration, because we were setting
things on the floor. But I would much prefer to use vinyl, because of
the physical aspect of connecting with this motion, this clockwise
motion of this disc, information, the frailty of it all. The needle is
just tracking on the surface of this record. And that any jolt would
totally disorient it, and everyone else, and myself. And that I think is
most reflective of the life of what we are, and who we are and how we
live. We don’t control our destiny, we don’t control our life, we don’t
control what tomorrow is going to be. It’s by coincidence. We have to
adapt. And that I think it is why I think I like vinyl the most, because
it puts you right on the edge of disaster. And that I still like.




RE: (313) Old-school question: Spacetime Continuum Speaking In Tongues

2008-08-24 Thread George Jones IV - logic7
It's not that I hate McKenna... On this particular release I really liked
the music, but his ever so irritating voice was splashed throughout the
entire CD.

-Original Message-
From: Richard Hester [mailto:[EMAIL PROTECTED]
Sent: Sunday, August 24, 2008 3:43 AM
To: George Jones IV - logic7; 313@hyperreal.org
Subject: Re: (313) Old-school question: Spacetime Continuum Speaking In
Tongues


Astralwerks did put out a 12 of Speaking in Tongues - I'd have to
check my copy to see if the McKenna rap is included or not. If you hate
McKenna, you'd be amused at his treatment in one of Robert Anton
Wilson's novels (I think it's Schrodinger's Cat), where he is ritually
sacrificed by cannibals, much to the satisfaction of his fellow
explorers... I can take him in small doses once in a while.

George Jones IV - logic7 wrote:
 I swear there was an instrumental version of this. Anyone ever seen a 12
or
 something of this some WITHOUT Terrance McKenna's nasaly, irritating voice
 on it???





(313) Old-school question: Spacetime Continuum Speaking In Tongues

2008-08-23 Thread George Jones IV - logic7
I swear there was an instrumental version of this. Anyone ever seen a 12 or
something of this some WITHOUT Terrance McKenna's nasaly, irritating voice
on it???



RE: (313) Hypersampling (was latest Hawtin thread)

2008-05-03 Thread George Jones IV - Logic7
Soul comes from the way in which you arrange the samples. Done well, you
can impart on it feeling and emotion, done poorly, it's just
boom-tsck-boom-tsck-boom-tsck-boom-tsck. Hip hop artists have been doing
it for the last couple of decades; a little snippet here, a little snippet
there and you have a Pete Rock, 9th Wonder, Jay Dee/Dilla, or Beatminerz
track full of soul. Arrangement might be the problem you're having with
Hawtin. If its just loop after loop layered with another loop, that's a
surefire way to bore someone to sleep. Arrange the pieces of the puzzle in
such a way that you come off with something great to listen to on the dance
floor as well as your headphones.

-Original Message-
From: Arturo Lopez [mailto:[EMAIL PROTECTED]
Sent: Saturday, May 03, 2008 12:30 PM
To: 313 Mailing List
Subject: (313) Hypersampling (was latest Hawtin thread)


What do you people think about Hawtin's approach to music? I'm calling
it hypersampling.  So we're on the same page, I'm talking about taking
snippets and loops from a wide library of pre-existing music, and then
inserting those little snippets into a dj set via the current software
of choice.  I think it brings up a number of supposed pros and cons.

On the one hand, it seems to give the artist a incredibly wide range
of possibilities, taking just those parts of tracks that you like and
putting them together in any way/shape/form that you like, hopefully
coming up with something interesting as a result.

On the other hand though, I feel like there's no soul left, for lack
of a better term, with what you end up with.  If you gut a track to
just take the little part that you like, you are still gutting a
track, something that was part of a cohesive sound that the producer
of said track was going for. You end up with a hundred little pieces
that might sound like very interesting little loops, but string them
together for an hour and I frankly get a little bored with the
results. Hawtin's mixes sound like flipping the channel on your TV
every 3 seconds.  There's no hook, it's just loop after loop after
loop, even if put together in interesting combinations.

This is very different from mixing records or even using regular
samplers for the occasional insert or loop.  You still come up with
interesting new sounds when you've got two records playing at the same
time, but I feel like it's more of an additive process, with both
parts still intact and forming that nice third record, you know? The
listener can follow what is going on, and take part/enjoy the new
sounds being added, with a clear reference to what is changing and
what is being dropped in.  With this hypersampling stuff, everything
is so completely stripped of its original source that it becomes
irrelevant where it came from. I get a great feeling from hearing two
or three distinct tracks put together in interesting ways to form new
sounds, not two or three drum loops and five high-hats and some random
sound effect from 20 different tracks.

...perhaps that one of the last remaining walls (or most of it)
between the Studio and the Club has come down.  That's Hawtin's quote
from that RA link the other day. I personally think that wall can be
very important, and shouldn't be knocked down.  Beethoven didn't write
a great symphony on the fly during a show, he wrote them in the
studio.  This isn't to discredit the awesome amount of talent and
exciting things that live P.A. work brings about, some stuff is
certainly better on the fly, but Hawtin's approach seems to discount
and not really care about the sources of what he is extracting.  One
of the earlier posts described this mix as sonic wallpaper and I would
agree, although I think the 2nd half does pick up a bit.  There's no
there there.

As for Hawtin, I think he's a far better producer than performer. He's
written some very, very good tracks, especially most of the plastikman
stuff, I just don't care for the new approach to performing.

-Arturo


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11:22 AM




RE: (313) Porter Ricks Biokinetics CD

2008-04-19 Thread George Jones IV - Logic7
wow... Talk about a coincidence... I JUST reloaded this CD into my MP3
player after having gone at least 4 years without listening to it.

-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Sent: Friday, April 18, 2008 8:35 AM
To: list 313
Subject: (313) Porter Ricks Biokinetics CD


I just pulled the metal can down off my shelf to rip it, and my copy
has a nasty circular scratch in it, and the fricken CD is actually
cracked from the center outwards about an inch. Maybe I should send
the CD and the frickin metal can case back to Hardwax and ask for
another.  On the other hand, the silver paint is coming off my Porter
Ricks can and it's starting to rust.

I was going to ask if anyone had mp3s but miraculously it seems to be
ripping OK

If you haven't destroyed your Chain Reactions CDs yet -- take them out
of the cans and put them in a less brutal sleeve!


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5:24 PM




RE: (313) Recording DJ sets

2008-04-12 Thread George Jones IV - Logic7
Get a stereo RCA to 1/8 cable, plug one end into the tape out on your
mixer, plug the other end into the line input on the laptop. Grab a copy of
Audacity (free!) or pay for SoundForge ($$$) and get to work.

I've been recording my sets that way forever.



-Original Message-
From: Jeffrey Richards [mailto:[EMAIL PROTECTED]
Sent: Friday, April 11, 2008 7:48 AM
To: 313
Subject: (313) Recording DJ sets


I have a shiny new Dell laptop (err...notebook) just
sitting around my house.  I want to try and record
some of my ramblings on the wheels of steel, and was
wondering exactly what it is I need to do it?  So here
is a list of questions...

Do I need any special software?  Is there any decent
software that is free?

Do I hook it up to the mic in (there is no line in) or
do I need to get a RCA to USB connector, or any
special equipment?

Should I hook up to line out or booth out?

Anything else I should be asking about?? Tell me what
it is...

Thanks

Jeff

__
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around
http://mail.yahoo.com


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9:17 AM




RE: (313) OT: Portable Recorder (same question as always)

2007-11-19 Thread George Jones IV - Logic7
Old school laptop loaded with SoundForge 5.

In particular, I use an old Dell Latitude CP. Pentium 233MMX, 128MB RAM,
running Win2000. Works like a charm and I can prep the mix to burn it
immediately after I'm done.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 15, 2007 2:53 PM
To: 313@hyperreal.org
Subject: (313) OT: Portable Recorder (same question as always)


What portable do you guys use for recording sets / field recordings.  My
latest MD player is dying.

Please reply off-list unless other interested folks reply on-list.

Thanks,

m50



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8:57 PM




RE: (313) AUX 88 : Is It Man Or Machine Easter Egg

2007-10-30 Thread George Jones IV - Logic7
Pics or it didn't happen!

:)

-Original Message-
From: Jeff Davis [mailto:[EMAIL PROTECTED]
Sent: Tuesday, October 30, 2007 5:48 PM
To: 313@hyperreal.org
Subject: RE: (313) AUX 88 : Is It Man Or Machine Easter Egg


Not sure why, but my copy had a larry flyntish 2 sided pic of two naked
ladies showing their need to freak buried BETWEEN the AUX logo and the
black plastic CD pocket.  cut exactly to size.

go figure?!?!?





-Original Message-
From: fab. [mailto:[EMAIL PROTECTED]
Sent: Tuesday, October 30, 2007 3:54 PM
To: 313@hyperreal.org
Subject: Re: (313) AUX 88 : Is It Man Or Machine Easter Egg


mine too, and the plastic is transparent
- Original Message -
From: collin strange [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Tuesday, October 30, 2007 8:22 PM
Subject: Re: (313) AUX 88 : Is It Man Or Machine Easter Egg


 im not sure how 'interesting' an aux 88 logo is but, thats what is on mine
 - Original Message -
 From: Jeff Davis [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Tuesday, October 30, 2007 8:38 AM
 Subject: (313) AUX 88 : Is It Man Or Machine Easter Egg


 Can any other 313 electroheads out there who happen to own the CD copy of
 Aux 88's Is it Man or Machine album tell me whether their copy contains
 some interesting artwork buried beneath the CD pocket holder?  (you
 must
 snap out the black plastic holder from the jewel case to find it).

 Just discovered when i went to sell my copy to an international buyer on
 discogs and wanted to mail sans jewel case to save on postage.


 Reply off list if desired.

 peeece,

 JJD
 [EMAIL PROTECTED]





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6:26 PM




RE: (313) Any Detroit classics mixes out there?

2007-10-05 Thread George Jones - Logic7
actually, I was thinking of some of those you had to be there in Detroit 
classics. Stuff that wasnt Detroit per-se, but was popular in Detroit. I'm 
talking about stuff like Blow Your House Down, Pacific 0101, Chris Cuevas' 
Hip Hop (MAW Remix), MC ADE's Bass Mechanic and Da Train... Stuff like 
that from my youth to young adult years.

-Original Message-
From: Frank Glazer [mailto:[EMAIL PROTECTED]
Sent: Thursday, October 04, 2007 8:22 PM
To: George Jones - Logic7
Cc: Toby Frith; 313@hyperreal.org
Subject: Re: (313) Any Detroit classics mixes out there?


five detroit classics i could live without hearing ever again:

sharevari
no ufos
strings of life
big fun
clear



On 10/4/07, George Jones - Logic7 [EMAIL PROTECTED] wrote:
 funny you would ask, I was thinking of doing a short mix of a few classics
 this weekend just to have something to listen to during my daily commute. If
 I get around to doing it, I'll post it up somewhere.

 -Original Message-
 From: Toby Frith [mailto:[EMAIL PROTECTED]
 Sent: Thursday, October 04, 2007 4:17 AM
 To: 313@hyperreal.org
 Subject: (313) Any Detroit classics mixes out there?



 I'm looking for any online mixes which are essentially composed strictly of
 classic Detroit tracks. Any help would be greatly appreciated.

 Cheers,

 Toby


 For all the latest news and comment visit www.telegraph.co.uk.  This
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-- 
peace,

frank

dj mix archive:  http://www.deejaycountzero.com




RE: (313) Any Detroit classics mixes out there?

2007-10-04 Thread George Jones - Logic7
funny you would ask, I was thinking of doing a short mix of a few classics
this weekend just to have something to listen to during my daily commute. If
I get around to doing it, I'll post it up somewhere.

-Original Message-
From: Toby Frith [mailto:[EMAIL PROTECTED]
Sent: Thursday, October 04, 2007 4:17 AM
To: 313@hyperreal.org
Subject: (313) Any Detroit classics mixes out there?



I'm looking for any online mixes which are essentially composed strictly of
classic Detroit tracks. Any help would be greatly appreciated.

