Re: [backstage] If you had a ton of content to freely distribute

2009-01-23 Thread Richard P Edwards

I am really looking forward to this Ian.
I have remixed real data... ie music and video, all my life. Having  
some from the BBC will be absolutely wonderful.

Best wishes
RichE

P.S. Not really in the same world as the BBC - yet Digidesign have  
over the last couple of years moved to the following improvements  
it is now possible to share files internally with other users using  
Digidelivery and recently they have changed the system so that  
multiple Protools systems can be used in sync. This means that work  
can be shared very easily now, whilst still being governed by the  
software. I know that this isn't exactly free yet worth noting when  
one thinks of projects done using Avid and Protools. Hence it is  
becoming very easy to exchange data which includes a clear working  
method.

R

On 20 Jan 2009, at 17:21, Ian Forrester wrote:


Wow thanks guys.

I don't want to get into a discussion about the footage per-se  
because that's not the important thing.


So to answer the points about the packaging. I didn't know Tar was  
just a way to pack together files with no compression. Now tar.gz  
makes sense to me :)


The reason why we would like to Tar the files together is because of  
things like subtitles, artwork, cuts of music, other metadata  
pieces, etc. We're not just talking a collection of video files. I  
guess we're also thinking about the 5% of the audience who would  
actually do a remix with the raw project files. This would be on  
going rather that a one off, so we need the ability to handle  
everything from low rez 3gp files to ultra high rez animations at  
stupid frame rates


Delivery,

Seems BitTorrent, P2Pnext (tribler) and the internet archive are the  
best solutions by a long way. I did speak to people about how we  
pass footage around internally and the answer was via hard drives.  
There was some thought in the past about having drop off points in  
major cities where you can get all the footage in one go by bringing  
your 1TB drive for example. Sneakernet, or what ever they now call it.


Licensing,

I think we'll use something like CC-BY-NC (although I totally  
understand the arguments against NC, Dave) CC-BY-NC-SA is tempting  
due to the nature of the content. I do wonder how we keep the  
licence in tack even when the assets are broken up and reused? Maybe  
we should be looking into watermarking or some adobe xmp type  
system? This would also be useful for figuring out reach.


Lots to think about... But once I got the footage cleared and sorted  
you guys will be first to know. We're planning to be as open as  
possible about the whole experience.


Ian Forrester

This e-mail is: [] private; [x] ask first; [] bloggable

Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
email: ian.forres...@bbc.co.uk
work: +44 (0)2080083965
mob: +44 (0)7711913293
-Original Message-
From: owner-backst...@lists.bbc.co.uk [mailto:owner-backst...@lists.bbc.co.uk 
] On Behalf Of Jim Tonge

Sent: 19 January 2009 23:59
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] If you had a ton of content to freely  
distribute


+1 BitTorrent
+1 MP4

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-23 Thread Richard Cartwright
On 19/01/2009 18:36, Ian Forrester ian.forres...@bbc.co.uk wrote:
 Say, we had a ton of media assets from a BBC programme which we owned all the
 rights to and wanted to distribute widely. Not just video, but images, sound,
 subtitles, metadata about the programme scripts, etc.
 
 How would you
 1. Package it?

 We 
 were considering MXF - http://en.wikipedia.org/wiki/MXF but it looks difficult
 and time consuming to build, however the BBC did help build it so we could get
 help. Matroska, Nut and QuickTime are also look worthy.

The point of view of an MXF advocate ...

MXF is widely used at the professional end and capable of your requirements
... and the reasons why it is not easy to engage with straight out of the
box is the shopping list that kicked off the standard. For example,
efficient bit streams for file exchange between broadcast kit was more of a
priority than human-readable XML. Also, MXF understands video frames and
interleaves all the content so you can watch or listen to the streams as
they transfer ... no waiting to unpack the package after transfer only to
find out if it is the right one.

As it is a media-specific standard, you can represent edit decision lists
and metadata from the material essence ... could be a great way to do
collaborative editing? You can distribute the large source clips once and
then transfer lightweight EDLs around.

MXF is an open standard and free to implement.

The downside ... you need specialist tooling/APIs to get at the content. I
was surprised to find that no Java API existing for MXF and its sister
standard AAF, so I'm in the process of writing one (in development).

http://majapi.sourceforge.net/

More complete C-based APIs are available here ...

http://aaf.sourceforge.net/
http://www.freemxf.org/

In addition, a new XML format is now defined for MXF metadata which could be
used in a tar or zip container, sidestepping the need for quite so much
specialist (though free) tooling.

Cheers,

Richard

-- 
Dr Richard Cartwright
media systems architect
portability4media.com

rich...@portability4media.com
mobile +44 (0)7792 799930


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Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Brian Butterworth
2009/1/20 Ian Forrester ian.forres...@bbc.co.uk

 Wow thanks guys.

 I don't want to get into a discussion about the footage per-se because
 that's not the important thing.

 So to answer the points about the packaging. I didn't know Tar was just a
 way to pack together files with no compression. Now tar.gz makes sense to me
 :)


It would only be worth using gzip (or any form of lossless compression) if
the original data is of the type that can take it.

