[Finale] beaming

2012-12-21 Thread Lawrence David Eden
Listers,

I have been doing a setting of a piece in cut time.  The piece has 
lots of eighth notes in groups of 4.and often, the grouping is 2 
eighths, eighth rest/eighth note.  Finale beams all four together, 
but I only want the first 2 eighths beamed, leaving the rest and the 
final eighth un beamed.  I am sure there is an intelligent way to set 
this up so that I don't have to keep regrouping the figures, but I 
just can't figure out how to do it.

Suggestions, please.

Thanks,

Larry Eden
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Re: [Finale] beaming

2012-12-21 Thread Christopher Smith
Use the Contextual Menu (two ways, either in Selection Tool right click (or 
control click in Mac) the time sig, or in the Time Sig tool right click the 
first bar where you want it) and select 2/2 (beam as 4/4) or Cut Time (beam 
as 4/4). This will not change anything already entered, but from now on it 
will beam 4 8ths together (assuming you have that option selected in Doc 
OptionsBeaming.) You can Rebeam (Utilities menu) to change things that have 
already been entered.

Christopher


On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:

 Listers,
 
 I have been doing a setting of a piece in cut time.  The piece has 
 lots of eighth notes in groups of 4.and often, the grouping is 2 
 eighths, eighth rest/eighth note.  Finale beams all four together, 
 but I only want the first 2 eighths beamed, leaving the rest and the 
 final eighth un beamed.  I am sure there is an intelligent way to set 
 this up so that I don't have to keep regrouping the figures, but I 
 just can't figure out how to do it.
 
 Suggestions, please.
 
 Thanks,
 
 Larry Eden
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Re: [Finale] beaming

2012-12-21 Thread Darcy James Argue
Hi Chris,

This is true, but Larry also needs to go to Document Options - Beams and turn 
off Include Rests when Beaming in Groups of Four (and also turn off Beam 
Three Eighth Notes Before/After an Eighth Rest if desired). Then follow your 
steps.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org

On Dec 21, 2012, at 7:07 AM, Christopher Smith christopher.sm...@videotron.ca 
wrote:

 Use the Contextual Menu (two ways, either in Selection Tool right click (or 
 control click in Mac) the time sig, or in the Time Sig tool right click the 
 first bar where you want it) and select 2/2 (beam as 4/4) or Cut Time 
 (beam as 4/4). This will not change anything already entered, but from now 
 on it will beam 4 8ths together (assuming you have that option selected in 
 Doc OptionsBeaming.) You can Rebeam (Utilities menu) to change things that 
 have already been entered.
 
 Christopher
 
 
 On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:
 
 Listers,
 
 I have been doing a setting of a piece in cut time.  The piece has 
 lots of eighth notes in groups of 4.and often, the grouping is 2 
 eighths, eighth rest/eighth note.  Finale beams all four together, 
 but I only want the first 2 eighths beamed, leaving the rest and the 
 final eighth un beamed.  I am sure there is an intelligent way to set 
 this up so that I don't have to keep regrouping the figures, but I 
 just can't figure out how to do it.
 
 Suggestions, please.
 
 Thanks,
 
 Larry Eden
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 http://lists.shsu.edu/mailman/listinfo/finale
 
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 http://lists.shsu.edu/mailman/listinfo/finale


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Re: [Finale] Finale Digest, Vol 113, Issue 19 (No key signature option ?)

2012-12-21 Thread Lawrence Yates
If, for example you are wanting a horn part (french horn) not to show a key
signature, in Fin2012 it's simply a matter of going to the score manager,
select the instrument, click on transposition - other - then tick
chromatic.  The key signature will disappear and all the sharps or flats
appear as accidentals.

I've lost your original post so forgive me if this is not what you mean.

Cheers,

Lawrence


On 21 December 2012 19:40, Lawrence Yates yateslawre...@gmail.com wrote:

 Does that not simply hide the key signature but not show the accidentals
 either, thus making the parts unusable?

 Cheers,

 Lawrence


 On 21 December 2012 19:10, Steven Larsen st...@larsenbein.com wrote:

 Forgive me if I've duplicated a post, or if this isn't really what you're
 after, but:

 If there are other parts, and they have key signatures, go to Staff
 Attributes for the part you are editing and select Key Signature as an
 Independent Element. Then go to Measure Attributes, Key Signature and
 select
 Always Hide.

