Re: [Finale] Underscore

2005-09-13 Thread Javier Ruiz
Hola, Dragos,

The solution is not to use the underscore sign at all.

Instead use the letter I (that´s an capital i) with Engraver font or a b
in Tocatta font.

My procedure is first to enter a bogus character like # everytime I need
an undertie. At the end I pass a little FinaleScript script to replace all
the instances of # with the undertie sign. Then I re-space the music.

Look at the script below. (You can paste it into a new one).

//Search for the sign # in all the lyrics and replace it with the undertie
Search lyrics # replace I [EngraverFontSet] 20 plain
//End of script!

Is rather amazing that Finale provides no help for something that is needed
in almost every vocal piece in Spanish, French, Italian and, probably,
Romanian.

Saludos, Javier.

 In Finale 2006 in lyrics when I write character underscore (Shift + -)
 Finale move to other syllable (note). Why? I want to write 2 syllable attach
 to same note.
 
 Thanks,
 Dragos 
 
 
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[Finale] FinWin 2006 Measure numbering bugs?

2005-09-13 Thread Rafael L. Junchaya
I'm experiencing this annoying behaviours in Finale 2006 (Windows XP P4
2GHz):

By default, new files include one defined region (from m. 1 to 999). I've
selected to display defined measure numbers at Program Options - View, and
in past versions it always worked fine, displaying a combination of two
numbers (A:B) showing region and number, or a single number with a # sign,
when there was no region definition for that measure. In WinFin2006,
instead, when I define a second region (or more), then every measure number
displays with the # in front. I can navigate into a desired measure typing
in A:B combination, but the display is still the same (#A way)

Besides, it's been a great idea for sure to have the chance not to include
some measures in the numbering system in a region (Measure Attributes -
Include in Measure Numbering check box), but, why can't this be set for a
whole selected region? If you have several cadenza (or similar) measure you
want to hide from numbering (that's my case), you have to select each,
right-click, select Edit Measure Attributes, and click the appropriate check
box, for every single measure

I hope someone could replicate these behaviours and confirm these are new
bugs.


Rafael Junchaya

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RE: [Finale] Underscore

2005-09-13 Thread Fisher, Allen
Javier,

This is way cool! You should forward this over to Jari to put on his 
productivity tips site. I may just have to implement this...

Thanks for sharing!

Allen

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Javier Ruiz
Sent: Tuesday, September 13, 2005 3:34 AM
To: finale@SHSU.EDU
Subject: Re: [Finale] Underscore


Hola, Dragos,

The solution is not to use the underscore sign at all.

Instead use the letter I (that´s an capital i) with Engraver font or a b in 
Tocatta font.

My procedure is first to enter a bogus character like # everytime I need an 
undertie. At the end I pass a little FinaleScript script to replace all the 
instances of # with the undertie sign. Then I re-space the music.

Look at the script below. (You can paste it into a new one).

//Search for the sign # in all the lyrics and replace it with the undertie 
Search lyrics # replace I [EngraverFontSet] 20 plain //End of script!

Is rather amazing that Finale provides no help for something that is needed in 
almost every vocal piece in Spanish, French, Italian and, probably, Romanian.

Saludos, Javier.

 In Finale 2006 in lyrics when I write character underscore (Shift + -) 
 Finale move to other syllable (note). Why? I want to write 2 syllable 
 attach to same note.
 
 Thanks,
 Dragos
 
 
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[Finale] Smartmusic Soundfont latency

2005-09-13 Thread Colin Broom
Since upgrading to Finale 2k6, I'm getting some serious MIDI latency issues 
with the smartmusic soundfont that I wasn't getting on Fin2k5.  I use the 
Soundfont alongside Gigastudio (with which there is no auduble latency 
whatsoever).  I also replace the installed soundfont with a better one of my 
own (which is also bigger in size).  This always worked fine in Fin2k5, and 
there was very little latency.


But since upgrading, the soundfont sounds between 0.25 and 0.5 secs later, 
and so is utterly unuseable, unless I can find a fix.  Anyone else come 
across these problems?  I doubt very much that it is my computer, as it's a 
fairly powerful machine, and I haven't had latency issues with any of the 
other audio software I use.


C.

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Re: [Finale] FinWin 2006 Measure numbering bugs?

