Re: [Finale] Dorico 2

2018-05-31 Thread David H. Bailey
David's post here could almost have been written by me (except that I 
only started using Finale at version 3.5).  I bought version 1 of 
Dorico, and I immediately purchased version 2.


What I find interesting is that there are parallels in the development 
of Dorico and the development of Sibelius, most notably the playback of 
repeat structures.  Version 2 can now handle 1st/2nd ending repeats, but 
still can't handle D.S. or D.C.  That was true of Sibelius version 2 for 
Windows (and presumably for Mac since both versions seem always to have 
been in lock-step with each other).  I believe D.S., D.C. playback in 
Sibelius came with version 3 if I remember correctly.  Either that or 
version 4.  I didn't become a serious Sibelius user until version 5.


I have done very little with Dorico so far since it's new workflow seems 
very alien to my way of thinking and I haven't had the time to sit down 
and do more than a couple of small projects with it.  That parallels my 
experience with Sibelius, which I first purchased with version 2 for 
Windows on a cross-grade special, same as I did for Dorico version 1. 
It wasn't until Sibelius version 5 that I sat down and learned the 
program as a brand new program instead of trying to use "finale-think" 
and getting frustrated because that wasn't how Sibelius worked.  Now I 
find I'm using a combination of "finale-think" and "sibelius-think" 
whenever I start up Dorico so I know I'm going to have to sit down and 
start from scratch with Dorico.  The manual is still only at version 1, 
so I hope they bring out version 2 of the manual quickly.


Like David Froom, I am supporting Dorico because I have confidence in 
Daniel Spreadbury and the development team, many of whom were with 
Danieal at Sibelius.  And the updates they released for version 1 each 
brought major new capabilities and bug-fixes with them.  I am confident 
this pattern will continue through each new version.  And since 
Steinberg already owns Dorico we don't have to worry about it being sold 
off to a major DAW producer such as Avid, which might not care as much 
about the development, or sold to some totally unrelated sports training 
company as happened with Finale.  I am confident that Dorico is here to 
stay.


While I'm disappointed that the major thrust of Dorico version 2 seems 
to be scoring to video, I realize that's a very large and growing 
segment of the notation/composition software market so it should be a 
means to even better cementing Dorico's future.


One major thing which Dorico did when it released version 2 for Dorico 
is that they now have a lighter version called Dorico Elements at a more 
entry level price point.  At only $99 for the full version it's a great 
tool for people who only work on small projects (up to 12 staves) but 
also a great way for people not to spend too much and find out if the 
Dorico workflow is good for them.


They have also implemented really refined midi control, large time 
signatures, rhythm slashes and repeat bars (don't play back yet but 
that's promised for soon), measure repeats (single, double, quadruple), 
a new handwritten font (Petaluma), plus countless "under the hood" 
tweaks, bug-fixes, etc.


They have provided an extensive library of video tutorials also.

So I'll wait and see how things develop.  But for now, I have confidence 
it will continue to grow and develop into the truly full-fledged 
notation program that will give Sibelius and Finale a run for their money!


David H. Bailey

On 5/31/2018 2:18 PM, dfr...@smcm.edu wrote:

I bought Dorico when it came out, and have been learning it, on and off. 
Generally, I’ve stopped when I encounter a problem, confirm with John Barron or 
Daniel Spreadbury that my problem is something not yet addressed. Then, when an 
update comes out (there have been 3 or 4 free updates — this one was paid), I 
take it up again. Rinse and repeat.

There is nothing Dorico does that Finale can’t do. I began with Finale at 1.0, 
so I know its DNA, and can usually guess what to do to solve whatever needs 
solving. That said, there are some remarkable things about Dorico, and it may 
indeed by my go-to program. But not yet.

The font is beautiful. The default notation and layout choices — all of which 
can be overridden — are almost all really smart ones. So, generally speaking, 
out of the box, things look great. The program is stable and launches quickly. 
You get only one computer-based license, and if you want to move from computer 
to computer regularly, you need to put the license on a dongle. You don’t need 
a dongle if you can use it on only one computer.

Things that are faster in Dorico:

The new divisi, which is quite good. The same method can handle ossias. Also 
pianos adding and dropping staves. Quick to implement, easy to use, easy to 
edit.

Pedalling (piano and vibes) of any style is amazingly easy to use.

Note spacing algorithms are quite good. I find only a very few things I need to 
fix.

Re: [Finale] Dorico 2

2018-05-31 Thread Doug Walter
I’m not anywhere near switching, but I’ve been following Dorico’s development 
with more than a little interest. Such informative posts like this one are 
quite useful and much appreciated - thanks for such a detailed, 
well-thought-out, well-stated comparison and review.

