Re: FLUXLIST: crispin's call
all the details wil be on the webpage im workingon but no payment but a place to stay.. thanks allan crispin --- [EMAIL PROTECTED] wrote: RE: Also we here at open fluxus are thinking of sending out a call for artists which would be a call for proposals for people to come and do a project here in ohio.. at our space in fredricktown.. nice one!! i'm thinking about my proposal as i pause between typing each letter with my typing finger. will this be a paid residency? do we get our flights paid? do we get somewhere to stay? i like what you're doing crispin, especially the 'machines'. after a recent conversation (in the flesh!!!) with sol and previously with lisa blatt from SF Arts Inst I feel rather inspired towards a group project idea. alas and alack i fear my dear that we are to far apart. shame! i am beginning to feel the strain of living in a place like venice good if you do watercolours.. or well that's about it really. I hope you get some good proposals crispin, i have only ever had very positive experiences when meeting other fluxlisters, i believe that that there are some great potential collaborations out there. cheers alan Oh Odin's Underpants its a B(owman)LOG http://bowmansramblings.blogspot.com/ Visit the Freeformfreakout Organisation Online: http://www.freeformfreakoutorganisation.net http://www.crispinwebb.com __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: FLUXLIST: Re: fluxlist convention
meeting time, noontime, the time of the jackal, the time of our lives. dinner time, tea time, mint julep time. In the meantime, here, now. ooo K
Re: FLUXLIST: Re: fluxlist convention
this is what we should havefor lunch with our fluxboxes http://photos1.blogger.com/blogger/4644/1120/1600/IMG_0043%201.jpg crispin --- Kathy Forer [EMAIL PROTECTED] wrote: meeting time, noontime, the time of the jackal, the time of our lives. dinner time, tea time, mint julep time. In the meantime, here, now. ooo K http://www.crispinwebb.com Start your day with Yahoo! - make it your home page http://www.yahoo.com/r/hs
RE: FLUXLIST: Re: fluxlist convention
Drats!* The convention is now? Missed it again! XXX Roger *as well as an exclamatory word expressing mild anger and regret - this is also a short one word poem in the style of JB It's a blog! http://rogerstevens.blogspot.com Wonky Finger - Live at Staplecroft Village Hall Order your copy at http://www.rabbitpress.com Visit The Poetry Zone http://www.poetryzone.co.uk -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Kathy Forer Sent: 04 August 2005 08:59 To: FLUXLIST@scribble.com Subject: Re: FLUXLIST: Re: fluxlist convention meeting time, noontime, the time of the jackal, the time of our lives. dinner time, tea time, mint julep time. In the meantime, here, now. ooo K
FLUXLIST: Re: At least one Fluxbox made it to Europe
just to take up the cudgels for crispin (leo english-german dictionary says that this is an existing expression. hope they're right): i got my box months ago and am having lots of fun with it. my girlfriend is always complaining, as she has to share the bed with me AND the box! thanks crispin! georg Am 03.08.2005 um 15:25 schrieb FLUXLIST-digest: Date: Wed, 3 Aug 2005 04:59:43 -0700 (PDT) From: Crispin Webb [EMAIL PROTECTED] Subject: Re: FLUXLIST: RE: Phew! fluxbox II too (2) If you sent shipping money or stamps for your box you should have recieved it nick carol candice should be recieving theirs soon sorry for delay life has gotten the best of my attention.. Those of you who participated in the cd i have no adresses for and no money i never recieved the 7dollars from you crispin -- Architektur Georg Birkner Dipl. Arch. ETH Röntgenstrasse 44 CH - 8005 Zürich T: +41 (0)1 271 00 22 F: +41 (0)1 271 01 20 M: [EMAIL PROTECTED]
FLUXLIST: christina renz und georg birkner zeigen isabelle gabrijel in der galerie mehrzeck-halle