 Steve Larsen

 -Original Message-
 From: William Sinclair [mailto:billsi...@aol.com]
 Sent: Thursday, December 20, 2012 8:15 PM
 To: finale@shsu.edu
 Subject: Re: [Finale] Finale Digest, Vol 113, Issue 19 (No key signature
 option ?)


 By stave setup do you mean the key signature tools option?

 If I want to transpose from C up a major 6th for example, it puts 3 sharps
 in the key signature. Something I want to avoid. The other choices are
 hold
 notes to chromatic pitches
 or  hold notes enharmonically. I don't want those either - I don't WANT
 to
 hold the notes.

 I WANT TO TRANSPOSE IT and still have the no flats or sharps KS.

 The other possibility on the staff tools is B flat or E flat transposition
 -- which doesn't wotk either.




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 --
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Re: [Finale] Finale Digest, Vol 113, Issue 19 (No key signature option ?)

2012-12-21 Thread Robert Patterson
Simply using chromatic transposition only works if the piece has no key
signature or is C. Further steps (described in my previous post) are
required if you want no key signature on, say, a horn part but do want a
key signature on, say, the violin part.

On Fri, Dec 21, 2012 at 1:44 PM, Lawrence Yates yateslawre...@gmail.comwrote:

 If, for example you are wanting a horn part (french horn) not to show a key
 signature, in Fin2012 it's simply a matter of going to the score manager,
 select the instrument, click on transposition - other - then tick
 chromatic.  The key signature will disappear and all the sharps or flats
 appear as accidentals.

 I've lost your original post so forgive me if this is not what you mean.

 Cheers,

 Lawrence


 On 21 December 2012 19:40, Lawrence Yates yateslawre...@gmail.com wrote:

  Does that not simply hide the key signature but not show the accidentals
  either, thus making the parts unusable?
 
  Cheers,
 
  Lawrence
 
 
  On 21 December 2012 19:10, Steven Larsen st...@larsenbein.com wrote:
 
  Forgive me if I've duplicated a post, or if this isn't really what
 you're
  after, but:
 
  If there are other parts, and they have key signatures, go to Staff
  Attributes for the part you are editing and select Key Signature as an
  Independent Element. Then go to Measure Attributes, Key Signature and
  select
  Always Hide.
 
  Steve Larsen
 
  -Original Message-
  From: William Sinclair [mailto:billsi...@aol.com]
  Sent: Thursday, December 20, 2012 8:15 PM
  To: finale@shsu.edu
  Subject: Re: [Finale] Finale Digest, Vol 113, Issue 19 (No key signature
  option ?)
 
 
  By stave setup do you mean the key signature tools option?
 
  If I want to transpose from C up a major 6th for example, it puts 3
 sharps
  in the key signature. Something I want to avoid. The other choices are
  hold
  notes to chromatic pitches
  or  hold notes enharmonically. I don't want those either - I don't
 WANT
  to
  hold the notes.
 
  I WANT TO TRANSPOSE IT and still have the no flats or sharps KS.
 
  The other possibility on the staff tools is B flat or E flat
 transposition
  -- which doesn't wotk either.
 
 
 
 
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  Finale mailing list
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  --
  Lawrenceyates.co.uk
 



 --
 Lawrenceyates.co.uk
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Re: [Finale] Finale Digest, Vol 113, Issue 19 (No key signature option ?)

2012-12-21 Thread Lawrence Yates
Good grief, Robert, you're right - I had never seen that before.  What a
pain!


On 21 December 2012 19:56, Robert Patterson rob...@robertgpatterson.comwrote:

 Simply using chromatic transposition only works if the piece has no key
 signature or is C. Further steps (described in my previous post) are
 required if you want no key signature on, say, a horn part but do want a
 key signature on, say, the violin part.

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Re: [Finale] Finale Digest, Vol 113, Issue 19 (No key signature option ?)

2012-12-21 Thread Robert Patterson
Well, except it's not that much of a pain. If all of Finale's pains were
that small, I would be very happy indeed.

On Fri, Dec 21, 2012 at 2:07 PM, Lawrence Yates yateslawre...@gmail.comwrote:

 Good grief, Robert, you're right - I had never seen that before.  What a
 pain!


