Re: [Finale] chord spelling

2015-07-20 Thread Christopher Smith
All train whistles are a chord here in North America. I JUST discovered that 
Canadian ones are all the same, while US trains are all different, but they are 
all chords. Funny the things you take for granted!

What the octave separation is, or for that matter, what the voicing is at all, 
is not part of jazz nomenclature. Voicing is left entirely up to the performer. 
It wouldn't matter if the A# was voiced a tritone or an aug11 away from the E; 
the chord symbol would still be the same. My only worry was that when you 
mention an upper extension, it implies the existence of the lower chord members 
as well. For example, a C6 chord has an A added, while a C13 has a Bflat and an 
A added, at the very least. Tim seemed to understand that, probably because 
jazz nomenclature is much more part of American culture than other countries. I 
can't depend on a Canadian classical musician understanding jazz chord 
nomenclature, but American ones seem to take it as a point of pride, as they 
should!

Christopher


On Mon Jul 20, at MondayJul 20 4:55 PM, Giovanni Andreani wrote:

> This in fact clarified the whole aspect, Christopher. Do those horns play 
> simultaneously or melodically? Is the A# a #4th or a #11th higher than the E 
> horn? I’m not going yo mention, at this point, how the trains’ horns sound 
> over here.
> 
> Giovanni
> 
> 
> 
>> On 20 Jul 2015, at 17:20, Christopher Smith  
>> wrote:
>> 
>> Heh, heh, that's cool about the individual train whistles! 
>> 
>> I was doing some more thinking about the chord, and for some people, saying 
>> #11 necessarily implies that a 7th is present. Maybe Em(#4) would cause the 
>> least confusion among musicians of all stripes (which is usually my goal, 
>> rather than notating for a select audience).
>> 
>> Christopher
>> 
>> 
>> On Mon Jul 20, at MondayJul 20 11:11 AM, timothy price wrote:
>> 
>>> Great. Thanks, Christopher. 
>>> I live on the boarder between Vermont and New Hampshire in Fairlee, VT.
>>> Yes, each locomotive has its unique horn.  They change over time. Wonder 
>>> who comes up with them. 
>>> 
>>> tim
>>> 
>>> 
>>> 
>>> On Jul 20, 2015, at 11:04 AM, Christopher Smith wrote:
>>> 
 Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name 
 for it. Em(#11) would do it.
 
 Where do you live? All the trains around me sound the same.
 
 Christopher
 
 
 On Mon Jul 20, at MondayJul 20 11:00 AM, timothy price wrote:
 
> Asking for some help as I am not very familiar with this: 
> 
> I live about a mile from a rail line. Each engine has its own particular 
> horn sound... some major, some 7th, some minor, diminished, etc..
> But one in particular intrigues me:  would describe it as being a G 
> signature, but one of the E minors.  The notes are E, G, A#, and B.
> How would you notate and describe this chord?
> 
> thanks,
> 
> tim
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Re: [Finale] chord spelling

2015-07-20 Thread Giovanni Andreani
This in fact clarified the whole aspect, Christopher. Do those horns play 
simultaneously or melodically? Is the A# a #4th or a #11th higher than the E 
horn? I’m not going yo mention, at this point, how the trains’ horns sound over 
here.

Giovanni



> On 20 Jul 2015, at 17:20, Christopher Smith  
> wrote:
> 
> Heh, heh, that's cool about the individual train whistles! 
> 
> I was doing some more thinking about the chord, and for some people, saying 
> #11 necessarily implies that a 7th is present. Maybe Em(#4) would cause the 
> least confusion among musicians of all stripes (which is usually my goal, 
> rather than notating for a select audience).
> 
> Christopher
> 
> 
> On Mon Jul 20, at MondayJul 20 11:11 AM, timothy price wrote:
> 
>> Great. Thanks, Christopher. 
>> I live on the boarder between Vermont and New Hampshire in Fairlee, VT.
>> Yes, each locomotive has its unique horn.  They change over time. Wonder who 
>> comes up with them. 
>> 
>> tim
>> 
>> 
>> 
>> On Jul 20, 2015, at 11:04 AM, Christopher Smith wrote:
>> 
>>> Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name 
>>> for it. Em(#11) would do it.
>>> 
>>> Where do you live? All the trains around me sound the same.
>>> 
>>> Christopher
>>> 
>>> 
>>> On Mon Jul 20, at MondayJul 20 11:00 AM, timothy price wrote:
>>> 
 Asking for some help as I am not very familiar with this: 
 
