Re: [Cameramakers] camera making research

2001-10-20 Thread Michael King

I'm a little behind in my reading of this string but I suggest that one of 
those right brain lobe/left brain lobe things is operating here.  There are 
interviews with photographers that say that they pay no attention to the 
technical when they are creating and there are builders/collectors/Zone 
freaks (forgive me but you know who you are!) that never manage to take a 
picture except when testing a new gadget or film.  The skills that make one 
a good creator are not the same skills that make a good builder, blessed be 
the individual that can do both.  I wish you much luck with this.  I build 
gadgets all the time--especially stuff I could not otherwise afford, and 
make minor repairs to my equipment but I'm going out to shoot this 
afternoon.  I claim to be neither a great photographer or a great mechanic 
but necessity has made me a bit of both.

Mike


I've seen some good points made on this topic (I've been lurking on this
board awhile), but I wanted to throw more sand in the gears, as it were. 1) 
I
haven't checked Ansel Adams: The Print, lately,  but my memory is that he
recommends hiring a cabinet maker, didn't really sound like a do it 
yourself
advocate. 2) Peter Gowland (petergowland.com) Okay he's not real well known
as a photographer (lot better known than myself), but he sure designed some
interesting stuff! Really, check it out! 3)Finally I don't think that
acquiring the design  engineering skills necessary to make a really useful
camera makes anyone a better photographer; but an extensive knowledge of 
the
working syntax of photography, based on the nature of sensitive materials 
engineering possibilities of these materials may make a better 
photographer.
Also that syntactical information is something concrete to teach. Good 
luck,
John
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Re: [Cameramakers] camera making research

2001-10-14 Thread Michael King

Two names come to mind:  Hulcher and Peter Gowland.


I'm thinking of applying for a fellowship of which I would research camera
making and its role in the education of photography.  Maybe you guys can
help me out by answering a few questions that will help me jump into the
subject so I can see if my proposal would be worth while.

What are the names of famous photographers who made their own cameras and
used them on a somewhat daily basis?

I know Ansel Adams made a camera/enlarger. What book has information on
this?

Do you know of any photography institutions who teach camera making in 
their
curriculum besides pinholes?

Do you think that students are missing out by not building their own 
cameras?


Additional comments would be helpful.

The end product would hopefully demonstrate the need for institutions to
teach the subject matter and to present a design of a simple monorail 
camera
that anyone can make, use, and learn basic LF principles.

Thanks
Jake Boen



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Re: [Cameramakers] camera making research

2001-10-01 Thread J. Wayde Allen

On Sun, 30 Sep 2001, Jake S. Boen wrote:

 I'm thinking of applying for a fellowship of which I would research camera
 making and its role in the education of photography.

I don't know enough about formal photography education to help much here.  
My gut feeling is that camera making isn't something that is often taught
in a photography school.  Most people just buy a commercial camera.

I guess I'd say that camera making is kind of an art in itself, and is
closer in many respects to engineering.  For example, I know of engineers
who are not photographers who have worked on designing cameras.  
(Companies hire engineers for this kind of thing, and there are a number
of specialized scientific designs not generally used for artistic or
commercial photography.)  The number of photographers who build their own
equipment seems to be quite a bit less.

 What are the names of famous photographers who made their own cameras and
 used them on a somewhat daily basis?

This seems kind of a tough question.  Are you talking about people who
designed and built their own cameras completely from scratch, or do you
include in this those who simply modify existing equipment to meet some
need?  If you mean the first of these, I'd hazard to guess that the
numbers are small.  If you really mean the later, then in some respects
almost all photographers are involved to some degree.  Especially if you
allow for equipment other than specifically cameras.

 Do you know of any photography institutions who teach camera making in their
 curriculum besides pinholes?

You might check the following:

   http://www.rit.edu/~661www/departments/imaging_photo.html
   http://www.rit.edu/~andpph/ipt.html

 Do you think that students are missing out by not building their own cameras?

Depends on the student and his/her goals I'd guess.  Probably also depends
on what you mean by missing out.

 The end product would hopefully demonstrate the need for institutions to
 teach the subject matter and to present a design of a simple monorail camera
 that anyone can make, use, and learn basic LF principles. 

