Re: [Finale] OT: ATI Displays 4.5

2005-04-20 Thread Johannes Gebauer
Apparently screen rotation is going to be a feature of Tiger.
Johannes

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Re: [Finale] OT: ATI Displays 4.5

2005-04-20 Thread Darcy James Argue
Hi Johannes,
I've heard that rumor repeated frequently, but so far I've seen no 
official mention of it from Apple.  Have you?

If not, I guess we'll find out for sure in a few weeks!
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 20 Apr 2005, at 2:26 AM, Johannes Gebauer wrote:
Apparently screen rotation is going to be a feature of Tiger.
Johannes

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[Finale] Sorry, a bit long - Weird behaviour making PDF's with Adobe Pro

2005-04-20 Thread themark
I'm using the team Finale 2003 + Jaws PDF Creator without problems so far (I
mostly use Mr. Sigler's Swing font)

Days ago I was at a friend home. He has the same OS as mine
(Win2000 Pro), Finale 2003, Swing font and Adobe Pro 6. He never uses Finale
to PDF transformation.
We made a file in Finale and sent to Adobe Printer Driver to make it a PDF
to send via e-mail to a pair of musicians to which I usually send PDF's made
with Jaws that they normally can read and print (they both do not have
Finale installed).
These musician received the file, tried to open it with Adobe Reader and got
a message Swing font missing?
At home I did the same thing with my system using Jaws and they could read
the file in Adobe
What's happening? Isn't it a bug in Adobe Printer Driver?
I think this could affect also all files created with several applications
(Word, Excel and so on) which could sort the same problem.
Is there some Adobe guru who can explain this?
Once I thought to get Adobe Pro but if these are the results I will stay
away from it!
Thanks to all for very useful advices.
marcello

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Re: [Finale] Sorry, a bit long - Weird behaviour making PDF's with Adobe Pro

2005-04-20 Thread dhbailey
themark wrote:
I'm using the team Finale 2003 + Jaws PDF Creator without problems so far (I
mostly use Mr. Sigler's Swing font)
Days ago I was at a friend home. He has the same OS as mine
(Win2000 Pro), Finale 2003, Swing font and Adobe Pro 6. He never uses Finale
to PDF transformation.
We made a file in Finale and sent to Adobe Printer Driver to make it a PDF
to send via e-mail to a pair of musicians to which I usually send PDF's made
with Jaws that they normally can read and print (they both do not have
Finale installed).
These musician received the file, tried to open it with Adobe Reader and got
a message Swing font missing?
At home I did the same thing with my system using Jaws and they could read
the file in Adobe
What's happening? Isn't it a bug in Adobe Printer Driver?
I think this could affect also all files created with several applications
(Word, Excel and so on) which could sort the same problem.
Is there some Adobe guru who can explain this?
Once I thought to get Adobe Pro but if these are the results I will stay
away from it!
Thanks to all for very useful advices.
marcello
Somewhere in the printer driver is an option to include the fonts, or 
something like optimize for portability -- that may be checked in the 
Adobe Printer Driver on your system and unchecked on your friend's Adobe 
Printer Driver.

Without that option checked, the program has to find any fonts on the 
reader's system.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] OT: ATI Displays 4.5

2005-04-20 Thread Eric Dussault
I am not that sure, because there is no reference of it anywhere in 
Tiger's feature set.

Le 05-04-20, à 02:26, Johannes Gebauer a écrit :
Apparently screen rotation is going to be a feature of Tiger.
Johannes
Éric Dussault
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Re: [Finale] OT: ATI Displays 4.5

2005-04-20 Thread Lars-Anders Carlsson
For you screen rotation on Mac OS X wannabeez:
Another take might be that of the company EIZO. They have a new 
monitor that takes care of the screen rotation for you, sort of...

http://www.eizo.org/product.asp?id=105
http://www.eizo.com/support/compatibility/lcd/16.asp#3
I don't know the price tag for this baby, but maybe you would like to 
take a look...

cheers
LAC
At 00.56 -0400 05-04-20 a wise man wrote:
[Don't look at me, I have no idea. I just thought it was an 
interesting tidbit for those interested in screen rotation in OS X.]

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
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Re: [Finale] the copyist's job (was clef changes or something similar...)

2005-04-20 Thread John Howell
At 4:37 PM -0400 4/19/05, shirling  neueweise wrote:
From: Andrew Stiller
In my experience, the vast majority of copyists regard it as their duty
to literally copy exactly what they find in the score when extracting
parts. There are many places where a composer changes clefs merely to
save vertical space in the score, and you will never see those changes
overridden by the copyist.
nope not here, and in fact, my clients repeatedly commend me on the 
more efficient solutions i have to notation issues, and i have 
previous clients who return to me despite having had offers lower 
than what i am able to offer and insist that i am the person they 
need for the job, precisely because of my attention to detail and my 
expertise in notation.
Both views are correct, but describe different relationships.  The 
default relationship is generally as Andrew describes, the copyist 
hired to, well, copy!  The other is actually a 
composer-editor/engraver relationship, and as SN points out, depends 
on knowing one another and respecting one another.  The latter 
should, of course, pay more, because the client is buying additional 
highly-skilled professional services above and beyond simple copying.

Isn't there an additional kind of relationship, especially in the 
culture of corporate creativity on Broadway or in Hollywood, where 
the orchestrator produces a condensed score and the copyist 
(generally a composition major trying to break into the business!) 
actually decides which saxes get which notes?  Or is that no longer 
the case?