Doug

> On May 31, 2018, at 11:18 AM, dfr...@smcm.edu wrote:
> 
> I bought Dorico when it came out, and have been learning it, on and off. 
> Generally, I’ve stopped when I encounter a problem, confirm with John Barron 
> or Daniel Spreadbury that my problem is something not yet addressed. Then, 
> when an update comes out (there have been 3 or 4 free updates — this one was 
> paid), I take it up again. Rinse and repeat.
> 
> There is nothing Dorico does that Finale can’t do. I began with Finale at 
> 1.0, so I know its DNA, and can usually guess what to do to solve whatever 
> needs solving. That said, there are some remarkable things about Dorico, and 
> it may indeed by my go-to program. But not yet.
> 
> The font is beautiful. The default notation and layout choices — all of which 
> can be overridden — are almost all really smart ones. So, generally speaking, 
> out of the box, things look great. The program is stable and launches 
> quickly. You get only one computer-based license, and if you want to move 
> from computer to computer regularly, you need to put the license on a dongle. 
> You don’t need a dongle if you can use it on only one computer.
> 
> Things that are faster in Dorico:
> 
> The new divisi, which is quite good. The same method can handle ossias. Also 
> pianos adding and dropping staves. Quick to implement, easy to use, easy to 
> edit.
> 
> Pedalling (piano and vibes) of any style is amazingly easy to use.
> 
> Note spacing algorithms are quite good. I find only a very few things I need 
> to fix.
> 
> General layout control — what goes where on what page — is a bit hard to 
> learn, but once you have it, the control you have is astonishing. 
> 
> Cross-measure beaming is a snap. This (and other things) arise from Dorico 
> not thinking in terms of measures, but flows of notes. It knows the rules — 
> but you can change or insert meter changes at any time — or work without 
> meter — and Dorico rebeams properly. And, of course, things can be overridden.
> 
> Keyboard shortcuts are customizable — all of them. So I changed them to match 
> my Finale habits, and had to learn very few (to match the Dorico conception 
> for things like tuplets, dynamics, and a few other things). I find I was 
> able, after doing a short piece or two, to get my speed up to my Finale speed.
> 
> Every user wants different things. For me, the last two deal-breakers are:
> 
> You can’t have two (or more) instruments on a single staff and then break 
> them out into separate parts in the parts layout. I’m shocked that this is 
> still so, given that they clearly want to sell to people doing large ensemble 
> composing/arranging. I HAVE to assume this will be fixed soon, but it 
> seriously isn’t there — and there is no easy workaround (other than separate 
> files). 
> 
> Playback doesn’t read trills nor string harmonics (tremolos are fine). I am 
> led to believe that NotePerformer is as good as Garritan? I don’t know this 
> first hand, but that’s what people say (actually, they say it is better). 
> That’s now being integrated (though a separate purchase), so, generally 
> speaking, playback should be good. They provide a way to use Garritan, but it 
> is not simple to do, and I’ve not figured out how to get Garritan to work as 
> well as is does with Finale. Dorico people acknowledge that the problems with 
> all of this are on their end.
> 
> I paid for the first version because I want to support their efforts and 
> continuing development. I believe Steinberg was forcing them to release this 
> to prove they were going to start to recoup their investment. I bought the 
> upgrade because I want to continue supporting them, and every release so far 
> has been a big step forward. They are getting close.
> 
> The other reason I paid up is that I got a great deal — academic cross-grade 
> — on the initial purchase. On the upgrade, they had shown that they have 
> committed themselves to fix things continuously, acknowledge the 
> shortcomings, and release multiple, substantial improvements for free for a 
> good long time (about a year?). They also have fabulous communication — 
> especially Daniel Spreadbury and John Barron, both of whom are looped 
> completely into the development of the program, both of whom are completely 
> honest (and humble), and both of whom seem to respond within minutes to 
> queries that come in 24/7.
> 
> My two cents,
> David Froom 
> 
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> https://lists.shsu.edu/mailman/listinfo/finale
> 
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Re: [Finale] Dorico 2

2018-05-31 Thread dfr...@smcm.edu
I bought Dorico when it came out, and have been learning it, on and off. 
Generally, I’ve stopped when I encounter a problem, confirm with John Barron or 
Daniel Spreadbury that my problem is something not yet addressed. Then, when an 
update comes out (there have been 3 or 4 free updates — this one was paid), I 
take it up again. Rinse and repeat.