Cheers,

Toby


For all the latest news and comment visit www.telegraph.co.uk.  This
message, its contents and any attachments to it are private, confidential
and may be the subject of legal privilege.  Any unauthorised disclosure, use
or dissemination of the whole or part of this message (without our prior
written consent) is prohibited.  If you are not the intended recipient,
please notify us immediately. Incoming and outgoing telephone calls to our
offices may be monitored or recorded for training and quality control
purposes and for confirming orders and information. Telegraph Media Group
Limited is a limited liability company registered in England and Wales
(company number 451593).  Our registered office address is: 111 Buckingham
Palace Road, London, SW1W 0DT.






RE: (313) New label Etiku with detroit-oriented sound from Russia started

2007-09-22 Thread George Jones - Logic7
Etiku Dancer is a good guy folks. I've got some of his older stuff from
years ago that he would post from time to time on Efnet/#313 on IRC. Great
music from this one, keep an eye on this.

George Jones - Logic7/KonceptG
http://www.geocities.com/labwerx

-Original Message-
From: Dmitry [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 20, 2007 11:56 PM
To: 313@Hyperreal.Org
Subject: (313) New label Etiku with detroit-oriented sound from Russia
started


Full name is Etiku World. Label base in Sankt-Peterburg, Russia. First vinyl
in press now: http://www.discogs.com/release/1036568
It would be ready in October. You can listen tracks Etiku World here:
http://www.virb.com/etikuworld . This tracks from first and next releases.
Enjoy and share impressions.



Dmitry
www.mixmag.ru
http://www.myspace.com/subborg





RE: (313) New Label From Us

2007-09-19 Thread George Jones IV - Logic7
link's down. Generic Network Solution page is up

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 19, 2007 3:59 AM
To: 313 List
Subject: (313) New Label From Us


Wotcha 313,

Just launched a new label, have a peak here http://www.ds93.com

m




RE: (313) Disco D article.. Village Voice

2007-08-08 Thread George Jones - Logic7
great article. Dave was a good friend of mine, that article put a few things to 
rest for me.

-Original Message-
From: M Ng [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 02, 2007 7:08 AM
To: 313@hyperreal.org
Subject: (313) Disco D article.. Village Voice


Made the front page of this week's village voice.

The Death of Disco

http://www.villagevoice.com/nyclife/0731,matthews,77404,15.html/full




RE: (313) Most Cherished 313 Vinyl.

2007-04-29 Thread George Jones - Logic7
3 records come to mind:

Disco D - The D Down EP
Matthew Dear  Dave Shayman Hands Up For Detroit

Both records were given to me by Disco D, the D Down I got during the
release party at Solar, Hands Up...  I got during a visit to his
office/apartment in downtown A2.

and

808 State - Pacific promo: This was originally a vinyl only release for A
List DJ's ONLY according to the label. 6 tracks, including the best version
of Pacific; Pacific 0101. The only other way to get this particular
version was on cassette. The track was a Detroit staple from 89 to 93. It
was hell getting my hands on this one.





-Original Message-
From: Lee Herrington [mailto:[EMAIL PROTECTED]
Sent: Friday, April 27, 2007 8:59 AM
To: 313@hyperreal.org
Subject: (313) Most Cherished 313 Vinyl.


It's Friday, and I'm curious.

What would you cats consider your most prized piece of 313-related vinyl?

For me, if you'd care to know, it would have to be Dan Curtin's Silicon
Dawn LP.  I remember someone from DEEP records turning me on to that
release, and from there I just started eating up anything with a similar
sound.

Discuss.

Cheers,

lrh






RE: (313) really

2006-08-30 Thread George Jones IV - Logic7
a guy leaves for a while and comes back to the same old bickering...


I missed you guys!!! 313 just wouldn't be the same if everyone weren't
arguing like siblings.



George Jones IV - Logic7/KonceptG
http://members.cox.net/logic7

-Original Message-
From: Dale Lawrence [mailto:[EMAIL PROTECTED]
Sent: Wednesday, August 30, 2006 8:58 AM
To: 313@hyperreal.org
Subject: Re: (313) really


At 11:09 AM 8/30/2006, you wrote:

what this has to do with comparing the feats of groundbreaking artists
to anyone using a computer to make music is beyond me. but thanks i
guess.

tom

--but I thought you said the tools didn't matter? Which is it?  All
the ground is already broken then?

Do you think people really just press return on their computer?

Did you receive my point about all the new technologies in music...
or even art in general, such as photography, always receiving
resistance in their infancy?

History has proven that the antagonists always end up looking like
fools... are you just trolling?



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(313) 313-type mixes

2006-08-06 Thread George Jones IV - Logic7
I'm being lazy right now. I'm headed to Tacoma tomorrow morning and I need
music to fly and drive to. I COULD mix my own stuff, but as I said... I'm
lazy right now.

Anyone got any nice mixes I could d/l???



RE: (313) 313-type mixes

2006-08-06 Thread George Jones IV - Logic7
hellz yeah!!! Thanks a lot! I'm d/l'ing to my laptop now and I'll prolly
burn 'em to listen to 'em in the rental.

-Original Message-
From: Wildtek Concept / DJ Dimitri Pike [mailto:[EMAIL PROTECTED]
Sent: Sunday, August 06, 2006 7:57 AM
To: George Jones IV - Logic7
Cc: 313@hyperreal.org
Subject: Re: (313) 313-type mixes


Maybe these ones will make your travel musically good ?


http://teknology.free.fr/Medias/ThrustersDJMix.mp3
(Techno)

http://teknologystock.free.fr/DimitriPike-Ambient100.mp3
(Ambient)
more infos here : http://wildtek.blogspot.com/2006/06/ambient-100.html

http://teknologystock.free.fr/Minimal1.mp3
(Minimal) Digital Mix

http://wildtek.free.fr/media/DimitriPike-TechnoMixDigital1.mp3
(Techno) Digital Mix

--
Dimitri Pike
http://wildtek.blogspot.com
http://wildtek.free.fr


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(313) 313 stuff in Seattle/Tacoma???

2006-08-01 Thread George Jones IV - Logic7
I'm heading to Tacoma, WA this weekend on business. I'm arriving in town
sunday afternoon and leaving Tuesday or wednesday night. It might be a
stretch, but anything happening around Tacoma or Seattle during that time?




George E. Jones IV - Logic7/KonceptG
http://www.myspace.com/poppageorge



RE: (313) j dilla dies?

2006-02-11 Thread George Jones IV - logic7
Yup. I was going to post this earlier and got side tracked. James John
Doe/Jay Dee/J Dilla Yancey died in LA. The cause of death has been listed
in the news as either kidney failure, liver failure, or bone marrow disease
(i.e. still unknown). This is a great loss for the world of music. I've only
met him in passing maybe 10 years ago, but the impact his music has had on
me is quite significant.


RIP dude. You've earned your peace.



-Original Message-
From: Sam K [mailto:[EMAIL PROTECTED]
Sent: Friday, February 10, 2006 6:19 PM
To: list
Subject: (313) j dilla dies?


MTV news says that dilla passed away on friday
is this true?i just bought his new albumn

F^ck
--
  Sam K
  [EMAIL PROTECTED]
sub-sequence 2xx 98.3fm

--
http://www.fastmail.fm - A no graphics, no pop-ups email service



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RE: (313) Juan Atkins Up For A Grammy

2006-01-11 Thread George Jones IV - logic7
Not just Juan, they're also including Rick as well!

that would be some sh_t... Cybotron winning a Grammy for a twenty some odd
year old track.

-Original Message-
From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED]
Sent: Wednesday, January 11, 2006 1:54 PM
To: 313 Mailinglist List
Subject: (313) Juan Atkins Up For A Grammy


--begin transmission

Troops your services are required. Juan Atkins has been nominated as
a writer as part of the song Losing Control by: Missy Elliot. Tell
everybody you know that owes they're @ss to Juan Atkins to vote for
Missy Elliot's Losing Control for best rap single. Lets show these
motherf*ckaz the power of what they cannot see...


Mad Mike 040 - UR -

-end transmission---


http://www.undergroundresistance.com/main/


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RE: (313) Dale Lawrence

2005-09-21 Thread George Jones IV - Logic7
They SHOULDN'T be able to steal your name if you can prove you were using it
first. 

It's happened in hip hop a few times. Common had to drop the Sense from
his name because of some obscure band named Common Sense who had been
using it before him. The Notorious B.I.G. was originally Biggie Smalls, but
another rapper had already been using the name, so he couldn't. 

-Original Message-
From: Dale Lawrence [mailto:[EMAIL PROTECTED] 
Sent: Tuesday, September 20, 2005 4:09 PM
To: 313@hyperreal.org
Subject: Re: (313) Dale Lawrence


Hey Neil,

That might be hard considering I sold my MPC2000xl to buy a laptop because I
like shooting myself in the proverbial foot from time to time...  haha

I've gotten a few emails asking about the myspace address.  I just made it
so it's nothing special but it's at http://www.myspace.com/theoremthx

Someone stole my name.  If I were guns and roses* I could sue for it.  Damn!


*Sorry, I meant Guns'n'Roses™


At 06:14 PM 9/20/2005 -0400, you wrote:

hey dale long time no hear words for you good to hear that you arestill 
at it and that you didnt fall for the old I grew up excuse, real life 
does some times take over but when your making music because you just 
like to make music it never leaves you as your just proved to 
everyone... :) we have to have you back up here in toronto some time
again...

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RE: (313) Dale Lawrence

2005-09-21 Thread George Jones IV - Logic7
OOOH!!!

I was thinking that someone stole the Theorem name professionally.

Nevermind... I'm running on 5 cans of Rockstar right now... 

-Original Message-
From: Derek Plaslaiko. [mailto:[EMAIL PROTECTED] 
Sent: Tuesday, September 20, 2005 4:24 PM
To: George Jones IV - Logic7
Cc: 'Dale Lawrence'; 313@hyperreal.org
Subject: RE: (313) Dale Lawrence






breathe deep, george. its only myspace.


;)



derek.



On Tue, 20 Sep 2005, George Jones IV - Logic7 wrote:

 They SHOULDN'T be able to steal your name if you can prove you were 
 using it first.

 It's happened in hip hop a few times. Common had to drop the Sense 
 from his name because of some obscure band named Common Sense who 
 had been using it before him. The Notorious B.I.G. was originally 
 Biggie Smalls, but another rapper had already been using the name, so he
couldn't.

 -Original Message-
 From: Dale Lawrence [mailto:[EMAIL PROTECTED]
 Sent: Tuesday, September 20, 2005 4:09 PM
 To: 313@hyperreal.org
 Subject: Re: (313) Dale Lawrence


 Hey Neil,

 That might be hard considering I sold my MPC2000xl to buy a laptop 
 because I like shooting myself in the proverbial foot from time to 
 time...  haha

 I've gotten a few emails asking about the myspace address.  I just 
 made it so it's nothing special but it's at 
 http://www.myspace.com/theoremthx

 Someone stole my name.  If I were guns and roses* I could sue for it.
Damn!


 *Sorry, I meant Guns'n'Roses™


 At 06:14 PM 9/20/2005 -0400, you wrote:

 hey dale long time no hear words for you good to hear that you 
 arestill at it and that you didnt fall for the old I grew up 
 excuse, real life does some times take over but when your making 
 music because you just like to make music it never leaves you as your 
 just proved to everyone... :) we have to have you back up here in 
 toronto some time
 again...

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 9/19/2005


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RE: (313) Dale Lawrence

2005-09-21 Thread George Jones IV - Logic7
hell... It takes me 2 cans of Rockstar to get me to the point of rational
thought (I get very little sleep, 4 kids...). I need 3 to stay awake, the
last two were 'cause I like the taste.

-Original Message-
From: Dale Lawrence [mailto:[EMAIL PROTECTED] 
Sent: Tuesday, September 20, 2005 4:33 PM
To: 313@hyperreal.org
Subject: RE: (313) Dale Lawrence


I prefer the Monster Assault drinks... the can just looks cool with all
those grayscale camouflage shapes and it keeps me awake for a month
straight.  Rational reasoning goes out the door though...  just ask my
girlfriend.