dear fluxlisters another invitation for our gallery in zurich - as usual in german. please feel free to visit our website www.mehrzweck-halle.ch for pics and http://babelfish.altavista.com/ for translations! bests georg -- am freitag, den 12. august 2005, ab 19:00, findet vor dem schaukasten auf dem trottoir des hotel seefeld, seefeldstrasse 63, 8044 zürich, die vierte vernissage der galerie mehrzweck-halle statt: entrückt bei isa g eine installation von isabelle gabrijel die künstlerin erschafft aus unbedeutenden, vergessenen, billigen massenprodukten entrückte welten. durch die inszenierung unoffensichtlicher dinge, gibt sie diesen bedeutung. ihre scheinbar lieblichen kunstwelten irritieren bei näherer betrachtung durch subtile aussagen. die ausstellung dauert vom 13. august bis 23. september 2005. isabelle gabrijel wird während der vernissage anwesend sein. im anschluss an die vernissage (ab ca. 21:00 uhr) werden wir im hotel seefeld wieder gemütlich zu abend essen. wir bitten diejenigen, welche auch beim essen dabei sein möchten, um anmeldung per mail an [EMAIL PROTECTED] bis dienstag, 9. august. letzte tage: bis nächsten samstag, den 6. august, besteht noch die letzte möglichkeit, die videoinstallation Antworten für Max der künstlerin kristina lemke im schaukasten zu sehen und zu hören! weitere informationen dazu findet ihr wie immer auf www.mehrzweck-halle.ch. mit lieben grüssen christina renz + georg birkner -- galerie mehrzweck-halle.ch Christina Renz + Georg Birkner Quellenstrasse 5 CH - 8005 Zürich T: +41 (0)1 271 49 09 F: +41 (0)1 271 01 20 M: [EMAIL PROTECTED]
FLUXLIST: Cervena Barva Press August Newsletter
CERVENÁ BARVA PRESS NEWSLETTER Gloria Mindock, Editor Issue No. 1 July, 2005 ÈERVENÁ BARVA PRESS WEBSITE EDITORIAL Welcome to the second newsletter of the press. The purpose of this newsletter is to share events, readings, interviews, books of interests, theatre productions, and whatever else is going on of interest. It is completely open for anyone to submit to. Postcard Series: One update Due to the high cost of printing, the price of the postcards has changed, please check the website. The postcards will be available in mid-August. RANTS AND RAVES Raves for Nave Gallery in Somerville, MA. Their Sound Vision/ Vision Sound 111 International Exhibition and Festival of Verbo -Visual Artwork and Performances were wonderful. I attended the performance on July 15th and was struck by the artwork, the intimate space, and the cozy atmosphere of the gallery. I went to see John M. Bennett and Be Blank Consort perform. I also wanted to meet John because for years I've been reading his work which I love. Be Blank Consort performed many pieces which took on language in a new way. Many of the poems were spoken simultaneously with performers speaking different text. It gave a chorus effect. I found myself listening to some text but then my attention would go to another person and what they were saying. The rhythm and structure of the text allowed the listener to make their own meaning at times. The pieces that really stood out for me were Lungs, P piece, and a brilliant performance and delivery of The Peel Peeled. This last piece was ! performed in three different languages at the same time. The timing and delivery of all the work was well crafted. Be Blank Consort knew exactly what they were doing. Other members of the group that performed were K.S.Ernst, Scott Helmes and Michael Basinski. All of the performers were wonderful. I just loved it! I wondered if they put any of their pieces together like John Cage used to do. That is throwing up notes in the air and putting them together in random order. Years ago, I saw a special on PBS on John Cage. Richard Kostelanetz, a language poet, spoke about him on this special. I considered everyone that night performing to be language poets. The text was not only important on the delivery but also how it looked on the page. I cannot rave enough about this group. BuffFluxus was the next to perform, the performance group was established in 1956 when they first performed on the Ed Sullivan show. They were great. They also experimented with language, text, and delivery. They consisted of members Michael Basinski, Doug Manson, Matt Chambers and Karen Yocobucci. They did a Poem Improvise, in which a box of pants/shorts were emptied out onto the floor. They called them John M. Bennett's pants. They put them on and audience members could do the same if they wanted to. Another piece they did I'll call Oh Shit. In