Re: [Finale] Bill Duncan Rehearsal fonts

[Chuck Israels]

Well, you know Christopher, I love you from a distance, so I don’t see the 
warts.  Nevertheless, I see how this might be useful.  Here at home, Margot 
knows how often I am afflicted with wrongheadedness.

Chuck

> On Mar 9, 2018, at 6:40 AM, Christopher Smith 
>  wrote:
> 
> 
> On Mar 9, 2018, at 7:55 AM, Chuck Israels  wrote:
> Christopher is always right.
> 
>   Ha ha! Tell my wife that!
>   I am screenshot-ing this, printing it, framing it, and putting it in my
>   living room.
>   :-)
>   Christopher
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Chuck Israels
cisra...@comcast.net
(360) 201-3434

8831 SE 12th Ave.
Portland OR 97202






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Re: [Finale] Bill Duncan Fonts

[Chuck Israels]

I have plenty. I’ll send something. 

Sent from my iPhone

> On Mar 9, 2018, at 12:48 PM, Brian Williams  wrote:
> 
> Thanks Chuck. I'd love to see what they look like. Isn't there any example
> in PDF form that shows them?
> Brian
> 
>> On 3/9/18, 10:00 AM, Chuck Israels  wrote:
>> 
>> I?d be lost without them. The chord symbols, the slashes, rhythmic
>> notation, custom smart lines and jazz articulations that match Maestro
>> are indispensable to me. Nick Carter at NPC Imaging sells them. If you do
>> jazz notation, I just suggest you take the plunge. And yes, they work
>> with the latest version of Finale.
>> 
>> Chuck
>> 
>> 
> 
> 
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Re: [Finale] Bill Duncan Fonts

[David H. Bailey]

Try contacting Nick Carter at NPC Impaging -- pay no attention to how 
his web-site looks.  He's keeping it quick-loading and clear because it 
uses less bandwidth and for what he sells there's no need for flash or 
java fanciness which only obscure the content of many recent web-sites. 
Nick cares about his customers and gives great service and great prices 
and he may have a sample PDF of the Bill Duncan fonts to send you.

It's worth a try!

David H. Bailey


On 3/9/2018 3:48 PM, Brian Williams wrote:
> Thanks Chuck. I'd love to see what they look like. Isn't there any example
> in PDF form that shows them?
> Brian
> 
> On 3/9/18, 10:00 AM, Chuck Israels  wrote:
> 
>> I?d be lost without them. The chord symbols, the slashes, rhythmic
>> notation, custom smart lines and jazz articulations that match Maestro
>> are indispensable to me. Nick Carter at NPC Imaging sells them. If you do
>> jazz notation, I just suggest you take the plunge. And yes, they work
>> with the latest version of Finale.
>>
>> Chuck
>>
>>
> 
> 
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> 


-- 
*
David H. Bailey
dhbaile...@comcast.net
http://www.davidbaileymusicstudio.com
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Re: [Finale] Bill Duncan Fonts

[Brian Williams]

Thanks Chuck. I'd love to see what they look like. Isn't there any example
in PDF form that shows them?
Brian

On 3/9/18, 10:00 AM, Chuck Israels  wrote:

>I?d be lost without them. The chord symbols, the slashes, rhythmic
>notation, custom smart lines and jazz articulations that match Maestro
>are indispensable to me. Nick Carter at NPC Imaging sells them. If you do
>jazz notation, I just suggest you take the plunge. And yes, they work
>with the latest version of Finale.
>
>Chuck
> 
>


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Re: [Finale] Bill Duncan Rehearsal fonts

[Christopher Smith]

 On Mar 9, 2018, at 7:55 AM, Chuck Israels  wrote:
 Christopher is always right.