At 04:27 PM 9/20/2005 -0700, you wrote:
OOOH!!!

I was thinking that someone stole the Theorem name professionally.

Nevermind... I'm running on 5 cans of Rockstar right now...

-Original Message-
From: Derek Plaslaiko. [mailto:[EMAIL PROTECTED]
Sent: Tuesday, September 20, 2005 4:24 PM
To: George Jones IV - Logic7
Cc: 'Dale Lawrence'; 313@hyperreal.org
Subject: RE: (313) Dale Lawrence






breathe deep, george. its only myspace.


;)



derek.



On Tue, 20 Sep 2005, George Jones IV - Logic7 wrote:

  They SHOULDN'T be able to steal your name if you can prove you were 
  using it first.
 
  It's happened in hip hop a few times. Common had to drop the Sense
  from his name because of some obscure band named Common Sense who 
  had been using it before him. The Notorious B.I.G. was originally 
  Biggie Smalls, but another rapper had already been using the name, 
  so he
couldn't.
 
  -Original Message-
  From: Dale Lawrence [mailto:[EMAIL PROTECTED]
  Sent: Tuesday, September 20, 2005 4:09 PM
  To: 313@hyperreal.org
  Subject: Re: (313) Dale Lawrence
 
 
  Hey Neil,
 
  That might be hard considering I sold my MPC2000xl to buy a laptop 
  because I like shooting myself in the proverbial foot from time to 
  time...  haha
 
  I've gotten a few emails asking about the myspace address.  I just 
  made it so it's nothing special but it's at 
  http://www.myspace.com/theoremthx
 
  Someone stole my name.  If I were guns and roses* I could sue for it.
Damn!
 
 
  *Sorry, I meant Guns'n'Roses™
 
 
  At 06:14 PM 9/20/2005 -0400, you wrote:
 
  hey dale long time no hear words for you good to hear that you 
  arestill at it and that you didnt fall for the old I grew up 
  excuse, real life does some times take over but when your making 
  music because you just like to make music it never leaves you as 
  your just proved to everyone... :) we have to have you back up here 
  in toronto some time
  again...
 
  --
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  9/19/2005
 
 
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RE: (313) Dale Lawrence

2005-09-21 Thread George Jones IV - Logic7
 You didn't need to go THAT far back... Might as well ask where Uber is too.

-Original Message-
From: Jason Brunton [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, September 21, 2005 12:55 AM
To: Klaas-Jan Jongsma
Cc: 313
Subject: Re: (313) Dale Lawrence

Where's Unsel Brown?

JB
On 20 Sep 2005, at 23:44, Klaas-Jan Jongsma wrote:

 I expect to see an e-mail on this list within 7 days from: Bill van 
 Loo, Dave Walker and Robert Fixer Smith ;)

 KJ




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RE: (313) track req

2005-09-21 Thread George Jones IV - Logic7
The easiest way I've found to do it is by incorporating some ghettotech in
the set. The flow would then be  TechnoElectroGhettotechJungle/DnB.

A good transition track is Hoes Take Off Your Clothes by DJ Assault.

-Original Message-
From: Antonio Alves Felizardo [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, September 21, 2005 6:40 AM
To: 313@hyperreal.org
Subject: (313) track req

'lo list,

I'm doing this mixed compilation for some friends and I'm looking for a good
techno/electro track that halfway through changes to drum'n'bass. 
I have one from the Jacob's Optical Stairway album on RS, but I'm looking
for others. Any recs?

Thanks,
Antonio


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RE: (313) So

2005-09-19 Thread George Jones IV - Logic7
You missed that one time when all these trance cats invaded and hijacked the
Hyperreal servers.

j/k

Good to see ya Rob.

George Jones IV - logic7
http://www.geocities.com/labwerx

 

-Original Message-
From: rob theakston [mailto:[EMAIL PROTECTED] 
Sent: Monday, September 19, 2005 1:15 PM
To: 313@hyperreal.org
Subject: (313) So

What'd I miss?

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(313) My dumb question for today

2005-09-14 Thread George Jones IV - Logic7
Who is the arist responsible for Taxicab and has it ever been re-released
at all? I'm in need of this track for my collection.


George Jones IV - logic7
http://www.geocities.com/labwerx

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(313) Searching for Microlife

2005-07-19 Thread George Jones IV - Logic7
K... Back when MP3.com was actually a good site, I ran across an artist
called Microlife. He had some excellent music and I had his entire
collection of tracks on MP3.com. I was particularly fond of one called M
Path, but lost my entire MP3.com collection to my 2 year old (she broke a
bunch of my CD'). I can't find much of anything on this artist except for
one track on http://www.juno.co.uk/artists/Microlife/. 

Anyone have any of the old MP3.com stuff or more info on this artist?


George Jones IV - Logic7
http://www.geocities.com/labwerx

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(313) THN076 - Pheek Consortium

2005-07-15 Thread George Jones IV - Logic7
A new Pheek collection was released on Thinnerism today. This is just one of
many examples of why Thinnerism is my favorite netlabel. Great minimal-ish
techno with a nice remix of one of the tracks, Dub Trail, thrown in for
good measure.

Anyone else peep it?

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RE: (313) South American Hip Hop

2005-07-08 Thread George Jones IV - Logic7
Not south american, but check out Orishas. They're an excellent cuban hip
hop group. Search for Que Pasa and Represent by them. 

-Original Message-
From: Ian Malbon [mailto:[EMAIL PROTECTED] 
Sent: Thursday, July 07, 2005 9:10 PM
To: 313 List
Subject: (313) South American Hip Hop

At some point (I think on this list) there was a link to some great samples
of hip hop coming out of the hills in Brazil.  Electro- tinged, DIY stuff
that was full of energy.

My searches of the archives have proved fruitless.

Can anyone remind me?
--
Ian

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(313) R.I.P. - Luther Vandross

2005-07-02 Thread George Jones IV - Logic7
OT, but still...

Luther was one of the greats of RnB and one of the last great male singers.
He will defintely be missed by all.

http://www.cnn.com/2005/SHOWBIZ/Music/07/01/vandross.obit/index.html

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RE: (313) Hello 313, I am....

2005-06-16 Thread George Jones IV - Logic7
Introducing: George Edward Jones IV (I'm not kidding either)
Age: 33 (ye olden schoolen )
Place I Live: Phoenix, AZ - soon LA California (maybe)
Born: Saginaw, Mi
Raised: Detroit, Mi (Mumford Mustangs C/O 1990, - YEAH BABY!)
Into Detroit Music: Since 1988. Heard Big Fun while rolling around the
drivers ed course in front of the school. Crashed while groovin' to it (j/k)
Webpage: http://www.geocities.com/labwerx (perpetually under reconstruction)
Best Live Act: Richie @ Epok.
Fave Club: Motor

-Original Message-
From: Edward George [mailto:[EMAIL PROTECTED] 
Sent: Thursday, June 16, 2005 8:18 AM
To: 313@hyperreal.org
Subject: Re: (313) Hello 313, I am

Introducing:
Name: Edward George
Age: 25
Place i Live: Nottingham, UK
Born: Grimsby UK
Into Electronic Music: since i found a rave tape on the school bus when i
started at secondary school Into Detroit Music: since buying claude youngs
dj kicks cd
Webpage: as soon as we changed to a better hosting company...
Best Live Act: Signal
Fave CLub: Blueprint, Nottingham ;)

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RE: (313) Hello 313, I am....

2005-06-16 Thread George Jones IV - Logic7
I now feel like a young'n.

:D 

-Original Message-
From: Ian Malbon [mailto:[EMAIL PROTECTED] 
Sent: Thursday, June 16, 2005 10:21 AM
To: 313 List
Subject: Re: (313) Hello 313, I am

name: Ian Malbon
age: 40 (yes, and I know several older list-elders are lurking out
there...)
where I live: Royal Oak, 2.5 miles from 8-mile Rd.
born in: tha D
into electronic music: Probably since Morodor on Casablanca.  A defining
moment was discovering Music with a Message on WCBU-FM in Peoria, Illinois
in 1982.  Playlists regularly covered Cameo, Kraftwerk, Newcleus, Egytian
Lover and Bambaataa.
Moved back to Detroit 1988, soaked up Fast Forward like a sponge (thanks,
Alan!)

best live act(s): A Guy Called Gerald (the Shelter, 1990), Kraftwerk,
Detroit Grand Pubahs (DEMF 2000), Rob Hood at Sardine Bar, Elvin Jones at
Orchestra Hall (the Jazz Samurai, RIP) fave club: Best spaces were the least
legit--Bankle, Packard, Hastings, etc.

subscribed to 313 list:  1995

Oh, and I'm the guy who buys no vinyl.  CDs only.

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(313) New Record Recommendations...

2005-05-18 Thread George Jones IV - Logic7
I haven’t bought any new records since July 2003 (wife and 4 kids... Do the
math). Other than DeepChord stuff (always a blind buy), what are some
“must-have” Detroit, minimal, electro, and ghettotech records for me to look
for? 

George Jones IV – Logic7
http://www.geocities.com/labwerx

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RE: (313) Cybotron - Clear

2005-05-12 Thread George Jones IV - Logic7
I wasn't trying to imply that Juan and Rick are suing anyone. My thought was
fairly incomplete now that I've re-read my post. Let me fill in the blanks:

If Missy and company had cleared the sample, then no worries there; someone
got paid, just don't know if it would be Juan and Rick or not. If the sample
has not been cleared (you'd be suprised how often this happens these days),
then there would most likely be some form of litigation to get payment on
it's useage. If it goes to court and the plaintiff named is Cybotron, then
Rick and Juan will have to come together as Cybotron in order to file a
lawsuit. This is exactly what happened when Lisa Lisa and Cult Jam was sued
by Main Source over her uncleared sample of Main Source's Looking At the
Front Door. The group had broken up prior to the lawsuit, but had to come
together as Main Source in order to file suit.

Hope that clarifies my thoughts.

-Original Message-
From: Matt MacQueen [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 11, 2005 1:03 PM
To: 313
Cc: George Jones IV - Logic7
Subject: Re: (313) Cybotron - Clear


On May 11, 2005, at 2:42 PM, George Jones IV - Logic7 wrote:

 This might be something I watch a bit closely since Rick Davis still
 uses
 the Cybotron name. Could there be a lawsuit filed to draw the two back
 together as Cybotron?

What lawsuit?   people, people.. all this wild-eyed speculation of
lawsuits... who said Missy  Co. used it without negotiating rights to
use?   Unless somebody knows for sure, there's no need to speculate ill
will that someone was ripped off here  (well, ripped off monetarily,
ha).  Rather than invent drama why don't we just wait for some news, if
there even is any, that something here is rotten.

I personally think there's every reason to think whoever wrote 
performed the original will have some rights to some portion of profits
made on the Missy track.  Missy is a HUGE artist on a major label where
sample clearance has been paramount for well over a decade on releases
like this.  It's not some shady white label bass record of 700 copies.

At labels that size there are small armies of folks whose sole job it
is just negotiating sample usage rights for artists who use such huge
chunks of landmark tracks.   So much in new hip-hop and RB is based on
samples of obviously recognizable songs, thus the booming cottage
industry of entertainment lawyers drafting up contracts based on
acceptable use and drawing up terms of contracts in various ways to pay
the original artists/labels.  Of course there are exceptions but this
is pretty obvious territory.  It's not like a subtle snippet of Clear
was used... the backing track *IS* Clear!

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RE: (313) Cybotron - Clear

2005-05-12 Thread George Jones IV - Logic7
This is exactly what happened when Lisa Lisa and Cult Jam was sued
by Main Source over her uncleared sample of Main Source's
Looking At the Front Door.

what track of hers used a main source sample? 

Let The Beat Hit 'Em - It pretty much jacked everything except the rhymes
if memory serves me right (anyone want to d/l both songs from p2p and do an
a/b comparison?).