I guess I'd argue that the skills and knowledge are already available, and
taught.  What may obscure this is that we live in a society that tends to
honor specialization rather than generalization.  Camera making is a
fairly general topic that spans at the very least the following
specialized disciplines:

   - Mechanical Engineering
   - Materials Engineering
   - Optical Engineering
   - Electrical Engineering
   - Computer and Software Engineering
   - Machining and tool making
   - Wood Working
   - Mold making
   - Chemistry and Chemical Engineering
   - Ergonomics and human use engineering

This could be expanded further into sub-disciplines of each of these,
and/or consolidated into the broader overview sciences such as
Physics.  This list focuses more on the applied sciences as used for
manufacturing.  Basically, if you were a camera making company such as
Nikon these would be the kinds of people you would probably hire, along
with some photographers and marketing people to help direct the design in
a direction that makes sense artistically.

I guess the question I'd have to ask is whether or not you think that the
artist who makes his or her own camera can somehow create better art than
the person without this experience?  I'm not too sure that there is, or
even should be, an answer?  Seems like kind of a personal issue to me.

- Wayde
  ([EMAIL PROTECTED])

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Re: [Cameramakers] camera making research

2001-10-01 Thread julian

An interesting idea.
I understand that in the beginning years of photography, if one could find a
lens, building ones own camera was a reasonable possibility.
Jacob Olie (1834-1905) who photographed Amsterdam around the turn of the
century, at an exhibition of his photographs, I saw the two cameras that he
made and used. He first got the lens and then made the camera. The lens was
apparently expensive and not one of the best. Later he could afford a better
lense and made a second camera for that. They were of the sliding box in box
type. Not too hard to make and maybe not so an unusual idea for some
photographers in those days.

julian

http://job.webstar.nl/
- Original Message -
From: Jake S. Boen [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, September 30, 2001 11:59 PM
Subject: [Cameramakers] camera making research


 I'm thinking of applying for a fellowship of which I would research camera
 making and its role in the education of photography.  Maybe you guys can
 help me out by answering a few questions that will help me jump into the
 subject so I can see if my proposal would be worth while.

 What are the names of famous photographers who made their own cameras and
 used them on a somewhat daily basis?

 I know Ansel Adams made a camera/enlarger. What book has information on
 this?

 Do you know of any photography institutions who teach camera making in
their
 curriculum besides pinholes?

 Do you think that students are missing out by not building their own
cameras?


 Additional comments would be helpful.

 The end product would hopefully demonstrate the need for institutions to
 teach the subject matter and to present a design of a simple monorail
camera
 that anyone can make, use, and learn basic LF principles.

 Thanks
 Jake Boen



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Re: [Cameramakers] camera making research

2001-10-01 Thread J. Wayde Allen

On Mon, 1 Oct 2001, julian wrote:

 An interesting idea.
 I understand that in the beginning years of photography, if one could find a
 lens, building ones own camera was a reasonable possibility.

At the beginning of every technological change the researchers and
hobbyist's must naturally construct their own equipment.  It takes time
for the economics of the new technology to become known and for the
infrastructure to evolve.  Until that happens, the experimentalists,
researchers, and hobbyists are the ones who must build the equipment.

I think the story goes that it was the optician that Niepce' had asked
about lenses for a home built camera who ultimately introduced Niepce'
and Dagguerre.  Of course the camera obscura as an art tool existed prior
to this time, but I don't know if these were sold commercially or always
constructed by the user.

- Wayde
  ([EMAIL PROTECTED])

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[Cameramakers] camera making research

2001-09-30 Thread Jake S. Boen

I'm thinking of applying for a fellowship of which I would research camera
making and its role in the education of photography.  Maybe you guys can
help me out by answering a few questions that will help me jump into the
subject so I can see if my proposal would be worth while.

What are the names of famous photographers who made their own cameras and
used them on a somewhat daily basis?  

I know Ansel Adams made a camera/enlarger. What book has information on
this?

Do you know of any photography institutions who teach camera making in their
curriculum besides pinholes?  

Do you think that students are missing out by not building their own cameras?
 

Additional comments would be helpful.

The end product would hopefully demonstrate the need for institutions to
teach the subject matter and to present a design of a simple monorail camera
that anyone can make, use, and learn basic LF principles. 

Thanks
Jake Boen



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