   Ha ha! Tell my wife that!
   I am screenshot-ing this, printing it, framing it, and putting it in my
   living room.
   :-)
   Christopher
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Re: [Finale] Bill Duncan Fonts

[Jan Angermüller]

A sample of his chord suffix font can be found here:
https://elbsound.studio/chord-style-changer.php#FPChordSuffix

Am 09.03.2018 um 10:13 schrieb Brian Williams:
> Hi all,
>
> For years I've heard nothing but good things about Bill Duncan's fonts,
> especially his chord suffix font.
>
> However, I'm unable to locate any website that displays a sample of what
> they look like.
>
> The closest thing I've found is this link:
> http://www.npcimaging.com/books/BillDuncan.htm
> It doesn't have any links to viewable samples of the fonts, and the site
> looks rather out-of-date. I'm not confident spending over USD $150 for
> something I can't even get a glimpse of, let alone on an antiquated website.
>
> Does anyone have any links to a sample of what the font characters look
> like? Are they up to the latest OTF standards and compatible with the latest
> MacOS and version of Finale 25?
>
> Any help would be appreciated.
>
> Thanks,
> Brian Williams
>
>
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Re: [Finale] Bill Duncan Fonts

[Anne Erickson]

> On Mar 9, 2018, at 10:26 AM, Chuck Israels  wrote:
> 
> I’d be lost without them. The chord symbols, the slashes, rhythmic notation, 
> custom smart lines and jazz articulations that match Maestro are 
> indispensable to me. Nick Carter at NPC Imaging sells them. If you do jazz 
> notation, I just suggest you take the plunge. And yes, they work with the 
> latest version of Finale.
> 
> Chuck 
> 
> Sent from my iPhone
> 
>> On Mar 9, 2018, at 1:13 AM, Brian Williams  wrote:
>> 
>> Hi all,
>> 
>> For years I've heard nothing but good things about Bill Duncan's fonts,
>> especially his chord suffix font.
>> 
>> However, I'm unable to locate any website that displays a sample of what
>> they look like.
>> 
>> The closest thing I've found is this link:
>> http://www.npcimaging.com/books/BillDuncan.htm
>> It doesn't have any links to viewable samples of the fonts, and the site
>> looks rather out-of-date. I'm not confident spending over USD $150 for
>> something I can't even get a glimpse of, let alone on an antiquated website.
>> 
>> Does anyone have any links to a sample of what the font characters look
>> like? Are they up to the latest OTF standards and compatible with the latest
>> MacOS and version of Finale 25?
>> 
>> Any help would be appreciated.
>> 
>> Thanks,
>> Brian Williams
>> 
>> 
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Re: [Finale] Bill Duncan Fonts

[Chuck Israels]

I’d be lost without them. The chord symbols, the slashes, rhythmic notation, 
custom smart lines and jazz articulations that match Maestro are indispensable 
to me. Nick Carter at NPC Imaging sells them. If you do jazz notation, I just 
suggest you take the plunge. And yes, they work with the latest version of 
Finale.

Chuck 

Sent from my iPhone

> On Mar 9, 2018, at 1:13 AM, Brian Williams  wrote:
> 
> Hi all,
> 
> For years I've heard nothing but good things about Bill Duncan's fonts,
> especially his chord suffix font.
> 
> However, I'm unable to locate any website that displays a sample of what
> they look like.
> 
> The closest thing I've found is this link:
> http://www.npcimaging.com/books/BillDuncan.htm
> It doesn't have any links to viewable samples of the fonts, and the site
> looks rather out-of-date. I'm not confident spending over USD $150 for
> something I can't even get a glimpse of, let alone on an antiquated website.
> 
> Does anyone have any links to a sample of what the font characters look
> like? Are they up to the latest OTF standards and compatible with the latest
> MacOS and version of Finale 25?
> 
> Any help would be appreciated.
> 
> Thanks,
> Brian Williams
> 
> 
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[Finale] Bill Duncan Fonts

[Brian Williams]

Hi all,

For years I've heard nothing but good things about Bill Duncan's fonts,
especially his chord suffix font.

However, I'm unable to locate any website that displays a sample of what
they look like.

The closest thing I've found is this link:
http://www.npcimaging.com/books/BillDuncan.htm
It doesn't have any links to viewable samples of the fonts, and the site
looks rather out-of-date. I'm not confident spending over USD $150 for
something I can't even get a glimpse of, let alone on an antiquated website.

Does anyone have any links to a sample of what the font characters look
like? Are they up to the latest OTF standards and compatible with the latest
MacOS and version of Finale 25?

Any help would be appreciated.