2005-09-13 Thread Aaron Sherber

At 10:05 AM 09/13/2005, Rafael L. Junchaya wrote:
numbers (A:B) showing region and number, or a single number with a # sign,
when there was no region definition for that measure. In WinFin2006,
instead, when I define a second region (or more), then every measure number
displays with the # in front.

Yes, I can confirm that this happens -- though not consistently. For 
example, I have one document set up with measure regions A1-A50, 
B1-B50, etc., and those measure numbers show up correctly. I opened 
up a new doc, defined a second measure region to start at m.5, and 
did observe the behavior you described -- but then as I scrolled 
through the document, Finale reverted to just showing the number without the #.


At any rate, there is a bug in here somewhere; please write to Winsupport.

(For anyone reading this, we're talking about display in Scroll View, 
in the measure number box at the bottom of the screen. The actual 
measure numbers in the score show up fine.)


Besides, it's been a great idea for sure to have the chance not to include
some measures in the numbering system in a region (Measure Attributes -
Include in Measure Numbering check box), but, why can't this be set for a
whole selected region?

It can, at least for me. Select the Measure Tool, select several 
measures, double-click on the selected measures (or right-click, Edit 
Measure Attributes), and set the Include in Measure Numbering box 
appropriately. For me, the first click changed the checkbox to 
grayed, and the second click cleared it. This is a small bug, but not 
a terrible one.


Aaron.

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Re: [Finale] Smartmusic Soundfont latency

2005-09-13 Thread Aaron Sherber

At 11:35 AM 09/13/2005, Colin Broom wrote:
But since upgrading, the soundfont sounds between 0.25 and 0.5 secs later,
and so is utterly unuseable, unless I can find a fix.  Anyone else come
across these problems?  

I had something similar happen to me in Fin2004. I solved it by going 
to MIDI | MIDI Setup, then SoftSynth Settings, and making sure that 
Output Source was set to Primary Sound Driver.


I have no idea if this is related to your issue, but it couldn't hurt to check.

Aaron.

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Re: [Finale] FinWin 2006 Measure numbering bugs?

2005-09-13 Thread Rafael L. Junchaya
Ok, Aaron, that's right (it's my XP skin that doesn't show greyed check
boxes!!) I'll write to Winsupport to report these bugs (I'll try to find out
more cases as you have described)

Rafael Junchaya

 At any rate, there is a bug in here somewhere; please write to Winsupport.

 It can, at least for me. Select the Measure Tool, select several
 measures, double-click on the selected measures (or right-click, Edit
 Measure Attributes), and set the Include in Measure Numbering box
 appropriately. For me, the first click changed the checkbox to
 grayed, and the second click cleared it. This is a small bug, but not
 a terrible one.

 Aaron.

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Re: [Finale] FinMac2005 + Tiger - Scroll/Page view shortcut broken

2005-09-13 Thread Carolyn Bremer
Tiger has that command assigned eslewhere. Here is the fix

System Preferences  Keyboard and Mouse  Keyboard Shortcuts 
Keyboard Navigation  uncheck move focus to the window drawer

-Carolyn

On 9/13/05, Darcy James Argue [EMAIL PROTECTED] wrote:
 Hi,
 
 As far as I know, this is a 10.4-related problem: in Finale 2005, the
 keyboard shortcut to switch from Page View to Scroll view (cmd-opt-`)
 no longer works. The View menu flashes but nothing happens. Anyone
 else seeing this?
 
 - Darcy
 -
 [EMAIL PROTECTED]
 Brooklyn, NY
 
 
 
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Re: [Finale] Underscore

2005-09-13 Thread Javier Ruiz
Thanks, Allen. 

I am preparing +600 examples for a book and I am using FinaleScript all the
time.  I changed the default font, erased the copyright notice, changed
fonts and increased the lyrics size in one pass the other day. Such a script
takes 36 minutes to complete with 610 files. It is good moment to do the
dishes!

Now if FinaleScript could change the paper size in the Page Setup menu...

 Javier,
 
 This is way cool! You should forward this over to Jari to put on his
 productivity tips site. I may just have to implement this...
 
 Thanks for sharing!
 
