Re: [Elecraft] K2 K3 (ssb)

2008-02-11 Thread David Cutter

Hi Trevor, thanks for that.

This is an interesting programme, particularly for those without on-board 
processing,  but I was hoping there was a way of evaluating a processed 
speech pattern without having to listen to it, ie completely objectively. 
Let's say I have a defect in my hearing (who doesn't have something lacking 
at our age?) how do I know that I have optimised my own transmitter for my 
own voice?  Listening to my own voice is fraught with variabilities, I might 
just have a head cold that day or wax in my ears and apply too much boost to 
the hf end, for instance.


The Vshaper is good for showing the spectrum, but speech intelligibility is 
not discernable from that spectrum.


If you have the ARRL Handbook for 1988, the first page of Chapter 7 gives 
clues but not enough to go on for me.


73

David
G3UNA



David said:


I just imagine that there is
somewhere a reference that will help identify those bits of the display
which contribute most to clarity and make it easy and more


Is this of any use as an analytical tool

http://www.dxatlas.com/VShaper/

Trevor  G0KTN 


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Re: [Elecraft] K2 K3 (ssb)

2008-02-11 Thread Trevor Smithers
David said:

I just imagine that there is 
somewhere a reference that will help identify those bits of the display 
which contribute most to clarity and make it easy and more 

Is this of any use as an analytical tool

http://www.dxatlas.com/VShaper/

Trevor  G0KTN
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RE: [Elecraft] K2 K3 (ssb)

2008-02-11 Thread Darwin, Keith
The technique I used to set the SSB settings on my K2 was like this.

1.  Transmit into a dummy load.
2.  Receive on a known good receiver (Drake 2B in my case).
3.  Record the receiver output in a high fidelity recorder (Cakewalk).
4.  Listen to the recording on studio headphones.

This allowed me to hear how my voice  my mic sound through my rig.  I
was able to vary the TX level in the recording to simulate S-9+ signals
or S-5 signals so I could see how things shifted as the signal went
down.

It's important to record yourself since you can't hear your own voice
well at all if you're talking at the same time.

- Keith N1AS -
- SKCC 344c -

-Original Message-
David,

You bring up a good point - how we actually sound to others is not
necessarily how we perceive ourselves.
Here is the alternative that I use:
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Re: [Elecraft] K2 K3 (ssb)

2008-02-09 Thread Don Wilhelm

David,

You bring up a good point - how we actually sound to others is not 
necessarily how we perceive ourselves.

Here is the alternative that I use:
I have a good fidelity stereo system in the hamshack, and also have a 
recording of a male speaking voice (from a book on 'tape').  I play the 
recording on the stereo and hold the microphone close in front of the 
speaker while listening to the K2 on a separate receiver.   A talk radio 
program can also provide a source speaking voice.


The major drawback for this method is that just any sort of speaker will 
not do the job - if the speaker is not of above average quality, it will 
color its output and the microphone will receive a distorted sound.


I have also used this same method to evaluate various microphones for 
communications clarity.


73,
Don W3FPR

David Cutter wrote:
Listening to one's own speech via another receiver, to optimise one's 
own transmit settings still gives a subjective result, *on average*, 
no better than another radio listener.  Inevitably, it will be a 
question of personal taste, unless you have special training.  It is 
true that radio amateurs are self trained to pick out particular words 
and phrases in contest or noisey conditions, but, is there no better 
way to make adjustments independent of taste and personal judgement?  
eg speaking standard words to record speech spectrograms.  Can these 
be used to determine clarity?


David
G3UNA


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Re: [Elecraft] K2 K3 (ssb)

2008-02-09 Thread David Cutter

Don

I'm really trying to get away from any listening done by ourselves and 
substitute an instrument = spectrogram.  I just imagine that there is 
somewhere a reference that will help identify those bits of the display 
which contribute most to clarity and make it easy and more effective to 
adjust our filters accordingly.  We would speak a set number of words for 
comparison and adjust for best fit.  Fidelity is not an issue.  In machine 
speech, this would be easy to optimise, but if we use voice keyers, those 
stock phrases could be perfectly adjusted for maximum punch.


David
G3UNA



David,

You bring up a good point - how we actually sound to others is not 
necessarily how we perceive ourselves.

Here is the alternative that I use:
I have a good fidelity stereo system in the hamshack, and also have a 
recording of a male speaking voice (from a book on 'tape').  I play the 
recording on the stereo and hold the microphone close in front of the 
speaker while listening to the K2 on a separate receiver.   A talk radio 
program can also provide a source speaking voice.


The major drawback for this method is that just any sort of speaker will 
not do the job - if the speaker is not of above average quality, it will 
color its output and the microphone will receive a distorted sound.


I have also used this same method to evaluate various microphones for 
communications clarity.


73,
Don W3FPR


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Re: [Elecraft] K2 K3 (ssb)

2008-02-08 Thread David Cutter
Listening to one's own speech via another receiver, to optimise one's own 
transmit settings still gives a subjective result, *on average*, no better 
than another radio listener.  Inevitably, it will be a question of personal 
taste, unless you have special training.  It is true that radio amateurs are 
self trained to pick out particular words and phrases in contest or noisey 
conditions, but, is there no better way to make adjustments independent of 
taste and personal judgement?  eg speaking standard words to record speech 
spectrograms.  Can these be used to determine clarity?


David
G3UNA 


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