(for some more 313
relevance, recloose also jacked a bit from the same track in i
cant take it [the and i dont know if i can take it any more bit
that he scratches in]. great classic track, in case youve never
heard it...)

tomm


andythepooh.com




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RE: (313) Cybotron - Clear

2005-05-12 Thread George Jones IV - Logic7
-Original Message-

dont forget that new j-lo cut with the insane horn loop. that guy
is rocking some ill sample based production, stuff on mainstream
records that underground hiphop heads are even rocking out to. i
dont think ive met a single person who doesnt like 1 thing.

tom

Now you have. 1 Thing is AWFUL! That horn loop was overused as-is and I
can think of only one song that used it well: Low Profile's The Beat Is
Dope (Low Profile was W.C. and DJ Alladin, only released one album).

Anyways, I figured it was only a matter of time before someone sampled a
Detroit Techno track for use in hip-hop. Next we're gonna hear a loop from
Strings of Life on a 50 Cent album...
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RE: (313) Terrence Dixon

2005-05-11 Thread George Jones IV - Logic7
Good grief!!! Has it really been 6 years since From The Far Future??? I
still play that release to death. I'm suprised my copies don't have groove
burn...

-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Tuesday, May 10, 2005 7:11 AM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: (313) Terrence Dixon




Speaking of minimal, I have a Terrence Dixon project coming out next
month
or early fall on EndtoenD.

MG
***

At last! Looking forward to it! It's only been about 6 years since 'From
the Far Future'! :-) It will be interesting to see where he's taken that
spacey, synth-washy, 909-driven sound...

Ken
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RE: (313) Cybotron - Clear

2005-05-11 Thread George Jones IV - Logic7
This is the new single. I've heard it a few times on the radio already. I
thought the same thing; Juan should pick up a nice piece of change for that
sample.

-Original Message-
From: Matt MacQueen [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 11, 2005 11:08 AM
To: 313
Subject: (313) Cybotron - Clear


sorry if this is old news to everyone, but a friend brought this to my
attention

http://www.missy-elliott.com  - loops on a preview site for an album
out end of June

once the page loads, lose control should start playing...  juan
should make some big coin from that, if it's the single?  Track still
gives me chills...

--
MM
http://sonicsunset.com


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RE: (313) Cybotron - Clear

2005-05-11 Thread George Jones IV - Logic7
This might be something I watch a bit closely since Rick Davis still uses
the Cybotron name. Could there be a lawsuit filed to draw the two back
together as Cybotron? Something similar happened when Lisa Lisa and Cult Jam
sampled a Main Source tune and the group had to come together again in order
to file a lawsuit.

-Original Message-
From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 11, 2005 12:29 PM
To: 313@hyperreal.org
Subject: Re: (313) Cybotron - Clear


Redmond, Ja'Maul wrote:

 except that it's somewhat likely he no longer own any rights to it.

 Why would that be? Didn't he release it on his own label way back in the
 day?

No. It was released on Fantasy Records. Quite big label on rock/jazz..
I have no idea how the rights are split between Atkins, Davies and Fantasy.

sakke
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RE: (313) Mos Def added to Fuse-in line-up

2005-05-05 Thread George Jones IV - Logic7
Or even better, try Something The Lord Made. He was nominated for a Golden
Globe for that movie.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Thursday, May 05, 2005 7:23 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) Mos Def added to Fuse-in line-up






If you want to see how good Mos Def's acting skills are you should see the
The Woodsman.

MEK



 Thomas D. Cox,
 Jr.
 [EMAIL PROTECTED]  To
 h.com313@hyperreal.org
cc
 05/04/05 09:20 AM
   Subject
   Re: (313) Mos Def added to Fuse-in
 Please respond to line-up
 [EMAIL PROTECTED]
  h.com








-- Original Message --
From: robin [EMAIL PROTECTED]

it's already been on the screen tho tom. (ok small screen but you
get
the drift)

yeah, i always avoided seeing that because i didnt wanna ruin my
perception of the books, which ive read probably 10 times each or
more. i decided i couldnt avoid this though so i just went the day
it came out.

and it was good the first time :)

maybe now ill borrow it to check it out.

it's possible this film isnt aimed at this side of the atlantic

i dont know. i think the humor is still decidedly very british.
the EFX are top notch, and they didnt try to turn it into an
action film or something else that it isnt. i really was concerned
about it up until i learned they cast mos def as ford prefect
because i thought he would be an excellent choice, and he was. i
think the people involved really understood the book and all the
added bits are in line with that type of humor.

tom


andythepooh.com






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RE: (313) wizard mix 1990

2005-04-06 Thread George Jones - Logic7
 you'll need to convert your mp3 to wav and then use OggDrop
(http://www.nouturn.com/oggdrop/ ).

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] 
Sent: Tuesday, April 05, 2005 6:37 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: (313) wizard mix 1990





wizard mix, from around 1990 on wjlb.  posted on discogs mix forum. it's not
the mix from deephouse pages.

http://folk.uio.no/nnjohans/Music/The%20Wizard%20-%20WJLB.ogg

anybody know of a freeware ogg to mp3 converter for 0sx? didn't find
anything i liked on version tracker.


james
www.jbucknell.com


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RE: (313) Jean Luc Ponty sampled?

2005-04-05 Thread George Jones - Logic7
any suggestions for other good Ponty stuff (didn't he kind of go off in a
jazz fusion lite later)? 


Try Open Mind (my absolute favorite) and Upon the Wings of Music which,
if memory serves me, has a song that Jadakiss for We're gonna make it.

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RE: (313) Live Techno ?

2005-04-03 Thread George Jones - Logic7
There's always Stewart Walker. From what I understand he does a nice live
set.  

-Original Message-
From: I'm not a dj [mailto:[EMAIL PROTECTED] 
Sent: Saturday, April 02, 2005 4:34 PM
To: 313
Subject: (313) Live Techno ?



  Hey all '

   I am part of a development team for a
   Festival in New Zealand, Easter, 2006

   I have been asked to find a live Techno
   performance, for the Festival.

   .

   I have been racking my brain as to who is
   actually doing an interesting Live stage
   performance '

   Also someone was talking about the Orb or
   FSOL . who will do a performance over ISDN?

   Any suggestions, would be appreciated.

   Mail me off list '

   Alternatively it would be great to hear of
   peoples favourite / least favourite live act.

   ..


   I was recently reminded of when the Advent
   played in NZ live.  We did the sound for them
   in this large warehouse in Wellington.

   As the PA company we thought they were terrible
   because the overdrove every channel to the max.

   So it was all distorted mash.  The people loved
   it though . and it really was the last great
   Live Techno performance in NZ really. (1998)

   That was a great year, cause Der Dritte Raum
   played Live as well. They were stunning, but
   the PA for them was really bad, alot of their
   work was lost to bad acoustics.

   Oh' and I saw Rabbit in the Moon !! a touch more
   trance, but it was in a Forest with 160k of
   unreal sound for a crowd of about 1000 peeps.

   No one will believe me if I told you the truth
   about that party, but the Rabbit was cool '


   .turnstyle








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(313) The Monday Funny

2005-03-07 Thread George Jones IV - Logic7

http://www.xs4all.nl/~lrvk/lejo/dj.htm

enjoy

George Jones IV - Logic7
http://www.geocities.com/labwerx
http://www.anodized.com/~gjones


Re: (313) The Monday Funny

2005-03-07 Thread George Jones IV - Logic7

correction: http://www.xs4all.nl/~lrvk/lejo/dj.html

damned cut-and-paste...







(313) another Thursday mix

2005-03-03 Thread George Jones IV - Logic7

http://www.anodized.com/~gjones
Last mix I've done titled Lazy is posted there. No tracklist, because 
that would mean that I have to un-lazy and hook up my decks.


BTW, the site is simple lookin' 'cause to make it pretty would mean I 
have to un-lazy and make a real site there.



George Jones IV - Logic7
http://www.geocities.com/labwerx
http://www.anodized.com/~gjones


Re: (313) another Thursday mix

2005-03-03 Thread George Jones IV - Logic7

George Jones IV - Logic7 wrote:


http://www.anodized.com/~gjones
Last mix I've done titled Lazy is posted there. No tracklist, 
because that would mean that I have to un-lazy and hook up my decks.


BTW, the site is simple lookin' 'cause to make it pretty would mean I 
have to un-lazy and make a real site there.



George Jones IV - Logic7
http://www.geocities.com/labwerx
http://www.anodized.com/~gjones

Forgot to mention it, but the mix has tracks (albeit older tracks) by 
Jeff Mills, Terrance Dixon Jr, Stewart Walker, Deepchord, Ectomorph, DJ 
K1 (I think that's who that was...), Carl Craig, and others. There's 
also a few hiccups in my mix. My decks are starting to show their age.


RE: (313) Festival Will Go ON!

2005-02-23 Thread George Jones IV - logic7
Good... Now, where do we send demos? 

-Original Message-
From: Derek Plaslaiko. [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, February 23, 2005 12:31 PM
To: 313@hyperreal.org
Subject: (313) Festival Will Go ON!



I dont think i saw this posted. If it was, sorry.


http://www.freep.com/news/latestnews/pm2962_20050223.htm




derek.



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RE: (313) Monday Playlist

2005-02-21 Thread George Jones IV - logic7
Today will be nothing but music from my favorite net label, Thinnerism
(www.thinnerism.com). The playlist includes Curse, Paul Keely, Digitalverein
(with many repeat plays of the excellent San Marco By Night), Deluge, and
Johan Skugge. 


George Jones IV - Logic7
http://www.geocities.com/labwerx

-Original Message-
From: robin [mailto:[EMAIL PROTECTED] 
Sent: Monday, February 21, 2005 5:19 AM
To: 313
Subject: (313) Monday Playlist


Sorted me records and recorded a few things in (*looks over shoulder for 
RIAA/BPI henchmen* ;) ), so today i'll mostly be listening to these ten 
tracks:

cybotron - cosmic cars
digital justice - theme from it's all gone pearshaped
EFF - warwick
dan curtin - biotic
gary martin - in rythem
erik ericksson - collection
juan atkins - catastrophy
ur - journey of the dragons
robert owens - bring down the walls
shake - the old way


what's everyone else listening to?

robin...

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RE: (313) The Crisis in Detroit

2005-02-03 Thread George Jones IV - logic7
Soon... Really soon... 

-Original Message-
From: Brian Prince [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, February 02, 2005 5:00 PM
To: atomly
Cc: 313@hyperreal.org
Subject: Re: (313) The Crisis in Detroit

atomly said:
 http://tinyurl.com/4nagx

How long until OCP takes over the city government and starts installing
ED-209 units downtown?

-bp

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RE: (313) The Crisis in Detroit

2005-02-03 Thread George Jones IV - logic7
Put your bets on the table people. Will Detroit end up like the New
Detroit of Robocop fame or James O. Barr's Detroit from The Crow?

-Original Message-
From: Ian Malbon [mailto:[EMAIL PROTECTED] 
Sent: Thursday, February 03, 2005 8:17 AM
To: George Jones IV - logic7
Cc: 313@hyperreal.org; [EMAIL PROTECTED]; 'atomly'
Subject: Re: (313) The Crisis in Detroit

I'd buy that for a dollar!

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RE: (313) Q

2005-01-05 Thread George Jones IV - Logic7
Q has always been my favorite track on that album. I've played it more
than any other track in the years that I've owned that CD. 

-Original Message-
From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, December 29, 2004 7:10 AM
To: 313
Subject: (313) Q


since it's banging over the 100th time already thrugh my home over the last
months (a re-discovery), i thought, maybe more people want to grab that
kenny larkin' azimuth album again, to play loud loud loud that track called
'Q' 


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RE: (313) These Go up to 11

2004-11-10 Thread George Jones IV - Logic7
Source Direct's Capital D and Photek's Rings Around Saturn. I can do
anything to these tracks.

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 10, 2004 8:25 AM
To: 313 (E-mail)
Subject: (313) These Go up to 11


Just had Promised Land on really loud, what a tune! And seeing as it's
slow - what tune always does it for you?