 Allen


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[Finale] Re: FinMac2005 + Tiger - Scroll/Page view shortcut broken

2005-09-13 Thread Ryan Beard
Yeah, it's a Tiger issue. The new key-stroke is cmd-E
in 2006. I'm still not used to it.

Ryan

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[Finale] OT: Composition for the non-musical

2005-09-13 Thread Phil Daley

This is pretty interesting:

http://tones.wolfram.com/generate/


Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley



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Re: [Finale] Underscore

2005-09-13 Thread Christopher Smith


On Sep 13, 2005, at 12:27 PM, Javier Ruiz wrote:


Now if FinaleScript could change the paper size in the Page Setup 
menu...




Yes, I just noticed this again (FinMac 2005, OS 10.3.9)

I have been switching back and forth, trying out the capabilities of my 
new (well, second-hand, really) HP 5100 printer to print 2-up on one 
sheet of large paper, and I tried to set the Page Setup so that it was 
Tabloid size and Landscape orientation, then saving it as the default. 
I was only partially successful. A few pages printed correctly, then 
suddenly the computer decided to default to the OLD page setup (US 
letter and portrait.)


I had to check the Page Setup manually for EVERY page I printed! Every 
one I checked was correct, but as soon as I DIDN'T check one, it 
printed with the OLD default! Wacky or what?


Then when I tried to revert back to US Letter and Portrait and save 
THAT as the default, it appeared to work, until I inadvertently created 
a PDF that used the 11x17 landscape setting when I didn't want it to. 
Crap! How did it remember that setting, especially after I had 
EXPRESSLY saved the original default?


FWIW, I had NO problem defining the OTHER printer to be the default 
printer, nor getting it to default to 2-up, nor getting it to feed the 
paper from the correct tray. It was only in the Page Setup dialogue box 
that I couldn't get it to work by default.


I can see this taking a whole lot of mouse clicks if I can't work it 
out.


Anyone have any insights?

Christopher


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Re: [Finale] Underscore

2005-09-13 Thread Brad Beyenhof
On 9/13/05, Javier Ruiz [EMAIL PROTECTED] wrote:
 Now if FinaleScript could change the paper size in the Page Setup menu...

There's no way to actually *change settings* via FinaleScript, but
this ingenious script (provided by Karen Guthery) makes the process a
lot easier:

//process all open docs
batch process folder
execute menu item page setup
//print
save
//you can insert 'save append *' or similar here if you want to keep
the original documents intact
close

Effectively, it opens the Page Setup dialog for every item in a folder
in turn (or every open doc, if you change the commenting), so all you
have to do is modify the page size. This is much better than opening
every file individually, invoking the Page Setup dialog manually, and
changing page size. There's still a manual step involved, but it cuts
out a lot of the tedium involved in changing the page size for a batch
of already-created documents.

-- 
Brad Beyenhof
[EMAIL PROTECTED]
http://augmentedfourth.blogspot.com
Silence will save me from being wrong (and foolish), but it will also
deprive me of the possibility of being right.   ~ Igor Stravinsky

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Re: [Finale] Underscore

2005-09-13 Thread Chuck Israels

Chris,

Does this have anything to do with the fact that Finale wants to use  
the page setup of the default file you are using at the moment?


Don't know if this is part of the issue, but I'm just reminding you  
of this in case, like me, your memory is good for  modeling  
Emmenthaler cheese.


Chuck


On Sep 13, 2005, at 1:59 PM, Christopher Smith wrote:



On Sep 13, 2005, at 12:27 PM, Javier Ruiz wrote:



Now if FinaleScript could change the paper size in the Page Setup  
menu...





Yes, I just noticed this again (FinMac 2005, OS 10.3.9)

I have been switching back and forth, trying out the capabilities  
of my new (well, second-hand, really) HP 5100 printer to print 2-up  
on one sheet of large paper, and I tried to set the Page Setup so  
that it was Tabloid size and Landscape orientation, then saving it  
as the default. I was only partially successful. A few pages  
printed correctly, then suddenly the computer decided to default to  
the OLD page setup (US letter and portrait.)


I had to check the Page Setup manually for EVERY page I printed!  
Every one I checked was correct, but as soon as I DIDN'T check one,  
it printed with the OLD default! Wacky or what?