It is also worth pointing out that is you pointlessly use a compression
like gzip on a very large file where there is no usable compression that you
simply slow down the process of getting to the data as you have to run the
whole thing though unzip which at the very least needs 2 x the disk space.

I am very much against using the tape-archive format for files in torrents.
 Most BitTorreent clients allow you to select and prioritise on a
file-by-file basis using the format based on th .torrent file filesystem
header.  If you have just one .tar file, you can't select which bit to
download, your only option it to get the lot and then throw away what you
don't want.

If you want to use lossless data compression, the best place to use it would
be in the BitTorrent client when they do piece exchange?





 The reason why we would like to Tar the files together is because of things
 like subtitles, artwork, cuts of music, other metadata pieces, etc. We're
 not just talking a collection of video files. I guess we're also thinking
 about the 5% of the audience who would actually do a remix with the raw
 project files. This would be on going rather that a one off, so we need the
 ability to handle everything from low rez 3gp files to ultra high rez
 animations at stupid frame rates


What is wrong with a file system structure?  What is the point of using a
foreign (Unix tape archive) system?



 Ian Forrester

 This e-mail is: [] private; [x] ask first; [] bloggable

 Senior Producer, BBC Backstage
 Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
 email: ian.forres...@bbc.co.uk
 work: +44 (0)2080083965
 mob: +44 (0)7711913293
 -Original Message-
 From: owner-backst...@lists.bbc.co.uk [mailto:
 owner-backst...@lists.bbc.co.uk] On Behalf Of Jim Tonge
 Sent: 19 January 2009 23:59
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] If you had a ton of content to freely distribute

 +1 BitTorrent
 +1 MP4

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web: http://www.ukfree.tv - independent digital television and switchover
advice, since 2002


RE: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Ian Forrester
Ok so from what I've read so far...
 
1. Looks like we should use the native power of Bit Torrent to do the bundling 
whenever possible
2. We should distribute over Bit Torrent and P2Pnext, but also have some way to 
see the footage ahead of time.
 
Oh quick note about footage, this whole project is about trying new things and 
seeing what could work in the future. So don't expect us to be distributing RAW 
DV or anything silly like that. :)
 

Ian Forrester

This e-mail is: [x] private; [] ask first; [] bloggable

Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
email: ian.forres...@bbc.co.uk
work: +44 (0)1612444063
mob: +44 (0)7711913293 

 




From: owner-backst...@lists.bbc.co.uk 
[mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Brian Butterworth
Sent: 21 January 2009 10:01
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] If you had a ton of content to freely 
distribute




2009/1/20 Ian Forrester ian.forres...@bbc.co.uk


Wow thanks guys.

I don't want to get into a discussion about the footage per-se 
because that's not the important thing.

So to answer the points about the packaging. I didn't know Tar 
was just a way to pack together files with no compression. Now tar.gz makes 
sense to me :)


It would only be worth using gzip (or any form of lossless compression) 
if the original data is of the type that can take it.  

It is also worth pointing out that is you pointlessly use a 
compression like gzip on a very large file where there is no usable compression 
that you simply slow down the process of getting to the data as you have to run 
the whole thing though unzip which at the very least needs 2 x the disk space.

I am very much against using the tape-archive format for files in 
torrents.  Most BitTorreent clients allow you to select and prioritise on a 
file-by-file basis using the format based on th .torrent file filesystem 
header.  If you have just one .tar file, you can't select which bit to 
download, your only option it to get the lot and then throw away what you don't 
want.

If you want to use lossless data compression, the best place to use it 
would be in the BitTorrent client when they do piece exchange?

 



The reason why we would like to Tar the files together is 
because of things like subtitles, artwork, cuts of music, other metadata 
pieces, etc. We're not just talking a collection of video files. I guess we're 
also thinking about the 5% of the audience who would actually do a remix with 
the raw project files. This would be on going rather that a one off, so we need 
the ability to handle everything from low rez 3gp files to ultra high rez 
animations at stupid frame rates


What is wrong with a file system structure?  What is the point of using 
a foreign (Unix tape archive) system? 
 


Ian Forrester

This e-mail is: [] private; [x] ask first; [] bloggable


Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
email: ian.forres...@bbc.co.uk
work: +44 (0)2080083965
mob: +44 (0)7711913293

-Original Message-
From: owner-backst...@lists.bbc.co.uk 
[mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Jim Tonge
Sent: 19 January 2009 23:59
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] If you had a ton of content to freely 
distribute

+1 BitTorrent
+1 MP4

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web: http://www.ukfree.tv - independent digital television and 
switchover advice, since 2002




Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Michael Walsh
If you have digital material you can release for remixing purpose - then I
would contend that along with distributing it via some channel or another,
you should also consider hosting the content on a BBC server and make tools
available which would (1) allow people to remix online and (2) facilitate
them in publishing this new content to any other platform(s).

In effect this would allow the BBC to be a Online Public Service Developer,
Producer and Publisher/Broadcaster.

