Re: [Finale] OT: Best Works of the 1920s
I would say A Colour Symphony by (Sir) Artur Bliss. Was composed in 1922 and revised on 1932. Incredible composition and orchestration! Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
[Finale] Chord symbol
Hello, How can I write a chord such as C/Bb7 ? When doing so, finale removes the 7 of the Bb. Thanks, Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: [Finale] Chord symbol
No, what I want is a Bb7 (9, +11, 13), it's easier to write C/Bb7, but not by finale! Roger -- Guy Hayden[EMAIL PROTECTED] wrote: Your chord is written incorrectly. If you want a Bb7 over a C bass then you must reverse the order to Bb7/C Guy Hayden - Original Message - From: Roger Julià Satorra [EMAIL PROTECTED] To: finale@shsu.edu Sent: Saturday, March 05, 2005 11:22 AM Subject: [Finale] Chord symbol Hello, How can I write a chord such as C/Bb7 ? When doing so, finale removes the 7 of the Bb. Thanks, Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: Re: [Finale] Chord symbol
Yes, that's exactly what I mean. I know Bb13 (#11) would be appropriate, but specially when writing for big band, the piano part should be written C --- Bb7 I guess it's something that MUST be corrected by finale. I'm curious about how Sibelius deals with it. I'll ask arround, jazz people prefere Sibelius than Finale. Perhaps that's why. Roger -- Kurt Gnos[EMAIL PROTECTED] wrote: Roger, /X is only for a bass note, as in Bb/C (Bb over C = Csus). Do you mean: C? Bb7 Then a Bb13 (#11) should be appropriate. Kurt ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: Re: [Finale] Chord symbol
-- Darcy James Argue[EMAIL PROTECTED] wrote: 1) Enter two separate chords on the same beat -- C and Bb7 -- manually drag the C up, and draw a horizontal line between them. (There many options for this -- if you're not picky about the appearance, probably the easiest thing is to just use a smart shape line). You're right Darcy. That's what I did. I think that I'll buy Bill Duncan's font. Thanks, Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: Re: [Finale] String divisi
-- Ken Moore[EMAIL PROTECTED] wrote: B? That's a new one on me! Can anyone cite a composition (orch., chamber, or solo) that actually requires that note from the cb? Also Sprach Zarathustra, in the fugue. You're talking about a scordatura. I'm based in Europe and it's nothing usual for double bass to tune the 5th string to B. Always C. Sometimes composers want a note lower than the range of a string instrument and then it's properly indicated that one of the strings has to be tuned down to X (in this case the db to B). Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
[Finale] New Real Book font
Hi, Does anyone know which is the font used in the New Real Books? Thanks, Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: Re: [Finale] The ARCHIVE Password
-- dhbailey[EMAIL PROTECTED] wrote: But now that your e-mail is out there on the marketed spam lists, nothing any archive is going to do will change that. That's provably true, but new members who haven't post yet and who don't receive spam can post here and get infected by spam. Also, I'm sure that part of the members who don't post is just for this reason. I think that I had just posted one reply when I realized that it was public. From then I thought that I wouldn't post here unless this policy of having the arcive open to everybody changed. Roger ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
Re: [Finale] Ossia
Hello, The same happens to me. The notes in the ossia measure mantain the same intervalic relation (diatonically) than the original, but change the notes. Roger -- Gerry Kirk[EMAIL PROTECTED] wrote: I have created several Ossia measures. When I change notation in the scratch staff, the notes also change in the Ossia measure. What am I doing wrong? I can't find a mirror solution in the on-line help manual. ___ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
Re: [Finale] 8. RE: OT: Websites with music (audio)
Hello Matthew, At my website http://www.rogerjulia.com you will find more than 30 minutes of MP3 files, clasified in orchestral music and non orchestral music. I hope that it is of your interest, Roger Dear List Members, I'm currently teaching a Sound and Music for Multimedia course, and would like to show the students some examples of how music and sound has been integrated into websites. So if anyone has a website that they would like me to plug, please feel free to let me know! (Or if they know of any other sites that are particularly good or bad...) Thanks for any input received, Matthew ___ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale ___ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