Then when I tried to revert back to US Letter and Portrait and save  
THAT as the default, it appeared to work, until I inadvertently  
created a PDF that used the 11x17 landscape setting when I didn't  
want it to. Crap! How did it remember that setting, especially  
after I had EXPRESSLY saved the original default?


FWIW, I had NO problem defining the OTHER printer to be the default  
printer, nor getting it to default to 2-up, nor getting it to feed  
the paper from the correct tray. It was only in the Page Setup  
dialogue box that I couldn't get it to work by default.


I can see this taking a whole lot of mouse clicks if I can't work  
it out.


Anyone have any insights?

Christopher


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Re: [Finale] Re: FinMac2005 + Tiger - Scroll/Page view shortcut broken

2005-09-13 Thread David W. Fenton
On 13 Sep 2005 at 9:48, Ryan Beard wrote:

 Yeah, it's a Tiger issue. The new key-stroke is cmd-E
 in 2006. I'm still not used to it.

Well, there's one advantage to that -- it's consistent with the 
Windows version of Finale, which has always used Ctrl-E to switch 
views.

Obviously, that's of no use to you if you never use Windows, but for 
the good of Finale as a cross-platform product, I think it's an 
improvement.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread David W. Fenton
On 13 Sep 2005 at 13:35, Phil Daley wrote:

 This is pretty interesting:
 
 http://tones.wolfram.com/generate/

The concept is interesting, but the definitions of style being used 
by the generator are pretty wide of the mark, seems to me.

-- 
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David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Underscore

2005-09-13 Thread Christopher Smith


On Sep 13, 2005, at 6:02 PM, Chuck Israels wrote:


Chris,

Does this have anything to do with the fact that Finale wants to use 
the page setup of the default file you are using at the moment?


Don't know if this is part of the issue, but I'm just reminding you of 
this in case, like me, your memory is good for  modeling Emmenthaler 
cheese.




Heh, heh, yes my memory has holes at times!

But the odd thing is, I was able to get to work for a short time. Then 
it stopped remembering, only to start remembering later when I didn't 
want it to.


Christopher

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Re: [Finale] Underscore

2005-09-13 Thread Fisher, Allen
Nope. This isn't the issue. The request is to be able to use a finalescript
to change the page setup on a bunch of files...


On 9/13/05 5:02 PM, Chuck Israels [EMAIL PROTECTED] said this:

 Chris,
 
 Does this have anything to do with the fact that Finale wants to use
 the page setup of the default file you are using at the moment?
 
 Don't know if this is part of the issue, but I'm just reminding you
 of this in case, like me, your memory is good for  modeling
 Emmenthaler cheese.
 
 Chuck
 
 
 On Sep 13, 2005, at 1:59 PM, Christopher Smith wrote:
 
 
 On Sep 13, 2005, at 12:27 PM, Javier Ruiz wrote:
 
 
 Now if FinaleScript could change the paper size in the Page Setup
 menu...
 
 
 
 Yes, I just noticed this again (FinMac 2005, OS 10.3.9)
 
 I have been switching back and forth, trying out the capabilities
 of my new (well, second-hand, really) HP 5100 printer to print 2-up
 on one sheet of large paper, and I tried to set the Page Setup so
 that it was Tabloid size and Landscape orientation, then saving it
 as the default. I was only partially successful. A few pages
 printed correctly, then suddenly the computer decided to default to
 the OLD page setup (US letter and portrait.)
 
 I had to check the Page Setup manually for EVERY page I printed!
 Every one I checked was correct, but as soon as I DIDN'T check one,
 it printed with the OLD default! Wacky or what?
 
 Then when I tried to revert back to US Letter and Portrait and save
 THAT as the default, it appeared to work, until I inadvertently
 created a PDF that used the 11x17 landscape setting when I didn't
 want it to. Crap! How did it remember that setting, especially
 after I had EXPRESSLY saved the original default?
 
 FWIW, I had NO problem defining the OTHER printer to be the default
 printer, nor getting it to default to 2-up, nor getting it to feed
 the paper from the correct tray. It was only in the Page Setup
 dialogue box that I couldn't get it to work by default.
 
 I can see this taking a whole lot of mouse clicks if I can't work
 it out.
 
 Anyone have any insights?
 
