Dear Wisdom,

In the mid-Baroque (specifically Lauffensteiner), when you're playing
a "minuet and trio," is it historically accurate to play them at
slightly different tempi, or is that strictly a Classsical-period thing?

I'm curious because I don't remember seeing very many minuet / trio
sections from the early 17th century.

David Rastall
dlu...@verizon.net




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