-- 
Michael Walsh

Mobile: +44-(0)771-2524200
Mobile: +353-(0)85-1278212

Email: michael.wa...@digitalrightsmanifesto.com
Web: http://www.digitalrightsmanifesto.com
Blog: http://digitalrightsmanifesto.wordpress.com


Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Rob Myers
On Wed, Jan 21, 2009 at 3:27 PM, Michael Walsh
michael.wa...@digitalrightsmanifesto.com wrote:
 If you have digital material you can release for remixing purpose - then I
 would contend that along with distributing it via some channel or another,
 you should also consider hosting the content on a BBC server and make tools
 available which would (1) allow people to remix online and (2) facilitate
 them in publishing this new content to any other platform(s).
 In effect this would allow the BBC to be a Online Public Service Developer,
 Producer and Publisher/Broadcaster.

And ensuring that the results can be used by commercial organizations
(by not making it NC) would help defuse any competition concerns.

- Rob.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Dave Crossland
2009/1/21 Michael Walsh michael.wa...@digitalrightsmanifesto.com:
 If you have digital material you can release for remixing purpose - then I
 would contend that along with distributing it via some channel or another,
 you should also consider hosting the content on a BBC server and make tools
 available which would (1) allow people to remix online

Like http://corp.kaltura.com/ ?
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RE: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Ian Forrester
I'm not totally convinced about that way of doing things.
 
If you apply that to data on Backstage, we would have to build something like 
or better that Yahoo Pipes to allow people to remix our data. The tools offline 
are better that online, also the backstage community is made up of people who 
are technically advanced, so really we should just be putting the data/media 
out and allow people to use what fits them. Who knows what you guys might do to 
the data/media

Ian Forrester

This e-mail is: [x] private; [] ask first; [] bloggable

Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
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work: +44 (0)1612444063
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From: owner-backst...@lists.bbc.co.uk 
[mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Michael Walsh
Sent: 21 January 2009 15:28
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] If you had a ton of content to freely 
distribute


If you have digital material you can release for remixing purpose - 
then I would contend that along with distributing it via some channel or 
another, you should also consider hosting the content on a BBC server and make 
tools available which would (1) allow people to remix online and (2) facilitate 
them in publishing this new content to any other platform(s).

In effect this would allow the BBC to be a Online Public Service 
Developer, Producer and Publisher/Broadcaster.

-- 
Michael Walsh

Mobile: +44-(0)771-2524200
Mobile: +353-(0)85-1278212

Email: michael.wa...@digitalrightsmanifesto.com
Web: http://www.digitalrightsmanifesto.com
Blog: http://digitalrightsmanifesto.wordpress.com




Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Dave Crossland
2009/1/21 Rob Myers r...@robmyers.org:

 And ensuring that the results can be used by commercial organizations
 (by not making it NC) would help defuse any competition concerns.

And boost Wikipedia et al :-)

http://meta.wikimedia.org/wiki/Licensing_update
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Rob Myers
On Wed, Jan 21, 2009 at 4:34 PM, Dave Crossland d...@lab6.com wrote:
 2009/1/21 Rob Myers r...@robmyers.org:

 And ensuring that the results can be used by commercial organizations
 (by not making it NC) would help defuse any competition concerns.

 And boost Wikipedia et al :-)

Yes, and then Wikipedia and Flickr etc. can provide exposure for the
BBC content and blahblahblah network effects blahblahblah leverage
blahblahblah.

 http://meta.wikimedia.org/wiki/Licensing_update

Ugh. Dual licencing. ;-)

- Rob.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Dave Crossland
2009/1/21 Rob Myers r...@robmyers.org:

 http://meta.wikimedia.org/wiki/Licensing_update

 Ugh. Dual licencing. ;-)

Not for long, I expect.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-21 Thread Mr I Forrester
Well without giving too much away, the techies are in control on this
one.

On Tue, 2009-01-20 at 20:34 -0800, Steve Jolly wrote:
 Ian Forrester wrote:
  Say, we had a ton of media assets from a BBC programme which we owned all 
  the rights to and wanted to distribute widely. Not just video, but images, 
  sound, subtitles, metadata about the programme scripts, etc.
  
  How would you
  1. Package it?
 
 Artists and techies will probably have somewhat divergent opinions on 
 this one...
 
 S
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RE: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Ian Forrester
Wow thanks guys.
 
I don't want to get into a discussion about the footage per-se because that's 
not the important thing.

So to answer the points about the packaging. I didn't know Tar was just a way 
to pack together files with no compression. Now tar.gz makes sense to me :)

The reason why we would like to Tar the files together is because of things 
like subtitles, artwork, cuts of music, other metadata pieces, etc. We're not 
just talking a collection of video files. I guess we're also thinking about the 
5% of the audience who would actually do a remix with the raw project files. 
This would be on going rather that a one off, so we need the ability to handle 
everything from low rez 3gp files to ultra high rez animations at stupid frame 
rates 

Delivery,

Seems BitTorrent, P2Pnext (tribler) and the internet archive are the best 
solutions by a long way. I did speak to people about how we pass footage around 
internally and the answer was via hard drives. There was some thought in the 
past about having drop off points in major cities where you can get all the 
footage in one go by bringing your 1TB drive for example. Sneakernet, or what 
ever they now call it.