 Christopher
 
 
 ___
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 Chuck Israels
 230 North Garden Terrace
 Bellingham, WA 98225-5836
 phone (360) 671-3402
 fax (360) 676-6055
 www.chuckisraels.com
 
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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread Christopher Smith


On Sep 13, 2005, at 1:35 PM, Phil Daley wrote:


This is pretty interesting:

http://tones.wolfram.com/generate/



Hmm, I have to agree with David that the styles are pretty wide of the 
mark.


I know enough (not very much, but enough) about algorithmic composition 
to know that there are many more parameters that can be controlled to 
give some better results harmonically and melodically, and to give 
better rhythmic cohesiveness. Even the MIBAC plugin in Finale creates a 
reasonable facsimile of jazz rhythm section parts, and Band-In-A-Box, 
as limited as it is, beats the heck out of these styles in terms of 
idiom and comprehensibility.


And what is experimental anyway?

Christopher

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Re: [Finale] Underscore

2005-09-13 Thread David W. Fenton
On 13 Sep 2005 at 17:27, Javier Ruiz wrote:

 I am preparing +600 examples for a book and I am using FinaleScript
 all the time.  I changed the default font, erased the copyright
 notice, changed fonts and increased the lyrics size in one pass the
 other day. Such a script takes 36 minutes to complete with 610 files.
 It is good moment to do the dishes!
 
 Now if FinaleScript could change the paper size in the Page Setup
 menu...

I thought you were going to say:

Now, if only FinaleScript could do the dishes. :)

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Underscore

2005-09-13 Thread Christopher Smith
Allen, I think you misunderstood. I have been trying to get the Page 
Setup dialogue to REMEMBER what the default page setup is. It doesn't 
seem to be connected to Finale, though it is in Finale that I most 
often have to do it.


This seems to be a Mac OS issue. Go into any Mac app that has the Page 
Setup dialogue box, and the first item, Settings, has a Save as 
Default command. Invoking this seems not to stick the way that one 
expects. Sometimes it sticks, sometimes it doesn't.


Back to Finale now. But most often, if you have EVER gone to Page Setup 
in your score and clicked on something, THIS gets passed on to all the 
extracted parts. If you can possibly restrain yourself from ever 
opening up that dialogue box in your score UNTIL you have extracted 
parts, then your extracted parts seem to inherit the default setting.


I sometimes print out a draft of my score before I extract the parts. 
My scores are often on larger paper. When I set the Page Setup dialogue 
box in the score, I have to CLOSE the score without saving so that it 
doesn't remember the settings.


A Finalescript solution is a workaround to the basic OS problem.

Christopher




On Sep 13, 2005, at 6:33 PM, Fisher, Allen wrote:

Nope. This isn't the issue. The request is to be able to use a 
finalescript

to change the page setup on a bunch of files...


On 9/13/05 5:02 PM, Chuck Israels [EMAIL PROTECTED] said this:


Chris,

Does this have anything to do with the fact that Finale wants to use
the page setup of the default file you are using at the moment?

Don't know if this is part of the issue, but I'm just reminding you
of this in case, like me, your memory is good for  modeling
Emmenthaler cheese.

Chuck


On Sep 13, 2005, at 1:59 PM, Christopher Smith wrote:



On Sep 13, 2005, at 12:27 PM, Javier Ruiz wrote:



Now if FinaleScript could change the paper size in the Page Setup
menu...




Yes, I just noticed this again (FinMac 2005, OS 10.3.9)

I have been switching back and forth, trying out the capabilities
of my new (well, second-hand, really) HP 5100 printer to print 2-up
on one sheet of large paper, and I tried to set the Page Setup so
that it was Tabloid size and Landscape orientation, then saving it
as the default. I was only partially successful. A few pages
printed correctly, then suddenly the computer decided to default to
the OLD page setup (US letter and portrait.)

I had to check the Page Setup manually for EVERY page I printed!
Every one I checked was correct, but as soon as I DIDN'T check one,
it printed with the OLD default! Wacky or what?

Then when I tried to revert back to US Letter and Portrait and save
THAT as the default, it appeared to work, until I inadvertently
created a PDF that used the 11x17 landscape setting when I didn't
want it to. Crap! How did it remember that setting, especially
after I had EXPRESSLY saved the original default?