Martin


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RE: (313) going to 11

2004-11-10 Thread George Jones IV - Logic7


-Original Message-
From: fwdthought [mailto:[EMAIL PROTECTED]


K Larkin- Corbomite Manuever
R Hood- Home


I'll second both of those. In fact, I was just listening to Home on the
way to drop off my youngest daughter at daycare this morning.
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RE: (313) OUCH!

2004-11-09 Thread George Jones IV - Logic7
my friend Carlos, a great turntablist hip hop/house/techno DJ, once picked
up the needle
on the record he was playing, not the one he was cueing, with
500 people in the house . . .

There may actually be someone on this list that was in attendance at a gig
at University of Detroit during the summer of '91 where Charles Henderson,
Rob Get Down Brown, myself and 2 other cats were spinning. I did the EXACT
same thing after a beautiful transition into Blow Your House Down. A few
hundred people stared in disgust when the music stopped...
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RE: (313) OUCH!

2004-11-08 Thread George Jones IV - Logic7
Back in July of '01 I played out at the Techmoto fest in Canton, Mi. I
played kinda early on the side stage which was completely uncovered and the
day was geting pretty hot. I let a track on Jay Denham's Muffler Man play
a bit longer than normal so the tech could fix a problem with the other
turntable. I turned away for a little over a minute and came back to find my
record warping on the platter.

I ended up buying another copy. I couldn't even get it into the sleeve.



-Original Message-
From: lee herrington [mailto:[EMAIL PROTECTED]
Sent: Monday, November 08, 2004 6:18 AM
To: 313@hyperreal.org
Subject: (313) OUCH!


hi folks.  i was checking out matt macqueen's site over the weekend.
www.sonicunset.com

on the site there was a terrible tale of a rare kenny larkin EP that was sat
upon and destroyed.  i have a copy of that very EP and i know i would be
quite gutted if it was damaged.  anyone else have any tragic tales of
damaged detroit vinyl?

p.s.

excellent halloween mixes at www.sonicsunset.com

check 'em out.

Cheers,



lee r. herrington
u store it
technical support specialist

440-260-2245



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RE: (313) Kerry admits it's over

2004-11-03 Thread George Jones IV - Logic7
We tried... maybe now they'll have the chance to impeach Bush for his lies.

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 03, 2004 9:42 AM
To: 313 (E-mail)
Subject: (313) Kerry admits it's over


Pretty gutted - there was a real chance there...


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(313) DJ Rap's stuff stolen???

2004-10-21 Thread George Jones IV - Logic7
I just got this email a few minutes ago, anyone else hear about this? Can
anyone confirm that it's true? (anyone have direct contact with DJ Rap???)

Charissa (DJ Rap) asked me to post this:

On Oct. 18 Josh NYNEX (Josh Atchley) from LA  Offworld Records broke
into Charissa's studio/home in LA and took the following items. There
is strong belief that they were sold to someone in AZ recently.

The items are listed below:

- 1 G4 Power Mac
- 1 G4 Power Book
- 1 Ipod
- 1 17 inch plasma display
- 1971 US Blond Fender Stratocaster Guitar (we feel he kept this item
for himself)

Now here is the big problem. All of Charissa's songs for her upcoming
new album and lyrics she has been working on for both the new album
and other projects were on these computers, along with a variety of
personal items like photos, emails form family and friend and such.

I'm not going into how low this action is for someone claiming to be
a musician to steal from another is just shocking and repulsive.

Anyone who can offer any information please contact me (see below)
and I'll forward it on the Charissa. The fact that 4 years of her
life and artistic creation has vanished which in turn may deprive us
of ever hearing her new material is just sickening. She wouldn't be
so upset if it just a computer with some emails on it but this is
much more serious since those computer contained her blood, sweat and
tears.

I don't have to point out to some that this happened to BT a while
ago twice. Once he lost several finished songs that we will never
hear, however the second time someone returned all his items after
posts were made all over the internet. So we have hope Josh and the
person in possession of these items will do the right thing.

Shame on you Josh! Serious... Musicians stick together as family with
a unified mission.

leads and info to these missing items please send emails to
[EMAIL PROTECTED] , it will be kept private at your request.

PLEASE POST THIS EVERYWHERE POSSIBLE, ALERT ALL MUSICIANS, PAWNSHOPS,
MUSIC STORES AND MUSIC WEBSITES (INCLUDING THOSE WHO HAVE
MEMBERS/VIEWERS FROM THOSE STATES) IN CALIFORNIA AND ARIZONA,
INCLUDING SURROUNDING STATES.
Peace



RE: (313) DJ Rap's stuff stolen???

2004-10-21 Thread George Jones IV - Logic7
See, I don't know if this is even true or not. I got it from the AZ-Raves
list that I'm subbed to and wanted to know if this was even true. It seemed
kinda fishy to me, seeing as how the message indicated that they knew who
did it. Just wanted to know if anyone here may be able to shed light on it.


and, for the record, everyone should back up their stuff like I do: CD, Zip,
AND floppy. I back up sequences and patch data to all 3, samples an audio
tracks to CD, and samples to zip . Gotta have redundancy folks.

-Original Message-
From: John Coleman [mailto:[EMAIL PROTECTED]
Sent: Thursday, October 21, 2004 8:22 AM
To: 313@hyperreal.org
Subject: Re: (313) DJ Rap's stuff stolen???


Off-topic, but another good lesson for all the musicians out there:
BACK UP YOUR STUFF!

Not the first time I've heard of someone's stuff getting stolen and
with it went the only copy of their new record/song/etc. It baffles me
that musicians take their precious creations and treat them with so
little care. Beyond theft, there's hard drive crashes, fires, or any
other of a myriad of disasters which could befall your data.

The little bit of time it takes to do something as simple as burning a
few CD-R's and putting them somewhere off-site is a lot better than
losing four years of work.


Heh, which reminds me... I need to make some backups. I've got two
copies of nearly everything at home, but I'm a bit lax on the off-site
backups.



On Oct 21, 2004, at 5:22 AM, Ken Odeluga wrote:

 On a scale of one-to-ten of 'on topic-ness,' this makes a grand total
 of
 about minus 50 in my view! But hey ... I feel sympathy.

 -Original Message-
 From: Robert Taylor [mailto:[EMAIL PROTECTED]
 Sent: Thursday, October 21, 2004 10:48 AM
 To: /0; George Jones IV - Logic7; 313@hyperreal.org
 Subject: RE: (313) DJ Rap's stuff stolen???


 I suspect Josh was just being public spirited - have you heard her
 stuff?

 -Original Message-
 From: /0 [mailto:[EMAIL PROTECTED]
 Sent: Thursday, October 21, 2004 7:33 AM
 To: George Jones IV - Logic7; 313@hyperreal.org
 Subject: Re: (313) DJ Rap's stuff stolen???


 oh no, tell me they weren't dating

 love is the number one cause of psychotic behavior.  says i  ;)

 -Joe


 - Original Message -
 From: George Jones IV - Logic7 [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, October 20, 2004 11:32 PM
 Subject: (313) DJ Rap's stuff stolen???


 I just got this email a few minutes ago, anyone else hear about
 this? Can
 anyone confirm that it's true? (anyone have direct contact with
 DJ Rap???)

 Charissa (DJ Rap) asked me to post this:

 On Oct. 18 Josh NYNEX (Josh Atchley) from LA  Offworld Records broke
 into Charissa's studio/home in LA and took the following items. There
 is strong belief that they were sold to someone in AZ recently.

 The items are listed below:

 - 1 G4 Power Mac
 - 1 G4 Power Book
 - 1 Ipod
 - 1 17 inch plasma display
 - 1971 US Blond Fender Stratocaster Guitar (we feel he kept this item
 for himself)

 Now here is the big problem. All of Charissa's songs for her upcoming
 new album and lyrics she has been working on for both the new album
 and other projects were on these computers, along with a variety of
 personal items like photos, emails form family and friend and such.

 I'm not going into how low this action is for someone claiming to be
 a musician to steal from another is just shocking and repulsive.

 Anyone who can offer any information please contact me (see below)
 and I'll forward it on the Charissa. The fact that 4 years of her
 life and artistic creation has vanished which in turn may deprive us
 of ever hearing her new material is just sickening. She wouldn't be
 so upset if it just a computer with some emails on it but this is
 much more serious since those computer contained her blood, sweat and
 tears.

 I don't have to point out to some that this happened to BT a while
 ago twice. Once he lost several finished songs that we will never
 hear, however the second time someone returned all his items after
 posts were made all over the internet. So we have hope Josh and the
 person in possession of these items will do the right thing.

 Shame on you Josh! Serious... Musicians stick together as family with
 a unified mission.

 leads and info to these missing items please send emails to
 [EMAIL PROTECTED] , it will be kept private at your request.

 PLEASE POST THIS EVERYWHERE POSSIBLE, ALERT ALL MUSICIANS, PAWNSHOPS,
 MUSIC STORES AND MUSIC WEBSITES (INCLUDING THOSE WHO HAVE
 MEMBERS/VIEWERS FROM THOSE STATES) IN CALIFORNIA AND ARIZONA,
 INCLUDING SURROUNDING STATES.
 Peace


 ###
 ##
 Note:

 Any views or opinions are solely those of the author and do not
 necessarily represent
 those of Channel Four Television Corporation unless specifically
 stated. This email
 and any files transmitted are confidential and intended solely for
 the use

RE: (313) New Dark Comedy LP

2004-09-18 Thread George Jones IV - Logic7
It's not just you. I still listen to The Corbomite Maneuver on a regular
basis.

-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: Saturday, September 18, 2004 5:52 AM
To: 313@hyperreal.org
Subject: (313) New Dark Comedy LP


The press release the other day about the new Dark Comedy LP reminded
me to dig out the other Dark Comedy LP, 'Seven Days' and the 'Exhibits'
  comp on Art of Dance. Is it just ancient me or is this stuff still
very good indeed? Deep textures, many varieties of rhythms, all
encapsulated in that indefatigable Detroit blue. If this doesn't teach
me to pick this kind of stuff up on vinyl at the time, instead of the
latest short-lived thing, nothing will.

So far the new one seems only available on CD in Japan ...

http://www.diskunion.com/clubt/detail.php?tid=CMTE-9991283

(What kind of name is that for a record label, by the way!;-)

k




RE: (313) DJ MIXER: what would be your choice?

2004-09-15 Thread George Jones IV - Logic7
Y'all can say what you want, but I still swear by my Gemini 626MKII. In the
5 years that I've owned it, I haven't had a single issue with it. No fader
crackle, no channels going in and out, no cold solder joints to fix on the
i/o RCA's, no nothing. I use my decks and a laptop on it's 3 channels, but
may switch to a cd/turntable config at some point. Works great, dirt cheap,
what more can you ask for?



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Tuesday, September 14, 2004 1:36 PM
To: 313@hyperreal.org
Subject: (313) DJ MIXER: what would be your choice?



hi mates!

which DJ mixer would u recommend for a club? it should have 3-4
inputs and most of all: great survival potential=)


../z99





(313) ghettotech.de down???

2004-08-25 Thread George Jones IV - Logic7
Anyone know what's up with Ghettotech.de? 


RE: (313) TECHNO FILMS

2004-08-16 Thread George Jones IV - Logic7
Funny thing about this topic... When I think of techno films, I think of
films that I would love to hear rescored by a techno artist. They would be:

The Crow
The Killer
Hardware
The Professional (Leon outside of the states)
Akira
Riding Bean
The Matrix
A Better Tomorrow
Hard Boiled (yes, I love the old John Woo/Chow Yun Fat flicks)
Black Moon Rising
The Terminator

And a few other anime titles that I can't seem to remember the names of.



RE: (313) Egyptian Lover live

2004-08-06 Thread George Jones IV - Logic7
One of the original (and forgotten) NWA members still doing it. I'd love to
see that show.

-Original Message-
From: kj at technotourist dot org [mailto:[EMAIL PROTECTED]
Sent: Friday, August 06, 2004 11:46 AM
To: 313 Mailinglist List
Subject: (313) Egyptian Lover live


For all you electroheads ot there:

Another Clone party!! 07-10-04 at the Waterfront in Rotterdam with
special
guest Egyptian lover playing live(!!) Dj's I-f and Serge. More live
shows
tbc.(presale not started yet!)

