Re: [Finale] News update on MakeMusic move to Boulder

2014-10-14 Thread Steve Parker

> talking more about partially 
> thought-out implementations in this case.

I still think that Finale (and Sibelius) are still screwing up implementations 
of things like linked parts and magnetic layout that Igor Engraver had right 
decades ago.
Igor had (severe) problems but was designed from the startin a non-modal, 
grab-anything-and-move-it, 
link-exactly-what-you-want fashion.

Finale and Sibelius read the ad copy from Igor about these features but no one 
ever actually
used the program for long enough to understand the beauty of these concepts or 
why they worked so well.

Steve P.
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Re: [Finale] News update on MakeMusic move to Boulder

2014-10-14 Thread Craig Parmerlee
I agree with you Robert.  There really hasn't been strong design 
leadership.  MM programmers basically hack away until they get something 
that the company is willing to put into the market.  Evidence of this is 
features that take 3 releases to actually get close to right.  Every 
software product has some bugs, but we are talking more about partially 
thought-out implementations in this case.

Another such example is MIDI Retranscribe.  This is a very nice feature 
to clean up the notation.  There are various cases where (again because 
of poor architectural design) copying content causes the notation to get 
sloppy -- for example turning dotted quarters into quarter-tie-8th for 
no good reason.  Retranscribe cleans that up.  BUT... when you do 
Retranscribe, it preserves Smartshapes and Expressions (excellent) but 
loses Articulation (come on, guys, nobody tested any of this.)


In programming, there is a concept called orthogonal design.  The basic 
premise is that data structures and algorithms should be designed such 
that the operations are naturally all-inclusive.  It is more a 
philosophy than a programming technique, but to be successful, you 
really must commit to this type of thinking all the way through the 
product.  Most programmers today learn the opposite way -- linearly, and 
they are hopeless.  The state of the programming art has been on a long 
decline for decades.

Regarding availability of programmers, it seems to me you need a special 
type of programmer in this case.  There is quite a lot of art in music 
notation.  It ain't like programming a website.  Most programmers will 
have no appreciation for the subtleties of symbol placement and how the 
slightest change can make a big difference.  You really do need great 
programmers who are musicians.  Fortunately this is not really a rare 
combination.

My bigger concern is that there simply will be no commitment to staffing 
at the level to properly support the product, let alone produce 
enhancements.  It appears the very best case is that little happens the 
rest of this year, as everybody is either looking for a new job or 
planning for a move to Boulder.  And little happens in 2015 because they 
will be hiring people and trying to get them up to speed.  My guess is 
the very best case is that we get some bug fixes in the second half of 
2015 and maybe get a new release by the end of 2016.

By then, Steinberg may have their product ready.


On 10/14/2014 8:19 AM, Robert Patterson wrote:
> Architects lost control of Finale years ago. I am not picking on Finale,
> because it is an industry-wide phenomenon and a routine hazard of aging
> products, but the evidence is everywhere that architecture is out the
> window at MM. Here are a few clues:
>
> 1. Beat-attached smart shapes are only partially implemented. (Slurs and
> dotted slurs are not implemented.) An architected solution would have
> implemented all at once.
>
> 2. Although "Exclude from Measure Numbering" works graphically, many parts
> of the program (especially scroll view navigation) get very confused by it
> if you use it more than once or twice in a piece.
>
> 3. Plugins unlink some items when editing a part and not others. If an
> architecture were in place there could be no difference between manual and
> plugin edits because both would be taking the same code paths.
>
> I beg to differ that "programmers are a dime a dozen." Though this is
> certainly the prevailing industry view of them (since the bean counters
> took control), a good programmer is worth a dozen bad ones—probably two
> dozen—and the best thing you can do for yourself is to find one of the good
> ones and let them do it.
>
>
> On Tue, Oct 14, 2014 at 12:37 AM, Eric Dannewitz 
> wrote:
>
>> Though to do smartmusic you need to have finale so.
>>
>> Programmers are a dime a dozen. As long as they retain the architects
>> of the program's it should be fine. I have less worries about finale
>> and makemusic than I do with avid and Sibelius
>>
>> Sent from my iSomething
>> --
>>
>>> On Oct 13, 2014, at 10:26 PM, Craig Parmerlee 
>> wrote:
>>>
>>> See
>>>
>> http://www.bizjournals.com/twincities/news/2014/10/03/makemusic-hq-move-eliminate-120-minnesota-jobs.html
>>>
>>> "The company, which develops software for teaching and composing music,
>>> offered transfers to more than half of its workers and several dozen
>>> have agreed to move, Fisher said.  Because some employees are still
>>> considering the offer, he couldn't say how many will relocate when the
>>> time to move comes early next year."
>>>
>>> So in rough numbers, there were 120 employees.
>>> They offered transfers to about 60.
>>> About 30 or 1/4 of the company is going to stay on board.
>>>
>>> Considering this encompasses Smartmusic and Garritan, and Smartmusic is
>>> more in line with the mission of Peaksware, my guess is that we'd be
>>> lucky if 15 experienced Finale people remain with the company -- and
>>> that would have to include 

Re: [Finale] News update on MakeMusic move to Boulder

2014-10-14 Thread Robert Patterson
Architects lost control of Finale years ago. I am not picking on Finale,
because it is an industry-wide phenomenon and a routine hazard of aging
products, but the evidence is everywhere that architecture is out the
window at MM. Here are a few clues:

1. Beat-attached smart shapes are only partially implemented. (Slurs and
dotted slurs are not implemented.) An architected solution would have
implemented all at once.