this, they said the phrase in as many different ways that one possibly could. It was hysterical. I laughed quite a bit over this one. I am not sure if that was the actual name so forgive if it's wrong. Also the audience took part in the beginning of one piece where they were asked questions. These performers were just wonderful. Their delivery and pieces performed added another layer of text performance art into the night. The last group consisted of three performers, Chris Fritton, William R. Howe and Lisa Phillips. It started with a huge blank piece of white paper on the floor. On the sides of the paper were ink pads. The performers stepped on them and walked on the paper. Different letters came out onto the paper. While doing this they made sounds. The whole experience was fascinating to watch. Visually watching printing and listening to sounds were again showing the audience members the different way text and printing can affect us. It was like watching an installation piece coming to life. Also the ink on paper came off their shoes with different texture which added depth to the piece. All this layering by all performers gives us a new insight to how important language and text is. Why not take it to new levels? Everyone here definitely did that. William R. Howe who is Curator of the gallery put together a wonderful and I do mean a wonderful exhibition and performances. It took such work on his part. What a show to put together. His Assistant Curators, Chris Fritton and Lisa Phillips are to be commended for their huge part also. It was a great night of visual, sound, text/language and performance art put together. Raves to Nico Vassilakis and the screening of his shorts. Visually beautiful to watch. He is a brilliant writer so this was really neat for me to see. The exhibition at the Nave Gallery is open until Aug. 6th. One can look forever at the exhibitions. Again, just visual stunning. Do see this if you're in the area. On a final note, everyone who I spoke to from performers to audience members,
FLUXLIST: Artist's books exhibition
There's some great stuff on this site: http://homepage.mac.com/emma_powell/bookexhibition/ John __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
RE: FLUXLIST: Cervena Barva Press August Newsletter
Dear Dr John Many thanks for this great review! Wonderful to read this. onwo/ards! david-bcFrom: "John M. Bennett" [EMAIL PROTECTED]Reply-To: FLUXLIST@scribble.comTo: Fluxlist@scribble.comSubject: FLUXLIST: Cervena Barva Press August NewsletterDate: Thu, 04 Aug 2005 07:58:31 -0400CERVENÁ BARVA PRESS NEWSLETTERGloria Mindock, Editor Issue No. 1 July, 2005ÈERVENÁ BARVA PRESS WEBSITEEDITORIALWelcome to the second newsletter of the press. The purpose of this newsletter is to share events, readings, interviews, books of interests, theatre productions, and whatever else is going on of interest. It is completely open for anyone to submit to.Postcard Series: One updateDue to the high cost of printing, the price of the postcards has changed, please check the website. The postcards will be available in mid-August.RANTS AND RAVESRaves for Nave Gallery in Somerville, MA. Their Sound Vision/ Vision Sound 111 International Exhibition and Festival of Verbo -Visual Artwork and Performances were wonderful. I attended the performance on July 15th and was struck by the artwork, the intimate space, and the cozy atmosphere of the gallery. I went to see John M. Bennett and Be Blank Consort perform. I also wanted to meet John because for years I've been reading his work which I love. Be Blank Consort performed many pieces which took on language in a new way. Many of the poems were spoken simultaneously with performers speaking different text. It gave a chorus effect. I found myself listening to some text but then my attention would go to another person and what they were saying. The rhythm and structure of the text allowed the listener to make their own meaning at times. The pieces that really stood out for me were Lungs, P piece, and a brilliant performance and delivery of The Peel Peeled. This last piece was !performed in three different languages at the same time. The timing and delivery of all the work was well