FWIW, I had NO problem defining the OTHER printer to be the default
printer, nor getting it to default to 2-up, nor getting it to feed
the paper from the correct tray. It was only in the Page Setup
dialogue box that I couldn't get it to work by default.

I can see this taking a whole lot of mouse clicks if I can't work
it out.

Anyone have any insights?

Christopher


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phone (360) 671-3402
fax (360) 676-6055
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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread Chuck Israels


On Sep 13, 2005, at 3:37 PM, Christopher Smith wrote:



On Sep 13, 2005, at 1:35 PM, Phil Daley  wrote:



This is pretty interesting:

http://tones.wolfram.com/generate/




Hmm, I have to agree with David that the styles are pretty wide of  
the mark.


I know enough (not very much, but enough) about algorithmic  
composition to know that there are many more parameters that can be  
controlled to give some better results harmonically and  
melodically, and to give better rhythmic cohesiveness. Even the  
MIBAC plugin in Finale creates a reasonable facsimile of jazz  
rhythm section parts, and Band-In-A-Box, as limited as it is, beats  
the heck out of these styles in terms of idiom and comprehensibility.




The music in the Band-In-a Box is programmed by Miles Black, a fellow  
Canadian, and a guy who has more than a clue about jazz, and a lot of  
other things - a brilliant and terrific guy.


Also, my impression is that there is an order of magnitude fewer  
choices (variables) when one is limited to producing only an  
accompanying part.  Things seem to get more problematic as more  
attention is needed on the surface' of the music, and programmed,  
mechanical, spontaneity falls short of resembling human expression,  
at least so far, in my experience.


Chuck

Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] Re: FinMac2005 + Tiger - Scroll/Page view shortcut broken

2005-09-13 Thread Darcy James Argue

David,

I have no problem with the new Fin2006 shortcut, which is actually  
much more convenient than the old one. I was just curious why the  
Fin2005 shortcut was no longer working. (I still have to use Fin2005  
for some projects.)


- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 13 Sep 2005, at 6:19 PM, David W. Fenton wrote:


On 13 Sep 2005 at 9:48, Ryan Beard wrote:



Yeah, it's a Tiger issue. The new key-stroke is cmd-E
in 2006. I'm still not used to it.



Well, there's one advantage to that -- it's consistent with the
Windows version of Finale, which has always used Ctrl-E to switch
views.

Obviously, that's of no use to you if you never use Windows, but for
the good of Finale as a cross-platform product, I think it's an
improvement.

--
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread dhbailey

Chuck Israels wrote:


On Sep 13, 2005, at 3:37 PM, Christopher Smith wrote:



On Sep 13, 2005, at 1:35 PM, Phil Daley  wrote:



This is pretty interesting:

http://tones.wolfram.com/generate/




Hmm, I have to agree with David that the styles are pretty wide of  
the mark.


I know enough (not very much, but enough) about algorithmic  
composition to know that there are many more parameters that can be  
controlled to give some better results harmonically and  melodically, 
and to give better rhythmic cohesiveness. Even the  MIBAC plugin in 
Finale creates a reasonable facsimile of jazz  rhythm section parts, 
and Band-In-A-Box, as limited as it is, beats  the heck out of these 
styles in terms of idiom and comprehensibility.




The music in the Band-In-a Box is programmed by Miles Black, a fellow  
Canadian, and a guy who has more than a clue about jazz, and a lot of  
other things - a brilliant and terrific guy.


Also, my impression is that there is an order of magnitude fewer  
choices (variables) when one is limited to producing only an  
accompanying part.  Things seem to get more problematic as more  
attention is needed on the surface' of the music, and programmed,  
mechanical, spontaneity falls short of resembling human expression,  at 
least so far, in my experience.




Miles has done a terrific job.  And so has Peter Gannon, head of PGMusic.

BIAB now includes a melody writing feature -- it'll come up with an 
entire song, chord progression, melody, title and all, just with a 
couple of mouse clicks (select the style, click MELODY) and voila!


Much better music, completely created by the computer, than on the 
wolfram web-site.