Licensing,

I think we'll use something like CC-BY-NC (although I totally understand the 
arguments against NC, Dave) CC-BY-NC-SA is tempting due to the nature of the 
content. I do wonder how we keep the licence in tack even when the assets are 
broken up and reused? Maybe we should be looking into watermarking or some 
adobe xmp type system? This would also be useful for figuring out reach.

Lots to think about... But once I got the footage cleared and sorted you guys 
will be first to know. We're planning to be as open as possible about the whole 
experience.

Ian Forrester

This e-mail is: [] private; [x] ask first; [] bloggable

Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
email: ian.forres...@bbc.co.uk
work: +44 (0)2080083965
mob: +44 (0)7711913293 
-Original Message-
From: owner-backst...@lists.bbc.co.uk [mailto:owner-backst...@lists.bbc.co.uk] 
On Behalf Of Jim Tonge
Sent: 19 January 2009 23:59
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] If you had a ton of content to freely distribute

+1 BitTorrent
+1 MP4

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Richard Lockwood
Hey Ian - just stick it on a terabyte USB external hard drive, invest
in some bubble wrap and a strong cardboard box, and organise a mailing
loop...  Then folk can copy what they want and post it onto the next
user

Bit lo-tech, I know, but given broadband speeds in some parts of the
country, probably quicker than Bit Torrenting it.  :-)

Cheers,

Rich the Luddite

(Or have I missed the point?)



On Tue, Jan 20, 2009 at 4:21 PM, Ian Forrester ian.forres...@bbc.co.uk wrote:
 Wow thanks guys.

 I don't want to get into a discussion about the footage per-se because that's 
 not the important thing.

 So to answer the points about the packaging. I didn't know Tar was just a way 
 to pack together files with no compression. Now tar.gz makes sense to me :)

 The reason why we would like to Tar the files together is because of things 
 like subtitles, artwork, cuts of music, other metadata pieces, etc. We're not 
 just talking a collection of video files. I guess we're also thinking about 
 the 5% of the audience who would actually do a remix with the raw project 
 files. This would be on going rather that a one off, so we need the ability 
 to handle everything from low rez 3gp files to ultra high rez animations at 
 stupid frame rates

 Delivery,

 Seems BitTorrent, P2Pnext (tribler) and the internet archive are the best 
 solutions by a long way. I did speak to people about how we pass footage 
 around internally and the answer was via hard drives. There was some thought 
 in the past about having drop off points in major cities where you can get 
 all the footage in one go by bringing your 1TB drive for example. Sneakernet, 
 or what ever they now call it.

 Licensing,

 I think we'll use something like CC-BY-NC (although I totally understand the 
 arguments against NC, Dave) CC-BY-NC-SA is tempting due to the nature of the 
 content. I do wonder how we keep the licence in tack even when the assets are 
 broken up and reused? Maybe we should be looking into watermarking or some 
 adobe xmp type system? This would also be useful for figuring out reach.

 Lots to think about... But once I got the footage cleared and sorted you guys 
 will be first to know. We're planning to be as open as possible about the 
 whole experience.

 Ian Forrester

 This e-mail is: [] private; [x] ask first; [] bloggable

 Senior Producer, BBC Backstage
 Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
 email: ian.forres...@bbc.co.uk
 work: +44 (0)2080083965
 mob: +44 (0)7711913293
 -Original Message-
 From: owner-backst...@lists.bbc.co.uk 
 [mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Jim Tonge
 Sent: 19 January 2009 23:59
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] If you had a ton of content to freely distribute

 +1 BitTorrent
 +1 MP4

 -
 Sent via the backstage.bbc.co.uk discussion group.  To unsubscribe, please 
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Paul Battley
2009/1/20 Ian Forrester ian.forres...@bbc.co.uk:
 Seems BitTorrent, P2Pnext (tribler) and the internet archive are the best 
 solutions by a long way. I did speak to people about how we pass footage 
 around internally and the answer was via hard drives. There was some thought 
 in the past about having drop off points in major cities where you can get 
 all the footage in one go by bringing your 1TB drive for example. Sneakernet, 
 or what ever they now call it.

Sneakernet is a very good idea (and reminds me of the old Tanenbaum
networking book). Downloading half a terabyte of data is quite a
challenge on a domestic connection.

Paul.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Dave Crossland
2009/1/20 Ian Forrester ian.forres...@bbc.co.uk:

 The reason why we would like to Tar the files together is because of things 
 like subtitles, artwork, cuts of music,
 other metadata pieces, etc. We're not just talking a collection of video 
 files.

What does Tar add to the ability to organise files in a set into a
hierarchy, that a directory tree in the Torrent doesn't? Except
stopping people from downloading only the files that they want from
that set?

 I guess we're also thinking about the 5% of the audience who would actually
 do a remix with the raw project files.

Good :-)

 This would be on going rather that a one off, so we
 need the ability to handle everything from low rez 3gp files to
 ultra high rez animations at stupid frame rates

So you'd have a torrent for each of the broad use-cases (download
files to keep on mobile, medium quality compression for desktop
watching, high quality compression for casual remixing, and original
files for hardcore remixing - say) with all the files needed for each
one, and a note saying where the others are if the user feels they
might want a file but its not in what they have.

 how we pass footage around internally and the answer was via hard drives.
 There was some thought in the past about having drop off points in
 major cities where you can get all the footage in one go
 by bringing your 1TB drive for example. Sneakernet, or what ever
 they now call it.