crafted. Be Blank Consort knew exactly what they were doing. Other members of the group that performed were K.S.Ernst, Scott Helmes and Michael Basinski. All of the performers were wonderful. I just loved it! I wondered if they put any of their pieces together like John Cage used to do. That is throwing up notes in the air and putting them together in random order. Years ago, I saw a special on PBS on John Cage. Richard Kostelanetz, a language poet, spoke about him on this special. I considered everyone that night performing to be language poets. The text was not only important on the delivery but also how it looked on the page. I cannot rave enough about this group.BuffFluxus was the next to perform, the performance group was established in 1956 when they first performed on the Ed Sullivan show. They were great. They also experimented with language, text, and delivery. They consisted of members Michael Basinski, Doug Manson, Matt Chambers and Karen Yocobucci. They did a Poem Improvise, in which a box of pants/shorts were emptied out onto the floor. They called them John M. Bennett's pants. They put them on and audience members could do the same if they wanted to. Another piece they did I'll call Oh Shit. In this, they said the phrase in as many different ways that one possibly could. It was hysterical. I laughed quite a bit over this one. I am not sure if that was the actual name so forgive if it's wrong. Also the audience took part in the beginning of one piece where they were asked questions. These performers were just wonderful. Their delivery and pieces performed added another layer of text performance art into the night.The last group consisted of three performers, Chris Fritton, William R. Howe and Lisa Phillips. It started with a huge blank piece of white paper on the floor. On the sides of the paper were ink pads. The performers stepped on them and walked on the paper. Different letters came out onto the paper. While doing this they made sounds. The whole experience was fascinating to watch. Visually watching printing and listening to sounds were again showing the audience members the different way text and printing can affect us. It was like watching an installation piece coming to life. Also the ink on paper came off their shoes with different texture which added depth to the piece. All this layering by all performers gives us a new insight to how important language and text is. Why not take it to new levels? Everyone here definitely did that.William R. Howe who is Curator of the gallery put together a wonderful and I do mean a wonderful exhibition and performances. It took such work on his part. What a show to put together. His Assistant Curators, Chris Fritton and Lisa Phillips are to be commended for their huge part also. It was a great night of visual, sound, text/language and performance art put together.Raves to Nico Vassilakis and the screening of his shorts. Visually beautiful to watch. He is a brilliant writer so this was really neat for me to see.The exhibition at the Nave Gallery is
FLUXLIST: First Cut
Hi all, When Alan and I met the other day we took a little bit of footage on our digital cameras. I've been working on editing this into a short film ulitilising the kind of cut-up techniques found in the films Anthony Balch made with Burroughs and Gysin. Anyway this is a first cut. It's a wmv so you need a recent version of windows media player to view it...(fine for PC users but Mac people will have to download the player if they don't already have it installed). When I finish the film I will produce it in a variety of formats (probably wmv mpg and mov) actually I'm recutting the whole thing now using a different set of software tools. This first cut was just to see how some of the footage would hang together and test an analogue synth soundtrack. The good thing about wmv however is the compression...file size is tiny so you can even view this on a dial-up connection. anyway here it is http://www.fluxlist.com/headgates.wmv in retrospect we should have shot more footage but the use of effects etc. makes it quite interesting. Film geeks may note the Butch Cassidy and the Sundance Kid ending :) cheers, Sol.