John
--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] OT: ATI Displays 4.5

2005-04-20 Thread Robert Patterson
Regarding screen rotation in OSX Tiger, there is a screen shot here:

http://www.neowin.net/forum/lofiversion/index.php/t300444.html

(I may decide to upgrade after all.)



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RE: [Finale] Tiny text

2005-04-20 Thread Brennon C. Bortz
Your employer is correct.  If you are using Outlook Web Access (as well as
other similar programs) this is a setting that cannot be changed.

Regards,

Brennon Bortz
[EMAIL PROTECTED]

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Williams, Jim
Sent: Wednesday, April 13, 2005 7:48 AM
To: finale@shsu.edu
Subject: RE: [Finale] Tiny text

Just FYI--
Several of us who use employer-sponsored email are locked into HTML. Though
I have asked for plain text on numerous occasions, my employer informs me
that it is not possible to set our Outlook Web Access to plain text.
Jim
-Original Message- 
From: [EMAIL PROTECTED] behalf of John Howell 
Sent: Wed 13-Apr-05 9:42 
To: finale@shsu.edu 
Cc: 
Subject: Re: [Finale] Tiny text
I second the call for plain text.  HTML code was
never intended to be a universal and ideal method
of internet communication, and in fact lacks a
number of upper level characters.

I did not receive either message with tiny type.
Both came through in the format I've specified in
my Settings.  (Using MacEudora 6.2.1 on tiMac
PowerBook G4 with OS 10.3.8.)  In an older OS
yes, some html messages came through almost
unreadable, either with embedded code or in some
fancy but unreadable font.

John


At 11:23 AM +0200 4/13/05, Johannes Gebauer wrote:
Well, perhaps this is a good opportunity to ask
whether it would be possible for all Finale
listers to use plain text meassages on this
list? That's actually including you, Lawrence,
your messages also come through as html. On the
other hand I know that it is difficult for aol
users to do this, although some seem to manage.

(And yes, the text was tiny, but it wouldn't
have been had it been plain text.)

Johannes

[EMAIL PROTECTED] schrieb:
In a message dated 13/04/2005 04:22:28 GMT
Daylight Time, [EMAIL PROTECTED] writes:


 ^The answer to your question is influenced in part by the genre(s)
 of music you are doing or plan to do.
Is it my mail server which is at fault (or my
eyes) or has the text above come through
illegibly small to everyone?
  All the best,
  Lawrence
  þaes ofereode - þisses swa maeg

http://lawrenceyates.co.uk






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--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html

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Re: [Finale] FWIW: Feature suggestion

2005-04-20 Thread Andrew Stiller
On Apr 19, 2005, at 4:41 PM, Allen Fisher wrote:
I'd rather have custom smart shape hairpins that I could attach text 
to. (A
mezzo di vocetool is on my list too)

That's *messa* [Italian: placement] di voce.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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Re: [Finale] FWIW: Feature suggestion

2005-04-20 Thread Allen Fisher
D'oh! You are absolutely right, Andrew. That's what I get for trying to do 8
things at once...

Allen

On 4/20/05 2:17 PM, Andrew Stiller [EMAIL PROTECTED] saith:

 
 On Apr 19, 2005, at 4:41 PM, Allen Fisher wrote:
 
 I'd rather have custom smart shape hairpins that I could attach text
 to. (A
 mezzo di vocetool is on my list too)
 
 
 That's *messa* [Italian: placement] di voce.
 
 Andrew Stiller
 Kallisti Music Press
 http://home.netcom.com/~kallisti/
 
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Re: [Finale] FWIW: Feature suggestion

2005-04-20 Thread Matthew Hindson Fastmail Account

Matthew Hindson Fastmail Account wrote:
For what it's worth, here's a feature request I've sent to Makemusic: 
that we be able to enter hairpins from within the Expression tool.

The process of entering dynamics with occurrences of dynamics-text and 
hairpins requires changing the tool all the time: if there were 
Expression metatools that were linked to the Smart Shapes (say  and ) 
it would save a lot of mousing around.  Particularly since technically, 
there's supposed to be a dynamic marking before and after each hairpin 
anyway.

David Bailey wrote:
I don't have any problem with that, but I disagree that technically 
there's supposed to be a dynamic marking before and after each hairpin 
anyway -- I've seen countless examples where crescendo/decrescendo 
pairs are in the music with no dynamic marks within measures of them.
Sure - perhaps I should have put placed it in the context of 
contemporary music.

I'm sure we've all been in countless rehearsals where the conductor or 
player asks what should the dim. go to.  Even if you would think it's 
obvious from the surrounding musical context.

I would hope that if they were to link them in such a way, that they 
would still be available in the smart-shapes menu as well.

But there are already hairpins you can enter in the shape expressions, 
and if you enter them with metatools, they're individually editable, too.
Yes but these don't break automatically over systems, don't have the 
line width able to be set from the Smart Shapes menu etc.

What I would like to see instituted would be a user-definable set of 
metatools which would allow us to combine things from all the various 
tools as we see fit, so that we could set up our own work-spaces, and 
define some metatools from smartshapes, some from the expressions tool, 
articulations, transpositions, whatever.  I can't think of an 
appropriate key combination to trigger such a thing, but I think it 
would be a terrific time saver for each of us to figure out what we use 
most often and have it at our finger-tips.
Agreed, this would be a marvellous solution.  Not that I necessarily 
trust Makemusic to implement such a thing in the best possible way, but 
it would be great.

Matthew
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