 I live about a mile from a rail line. Each engine has its own particular 
 horn sound... some major, some 7th, some minor, diminished, etc..
 But one in particular intrigues me:  would describe it as being a G 
 signature, but one of the E minors.  The notes are E, G, A#, and B.
 How would you notate and describe this chord?
 
 thanks,
 
 tim
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>> 
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Re: [Finale] chord spelling

2015-07-20 Thread timothy price
Christopher,  your #4 was what I was thinking would be most accurately 
reproduced.

thanks again,

tim



On Jul 20, 2015, at 11:20 AM, Christopher Smith wrote:

> I was doing some more thinking about the chord, and for some people, saying 
> #11 necessarily implies that a 7th is present. Maybe Em(#4) would cause the 
> least confusion among musicians of all stripes (which is usually my goal, 
> rather than notating for a select audience).
> 
> Christopher


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Re: [Finale] chord spelling

2015-07-20 Thread Haroldo Mauro
E minor with a fake blue note :-)

You might also consider it an inverted upper part of a chord (B—E—G—A#), 
enharmonically spelled, as in C#7(#9,#11,13), no root, third or fifth:
>From botton to top: [C#-E#] B—E—G—A#

Harold


On 20/07/2015, at 12:00, timothy price wrote:

> Asking for some help as I am not very familiar with this: 
> 
> I live about a mile from a rail line. Each engine has its own particular horn 
> sound... some major, some 7th, some minor, diminished, etc..
> But one in particular intrigues me:  would describe it as being a G 
> signature, but one of the E minors.  The notes are E, G, A#, and B.
> How would you notate and describe this chord?
> 
> thanks,
> 
> tim
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Re: [Finale] chord spelling

2015-07-20 Thread Christopher Smith
Heh, heh, that's cool about the individual train whistles! 

I was doing some more thinking about the chord, and for some people, saying #11 
necessarily implies that a 7th is present. Maybe Em(#4) would cause the least 
confusion among musicians of all stripes (which is usually my goal, rather than 
notating for a select audience).

Christopher


On Mon Jul 20, at MondayJul 20 11:11 AM, timothy price wrote:

> Great. Thanks, Christopher. 
> I live on the boarder between Vermont and New Hampshire in Fairlee, VT.
> Yes, each locomotive has its unique horn.  They change over time. Wonder who 
> comes up with them. 
> 
> tim
> 
> 
> 
> On Jul 20, 2015, at 11:04 AM, Christopher Smith wrote:
> 
>> Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name 
>> for it. Em(#11) would do it.
>> 
>> Where do you live? All the trains around me sound the same.
>> 
>> Christopher
>> 
>> 
>> On Mon Jul 20, at MondayJul 20 11:00 AM, timothy price wrote:
>> 
>>> Asking for some help as I am not very familiar with this: 
>>> 
>>> I live about a mile from a rail line. Each engine has its own particular 
>>> horn sound... some major, some 7th, some minor, diminished, etc..
>>> But one in particular intrigues me:  would describe it as being a G 
>>> signature, but one of the E minors.  The notes are E, G, A#, and B.
>>> How would you notate and describe this chord?
>>> 
>>> thanks,
>>> 
>>> tim
>>> ___
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>>> Finale@shsu.edu
>>> https://lists.shsu.edu/mailman/listinfo/finale
>>> 
>>> To unsubscribe from finale send a message to:
>>> finale-unsubscr...@shsu.edu
>> 
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> 
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Re: [Finale] chord spelling