There is nothing Dorico does that Finale can’t do. I began with Finale at 1.0, 
so I know its DNA, and can usually guess what to do to solve whatever needs 
solving. That said, there are some remarkable things about Dorico, and it may 
indeed by my go-to program. But not yet.

The font is beautiful. The default notation and layout choices — all of which 
can be overridden — are almost all really smart ones. So, generally speaking, 
out of the box, things look great. The program is stable and launches quickly. 
You get only one computer-based license, and if you want to move from computer 
to computer regularly, you need to put the license on a dongle. You don’t need 
a dongle if you can use it on only one computer.

Things that are faster in Dorico:

The new divisi, which is quite good. The same method can handle ossias. Also 
pianos adding and dropping staves. Quick to implement, easy to use, easy to 
edit.

Pedalling (piano and vibes) of any style is amazingly easy to use.

Note spacing algorithms are quite good. I find only a very few things I need to 
fix.

General layout control — what goes where on what page — is a bit hard to learn, 
but once you have it, the control you have is astonishing. 

Cross-measure beaming is a snap. This (and other things) arise from Dorico not 
thinking in terms of measures, but flows of notes. It knows the rules — but you 
can change or insert meter changes at any time — or work without meter — and 
Dorico rebeams properly. And, of course, things can be overridden.

Keyboard shortcuts are customizable — all of them. So I changed them to match 
my Finale habits, and had to learn very few (to match the Dorico conception for 
things like tuplets, dynamics, and a few other things). I find I was able, 
after doing a short piece or two, to get my speed up to my Finale speed.

Every user wants different things. For me, the last two deal-breakers are:

You can’t have two (or more) instruments on a single staff and then break them 
out into separate parts in the parts layout. I’m shocked that this is still so, 
given that they clearly want to sell to people doing large ensemble 
composing/arranging. I HAVE to assume this will be fixed soon, but it seriously 
isn’t there — and there is no easy workaround (other than separate files). 

Playback doesn’t read trills nor string harmonics (tremolos are fine). I am led 
to believe that NotePerformer is as good as Garritan? I don’t know this first 
hand, but that’s what people say (actually, they say it is better). That’s now 
being integrated (though a separate purchase), so, generally speaking, playback 
should be good. They provide a way to use Garritan, but it is not simple to do, 
and I’ve not figured out how to get Garritan to work as well as is does with 
Finale. Dorico people acknowledge that the problems with all of this are on 
their end.

I paid for the first version because I want to support their efforts and 
continuing development. I believe Steinberg was forcing them to release this to 
prove they were going to start to recoup their investment. I bought the upgrade 
because I want to continue supporting them, and every release so far has been a 
big step forward. They are getting close.

The other reason I paid up is that I got a great deal — academic cross-grade — 
on the initial purchase. On the upgrade, they had shown that they have 
committed themselves to fix things continuously, acknowledge the shortcomings, 
and release multiple, substantial improvements for free for a good long time 
(about a year?). They also have fabulous communication — especially Daniel 
Spreadbury and John Barron, both of whom are looped completely into the 
development of the program, both of whom are completely honest (and humble), 
and both of whom seem to respond within minutes to queries that come in 24/7.

My two cents,
David Froom 
 
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Re: [Finale] Dorico 2

2018-05-31 Thread Robert Patterson
I mean, Finale is capable of producing all the results shown in the "Smart
Staff Management" video. But the U.I. for doing it can be quite laborious.


On Thu, May 31, 2018 at 9:26 AM, Will Roberts 
wrote:

> Hi Robert,
>
> Sure, I found it here:
>
> https://www.dorico.com/new-in-2/
>
> Looks like it's on YouTube here:
>
> https://www.youtube.com/watch?v=Yp8qDzPA77A
>
> I also saw some worked-through examples in the review on Scoring Notes.com.
>
> I'm right in saying that Finale has nothing like this, right? Or did I
> miss the memo?
>
> Best,
> -WR
>
> --
>   Will Roberts
>   whrcompo...@fastmail.fm
>
> On Thu, May 31, 2018, at 7:01 AM, Robert Patterson wrote:
> > Could you send a link to the demo? I would be interested in seeing how
> > sting divisi are handled.
> >
> > On Thu, May 31, 2018 at 5:11 AM, Will Roberts 
> > wrote:
> >
> > > Did anybody else get an email from Steinberg yesterday about the new
> > > version of Dorico? I tried the first version out about a year ago but
> > > didn't buy it at the time. Interested to check it out again now.
> > >
> > > The main new features are for composing to picture and playback
> > > automation, which doesn't interest me, but it looks like the slashes
> and
> > > ditto bars are pretty neat. For me the thing that looks really
> interesting
> > > is the way string divisi is handled – I would love to have a tool like
> that
> > > in Finale. Maybe it's already possible and I'm just too dumb to figure
> it
> > > out!
> > >
> > > No trial version yet, though, so I can't see if it works as well as the
> > > demos make it look!
> > >
> > > Best,
> > > -WR
> > >
> > > --
> > >   Will Roberts
> > >   whrcompo...@fastmail.fm
> > >
> > > ___
> > > Finale mailing list
> > > Finale@shsu.edu
> > > https://lists.shsu.edu/mailman/listinfo/finale
> > >
> > > To unsubscribe from finale send a message to:
> > > finale-unsubscr...@shsu.edu
> > ___
> > Finale mailing list
> > Finale@shsu.edu
> > https://lists.shsu.edu/mailman/listinfo/finale
> >
> > To unsubscribe from finale send a message to:
> > finale-unsubscr...@shsu.edu
>
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Re: [Finale] Dorico 2