Yay!




RE: (313) What On Your Decks

2004-07-30 Thread George Jones IV - Logic7
Nothing, there are no good record shops around Phoenix.

Any of you artists wanna send me a promo or two?

-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Friday, July 30, 2004 6:46 AM
To: 313 Detroit
Subject: (313) What On Your Decks


Coil - Black Antlers
New Ed Dmx
New Werk 12




(313) 313 in Arizona

2003-06-29 Thread George Jones
I'm going to relocate from Ann Arbor, Mi to the Phoenix, AZ area at the 
end of July. Anyone on the list from that area? What's the techno scene 
like out there? 

George Jones/logic7
http://allways.nu



(313) Fw: Jam Master Jay is Dead

2002-10-31 Thread George Jones
Just saw on the news that Jam Master Jay of Run DMC has been killed in a NY
studio. Not much info on the shooting other than the culprit is still at
large.

Condolences to his family.

George Jones - Logic7



Re: [313] Richie Hawtin - DE909

2001-08-17 Thread george . jones
Funny thing about DE909: Richie did it at his new years eve party, Epok,
but he had what appeared to be a larger array of instruments. I could make
out a 303, an SH101 keyboard, and an 808. All I heard, though, was the 909.
Maybe I didn't stay long enough to hear him use them (I left at 4:30am). I
was, however, disappointed that I never heard any of the extra stuff being
used.






laura gavoor [EMAIL PROTECTED] on 08/17/2001 02:09:43 PM

To:   [EMAIL PROTECTED], 313@hyperreal.org
cc:
Subject:  Re: [313] Richie Hawtin - DE909


I agree.

Bass, chords and/or a melody line of some semblance are what tell a story
or
touch a soul.  Barring that, only afro-influence layers of drums/congas can
take its place.  I'm sorry but my soul is a bit more vast than minimal.  I
miss the Richie that could beat some DETROIT ass with a slammingly smooth
tech-house set

humbly offered.


From: Kevin Conrad [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] Richie Hawtin - DE909
Date: Thu, 16 Aug 2001 06:21:44 -0700 (PDT)

  the 909 is a great tool to make a track, but it
  doesn't make a track by
  itself.  i'm sorry, but those damn handclaps and
  snares do sound old after
  about ten seconds if there's nothing else happening
  in the 'song'.

That's why I get bored when he bangs away on it.  I
need to feel a bassline when I'm on the dancefloor.

Kevin


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Re: [313] richie and dance musik?

2001-08-16 Thread george . jones
The only thing Richie has done (that I've heard anyways) that you really
can't dance to is his Concept series, the majority of Consumed, and a bit
of Artifakts BC. Otherwise, you can dance to pretty much all of the rest.




Ed Wong Hau Pepilu Tivrusky IV [EMAIL PROTECTED] on 08/16/2001 11:55:08 AM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] richie and dance musik?


 Yes, I think the majority of his music is definitely dancefloor-oriented.
I do like the stuff
that isn't, as well..

||not making some cracked out and kandy kids dance.

 Hey, other people dance, too. I find the hipsters standing around with
their arms crossed,
looking pensive and imperceptibly nodding their heads just as amusing as
candy kids flailing
around to whatever is coming out of the speakers. There is a middle ground;
you can pay close
attention to the music and still shake your ass. It's fun, it burns
calories; you should try it
sometime.

||anyways who the hell could dance to rich for more than 10 minutes with
out keeling over

 *Raises hand*

It's dark in here.. It's hot in here... I like it here.

[anyone care to ID that one?]



 -tjw



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RE: [313] Contact for Urban Tribe?

2001-08-15 Thread george . jones
Did Buy-Rite move or something??? Last time I was in tha D, I drove past
the old 7 mile/Livernois location and it looked abandoned.





Rob Theakston [EMAIL PROTECTED] on 08/15/2001 10:30:16 AM

To:   Minto George [EMAIL PROTECTED], 313@hyperreal.org
cc:
Subject:  RE: [313] Contact for Urban Tribe?


last time i heard mr ingram was working at buy-rite records down in
detroit,
but i believe he might be working at rick whilhite's store now. he is
working on new material, but as to when that will see the light of day is
beyond me..

rt




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Re: [313] ANyone know about Finalscratch (maybe OT)

2001-08-15 Thread george . jones
In theory - you're right. In practice - totally off. MP3.com promised to
offer something similar to what you speak of (...think of what it will do
to artist exposure as well as profit margins... with ...the
potential to sell hundreds of thousands or copies of a given track
worldwide
in digital format... ) . Some have made a nice amount of change on MP3.com
and even got signed to record companies, etc. However, the remainder of
artists end up buried under the thousands of others. Cost to get started
with MP3.com is $0, cost to maintain your site and administer on MP3.com is
$0, and your chances of making a dime on MP3.com is about 0 as well.






jonathan morse [EMAIL PROTECTED] on 08/15/2001 10:40:55 AM

To:   [EMAIL PROTECTED], Kevin Conrad [EMAIL PROTECTED],
  313@hyperreal.org
cc:
Subject:  Re: QRe: [313] ANyone know about Finalscratch (maybe OT)


indeed...imagine when you can downlaod a track for say $.50 or $1.00
directly from a labels web site rather than pay $6 - $10 or more for the
12
which both the distributor and the shop have added their cost to. granted
it
puts the middlemen out of business but thats the breaks i guess.

just think of what it will do to artist exposure as well as profit margins.
the up front cost of maintaining an FTP server is nothing compared to those
of pressing and distributing vinyl let alone the fact that there's the
potential to sell hundreds of thousands or copies of a given track
worldwide
in digital format rather than tens of thousands on vinyl.



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Re: [313] ANyone know about Finalscratch (maybe OT)

2001-08-15 Thread george . jones
Compared to
http://www.mp3.com/303infinity (they've stopped posting the obscenen amout
of $$$ this group has made)
or
http://www.mp3.com/bassic

Not really.

(BTW, I stumbled onto Bassic's site looking for Ambient stuff, some of it's
not bad)






M. Todd Smith [EMAIL PROTECTED] on 08/15/2001 11:50:45 AM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] ANyone know about Finalscratch (maybe OT)


Hmm,

Despite what George Says

http://artists.mp3s.com/artists/27/christian_bloch.html

Christian seems to be doing just fine :)

Cheers
todd
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, August 15, 2001 11:09 AM
Subject: Re: [313] ANyone know about Finalscratch (maybe OT)


 In theory - you're right. In practice - totally off. MP3.com promised to
 offer something similar to what you speak of (...think of what it will
do
 to artist exposure as well as profit margins... with ...the
 potential to sell hundreds of thousands or copies of a given track
 worldwide
 in digital format... ) . Some have made a nice amount of change on
MP3.com
 and even got signed to record companies, etc. However, the remainder of
 artists end up buried under the thousands of others. Cost to get started
 with MP3.com is $0, cost to maintain your site and administer on MP3.com
is
 $0, and your chances of making a dime on MP3.com is about 0 as well.






 jonathan morse [EMAIL PROTECTED] on 08/15/2001 10:40:55 AM

 To:   [EMAIL PROTECTED], Kevin Conrad [EMAIL PROTECTED],
   313@hyperreal.org
 cc:
 Subject:  Re: QRe: [313] ANyone know about Finalscratch (maybe OT)


 indeed...imagine when you can downlaod a track for say $.50 or $1.00
 directly from a labels web site rather than pay $6 - $10 or more for the
 12
 which both the distributor and the shop have added their cost to. granted
 it
 puts the middlemen out of business but thats the breaks i guess.

 just think of what it will do to artist exposure as well as profit
margins.
 the up front cost of maintaining an FTP server is nothing compared to
those
 of pressing and distributing vinyl let alone the fact that there's the
 potential to sell hundreds of thousands or copies of a given track
 worldwide
 in digital format rather than tens of thousands on vinyl.



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Re: [313] ANyone know about Finalscratch (maybe OT)

2001-08-15 Thread george . jones
Where did you find this little bit of info at (specifically, regarding
these two artists)?





Jayson B. [EMAIL PROTECTED] on 08/15/2001 12:43:06 PM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] ANyone know about Finalscratch (maybe OT)



Compared to
http://www.mp3.com/303infinity (they've stopped posting the obscenen amout
of $$$ this group has made)
or
http://www.mp3.com/bassic

Not really.



keep in mind that both of these artists, and anyone on mp3.com who has made
more than 20,000 (except for big name artists) has had ALL of their money
revoked by mp3.com.  Mp3.com reserves the right to not tell you your
offense
until they have proven you guilty/innocent, however they can take your
money
away if you're suspected.  Talking to many of the artists who made obscene
amounts of money, its quite a coincidence that ALL of them had their money
taken away.  check out www.mp3.com/angrygeniusboy

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[313] Richie Hawtin - DE909

2001-08-15 Thread george . jones
So... would the general consensus be that the whole DE909 thingy has pretty
much run it's course?





miss lauryn g [EMAIL PROTECTED] on 08/15/2001 03:10:02 PM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] ANyone know about Finalscratch (maybe OT)


 Plus I'd wager that Richie's last tour, the one where he used
FinalScratch
 so much, was boring was because FinalScratch till can't be used and
abused

the reason his last tour was so boring was cuz he wanked the f*ck out of
the 909.

blah.
lauryn.



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Re: [313] Kenny Larkin...

2001-08-07 Thread george . jones
He has mentioned that to me on several occasions too. He did have a record
release at Motor at the beginning of this year, any word on whether the
album (Narcissis?) dropped yet?





Lee Herrington [EMAIL PROTECTED] on 08/07/2001 10:18:22
AM

Please respond to [EMAIL PROTECTED]

To:   313@hyperreal.org
cc:
Subject:  [313] Kenny Larkin...



Hello.  Does anyone have any current news on Kenny Larkin?  Last I heard he
was returning to stand-up comedy.  Any thoughts?

save the vinyl.


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Re: Fw: [313] How was the 2030 party?

2001-08-07 Thread george . jones
Coming up next on 313 Today with Theakston and Potts - List member
quarrels and how to stop them.

...We'll be right back after this commercial break.





Jayson B. [EMAIL PROTECTED] on 08/07/2001 11:43:23 AM

To:   313@hyperreal.org
cc:
Subject:  Re: Fw: [313] How was the 2030 party?



For some one who preaches 'lets keep this 313 related'
why are you bringing up Missy Elliot and Timbaland?!

yeah, that one day that i posted that in every post?  It was complete
sarcasm.  i was mocking those who whenever someone doesn't agree with them
on the board, they have to proclaim, keep this off of the board.  313
only,  so that way their 313 bubble doesn't pop.


The rest, I'll respond to off list, since you seem to
be a fan of public attack but not public response.


Isn't this very email that you're quoting from me a response?


--- Jayson B. [EMAIL PROTECTED] wrote:
 
 
Have you really not got anything better to do
  Jayson? It's getting REALLY
old right about now...
 
 
  First off, did this *really* need to be sent to the
  list?  This sounds more
  like a private email to me.
 
 
  I apologize if its getting old.  But what's getting
  old to me is people
  constantly reiterating the fact that they are 'in
  the know,' while others
  are not.  To me its not about being underground, its
  not about my music
  being better than someone else's.  Its about quality
  music that doesn't wind
  its own ass around the flagpole of yesterday in
  order to be credible.  its
  about music that looks to the future and doesn't
  constantly look back in
  bitterness and proclaim victories.  Its about music
  that doesn't want to be
  pretentious (interesting since i remember a certain
  someone proclaiming idm
  to be too pretentious), it just wants to be good.
 
 
  Now back to me getting old (i need to stop with
  the quotes):  I don't see
  what i do as flaming, or instigating.  I see it as
  trying to start valid
  discussion.  Now if you decide that the best
  response you have it to tell me
  to go away, that's your problem.
 
  So what does everyone think about missy elliot's new
  album?  I adore it, as
  i've always been a fan of timbaland and what his
  music is about.  but is it
  too commercial?  Where's the line drawn?
 