Re: FLUXLIST: First Cut
Marvellous - BTW, Alan, I tried to reply to yr backchannel yesterday but yr address didn't work. Problem got solved, tho, so it's moot at this point. Thanks - John At 04:23 PM 8/4/2005 +0100, you wrote: Hi all, When Alan and I met the other day we took a little bit of footage on our digital cameras. I've been working on editing this into a short film ulitilising the kind of cut-up techniques found in the films Anthony Balch made with Burroughs and Gysin. Anyway this is a first cut. It's a wmv so you need a recent version of windows media player to view it...(fine for PC users but Mac people will have to download the player if they don't already have it installed). When I finish the film I will produce it in a variety of formats (probably wmv mpg and mov) actually I'm recutting the whole thing now using a different set of software tools. This first cut was just to see how some of the footage would hang together and test an analogue synth soundtrack. The good thing about wmv however is the compression...file size is tiny so you can even view this on a dial-up connection. anyway here it is http://www.fluxlist.com/headgates.wmv in retrospect we should have shot more footage but the use of effects etc. makes it quite interesting. Film geeks may note the Butch Cassidy and the Sundance Kid ending :) cheers, Sol. __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
RE: FLUXLIST: First Cut
this is so cool... all the fun is there, you have left us alone... *** BIBIANA PADILLA MALTOS AVTEXTFEST general coordinator Paseo de Vista Hermosa #625 Mexicali, B.C., 21240 MEXICO 233 Paulin Ave. PMB. 7263 Calexico, Ca., 92231-2646 U.S.A. + 52 686 564 5999
FLUXLIST: Fece
Fece krul dna dance ,shed smoldering lung shreds laid out at dawn tan flaco ,leg rice ,taste of burning ,serit ,mirrors ,hats shove the bloody soap log coughing ,blast stamper cued to rusting in the wind galf dewehc and spat against the chest draped with chair snug rice and coil your flounder on the rash blooming in your sieve face lipped off cash yr socks the ghost of wire you went flow and flung the steam John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: Reek
Reek the last cluster fuck damper sock ragus devohs ym throat sinker tool crap sopping spoil the plunger creep and flop ,yr paps nug get ,yr nuf htoob sloppy half .sank eraser jack tub murder the squall bomber spread and stellub tube ,why flat flab stunned butt the sporm shad ow John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: musicroom | august 4
dear all, my name is ralph lichtensteiger, i'm a composer/artist from germany. i'm new to this list. maby some of you like to enjoy my musicroom program... you are invited to send material of any kind to musique trouv... best, ralph li August 4, 2005 Listen requires : iTunes QuickTime Player RealPlayer [old versions available] http://www.lichtensteiger.de/music_room.html http://www.lichtensteiger.de/music_room.html http://www.lichtensteiger.de/music_room.html track list : The Ion Sessions by Alan Sondheim The Ion Sessions #1 3:25 The Ion Sessions #2 1:43 The Ion Sessions #3 1:49 The Ion Sessions #4 2:19 Music by Danilo Girardi Crisi di lamelle meccaniche 7:46 Hairesis 6:09 la mia anima by Gruppo Sinestetico 24:30 [images] Music by James Drew [images] Almost Stationary 9:23 Cantolobosolo by 11:25 Jacopos sub-harmonic hymns 10:39 Music by by Jeremy Hight Signal Leakage 3:40 Untitled Soundscape #1 6:29 Text pieces by Jesse Glass [images] A crow with scissor wings 0:41 A good cure for wounds 1:04 Go ha ha ha 1:40 He brings the honey 1:13 Heliotrope 0:57 How to recover stolen goods 1:28 In ears of crusted flirt 1:18 In the realm of the mothers 4:12 Skull Seed 1:23 Swallow wort 1:42 They 0:45 To prevent the worst 1:15 Words to be spoken 0:38 Vexations 840 (midi realisation) by John Saylor 23:43 Majlesi (02) by judsoN 3:16 Monolog (no. 1) Lichtensteiger and Koehler 10:38 Music by Lothar Reitz [images] Birdscape 4:39 Chomu 6:31 Etude 1 12:13 Glass