2018-05-31 Thread Will Roberts
Hi Robert,

Sure, I found it here:

https://www.dorico.com/new-in-2/

Looks like it's on YouTube here:

https://www.youtube.com/watch?v=Yp8qDzPA77A

I also saw some worked-through examples in the review on Scoring Notes.com.

I'm right in saying that Finale has nothing like this, right? Or did I miss the 
memo?

Best,
-WR

-- 
  Will Roberts
  whrcompo...@fastmail.fm

On Thu, May 31, 2018, at 7:01 AM, Robert Patterson wrote:
> Could you send a link to the demo? I would be interested in seeing how
> sting divisi are handled.
> 
> On Thu, May 31, 2018 at 5:11 AM, Will Roberts 
> wrote:
> 
> > Did anybody else get an email from Steinberg yesterday about the new
> > version of Dorico? I tried the first version out about a year ago but
> > didn't buy it at the time. Interested to check it out again now.
> >
> > The main new features are for composing to picture and playback
> > automation, which doesn't interest me, but it looks like the slashes and
> > ditto bars are pretty neat. For me the thing that looks really interesting
> > is the way string divisi is handled – I would love to have a tool like that
> > in Finale. Maybe it's already possible and I'm just too dumb to figure it
> > out!
> >
> > No trial version yet, though, so I can't see if it works as well as the
> > demos make it look!
> >
> > Best,
> > -WR
> >
> > --
> >   Will Roberts
> >   whrcompo...@fastmail.fm
> >
> > ___
> > Finale mailing list
> > Finale@shsu.edu
> > https://lists.shsu.edu/mailman/listinfo/finale
> >
> > To unsubscribe from finale send a message to:
> > finale-unsubscr...@shsu.edu
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> https://lists.shsu.edu/mailman/listinfo/finale
> 
> To unsubscribe from finale send a message to:
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Re: [Finale] Dorico 2

2018-05-31 Thread Robert Patterson
Could you send a link to the demo? I would be interested in seeing how
sting divisi are handled.

On Thu, May 31, 2018 at 5:11 AM, Will Roberts 
wrote:

> Did anybody else get an email from Steinberg yesterday about the new
> version of Dorico? I tried the first version out about a year ago but
> didn't buy it at the time. Interested to check it out again now.
>
> The main new features are for composing to picture and playback
> automation, which doesn't interest me, but it looks like the slashes and
> ditto bars are pretty neat. For me the thing that looks really interesting
> is the way string divisi is handled – I would love to have a tool like that
> in Finale. Maybe it's already possible and I'm just too dumb to figure it
> out!
>
> No trial version yet, though, so I can't see if it works as well as the
> demos make it look!
>
> Best,
> -WR
>
> --
>   Will Roberts
>   whrcompo...@fastmail.fm
>
> ___
> Finale mailing list
> Finale@shsu.edu
> https://lists.shsu.edu/mailman/listinfo/finale
>
> To unsubscribe from finale send a message to:
> finale-unsubscr...@shsu.edu
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[Finale] Dorico 2

2018-05-31 Thread Will Roberts
Did anybody else get an email from Steinberg yesterday about the new version of 
Dorico? I tried the first version out about a year ago but didn't buy it at the 
time. Interested to check it out again now.

The main new features are for composing to picture and playback automation, 
which doesn't interest me, but it looks like the slashes and ditto bars are 
pretty neat. For me the thing that looks really interesting is the way string 
divisi is handled – I would love to have a tool like that in Finale. Maybe it's 
already possible and I'm just too dumb to figure it out!

No trial version yet, though, so I can't see if it works as well as the demos 
make it look!

Best,
-WR

-- 
  Will Roberts
  whrcompo...@fastmail.fm

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