That would be cool, although, costly? Sounds like a haxor playground to me ;p

 I think we'll use something like CC-BY-NC (although I
 totally understand the arguments against NC, Dave)
 CC-BY-NC-SA is tempting

CC-BY-SA  CC-BY  CC-BY-NC-SA  CC-BY-NC

For an entertaining TV show, I think non-commercial restrictions are
merely annoying rather than wrong, and copyleft (even weak copyleft
like CC-*-SA) is preferable because it defends the commons.

 I do wonder how we keep the licence in tack even  when the
 assets are broken up and reused?

Since licensing is legal, not technical, the ultimate answer is to
make sure the license is very clear to people downloading the stuff
first.

AFAIK licensing metadata tech - like ccRel and XMP, both been
submitted to W3C so supporting them would be good - is not yet widely
supported in a way that makes it useful to people. While discussing
the W3C EOT (Web Font DRM) stuff, Tom Lord came up with MAME - a way
to provide such notices on the web -
http://basiscraft.com/web-font-issue/mame.xml - which I hope might get
some further development...

:-)
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Rob Myers
On Tue, Jan 20, 2009 at 4:21 PM, Ian Forrester ian.forres...@bbc.co.uk wrote:

 Licensing,

 I think we'll use something like CC-BY-NC (although I totally understand the 
 arguments against NC, Dave) CC-BY-NC-SA is tempting due to the nature of the 
 content.

Could you explain the nature of the content and why NC is tempting for it?

BY(-SA) includes non-endorsement now, like the Creative Archive
licence, and explicitly asserts the moral rights of paternity and
integrity. SA can be a sufficient disincentive to economic
exploitation of work. So depending on what the concerns are these may
be addressable without resorting to NC.

 I do wonder how we keep the licence in tack even when the assets are broken 
 up and reused? Maybe we should be looking into watermarking or some adobe xmp 
 type system? This would also be useful for figuring out reach.

Yes use XMP. CC have done a lot of work on metadata and have tools for
working with it.

- Rob.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Steffan Davies
Dave Crossland d...@lab6.com wrote at 16:50 on 2009-01-20:

 2009/1/20 Ian Forrester ian.forres...@bbc.co.uk:
 
  The reason why we would like to Tar the files together is because of things 
  like subtitles, artwork, cuts of music,
  other metadata pieces, etc. We're not just talking a collection of video 
  files.
 
 What does Tar add to the ability to organise files in a set into a
 hierarchy, that a directory tree in the Torrent doesn't? Except
 stopping people from downloading only the files that they want from
 that set?

It limits the number of file descriptors the torrent client has to deal
with. I know this has been a problem for some torrent clients in the
past but I'm not sure if it still afflicts current clients. It'll
certainly end up being a solved problem as domestic connectiosn gets
faster and torrent sizes grow, but I suspect this problem brought about
the common (if really, really irritating) habit of packaging torrents in
archive formats.

S
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Dogsbody



I didn't know Tar was just a way to pack together files with no compression. 
Now tar.gz makes sense to me :)


You know that zip has an option to not compress which would make it work 
in the same way as a tar file.


While I prefer tar (and agree with other comments that tar/zip'ing stops 
you picking files to download) I believe zip is a bit more supported in 
Windows environments :-p


Dan


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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Dave Crossland
2009/1/20 Steffan Davies st...@steff.name:
 Dave Crossland d...@lab6.com wrote at 16:50 on 2009-01-20:

 2009/1/20 Ian Forrester ian.forres...@bbc.co.uk:
 
  The reason why we would like to Tar the files together is because of 
  things like subtitles, artwork, cuts of music,
  other metadata pieces, etc. We're not just talking a collection of video 
  files.

 What does Tar add to the ability to organise files in a set into a
 hierarchy, that a directory tree in the Torrent doesn't? Except
 stopping people from downloading only the files that they want from
 that set?

 It limits the number of file descriptors the torrent client has to deal
 with. I know this has been a problem for some torrent clients in the
 past

I think Backstage should be pushing the envelope so this isn't
persuasive for me :-)

-- 
Regards,
Dave
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Frankie Roberto
On Tue, Jan 20, 2009 at 4:21 PM, Ian Forrester ian.forres...@bbc.co.ukwrote:


 The reason why we would like to Tar the files together is because of things
 like subtitles, artwork, cuts of music, other metadata pieces, etc. We're
 not just talking a collection of video files. I guess we're also thinking
 about the 5% of the audience who would actually do a remix with the raw
 project files. This would be on going rather that a one off, so we need the
 ability to handle everything from low rez 3gp files to ultra high rez
 animations at stupid frame rates


For reach, I'd look at which formats can be quickly and easily imported into
some of the popular and free/cheapish video editors (iMove, Windows Movie
Maker, Final Cut Express, Adobe Premier Elements). For a lot of people, who
just want to have a play (myself include) - ultra high resolutions aren't
required, and will just make working with the footage a bit harder. I'd look
at using resolutions more or less equivalent to standard definition digital
TV, or perhaps 720p, with h.264 encoding.