Mountain Dances I 5:10 Glass Mountain Dances II 5:40 Glass Mountain Dances III 7:53 Piano piece 7:16 Yuki Akari 10:20 Music by Ralph Lichtensteiger Can 1:59 central X 10:53 drivation exploration no. 1 10:18 dissemination no. VI 10:03 ecriture chiffree I for James Drew 21:21 fLOW Study (July 2005) 9:39 gloria X 9:33 interlude no. 1 (Cage) 1:00 [images] interlude no. 2 0:25 interlude no. 3 0:27 interlude no. 4 0:58 lieu d'emission (no. 1 for J.D.) 17:47 montage piece (no. 7) 7:21 montage piece no. 3a 3:00 SkyPhase for guitar solo 2:34 Study for guitar and double bass 8:17 Study for trumpet, gong electronics 4:54 Supplement collage 25:59 [images] Music by Rod Stasick [images] FourthDegreeSawagashii 20:34 Music by Thanos Chrysakis Elixir sonore 5:00 Inscapes 1-2 (cnv 16) 28:09 Klangfarbenmelodien 5:24 Electroderesonators by Zach Layton 6:48 http://www.lichtensteiger.de/music_room.html http://www.lichtensteiger.de/music_room.html http://www.lichtensteiger.de/music_room.html open call | invitation for submissions all artists, composers, musicians, sound investigators and researchers are welcome to contribute to this musicroom [espace sonorit]. please send your work/files with the AGREEMENT form to the following address [CD-R, DVD-R, Digital Audio Tape (DAT), MiniDisk, mp3, aiff, wav, mov (QuickTime) are welcome. please include your name, title of composition/s, date of origin, instrumentation, musician/s, short statement] : Ralph Lichtensteiger musique trouv Ludwigshafenerstrasse 36 65929 Frankfurt Germany or as mp3 via internet : [EMAIL PROTECTED] musique trouv [espace sonorit] musicroom is a non-profit uncommercial broadcast station. ...
Re: FLUXLIST: First Cut
Nice stuff. Also reminds me of some of the Dada films. Reid On Aug 4, 2005, at 11:23 AM, Sol Nte wrote: Hi all, When Alan and I met the other day we took a little bit of footage on our digital cameras. I've been working on editing this into a short film ulitilising the kind of cut-up techniques found in the films Anthony Balch made with Burroughs and Gysin. Anyway this is a first cut. It's a wmv so you need a recent version of windows media player to view it...(fine for PC users but Mac people will have to download the player if they don't already have it installed). When I finish the film I will produce it in a variety of formats (probably wmv mpg and mov) actually I'm recutting the whole thing now using a different set of software tools. This first cut was just to see how some of the footage would hang together and test an analogue synth soundtrack. The good thing about wmv however is the compression...file size is tiny so you can even view this on a dial-up connection. anyway here it is http://www.fluxlist.com/headgates.wmv in retrospect we should have shot more footage but the use of effects etc. makes it quite interesting. Film geeks may note the Butch Cassidy and the Sundance Kid ending :) cheers, Sol.
Re: FLUXLIST: First Cut
-cool! i too am working on a li'l summink but at the mo i am averagng about 5 mins a day in front of the pc :-| alan Oh Odin's Underpants its a B(owman)LOG http://bowmansramblings.blogspot.com/ Visit the Freeformfreakout Organisation Online: http://www.freeformfreakoutorganisation.net
FLUXLIST: fffo first cut (also an l)
i too have mixed up the images a little it is somewhat similar to sol's film as we are using the same images. i've never done this before so bear with me - i put together a soundtrack to, and it fits!! this is the lo-quality version (2.65mb) and it's a wmv too (sorry) it's as small as i could get it. have a look: http://xoomer.virgilio.it/n.waugh/also_ncle/also_l.html ignore the web page problems! it was supposed to go on the fffo site but i couldn't get in. or better still download directly from here:- http://xoomer.virgilio.it/n.waugh/also_ncle/solfilm3.wmv alan Oh Odin's Underpants its a B(owman)LOG http://bowmansramblings.blogspot.com/ Visit the Freeformfreakout Organisation Online: http://www.freeformfreakoutorganisation.net
