Re: [FairfieldLife] Judee Sill

2009-02-11 Thread Sal Sunshine

On Feb 10, 2009, at 11:13 PM, geezerfreak wrote:

The second thing that happened was that I began to pull out my two  
Judee Sill records.
Those who know me, know that I am a  jazz fan through and  
through.jazz meaning the
likes of Miles, 'Trane, Bill Evans, Mingus, Grant Green, Wes...on  
and on.


How come jazz fanatics never mention Claude Bolling or
Jacques Loussier?  Am I the only one who listens to these
guys?  Or aren't they the real thing since they're not
American?  They're great.

Sal



[FairfieldLife] Judee Sill

2009-02-10 Thread geezerfreak
Barry's recent posts about his long time musical love for the music of Bruce 
Cockburn 
really got me rollin'. First I pulled out all of my treasured Cockburn LPs that 
I (sadly) had 
neglected for many years. Getting reacquainted with the absolute genius that is 
Cockburn 
provided me with several weeks of pure pleasure. (Thanks Barry.both for 
reminding me 
and for turning me on to Bruce all those years ago.) Cockburn is again a 
regular part of 
my playlist.

For those of you who have still not come under the spell of his music, take 
your earliest 
opportunity and make your move. I'll let Barry report his picks on Bruce 
Cockburn for 
beginners but I can tell you that you are about to embark on a musical journey 
you will 
not regret. Personally, I've always been partial to his late 70's albums like  
Dancin' In The 
Dragon's Jaws, not only because they are unmitigated brilliance but also 
because they were 
my first exposure to the man.

The second thing that happened was that I began to pull out my two Judee Sill 
records. 
Those who know me, know that I am a  jazz fan through and through.jazz 
meaning the 
likes of Miles, 'Trane, Bill Evans, Mingus, Grant Green, Wes...on and on. I'm 
hopelessly 
addicted to the music, going back to the late 60s when the Greenwich Village  
jazz mecca 
called Slugs (seating capacity maybe 60) finally broke Fillmore East's hold on 
me. I recall 
watching the latest British wannabe act play for 50 minutes at the Fillmore, 
prancing and 
preening with all the moves of the day...and making very little memorable music 
in the 
process. I left, grabbed a cab down to the Village and watched McCoy Tyner's 
group blow 
the roof off of that little joint until 4 in the morning. I was hooked for good.

Getting back to Judee Sill...Judee made two albums for the then fledgling 
Asylum label (in 
fact she was Asylum's first signing) in the early 70s. Today she is little 
known. Judee led 
what can charitably called a VERY troubled life. She had serious drug problems, 
primarily 
heroin.

But folks, this woman was one of the most inspired and brilliant artists I have 
ever heard 
in any genre. She was gifted in so many areassinger, songwriter and 
arranger. I believe 
that David Crosby and Graham Nash were the first to bring Judee to the 
attention of music 
biz honchos.

Judee wrote (and sang) amazingly complex and beautiful harmonies that will take 
your 
breath away. Judee was also able to do her own arranging for her music. Amazing 
when 
you consider that her albums (especially the second) feature lush and complex 
orchestral 
backing. For those unfamiliar with arranging and orchestration, it means that 
you write 
out the entire score for each instrument. On her second album she is shown in 
the liners 
conducting the orchestra. No big deal I suppose to some, but her orchestrations 
are 
freakin' brilliant by any measure.

It has been noted that she learned her gospel inspired piano style while in 
reform school 
for writing bad checks.

Judee's first album was simply called Judee Sill. She had a minor hit with a 
song from the 
album called Jesus Was Crossmaker. (Religion and spirituality are recurring 
themes in 
Sill's music.) She did some touring to support the album but her personal life 
always got in 
the way of any real success.

Judee's second album is called Heart Food. It is simply non-stop brilliance 
from start to 
finish. Listen to the second song (The Kiss) and tell that it isn't one of the 
most perfectly 
crafted tunes ever created. If I had to pick one LP over the other (which I 
would not want to 
do) I would pick Heart Food. Over the many years I've been working with 
musicians 
(mostly jazz and blues) I've been surprised by the number of times Judee Sill's 
name has 
come up as an example of now forgotten artists whose brilliance continues to 
amaze those 
who come into contact with the music. (Most recently, jazz guitar great Anthony 
Wilson, 
whose regular gig is with Diana Krall, told me of being completely blown away 
by Sill's 
music.)

When Heart Food failed to sell, Judee disappeared from the scene. There were 
many death 
rumors. Her life spiraled back into various addictions and she finally died in 
1979 of 
(predictably) a drug overdose.

I believe both albums are still available on CD through Rhino music. If not, 
they surely are 
available via MP3.

If you love musical surprises as much as I do check out Judee Sills. You will 
not be 
disappointed and you may well find that you are utterly enchanted and amazed.