 
_
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  http://explorer.msn.com/intl.asp
 
 
 
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[313] Track up - Work in progress

2001-08-06 Thread george . jones
I can't remember if  I've posted this before, so forgive me if I have. I've
posted a track up on my site (http://www.geocities.com/labwerx) called
Dopple. It's a really rough mix, but my ideas are there. At some
point in time, I'll finish editing the track and repost the finished
product. Feedback/constructive criticism is welcome.


Logic7

http://www.geocities.com/labwerx
http://members.theglobe.com/reflexx1

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Re: [313] Track up - Work in progress

2001-08-06 Thread george . jones
Oh yeah... The track is located in the Mix section





George Jones/US/ABNAMRO/[EMAIL PROTECTED] on 08/06/2001 09:13:07 AM

To:   313@hyperreal.org
cc:
Subject:  [313] Track up - Work in progress


I can't remember if  I've posted this before, so forgive me if I have. I've
posted a track up on my site (http://www.geocities.com/labwerx) called
Dopple. It's a really rough mix, but my ideas are there. At some
point in time, I'll finish editing the track and repost the finished
product. Feedback/constructive criticism is welcome.


Logic7

http://www.geocities.com/labwerx
http://members.theglobe.com/reflexx1

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RE: [313] how was technomoto fest?

2001-07-31 Thread george . jones
Yeah, yeah... but your needle isn't upside down now is it???

Didn't get a chance to see Christian use his thingamawob, I was busy
helping KG (from BHP) bring some video monitors to the roof of the joint. I
heard it in use and figured that the tables had been modded.






Sean Deason [EMAIL PROTECTED] on 07/31/2001 09:32:25 AM

To:   'Christian Bloch' [EMAIL PROTECTED], 313@hyperreal.org
cc:
Subject:  RE: [313] how was technomoto fest?


hmm sounds very similar to the effect I get when I push that one button
on my Numark TT-1's. you know. the reverse button. take *THAT* Technics!
:^)

-Original Message-
From: Christian Bloch [mailto:[EMAIL PROTECTED]
Sent: Tuesday, July 31, 2001 12:12 PM
To: 313@hyperreal.org
Subject: Re: [313] how was technomoto fest?


it's cool because it's a cheap party trick (gotta love those) using a home
made cheap party trick device... besides that it was cool because the
people
there was right in front of me, and it was cool because they thought it was
cool...
_
?christian bl;och,...fr%o3m tha/ d
   --

- Original Message -
From: Jayson B. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, July 30, 2001 9:17 PM
Subject: Re: [313] how was technomoto fest?



 Voila!  Instant backwards
   track.



 ok, so why is this so cool again?


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Re: [313] Anthony Rother live pictures

2001-07-31 Thread george . jones
I think we get the point.

Bah... So much infighting...






Jayson B. [EMAIL PROTECTED] on 07/31/2001 11:13:16 AM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] Anthony Rother live pictures



sorry about that...the release is called kamikasi and it's under a
moniker of his, family lounge (from what i understand)...


please keep all comments 313 techno related ONLY.  thank you.


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Re: [313] 313 Message board??

2001-07-31 Thread george . jones
Not really a message board, but there is always the #313 IRC channel on
Efnet.






Ben [EMAIL PROTECTED] on 07/31/2001 10:14:39 AM

Please respond to Ben [EMAIL PROTECTED]

To:   313 313@hyperreal.org
cc:
Subject:  [313] 313 Message board??


Very informative list, but just to much stuff to get through!
Do any of you use a board anywhere?
Thanks, Ben


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Re: [313] 313 Message board??

2001-07-31 Thread george . jones
No link needed. You need to get an IRC client (mIRC is a popular client for
Windows), install it, and connect to an Efnet server. once you're in, type
/join #313 and you're happening. It's a realtime chat thingy...

I would be in there right now, but I'm updating my laptop.





Ben [EMAIL PROTECTED] on 07/31/2001 10:33:00 AM

Please respond to Ben [EMAIL PROTECTED]

To:   313 313@hyperreal.org
cc:   George Jones/US/ABNAMRO/[EMAIL PROTECTED]
Subject:  Re: [313] 313 Message board??


Doth thou haveth a link?
Ben





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Re: [313] mekka cancelled?

2001-07-31 Thread george . jones
Odd that this would be posted just as I was checking out their site.
www.mekkatour.com
According to the site, the Chicago and St. Louis stops were cancelled and
will be replaced by stops in  Minneapolis and Seattle.




miss lauryn g [EMAIL PROTECTED] on 07/31/2001 04:48:00 PM

To:   313@hyperreal.org
cc:
Subject:  [313] mekka cancelled?


i heard the entire tour was cancelled from a pretty good source...anyone
wanna quell the rumor before it gets too outta hand...or confirm?

:/ ugh. looks like i'm finding new plans for the weekend.

l


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[313] Virus notice and apology.

2001-07-27 Thread george . jones
I tried to send this out earlier, but it looks like it never went out.

The SirCam32 virus was sent out from my other account -
[EMAIL PROTECTED] My wife downloaded and executed it from her Yahoo
account. It leached onto my resume and sent itself out. Anyone that
recieved an email from that accout with an attachment that has my full name
(George E. Jones IV) on it - DELETE THE EMAIL!!!

Normally, I post from that account from my laptop, which runs Linux and is
pretty much impervious to a virus attack. I apologize for any problems this
has caused.

If the virus was detected on your PC (and removed), and you can no longer
execute ANYTHING (which is what happened to me), you can restore your pc by
popping in a windows boot floppy, rebooting your machine, and reinstalling
windows on top of itself from the CD (ie - don't reformat your hd or
anything). When the installer asks if you want to save your old windows
installation, answer no. When it finishes, everything will be back to
normal.

George Jones
Logic7.
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Re: [313] Ishkur's guide to electronic music

2001-07-26 Thread george . jones
Quote from the Detroit description. If, by chance, you are on the 313
list and you disagree with what I've said here, then make a name for
yourself: write your own god damn guide to electronic music and right my
wrongs.





Toby Frith [EMAIL PROTECTED] on 07/26/2001 11:03:21 AM

Please respond to Toby Frith [EMAIL PROTECTED]

To:   Dennis Donohue [EMAIL PROTECTED], 313@hyperreal.org
cc:
Subject:  Re: [313] Ishkur's guide to electronic music


haha I liked it!   He/she obviously likes drum 'n' bass though, but
certainly an entertaining site.




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[313] Mix MP3 to check out.

2001-07-26 Thread george . jones
www.chrisgraydeep.com

Chris Gray's (Deep4Life records and EFnet #313 member) got a decent Deep
House mix up there called Apt 3A. There's a couple of hiccups with the
mix, but overall it's pretty nice. The suprise track for me was St.
Etienne's Only Love Can Break Your Heart. Haven't played that for about 8
years.

BTW, if any of you use IRC, stop by EFnet's #313 channel.
---
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Re: [313] re: Subject: Ishkur's guide to electronic music

2001-07-26 Thread george . jones
I've noticed that a good number of producers tend to look down their noses
at Ghetto Tech. Personally, I think it's great. Always good to get a party
jumpin.





dan robitaille [EMAIL PROTECTED] on 07/26/2001 05:27:47 PM

To:   313@hyperreal.org
cc:
Subject:  [313] re: Subject: Ishkur's guide to electronic music


If one looks under ghetto tech, it lists that style as the
greatest in the world. ghetto tech artists tend to be
based in detroit. I like the choice Ishkur uses for the
background sample... DJ Assault's Ass n' Titties. Detroit
city music at its best for sure! How come there isnt more
discussion on this list of Assault or Godfather?

D robitaille



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Re: [313] Coming home...

2001-07-25 Thread george . jones
Glad I read that completely... I graduated from Mumford H.S. in tha D. We
were feuding with the cats from Detroit's Henry Ford H.S.  :)






Dennis DeSantis [EMAIL PROTECTED] on 07/25/2001 02:13:55 AM

To:   313@hyperreal.org
cc:
Subject:  [313] Coming home...


My 10 year high school reunion is this Saturday, July 28 (Henry Ford II,
Sterling Heights).  I'm still deciding whether I'm coming back to the D for
it, but if I am, where's the party?

Seriously, I'd love to meet up with some 313ers - check out some music,
whatever.

I haven't lived in Detroit in 10 years, so I'm a bit out of touch.

Tell me what's happening.

Thanks,
Dennis DeSantis
www.mp3.com/vanderrohe


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Re: [313] FREE | TECHMoto Fest July 28th, 2001 | Lineup

2001-07-25 Thread george . jones
The timeslots are as follows:

Logic 7 - 12-12:45pm
G-Major - 12:45-1:30pm
Whistleboi /Trancender  - 1:30-2:30pm
Christian Bloch - 2:30-3:30pm
Ryan Brogan/Derek Plaslaiko - 3:30-4:30pm
Kos /Xavier - 4:30-6pm
Godfather/Disoc D   - 6-7:30pm
Jo-S- 7:30-9pm
Josh Funky1   - 9-10:30pm
Robert Armani   - 10:30-12am


Kinda sux to be me (/me grumbles about later timeslots)... But, at the same
time, since there won't be a buncha peeps there at 12pm, I can have some
fun with my set. Might play a bunch of old Miami Bass stuff... Da Train,
Gimmie A Bottle, Mami El Negro...




Michael Kim [EMAIL PROTECTED] on 07/25/2001 02:07:20 AM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] FREE | TECHMoto Fest July 28th, 2001 | Lineup


hey, do you know when logic7, C. Bloch, and Derek are spinning?  and of
course Godfather, too.  :)  i might make it out to this, even if i do get
beat down by the Hill Valley cops...

Mike









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Re: [313] fat boy slim

2001-07-24 Thread george . jones
Here's the way I've always percieved these two artists:

Moby - Uppity snob. Back in the 60's he would have worn all black with a
black beret, smoked cigarettes with a long stem filter, and he would have
performed in coffee houses with a set of bongo's and a sitar. He would
expect no one to vibe on his level of deepness except those in his inner
circle. Moby is the type of artist that's entirely too wrapped up in
himself. He has the I'm MOBY!!! attitude, as if any of us should care.

Fat Boy Slim - Beer guzzlin, XFL watchin', Monster Truck pull (SUNDAY,
SUNDAY, SUNDAY BE THERE) type of guy. He honestly appears to
have fun with his music and could really care less if you like it or not...
as long as someone likes it.

This is how they appear to me through interviews and the like. I've never
met either of them and I may have it all wrong too. Moby may be a pleasant
individual one-on-one and FBS may be the pretentious twit.  But in the
grand scheme of things... Who CARES???!!! Why do we even give a f_ck? Moby
said this and that about so-and-so, FBS is headlining over who?, and
They're obviously catering to the mainstream, they've sold out to the
corporate machine are the types of discussions that come up on lists like
this one too often.

Why do we care?

If none of us here on 313 likes Moby, FBS, Chemical Brothers and their
bretheren, then why not leave them out of our discussions. Let's, instead,
discuss who's pushing the envelope of Techno, Electro, or House. Let's
check out each other's playlists and discuss the finer points of particular
releases. Let's continue to inform each other of various events (without
clowning line-ups and locations). Let's keep moving forward.

(BTW - I happen to like Fat Boy Slim's  The Rockafeller Skank. It kinda
reminds me of something you would hear on The Beastie Boys' Paul's
Boutique)






Benn Glazier [EMAIL PROTECTED] on 06/24/2001 03:44:54 AM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] fat boy slim


Perhaps when you have had the joy of performing on the same stage as Fat
Boy Slim you may wish to realign your judgement.


