[Finale] RE: MIDI File Output Problem

2004-05-22 Thread Rudolf van Berkum
On Thu, 20 May 2004 17:38 David Fenton commented:

The problem occurs in 3rd full measure of the score -- the 4th beat
quarter note of the right hand of the piano is chopped off when I
play it through WMP, iTunes or QuickTime player, and not through my
other sequencers (I even re-imported the MIDI file back into Finale
to see what it would do with it, and it came out fine).

Does anyone else hear this? If so, can anyone see what the problem
might be?

-

I for one can't hear any difference from the last beat of the previous
measure. I'm running WMP 9 through a Yamaha XG sound card on a Win98SE
system. Sorry, I don't have any suggestions about the nature of the problem.

Regards,
Rudi vB.


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Re: [Finale] Beaming question

2004-05-22 Thread Harold Owen
Dennis Collins writes:
I have a 17th-century piece for three instruments and basso continuo 
where the continuo part actually doubles whatever happens to be the 
lowest of the three parts. Which means there are quite a few clef 
changes when it switches from a treble instrument to a bass 
instrument. Quite often, this change happens after the first of four 
8th notes. I'm wondering if it would be better to leave the four 
notes beamed together, or to break the beam after the first note at 
the clef change (where the doubled instrument changes). I'd be happy 
to have your opinions.
Dear Dennis,
IMHO, If I were playing from a single-line continuo part with 
figures, I think I would prefer to keep the 4 notes beamed together. 
In addition, unless it involved many ledger lines, I would prefer 
most of the part to appear in the bass clef.

If you plan to include a written-out realization of the continuo 
part, you might possibly want to put the higher notes up into the 
treble clef (right-hand part). Either a flag and three eighths beamed 
or 4 eighths beamed would be OK by me.

Hal
--
Harold Owen
2830 Emerald St., Eugene, OR 97403
mailto:[EMAIL PROTECTED]
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Re: [Finale] RE: MIDI File Output Problem

2004-05-22 Thread David W. Fenton
On 22 May 2004 at 19:17, Rudolf van Berkum wrote:

 On Thu, 20 May 2004 17:38 David Fenton commented:
 
 The problem occurs in 3rd full measure of the score -- the 4th beat
 quarter note of the right hand of the piano is chopped off when I play
 it through WMP, iTunes or QuickTime player, and not through my other
 sequencers (I even re-imported the MIDI file back into Finale to see
 what it would do with it, and it came out fine).
 
 Does anyone else hear this? If so, can anyone see what the problem
 might be?
 
 -
 
 I for one can't hear any difference from the last beat of the previous
 measure. I'm running WMP 9 through a Yamaha XG sound card on a Win98SE
 system. Sorry, I don't have any suggestions about the nature of the
 problem.

Well, I found out that if I just saved the file in my sequencer, the 
problem went away. And I did this and posted this file over top of 
the old one with the problem. 

So, it was something about the MIDI that Finale was writing, but I 
haven't a clue what it was. I'm not going to worry about it for now, 
but it does tell me that I've discovered yet another lurking 
deficiency in Finale.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Beaming question

2004-05-22 Thread David W. Fenton
On 22 May 2004 at 21:00, d. collins wrote:

 I have a 17th-century piece for three instruments and basso continuo
 where the continuo part actually doubles whatever happens to be the
 lowest of the three parts. Which means there are quite a few clef
 changes when it switches from a treble instrument to a bass
 instrument. Quite often, this change happens after the first of four
 8th notes. I'm wondering if it would be better to leave the four notes
 beamed together, or to break the beam after the first note at the clef
 change (where the doubled instrument changes). I'd be happy to have
 your opinions.

Break the beam. Two reasons:

1. it will be easier to read

2. the broken beam will suggest phrasing that is most likely going to 
be highly appropriate for a change of register of that extent.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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