Thanks,
Brian Williams


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Re: [Finale] Bill Duncan Rehearsal fonts

[Chuck Israels]

Christopher is always right. 

Sent from my iPhone

> On Mar 8, 2018, at 11:03 PM, Doug Walter  wrote:
> 
> Exactly. That’s what Christopher suggested and it worked like a charm.
> 
>> On Mar 8, 2018, at 10:06 PM, Chuck Israels  wrote:
>> 
>> You get that by putting a right facing rectangular bracket at the beginning 
>> of the string of letters and a left one at the end. Then each letter 
>> acquires both brackets. Hope I’m remembering this right. Don’t have Finale 
>> with me. 
>> 
>> Sent from my iPhone
>> 
>>> On Mar 8, 2018, at 9:20 PM, Doug Walter  wrote:
>>> 
>>> Thanks, Chuck, but Christopher already had the solution. I had tried what 
>>> you suggested, but it wasn’t “building” the enclosure without the leading 
>>> “[“ and trailing “]” (left and right bracket) characters that I was able to 
>>> insert in the letter sequence box.
>>> 
>>> Thank you both!
>>> 
>>> Doug
>>> 
 On Mar 8, 2018, at 9:17 PM, Chuck Israels  wrote:
 
 Doug,
 
 I’m recording in California this week, but when I get home, I can help you 
 with this. I think all you have to do is set up the sequencing letters and 
 choose the rehearsal font. 
 
 Sent from my iPhone
 
> On Mar 8, 2018, at 6:28 PM, Doug Walter  wrote:
> 
> I know there’s still a handful of folks here using Bill Duncan’s fonts in 
> various combinations, perhaps most notably the chord symbol one(s). I 
> still haven’t found or managed to create any chord symbol font that I 
> like better than his and continue to use it in Finale files that I know I 
> won’t have to “share” with someone else who may not have it/them 
> installed. (And I keep hoping, probably in vain, that MakeMusic might 
> someday purchase them to be included with the program as they did long 
> ago with the Jazz Font.)
> 
> Lately I’ve been trying to branch out a bit and use a few more of his 
> fonts, in this case the one called Rehearsal. Has anyone found a way to 
> use those in Finale’s convenient Rehearsal Marks: Auto-Sequencing 
> Rehearsal Letters with rectangular enclosures setup? Since Bill’s font 
> requires at least 3 keystrokes (for a single letter) to create the 
> enclosure with the “shadow” effect, I’ve had to create a separate entry 
> for each letter of the alphabet to then assign as needed as rehearsal 
> letters.
> 
> Not a huge deal, and of course you can create the library once and save 
> it, but you end up losing the auto-sequencing feature which reletters the 
> entire section following a letter or letters that you delete. Using 
> Bill’s font you’d need to delete all the subsequent rehearsal letters 
> after removing one and then reassign them, as we used to have to do in 
> old versions of Finale.
> 
> I’ve got one or two more Bill Duncan-related questions but will start a 
> separate thread as necessary to avoid confusion.
> 
> Thanks for any help,
> 
> Doug
> 
> 
> 
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Re: [Finale] [OT] article: notation for electroacoustic/digital media

[Lawrence David Eden]

Congrats on your achievement, Jef.

> On Mar 8, 2018, at 4:07 PM, SN jef chippewa  
> wrote:
> 
> 
> sooo yeah.  finally got around to starting to commit some of this 
> music notation stuff in my head to "paper".  perhaps of interest to 
> some here.  was published in the latest issue of the online journal 
> eContact!
> 
> Typology and Problematics of Fixed Notation for the Representation of 
> Electroacoustic and Digital Media: Preamble; Part I. Waveform display 
> notation
> http://econtact.ca/19_3/chippewa_notation-waveform.html
> 
> i also wrote the editorial... and i think it is one of my best in a long time
> http://econtact.ca/19_3/editorial.html
> 
> enjoy!
> jef
> 
> -- 
> 
> neueweise -- fonts for new music (and traditional) notation
> http://newmusicnotation.com/fonts.html
> 
> shirling & neueweise  |  http://newmusicnotation.com
> new music notation  +  arts management  +  translation
> [FB] http://facebook.com/neueweise  |  [TW] http://twitter.com/neueweise
> 
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