2015-07-20 Thread timothy price
Great. Thanks, Christopher. 
I live on the boarder between Vermont and New Hampshire in Fairlee, VT.
Yes, each locomotive has its unique horn.  They change over time. Wonder who 
comes up with them. 

tim



On Jul 20, 2015, at 11:04 AM, Christopher Smith wrote:

> Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name 
> for it. Em(#11) would do it.
> 
> Where do you live? All the trains around me sound the same.
> 
> Christopher
> 
> 
> On Mon Jul 20, at MondayJul 20 11:00 AM, timothy price wrote:
> 
>> Asking for some help as I am not very familiar with this: 
>> 
>> I live about a mile from a rail line. Each engine has its own particular 
>> horn sound... some major, some 7th, some minor, diminished, etc..
>> But one in particular intrigues me:  would describe it as being a G 
>> signature, but one of the E minors.  The notes are E, G, A#, and B.
>> How would you notate and describe this chord?
>> 
>> thanks,
>> 
>> tim
>> ___
>> Finale mailing list
>> Finale@shsu.edu
>> https://lists.shsu.edu/mailman/listinfo/finale
>> 
>> To unsubscribe from finale send a message to:
>> finale-unsubscr...@shsu.edu
> 
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Re: [Finale] chord spelling

2015-07-20 Thread Dennis Bathory-Kitsz
On Mon, July 20, 2015 11:04 am, Christopher Smith wrote:
> Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name for
> it. Em(#11) would do it.

I wonder if it's a combined Doppler echo. I don't know any trains with this
pattern (and I'm probably on the same line as Timothy). I've been recording
train horns for years and don't recall this one!

> Where do you live? All the trains around me sound the same.

You're in Canada, right? I think the horns were standardized a long time ago.
In the US, the manufacturers pride themselves on making the horns of each
engine (not just each model) unique.

D


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Re: [Finale] chord spelling

2015-07-20 Thread Christopher Smith
Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name for 
it. Em(#11) would do it.

Where do you live? All the trains around me sound the same.

Christopher


On Mon Jul 20, at MondayJul 20 11:00 AM, timothy price wrote:

> Asking for some help as I am not very familiar with this: 
> 
> I live about a mile from a rail line. Each engine has its own particular horn 
> sound... some major, some 7th, some minor, diminished, etc..
> But one in particular intrigues me:  would describe it as being a G 
> signature, but one of the E minors.  The notes are E, G, A#, and B.
> How would you notate and describe this chord?
> 
> thanks,
> 
> tim
> ___
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> 
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Re: [Finale] CHORD spelling

2012-01-26 Thread John Howell
At 3:59 PM -0800 1/25/12, Kim Richmond wrote:
>I'm trying to respell some of my chord symbols. 
>Even though the key signature is five sharps, I 
>want to chords such as Ebmin7, Ab7 etc. How can 
>I accomplish that?
>All the best,
>KIM R


Chord symbols are entirely independent of key 
signatures, so there should be not problem. 
unless I don't understand your question.

John


-- 
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Virginia Tech Department of Music
School of Performing Arts & Cinema
College of Liberal Arts & Human Sciences
290 College Ave., Blacksburg, Virginia 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
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Re: [Finale] CHORD spelling

2012-01-25 Thread Chuck Israels
Hi Kim,

I think you need to turn off Simplify Spelling in the Chord menu, then it 
should allow enharmonic spelling.

Chuck


On Jan 25, 2012, at 3:59 PM, Kim Richmond wrote:

> I'm trying to respell some of my chord symbols. Even though the key signature 
> is five sharps, I want to chords such as Ebmin7, Ab7 etc. How can I 
> accomplish that?
> All the best,
> KIM R
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Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434




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