--

Benn Glazier
[EMAIL PROTECTED]
www.royaltech.net
p: 0413 316 618


At 01:28 24/07/01 -0700, you wrote:
313,

There have been a volley of emails recently slating Fat Boy Slim and Moby
as being the coporate whores of the dance music 'industry'. Whilst there
are more pertinent subjects on the agenda, I would still like to make a
distinction between the two. I'd don't for one moment like FBS's music.
The
fact that it is widely liked, I put down to the general public's low
standards. However, it is fairly clear that the man does not take himself
too seriously, he has fun doing what he's doing, and he gives people a lot
of pleasure. He's been making throwaway pop music for decades and he's
good
at it. I saw it at first hand on Brighton (England) beach a couple of
weeks
ago.
Moby, on the other hand, makes insipid music of the worst kind, made for
TV
advertisements. He's takes himself very seriously, is always trying to get
in on the latest fad/fashion and is a moody t***.
My conclusion is not that we should include FBS in the topics of
conversation, rather that we should refrain from slating artists who have
no pretensions, are just doing their thing. There are much more important
things to promote.

Al



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Re: [313] VIRUS WARNING again!! -

2001-07-24 Thread george . jones
Here's the big virus we all need to look out for right now.

W32/[EMAIL PROTECTED]

Virus Characteristics:
This mass-mailing virus attempts to send itself and local documents to all 
users found in the Windows Address Book
and email addresses found in cached files.

When run, it copies itself to C:\RECYCLED\SirC32.exe folder to conceal its 
presence and creates the following registry
key value to load itself whenever .EXE files are executed:

HKCR\exefile\shell\open\command
\Default=C:\recycled\SirC32.exe %1 %*

As the RECYCLE BIN is often on the exclusion list, check your settings to 
insure that this directory IS being scanned.

It also copies itself to the WINDOWS SYSTEM directory as SCam32.exe and creates 
the following registry key value to
load itself automatically:

HKLM\Software\Microsoft\Windows\CurrentVersion\
RunServices\Driver32=C:\WINDOWS\SYSTEM\SCam32.exe

A list of .GIF, .JPG, .JPEG, .MPEG, .MOV, .MPG, .PDF, .PIF, .PNG, .PS, and .ZIP 
files in the MY DOCUMENTS folder is
saved to the file SCD.DLL in the SYSTEM directory. Email addresses are gathered 
from the Windows Address Book
and temporary Internet cached pages and saved to the file SCD1.DLL in the 
SYSTEM directory.

The worm prepends a copy of the files that are named in the SCD.DLL file and 
attaches this copy to the email messages
that it sends, using one of the following extensions: .BAT, .COM, .EXE, and .LNK







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Re: [313] fat boy slim

2001-07-24 Thread george . jones
I totally see your point. (laughs to himself)

It's like the day I met Kenny Larkin (spring/summer 97). I was making what
would be considered Minimal Techno up until I had picked up the latest
issue of Keyboard or Electronic Musician (can't remember which) and saw the
Chemical Brothers being heralded as Techno. Obviously I was mistaken with
my own direction and scrapped my music and started making Chemical Bro's
type of stuff...

Until Larkin walked into my shop.

He tried to persuade me to sell him an 02/R for dirt cheap, while we
talked it over, he asked what kind of music I'm into. I replied hip hop
and Techno. He asked me who I liked... I responded The Chemical
Brothers... and he cut me off. Dude went into this whole speech on What
Techno really is threw names like Derrick May and Kevin Saunderson out
(oddly, I remembered Kevin's name from Inner City, but I always considered
him House), and pretty much cursed the Chem's existance. See...That's what
I'm talking about... Everyone thinks these guys [the Chems] are what
Techno's all about I never realized that what I was making prior to
being exposed to Block Rockin Beats was really Techno. Too bad I had
erased my DA88 tape with my old material on it. Larkin might have liked it.





Benn Glazier [EMAIL PROTECTED] on 06/24/2001 06:16:42 AM

To:   313@hyperreal.org
cc:
Subject:  Re: [313] fat boy slim


Whilst I hold these airtists (sic) in disdain, we care - as these artists
are what the general public perceive  to be the be all and end all of
techno.

If they were considered purely as pop-mongers then it wouldn't be so bad.

I got interviewed for some mainstream press the other day about my style of
djing, and was asked if my style was like chemical brothers breakbeats (in
regard to electro).  On the one hand, I took offence, however on the flip,
it's the other half of the vicious circle.  Without them, our music
wouldn't have as greater media presence, however we have to educate those
who don't know/understand, as to what is the real sound of techno/electro -
so that we can stop being compared to these arrogant chumps.

Benn Glazier
[EMAIL PROTECTED]
www.royaltech.net
p: 0413 316 618






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Re: [313] Detroit radio change ups?

2001-07-02 Thread george . jones
I'm definitly loving WDTR in the mornings, good oldschool stuff played
there. I've heard some Lil' Louis, Guy Called Gerald, Ce Ce Pennison,
Crystal Waters, ect plus, a bunch of good hip hop and RB.






Ian [EMAIL PROTECTED] on 07/02/2001 10:19:18 AM

To:   313@hyperreal.org
cc:   diana potts [EMAIL PROTECTED]
Subject:  Re: [313] Detroit radio change ups?


on 7/2/01 10:10 AM, [EMAIL PROTECTED] wrote:

 G'bless NPR.

Ever notice how anybody who fills in for Chuck Horn ends up playing loads
of
Detroit tracks...in effect to _compensate_ for Chuck's playlists?

I am growing fonder of WDTR 90.9 every day.  Saturday was great, with hours
of dancehall, and cuban sounds.

Radio in this town is kind of like the weather...
--
There4IM


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RE: [313] Detroit radio change ups?

2001-07-02 Thread george . jones
Hearing Aaron yell C-O-O... L-E-Y... Cooley, Cooley... Cooley High every
morning is enough for me.





[EMAIL PROTECTED] on 07/02/2001 12:08:56 PM

To:   Carissa Tintinalli [EMAIL PROTECTED]
cc:   [EMAIL PROTECTED], 313@hyperreal.org
Subject:  RE: [313] Detroit radio change ups?


Plus,

keep in mind that when you listen to WTDR, that it almost fell victim to
the Detroit Radio Change Whirlwind.

Last Summer, the Detroit Public Schools almost sold the spot on the dial
to a group in Detroit that claimed the Detroit dial lacked sufficient
classical representation.

please.

If DTR went off the air, there would be no use to have a radio anymore.
Just hearing O.C. Roberts yell Greetings Detroit every Sat. on the
Reggae Soundblast is enough for me.

Agci



On Mon, 2 Jul 2001, Carissa Tintinalli wrote:

 WDTR is the only worthy station to listen to in the daytime now! They
play
 Big Fun, Goodlife and The Perculator (sp?) on a daily basis :)

 It's also The Voice of the Detroit Public Highschools, so they have
 students from Cass Tech and Cooley High doing the weather and
 traffic - absolutely hysterical.

 Rob, the techno show you're thinking of is called Stick It In Your Ear.
 It's still on, every Friday from 6:30 - 8pm. It's hosted by Magic Mike
 (anyone know anything about this guy?).

 And speaking of Detroit radio, Liz Copeland's 6 year anniversary show is
 this Tuesday night from midnight-5am (so technically Wednesday). She'll
have
 giveaways from dult, Planet E and Radiohead as well.




 From: Rob Theakston [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: RE: [313] Detroit radio change ups?
 Date: Mon, 2 Jul 2001 10:31:05 -0400
 
 I am growing fonder of WDTR 90.9 every day.  Saturday was great, with
hours
 of dancehall, and cuban sounds.
 
 
 90.9 is a gem indeed. in the mornings, you just can expect almost
anything.
 one morning in a row
 i heard robotnick, kano and another bad creation all in a row. can't
beat
 that. and the dancehall
 show on saturdays is nice as well. there used to be a techno show on,
but
 can't recall what time it's on
 for the life of me...
 
 
 Radio in this town is kind of like the weather...
 
 
 TJ: 5am playing matthew herbertchances are it's liz copeland on
wdet. i
 think DET or CJAM would be the only stations in the area that would play
 it.
 
 
 
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[313] More DJ obsessions

2001-05-31 Thread george . jones
Right before I really started listening to house and techno (1987-1988) I
remember getting frustrated with The Wizard a lot because he, as well as
a dj on 107.5, used to play 1 particular track that I simply couldn't stand
back then. Almost every one of my remaining Wizard tapes has it on there
and I would debate with myself whether or not to stop the recorder when it
came on.

It was Derrick May's Nude Photo.

I didn't like it back then 'cause it reminded me of the presets from my old
Casio VL1 calculator/keyboard. It sounded corny as hell, but everyone
played it to death. I tolerate it more today than back then... It still
sounds corny.

Another track (and my #2 all time favorite) that damned near every Detroit
DJ played excessively was Pacific 0101 by 808 State.

Frankie Knuckles' The Whistle Song was in every crate and at every party
around 1991.

I may remember others later in the day. I'm only on my first can of Whoop
Ass.





phuture jacks [EMAIL PROTECTED] on 05/31/2001 03:16:05 AM

ok i'll give it a shot
i'm not from Detroit,and i certainly was not at
the Music Institute,but i heard a few tapes
from both MayMills's earlier years on the WJLB radio
station

May
first of all,the thing about may is that he used to
play A LOT of his own stuff,in fact 70% on the couple
of tapes i have heard,was his own!
some chicago stuff too
Phuture - pump up the bass,Lil Lois - Freq,Rosario - I
want u,ten city etc
some disco
i can only clearly remember Harry Thuman -
Underwater,but he did play
some more diva type disco too,i just could not
trainspot'em;)
German
Liason Dangerous -peut re pas(sp),avant apres
(obviously) Gotching(sp)-e1e2
new wave
visage - freq7
in general i find May style to be very similer to Ron
Hardy!(good long musicalmixing,with some crossfader
tricks in key)
i don't know that his radio apearences were consisted
of what he would play out
as he obviously would have wanted to showcase his
own stuff on radio.

Wizard

while i heard quiet a few Wizard tapes now,lets just
say that they can be very good or realy boring,all
depends on what you are after,usualy they consist of:
75% rap,hihop-electro
Mantronix,Whodini,Globe,Utfo,Imperial Bro,Wrekin
cr,Hashim,Eric b,Dynamix,RunDmc,Public Nme,Marley
marl,Beasties,Spooni g,Unkown dj,Kool moe d,Heavy d
Man Parish,Jj Fad,Bambata,TuffCrew,Egyptian lover,B
Boys,Aleem,LLCoolJ etc etc
5% funk
Paliament,Funkadelic,Princeshila E,Hancock did i say
Clinton:)
5% disco
Kano,Kurtis Blow,Rhythm Heritage,War,Sugerhill,,
2% pop
Micheal Jackson,SaltPeper,We Papa girls,MelKim,,
5%techno
No Ufo,Future,the Sound,body to the box,(mm i don't
think i heard any May at all tho)
13% house
Chip E,Chip e,Chip e(he must have realy loved
him,usualy there would be 3-4 tracks of his in every
k7),Hurley-JYB,Pierre,BnC-house aint,Hercules - 7
ways,Rosario - Amour PuertRico,adonis - no way,Bad Boy
-MixTell,Hitrax-cool J Acid
and other chicago stuff,as well as some uk(Pump Up The
Volume,Krush - House Arrest)New York (Raze - Jack The
Groove)
now all this is mixed on a four track(you would hear 3
tracks playing,or 2 and
a third being scratched quiet often)yet it's very
raw,usualy loses momentum after a while,beat is
changing constantly, i don't think he was on the same
class with the NY guys when it comes to scratching(if
you ever heard DST,or Marley Marl tapes you'd now what
i mean), the thing that i realy wanna know is: were
was
the industrial side of him,i have not heard anything
 industrial on any of his tapes
yet some were around the time he made the Final Cut
stuff?


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Re: RE: [313] Re: Cybotron by Dillinja

2001-05-31 Thread george . jones
That would be Cybertron (notice the e). Close, but not quite there.





[EMAIL PROTECTED] on 05/31/2001 05:34:15 AM

To:   Jamil Ali [EMAIL PROTECTED]
cc:   '313@hyperreal.org' 313@hyperreal.org
Subject:  Re: RE: [313] Re: Cybotron by Dillinja


Wasn't Cybotron the name of the planet the Transformers were from?  Was
that
 the first use?

as far is i know you're right. man, that brings back memories...



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