 On 21 December 2012 19:56, Robert Patterson rob...@robertgpatterson.com
 wrote:

  Simply using chromatic transposition only works if the piece has no key
  signature or is C. Further steps (described in my previous post) are
  required if you want no key signature on, say, a horn part but do want a
  key signature on, say, the violin part.
 
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Re: [Finale] beaming

2012-12-21 Thread Don Hart
Hi Darcy,

Do those settings affect cut time as well as common time?  I seem to recall
setting up 4/4 but displaying cut time previously in order to access those
features.

Don Hart


On Fri, Dec 21, 2012 at 12:53 PM, Darcy James Argue
djar...@earthlink.netwrote:

 Hi Chris,

 This is true, but Larry also needs to go to Document Options - Beams and
 turn off Include Rests when Beaming in Groups of Four (and also turn off
 Beam Three Eighth Notes Before/After an Eighth Rest if desired). Then
 follow your steps.

 Cheers,

 - DJA
 -
 WEB: http://www.secretsocietymusic.org

 On Dec 21, 2012, at 7:07 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:

  Use the Contextual Menu (two ways, either in Selection Tool right click
 (or control click in Mac) the time sig, or in the Time Sig tool right click
 the first bar where you want it) and select 2/2 (beam as 4/4) or Cut
 Time (beam as 4/4). This will not change anything already entered, but
 from now on it will beam 4 8ths together (assuming you have that option
 selected in Doc OptionsBeaming.) You can Rebeam (Utilities menu) to change
 things that have already been entered.
 
  Christopher
 
 
  On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:
 
  Listers,
 
  I have been doing a setting of a piece in cut time.  The piece has
  lots of eighth notes in groups of 4.and often, the grouping is 2
  eighths, eighth rest/eighth note.  Finale beams all four together,
  but I only want the first 2 eighths beamed, leaving the rest and the
  final eighth un beamed.  I am sure there is an intelligent way to set
  this up so that I don't have to keep regrouping the figures, but I
  just can't figure out how to do it.
 
  Suggestions, please.
 
  Thanks,
 
  Larry Eden
  ___
  Finale mailing list
  Finale@shsu.edu
  http://lists.shsu.edu/mailman/listinfo/finale
 
  ___
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  http://lists.shsu.edu/mailman/listinfo/finale


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Re: [Finale] beaming

2012-12-21 Thread Darcy James Argue
They affect what happens when you choose Cut Time (beam as 4/4) for your time 
signature, as Chris suggested -- this is effectively the same thing as setting 
up 4/4 but choosing cut time for display.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org

On Dec 21, 2012, at 1:20 PM, Don Hart donhartmu...@gmail.com wrote:

 Hi Darcy,
 
 Do those settings affect cut time as well as common time?  I seem to recall
 setting up 4/4 but displaying cut time previously in order to access those
 features.
 
 Don Hart
 
 
 On Fri, Dec 21, 2012 at 12:53 PM, Darcy James Argue
 djar...@earthlink.netwrote:
 
 Hi Chris,
 
 This is true, but Larry also needs to go to Document Options - Beams and
 turn off Include Rests when Beaming in Groups of Four (and also turn off
 Beam Three Eighth Notes Before/After an Eighth Rest if desired). Then
 follow your steps.
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 On Dec 21, 2012, at 7:07 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 Use the Contextual Menu (two ways, either in Selection Tool right click
 (or control click in Mac) the time sig, or in the Time Sig tool right click
 the first bar where you want it) and select 2/2 (beam as 4/4) or Cut
 Time (beam as 4/4). This will not change anything already entered, but
 from now on it will beam 4 8ths together (assuming you have that option
 selected in Doc OptionsBeaming.) You can Rebeam (Utilities menu) to change
 things that have already been entered.
 
 Christopher
 
 
 On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:
 
 Listers,
 
 I have been doing a setting of a piece in cut time.  The piece has
 lots of eighth notes in groups of 4.and often, the grouping is 2
 eighths, eighth rest/eighth note.  Finale beams all four together,
 but I only want the first 2 eighths beamed, leaving the rest and the
 final eighth un beamed.  I am sure there is an intelligent way to set
 this up so that I don't have to keep regrouping the figures, but I
 just can't figure out how to do it.
 