One really important thing is seperated audio - so that dialogue, ADR, sound
effects, wild tracks, music and so on can all be edited seperately. This was
one of my frustrations with the original Creative Archive project. It'd also
be really fun to include audio tracks that aren't mixed into the final edit
- such as directors shouting instructions.


 Delivery,

 Seems BitTorrent, P2Pnext (tribler) and the internet archive are the best
 solutions by a long way. I did speak to people about how we pass footage
 around internally and the answer was via hard drives. There was some thought
 in the past about having drop off points in major cities where you can get
 all the footage in one go by bringing your 1TB drive for example.
 Sneakernet, or what ever they now call it.


BitTorrent is great, but there really should be a way to download the
component files (especially the smaller ones) via HTTP too.

More importantly, you should be able to preview audio and video online via
embedded media players - that way people know what they're downloading.


 Licensing,

 I think we'll use something like CC-BY-NC (although I totally understand
 the arguments against NC, Dave) CC-BY-NC-SA is tempting due to the nature of
 the content. I do wonder how we keep the licence in tack even when the
 assets are broken up and reused? Maybe we should be looking into
 watermarking or some adobe xmp type system? This would also be useful for
 figuring out reach.


Would be nice if the BBC could help people figure out an appropriate way of
crediting people. Say you mix up some BBC footage with (similarly
CC-licenced) footage from anywhere between 5-100 other people, what's the
best way of crediting them all? Scrolling end-credits is fine for
feature-length movies (or even short films), but a bit of an overkill for
2-3 minute videos. What about audio? Is it good practice (or even required)
to list URLs with all the credits, or are names ok? Do the credits have to
be directly embedded within the published media file, or can they just be on
a webpage where the file is embedded?

Tricky questions... The BBC doesn't have to provide a definitive answer, but
if you can help people to do 'the right thing', then it's more likely they
will.


 Lots to think about... But once I got the footage cleared and sorted you
 guys will be first to know. We're planning to be as open as possible about
 the whole experience.


Good luck. As someone who followed the Creative Archive project closely (see
the interview I did:
http://en.wikinews.org/wiki/Interview_with_BBC_Creative_Archive_project_leader),
I'm excited to hear that plans may be afoot to do something again!

Frankie
-- 
Frankie Roberto
Experience Designer, Rattle
0114 2706977
http://www.rattlecentral.com


Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Steve Jolly

Ian Forrester wrote:

Say, we had a ton of media assets from a BBC programme which we owned all the 
rights to and wanted to distribute widely. Not just video, but images, sound, 
subtitles, metadata about the programme scripts, etc.

How would you
1. Package it?


Artists and techies will probably have somewhat divergent opinions on 
this one...


S
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[backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Ian Forrester
I've been a little quiet recently but I'm still reading all the conversations.

Anyway, I wanted to ask the backstage community a challenging question.

Say, we had a ton of media assets from a BBC programme which we owned all the 
rights to and wanted to distribute widely. Not just video, but images, sound, 
subtitles, metadata about the programme scripts, etc.

How would you
1. Package it?
2. Distribute it?
3. Licence it? (this isn't such a worry)

As far as I know this is still new territory some exploring. Nine Inch Nails 
(not exactly my taste in music) uploaded 405 Gig of Live HD footage online the 
other day - 
http://newteevee.com/2009/01/09/nins-newest-game-changer-hd-concert-footage-via-bittorrent/

They packaged everything it would seem in a zip/tar and included a README 
files, some further notes about the footage, which was conveniently formatted 
for easy editing and even a Final Cut Pro sequences with the footage 
pre-organized for editing.
Distribution was of course done on Bit Torrent using there own Tracker.

Some thoughts

I wonder how long it took to actually build the zip files and upload them? We 
were considering MXF - http://en.wikipedia.org/wiki/MXF but it looks difficult 
and time consuming to build, however the BBC did help build it so we could get 
help. Matroska, Nut and QuickTime are also look worthy.

Distribution wise, Bit Torrent, P2Pnext, Edonkey2k, Usenet, Archive.org, 
Blip.tv, rapidshare (joking!) who knows, but YouTube isn't going to cut it.

What do you guys think?

Ian Forrester

This e-mail is: [x] private; [] ask first; [] bloggable

Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
email: ian.forres...@bbc.co.uk
work: +44 (0)2080083965
mob: +44 (0)7711913293 

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Dave Whitehead
I'd go for some along the lines on what done at www.thetvdb.com, details of 
what's available is held in a set xml structure that people can use to 
pick/choose what parts of the content they want.


D

--
From: Ian Forrester ian.forres...@bbc.co.uk
Sent: Monday, January 19, 2009 6:36 PM
To: backstage@lists.bbc.co.uk
Subject: [backstage] If you had a ton of content to freely distribute

I've been a little quiet recently but I'm still reading all the 
conversations.


Anyway, I wanted to ask the backstage community a challenging question.

Say, we had a ton of media assets from a BBC programme which we owned all 
the rights to and wanted to distribute widely. Not just video, but images, 
sound, subtitles, metadata about the programme scripts, etc.