2. Although "Exclude from Measure Numbering" works graphically, many parts
of the program (especially scroll view navigation) get very confused by it
if you use it more than once or twice in a piece.

3. Plugins unlink some items when editing a part and not others. If an
architecture were in place there could be no difference between manual and
plugin edits because both would be taking the same code paths.

I beg to differ that "programmers are a dime a dozen." Though this is
certainly the prevailing industry view of them (since the bean counters
took control), a good programmer is worth a dozen bad ones—probably two
dozen—and the best thing you can do for yourself is to find one of the good
ones and let them do it.


On Tue, Oct 14, 2014 at 12:37 AM, Eric Dannewitz 
wrote:

> Though to do smartmusic you need to have finale so.
>
> Programmers are a dime a dozen. As long as they retain the architects
> of the program's it should be fine. I have less worries about finale
> and makemusic than I do with avid and Sibelius
>
> Sent from my iSomething
> --
>
> > On Oct 13, 2014, at 10:26 PM, Craig Parmerlee 
> wrote:
> >
> > See
> >
> http://www.bizjournals.com/twincities/news/2014/10/03/makemusic-hq-move-eliminate-120-minnesota-jobs.html
> >
> > "The company, which develops software for teaching and composing music,
> > offered transfers to more than half of its workers and several dozen
> > have agreed to move, Fisher said.  Because some employees are still
> > considering the offer, he couldn't say how many will relocate when the
> > time to move comes early next year."
> >
> > So in rough numbers, there were 120 employees.
> > They offered transfers to about 60.
> > About 30 or 1/4 of the company is going to stay on board.
> >
> > Considering this encompasses Smartmusic and Garritan, and Smartmusic is
> > more in line with the mission of Peaksware, my guess is that we'd be
> > lucky if 15 experienced Finale people remain with the company -- and
> > that would have to include coverage for Printmusic and Songwriter.
> > ___
> > Finale mailing list
> > Finale@shsu.edu
> > https://lists.shsu.edu/mailman/listinfo/finale
> >
> > To unsubscribe from finale send a message to:
> > finale-unsubscr...@shsu.edu
> ___
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>
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> finale-unsubscr...@shsu.edu
>
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Re: [Finale] News update on MakeMusic move to Boulder

2014-10-13 Thread Eric Dannewitz
Though to do smartmusic you need to have finale so.

Programmers are a dime a dozen. As long as they retain the architects
of the program's it should be fine. I have less worries about finale
and makemusic than I do with avid and Sibelius

Sent from my iSomething
--

> On Oct 13, 2014, at 10:26 PM, Craig Parmerlee  wrote:
>
> See
> http://www.bizjournals.com/twincities/news/2014/10/03/makemusic-hq-move-eliminate-120-minnesota-jobs.html
>
> "The company, which develops software for teaching and composing music,
> offered transfers to more than half of its workers and several dozen
> have agreed to move, Fisher said.  Because some employees are still
> considering the offer, he couldn't say how many will relocate when the
> time to move comes early next year."
>
> So in rough numbers, there were 120 employees.
> They offered transfers to about 60.
> About 30 or 1/4 of the company is going to stay on board.
>
> Considering this encompasses Smartmusic and Garritan, and Smartmusic is
> more in line with the mission of Peaksware, my guess is that we'd be
> lucky if 15 experienced Finale people remain with the company -- and
> that would have to include coverage for Printmusic and Songwriter.
> ___
> Finale mailing list
> Finale@shsu.edu
> https://lists.shsu.edu/mailman/listinfo/finale
>
> To unsubscribe from finale send a message to:
> finale-unsubscr...@shsu.edu
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[Finale] News update on MakeMusic move to Boulder

2014-10-13 Thread Craig Parmerlee
See 
http://www.bizjournals.com/twincities/news/2014/10/03/makemusic-hq-move-eliminate-120-minnesota-jobs.html

"The company, which develops software for teaching and composing music, 
offered transfers to more than half of its workers and several dozen 
have agreed to move, Fisher said.  Because some employees are still 
considering the offer, he couldn't say how many will relocate when the 
time to move comes early next year."

So in rough numbers, there were 120 employees.
They offered transfers to about 60.
About 30 or 1/4 of the company is going to stay on board.

Considering this encompasses Smartmusic and Garritan, and Smartmusic is 
more in line with the mission of Peaksware, my guess is that we'd be 
lucky if 15 experienced Finale people remain with the company -- and 
that would have to include coverage for Printmusic and Songwriter.
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To unsubscribe from finale send a message to:
finale-unsubscr...@shsu.edu