 Suggestions, please.
 
 Thanks,
 
 Larry Eden
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 
 ___
 Finale mailing list
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 http://lists.shsu.edu/mailman/listinfo/finale
 
 ___
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 http://lists.shsu.edu/mailman/listinfo/finale


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Re: [Finale] Finale Digest, Vol 113, Issue 20 (no Key signature)

2012-12-21 Thread William Sinclair

 It looks like it has to be done in TWO STEPS:

(1) Use regular transposition to transpose the notes at whatever
 interval is needed, and then
(2) Transpose the KS back to C, saying hold notes to pitches.

I don't see a way to do it in one step. Maybe the newer Finale allows that?

 

 

-Original Message-
From: finale-request finale-requ...@shsu.edu
To: finale finale@shsu.edu
Sent: Fri, Dec 21, 2012 10:00 am
Subject: Finale Digest, Vol 113, Issue 20


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Today's Topics:

   1. Re: slightly OT: ScoreCleaner (SN jef chippewa)
   2. Re: Finale Digest, Vol 113,   Issue 19 (No key signature option
  ?) (William Sinclair)
   3. Re: Finale Digest, Vol 113, Issue 19 (No key signature option
  ?) (Robert Patterson)
   4. Re: Finale Digest, Vol 113, Issue 19 (No key signature option
  ?) (Christopher Smith)
   5. beaming (Lawrence David Eden)
   6. Re: beaming (Christopher Smith)

 

Attached Message



From:

SN jef chippewa shirl...@newmusicnotation.com



To:

finale@shsu.edu



Subject:

Re: [Finale] slightly OT: ScoreCleaner



Date:

Thu, 20 Dec 2012 21:04:54 +0100



don't see the point of this software if used as a notation programme 
 
verson 2.5 (!) adds the long awaited feature of display for transposing 
instruments, as well as other unique features such as dynamics (!?!?!), slurs, 
repeat / repeat endings and copy-paste. 
 
can't open smf files, but i don't work with midi so maybe this is nothing 
 
the only possible interest i can see is if the transcription engine was 
effective beyond triplets.  there is a palette hat seems to allow up to 7-let 
with one click and a wildcard tuplet, but i never figured out how to get it tot 
work. 
 
as far as a notation programme goes, quite banal.  editing entries is 
incredibly clunky and seems very limited. 
 
then it crashed and i said screw it 
 

 
 


 

Attached Message



From:

William Sinclair billsi...@aol.com



To:

finale@shsu.edu



Subject:

Re: [Finale] Finale Digest, Vol 113,Issue 19 (No key signature option ?)



Date:

Thu, 20 Dec 2012 21:14:36 -0500





By stave setup do you mean the key signature tools option?

If I want to transpose from C up a major 6th for example, it puts 3 sharps in 
the key
signature. Something I want to avoid. The other choices are hold notes to 
chromatic pitches
or  hold notes enharmonically. I don't want those either - I don't WANT to 
hold the notes.

I WANT TO TRANSPOSE IT and still have the no flats or sharps KS.

The other possibility on the staff tools is B flat or E flat transposition --
which doesn't wotk either.




 
 


 

Attached Message



From:

Robert Patterson rob...@robertgpatterson.com



To:

finale@shsu.edu



Subject:

Re: [Finale] Finale Digest, Vol 113,Issue 19 (No key signature option ?)



Date:

Thu, 20 Dec 2012 20:57:04 -0600




If the music has no key signature, use the Chromatic Transposition option.
(Google the instructions if you don't know how.)

If the music has changing key signatures, but you don't want that
particular instrument to have a key signature (e.g., horn parts in Brahms),
do the following.

1. Set the staff to have an independent key signature.
2. Set the key sig for that staff equal to the key of transposition. (F for
horn in F)
3. Set normal transposition on the staff. (F transposition)

On Thu, Dec 20, 2012 at 8:14 PM, William Sinclair billsi...@aol.com wrote:


 By stave setup do you mean the key signature tools option?

 If I want to transpose from C up a major 6th for example, it 

[Finale] Changing a 12/8 piece to 4/4

2012-12-21 Thread Eric Dannewitz
I have a piece I did in 12/8, and want to convert it to 4/4. Is there
an easy way to do this?
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