How would you
1. Package it?
2. Distribute it?
3. Licence it? (this isn't such a worry)

As far as I know this is still new territory some exploring. Nine Inch 
Nails (not exactly my taste in music) uploaded 405 Gig of Live HD footage 
online the other day - 
http://newteevee.com/2009/01/09/nins-newest-game-changer-hd-concert-footage-via-bittorrent/


They packaged everything it would seem in a zip/tar and included a README 
files, some further notes about the footage, which was conveniently 
formatted for easy editing and even a Final Cut Pro sequences with the 
footage pre-organized for editing.

Distribution was of course done on Bit Torrent using there own Tracker.

Some thoughts

I wonder how long it took to actually build the zip files and upload them? 
We were considering MXF - http://en.wikipedia.org/wiki/MXF but it looks 
difficult and time consuming to build, however the BBC did help build it 
so we could get help. Matroska, Nut and QuickTime are also look worthy.


Distribution wise, Bit Torrent, P2Pnext, Edonkey2k, Usenet, Archive.org, 
Blip.tv, rapidshare (joking!) who knows, but YouTube isn't going to cut 
it.


What do you guys think?

Ian Forrester

This e-mail is: [x] private; [] ask first; [] bloggable

Senior Producer, BBC Backstage
Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
email: ian.forres...@bbc.co.uk
work: +44 (0)2080083965
mob: +44 (0)7711913293

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RE: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Christopher Woods
 Say, we had a ton of media assets from a BBC programme which 
 we owned all the rights to and wanted to distribute widely. 
 Not just video, but images, sound, subtitles, metadata about 
 the programme scripts, etc.
 
 How would you
 1. Package it?
 2. Distribute it?
 3. Licence it? (this isn't such a worry)



Given the current state of play, there's two options.

1) HTTP host on bbc.co.uk somewhere. (Prepare for a bandwidth bill you can
also use to prop your office door open with)
2) P2P with BitTorrent.

If the licence permits, Archive.org is exceptionally feasible...


I would choose the latter. Have some superseeds on the BBC network so that
ISP's customers can use more lcoal peers... Package up a selection of
various torrents with combinations of files.

Avoid MXF like the plague, even if the corp did have a hand in its
inception. At the moment there seem to be so many incompatible variants that
it's pointless. Also if you're going to be distributing direct to joe public
some kind of intermediary format like MXF is just asking for trouble. Keep
It Simple Stupid.

Of course, if you want to offer an expert-mode torrent which has all the
various metadata files as well, go for it. :)


ZIPs I find somewhat pointless unless they're collecting a group of relevant
and related files; BitTorrent has its own CRC and error checking built in to
the protocol, no need to zip up files and then torrent the zip, just torrent
the files direct (like NIN did). Various user advantages to that approach.

Licensing... CC non commercial attribute  sharealike would work wouldn't
it?



Finally, what's the subject matter of the content? ;)

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Andy
2009/1/19 Ian Forrester ian.forres...@bbc.co.uk:
 Say, we had a ton of media assets from a BBC programme which we owned all the 
 rights to and wanted to distribute widely. Not just video, but images, sound, 
 subtitles, metadata about the programme scripts, etc.

A ton? Assuming you mean metric tonne (1000kg) and you are using
Seagate 1.5TB disks[0] that would be over 2 Peta Bytes of data. :D

 How would you
 1. Package it?

Something Open and Standardised obviously. If you just want to get the
files to someone's machine then tar should be fine. Compression can be
done with Gzip or Bzip but Media files don't compress very well!

If you intend to update the files maybe some kind of Rsync or CVS, SVN
(but these work best with isolated changes to the files).

 2. Distribute it?

Almost certainly BitTorrent. Works on any platform.

 3. Licence it? (this isn't such a worry)

Public Domain or something like CC-by-SA or GFDL (GPL for software).

 I wonder how long it took to actually build the zip files and upload them?

Depends on what kind of compression is used. Tar uses no compression
(unless you Bzip or Gzip it) so should go about as fast as your Hard
Drive can manage.

 If you really want to compress and you are worried about time, run
command before you leave work, it should be done by the next morning
easily.

 We were considering MXF - http://en.wikipedia.org/wiki/MXF but it looks 
 difficult and time consuming to build, however the BBC did help build it so 
 we could get help. Matroska, Nut and QuickTime are also look worthy.

Never heard of it. You have to pay to rent the standard (the EULA is
very clear about it being leased not sold). Also have to surrrender
rights to an unamed Arbitrator and submit to sole US jurisdiction.
Not going to do that so I can't read the standard so can't say how
good it is. It certainly has a lot more hoops to jump through just to
read the thing. I can read RFCs so much easier (if it's not very knew
I have it on my HD, ah bulk download).

 Distribution wise, Bit Torrent, P2Pnext, Edonkey2k, Usenet, Archive.org, 
 Blip.tv, rapidshare (joking!) who knows, but YouTube isn't going to cut it.

BitTorrent or Archive.org (preferably both).

 What do you guys think?

