Re: [Finale] My music won't stand still to be edited!
I tried turning things off in the mouse settings to no avail. But using a corded mouse solved the problem. I'll hassle with the Magic Mouse later (which is kind of nice.) On 11/7/16 1:07 PM, Eric Dannewitz wrote: > I’d check the mouse/trackpad and see what is going on there. You might have > some gestures enabled. > ___ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
Re: [Finale] large ensemble balances
On Sat, November 12, 2016 9:52 am, David Froom wrote: > It seems that using any of the mixers (studio view, mixer view, or Garriton > Aria player view) is of minimal use, as those volumes get overridden by score > markings. You didn't mention the Score Manager. I set all my volumes and pans there, and that seems to work -- things like alto flute seem loud, but regular flute doesn't. The initial samples definitely seem to be at unrealistic volumes, but adjusting those in Score Manager appears to tame them for me. And, of course, using the pan controls is really important to make some sense of the soundstage you're making. I never use any of the other views, and balances are not bad. I suppose it depends on how much accurate detail you want in your demo. Dennis ___ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
[Finale] large ensemble balances
Hello all, I wonder if any among you are as frustrated as I am dealing with large ensemble balances. In orchestral settings, the brass and percussion especially tend to be way too quiet, and also seem to have far less of a dynamic range. It seems that using any of the mixers (studio view, mixer view, or Garriton Aria player view) is of minimal use, as those volumes get overridden by score markings. The only way around I have found is to clutter the score with invisible dynamics, while disabling the dynamics I know I will need to use for real performance. To a lesser extent, I this is a problem with articulations (but as those, even hidden, create layout problems, I am living without). Can anyone give some general advice on dealing with this? Any general workarounds (short of creating a separate playback file)? I guess what would be really cool is first, to consolidate the mixers into one place, and then to give mixing control that remains in the memory that works independent of score markings. Even better would be if Garriton were fixed to be better balanced in the first place! Thank you in advance, David Froom ___ Finale mailing list Finale@shsu.edu https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: finale-unsubscr...@shsu.edu