However, you do have to purchase BIAB and the wolfram web-site is free 
of charge.  :-)



--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread Chuck Israels
On Sep 13, 2005, at 4:26 PM, dhbailey wrote:Miles has done a terrific job.  And so has Peter Gannon, head of PGMusic.BIAB now includes a melody writing feature -- it'll come up with an entire song, chord progression, melody, title and all, just with a couple of mouse clicks (select the style, click MELODY) and voila!Much better music, completely created by the computer, than on the wolfram web-site.However, you do have to purchase BIAB and the wolfram web-site is free of charge.  :-)At least you know your dollars are going to good people who have taken the trouble to learn a lot and do a good job.  That's satisfying to me.I'm glad others here recognize what I think is a pretty informed and well conceived product, even though it's one for which I have no personal use.I imagine it helps a lot of folks.Chuck Chuck Israels 230 North Garden Terrace Bellingham, WA 98225-5836 phone (360) 671-3402 fax (360) 676-6055 www.chuckisraels.com  ___
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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread David W. Fenton
On 13 Sep 2005 at 15:53, Chuck Israels wrote:

 Also, my impression is that there is an order of magnitude fewer 
 choices (variables) when one is limited to producing only an 
 accompanying part.  Things seem to get more problematic as more 
 attention is needed on the surface' of the music, and programmed, 
 mechanical, spontaneity falls short of resembling human expression, 
 at least so far, in my experience.

But I think that's precisely what's wrong with the Wolfram algorithm 
-- it entirely fails to account for the differences in styles in 
regard to melody and accompaniment. Because it seems to be generating 
everything at once, it's more polyphonic in its results than almost 
all of the styles typically should be. For most styles, it ought to 
compose a melody line first and then create an accompaniment for it, 
whereas it sounds to me like in all the styles it's pretty much 
randomly choosing all the parts simultaneously, with a very small 
number of parameters specific to each style (certain rhythms and 
instruments seem to be associated with particular styles).

That seems to me to be the reason why the results are so completely 
underwhelming. Indeed, they all sound rather the same to me, and some 
of the results from one style sound more like one of the other styles 
(though that's not always the case).

The folks who wrote the algorithm seem to me not to know enough about 
musical style(s) to be able to design something that will produce 
reasonable results. They seem to go more for variety and near 
randomness and ignore harmony almost exclusively, instead of 
recognizing that music in a particular style is very *conventional* 
rather than random.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] OT: Composition for the non-musical

2005-09-13 Thread Chuck Israels

David,

You and I are not in disagreement here.

Chuck

On Sep 13, 2005, at 4:40 PM, David W. Fenton wrote:


On 13 Sep 2005 at 15:53, Chuck Israels wrote:



Also, my impression is that there is an order of magnitude fewer
choices (variables) when one is limited to producing only an
accompanying part.  Things seem to get more problematic as more
attention is needed on the surface' of the music, and programmed,
mechanical, spontaneity falls short of resembling human expression,
at least so far, in my experience.



But I think that's precisely what's wrong with the Wolfram algorithm
-- it entirely fails to account for the differences in styles in 
regard to melody and accompaniment. Because it seems to be generating

everything at once, it's more polyphonic in its results than almost
all of the styles typically should be. For most styles, it ought to
compose a melody line first and then create an accompaniment for it,
whereas it sounds to me like in all the styles it's pretty much
randomly choosing all the parts simultaneously, with a very small
number of parameters specific to each style (certain rhythms and
instruments seem to be associated with particular styles).

That seems to me to be the reason why the results are so completely
underwhelming. Indeed, they all sound rather the same to me, and some
of the results from one style sound more like one of the other styles
(though that's not always the case).

The folks who wrote the algorithm seem to me not to know enough about
musical style(s) to be able to design something that will produce
reasonable results. They seem to go more for variety and near
randomness and ignore harmony almost exclusively, instead of
recognizing that music in a particular style is very *conventional*
rather than random.

--
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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[Finale] Screen redraws when editing lyrics?

2005-09-13 Thread Darcy James Argue
Okay, I'm not sure how upgrading to 10.4 would affect this, but I'm  
100% certain this never happened to me in 10.3.


In FinMac2005, whenever I make a change in the Edit Lyrics box, the  
entire screen redraws, after every character I type. This is even  
when no lyrics have been assigned to the score yet.


Anyone else seeing this with Fin2005 and 10.4?

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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