Are you sure you want to know what I think about? ;)

Andy

[0] http://www.seagate.com/docs/pdf/datasheet/disc/ds_barracuda_7200_11.pdf

-- 
Computers are like air conditioners.  Both stop working, if you open windows.
-- Adam Heath
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RE: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Christopher Woods
Were we reading from the same crib sheet Andy? ;)

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Matt Barber
Hey,

BitTorrent would be the way forward considering all the arguments the ISPs
would kick up if you tried to unicast it from BBC servers - like when
iPlayer traffic started up I guess.
It being legit content, might open up more to the idea of BitTorrent
distribution?

ZIPping large video content is a large negative - just wastes time.
Processing power to even lightly try and compress already compressed files
as you know is silly, and takes a long time and a lot of PC churning. If
it's uncompressed however, compress away. But then we're talking niche...
anyway - yeh as mentioned in a previous reply, TARring together some bits
and pieces is efficient, compressing isn't.

I guess if it was to be rolled out conventionally, partnering with someone
that has a huge edge network - Google, Akamai, etc... would do the trick
nicely. Or BitTorrent with content edge pushed to the ISPs.

Packaging should be done in a viable format - as in useable... or popular,
that's the right word? Some would say use the most free, some would say use
the most popular - is there one that fits into both categories? Of course we
can do subtitles on WMV, but that's locking in somewhat - but packaging the
subtitle file then causes audience to narrow to those that know how to use
it.

What's the audience? If it's technical or editing people, then use some
open, good quality format that can convert to many others. Then package the
subtitles in a nice non-cryptic standard - you could have an XML base for
the metadata. Is there any meta format that the big editing suites share?
Preferably an XML style one - so the small guys can compete too and still
use the information.

Just throwing some ideas around... :)

--Matt




On Mon, Jan 19, 2009 at 10:15 PM, Christopher Woods 
chris...@infinitus.co.uk wrote:

 Were we reading from the same crib sheet Andy? ;)

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Dave Crossland
2009/1/19 Ian Forrester ian.forres...@bbc.co.uk:
 1. Package it?

File formats:

Packaging: None. Direct files on...

 2. Distribute it?

BitTorrent clients are now wide spread enough for a mass market
audience. But I would sadly still expect that even in 2009 a BBC
programme which we owned all the rights to means some minor
specialist audience, so that isn't a bonus.

And if you are dealing with a lot of files (405 Gig of Live HD
footage online the other day could be a lot of files, but since its
HD video, it is probably some very large files...) which I suppose is
the case when dealing with an ongoing series, rather than a one off
programme, as you mention, then BitTorrent on its own is a bit sparse.
You'd want keyword searching, content recommendations based on
collaborative filtering, donation of upload capacity to spike
recommendations to friends also on the tracker, that kind of thing.
So, good thing the BBC has been paying for the development of Tribler
already, then.

 3. Licence it? (this isn't such a worry)

I cuss the non-commercial restrictions.

 They packaged everything it would seem in a zip/tar

Pointless.

 and included a README files, some further notes about the footage,

+1

conveniently formatted for easy editing

Please support free formats.

 and even a Final Cut Pro sequences with the footage pre-organized for editing.

Shame on them for supporting Apple.

Doing that for Cinelerra/etc and including a copy, would be good though.

 I wonder how long it took to actually build the zip files and upload them?

Upload them means what for BitTorrent?

 We were considering MXF

It looks proprietary to me, so that was a mistake.

 http://en.wikipedia.org/wiki/MXF but it looks difficult and time consuming to 
 build

Oh good :-)

 however the BBC did help build it

Did they ensure it was a free standard?

Cheers,
Dave
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Dave Crossland
2009/1/19 Dave Crossland d...@lab6.com:
 2009/1/19 Ian Forrester ian.forres...@bbc.co.uk:
 1. Package it?

 File formats:

File formats: Whatever is closest to original.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Andy
2009/1/19 Matt Barber m...@progressive.org.uk:
 Packaging should be done in a viable format - as in useable... or popular,
 that's the right word? Some would say use the most free, some would say use
 the most popular - is there one that fits into both categories?

The closest you're going to get is probably MPEG4, not entirely free
due to Patents in some countries. Ogg Theora is more Free but less
popular (although it can be played on most PC Platforms, but less
popular on portable devices).

 Of course we
 can do subtitles on WMV, but that's locking in somewhat

I think Ogg also does subtitles.

 What's the audience? If it's technical or editing people, then use some
 open, good quality format that can convert to many others. Then package the
 subtitles in a nice non-cryptic standard - you could have an XML base for
 the metadata. Is there any meta format that the big editing suites share?

I'm not sure about the big editing studios but Wikipedia has a list
of common subtitle formats[0]. MPlayer also has a list of formats it
supports[1], VLC also has a list[2].

Andy

[0] 
http://en.wikipedia.org/wiki/Subtitle_(captioning)#For_software_video_players
[1] http://www.mplayerhq.hu/DOCS/HTML/en/subosd.html
[2] http://www.videolan.org/vlc/features.html

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Re: [backstage] If you had a ton of content to freely distribute

2009-01-19 Thread Jim Tonge

+1 BitTorrent
+1 MP4

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