RE: FLUXLIST: Fluxlist Blog
A couple of blog points. I wonder if we should make the archive fortnightly rather than monthly? For anyone like me without broadband (We're right out in the countryside and it hasn't reached us yet - amazing but true) the page takes ages to load. Whatdythink? Secondly on my PC the cream background comes up too wide - which means all the side bar info appears at the very bottom. This only happens on the main page - on the comments page it's okay. Does this affect everyone - or is it just my antiquated equipment?
Re: FLUXLIST: Poems
No objections from me - none! John At 06:38 AM 4/13/2006, you wrote: I notice that a lot of poems have been appearing here of late. Would anyone have any objections if I collected them together and published them? Visit The Poetry Zone http://www.poetryzone.co.uk To book a visitor for your school http://www.classactagency.co.uk To buy On My Way to School I Saw a Dinosaur and other poetry books http://www.rabbitpress.com Poetry for grown-ups and blog http://rogerstevens.blogspot.com -Original Message- From: [EMAIL PROTECTED] [ mailto:[EMAIL PROTECTED]] On Behalf Of jimsters grailsters Sent: 13 April 2006 03:34 To: fluxlist@scribble.com Subject: Re: FLUXLIST: Untitled : ...and the horse walks away, laughing A Chair [EMAIL PROTECTED] wrote: Beaten to death. Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. Great rates starting at 1¢/min. Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates. __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Re: FLUXLIST: Poems
Ok, with stuff from me if you find anything. Yours, Björn Eriksson I notice that a lot of poems have been appearing here of late. Would anyone have any objections if I collected them together and published them? Visit The Poetry Zonehttp://www.poetryzone.co.uk To book a visitor for your school http://www.classactagency.co.uk To buy On My Way to School I Saw a Dinosaur and other poetry books http://www.rabbitpress.com Poetry for grown-ups and blog http://rogerstevens.blogspot.com -Original Message-From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of jimsters grailstersSent: 13 April 2006 03:34To: fluxlist@scribble.comSubject: Re: FLUXLIST: Untitled : ...and the horse walks away, laughingA Chair [EMAIL PROTECTED] wrote: Beaten to death. Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. Great rates starting at 1¢/min. Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
FLUXLIST: S lug, Man o
S lug sen t a way an guzz lead ead wit yr trigger sky a c lownpour ,rocks an s melt fuzz .tow er s lime ,a clue buzzed ropy face you chimed a slug trench ,named the grease back .ply yr s nares an breeze the ush ered inch your s lack or pat h or p inch or p ants or p l Man o see s lope the wave rs c lash yr s mite tr wrench scaly wrist an wet h our you sp lashing like a shad ow mi mano nómbrame .twist the nu t off che w the th reads the comber free to g ravel on oh s lopping s lipping s lapping sl avered with yr boo k lice .just keep it simpered John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
Re: FLUXLIST: Poems
same here Original Message Follows From: Björn Eriksson [EMAIL PROTECTED] Reply-To: FLUXLIST@scribble.com To: FLUXLIST@scribble.com Subject: Re: FLUXLIST: Poems Date: Thu, 13 Apr 2006 15:21:02 +0200 Ok, with stuff from me if you find anything. Yours, Björn Eriksson I notice that a lot of poems have been appearing here of late. Would anyone have any objections if I collected them together and published them? Visit The Poetry Zone http://www.poetryzone.co.uk To book a visitor for your school http://www.classactagency.co.uk To buy On My Way to School I Saw a Dinosaur and other poetry books http://www.rabbitpress.com Poetry for grown-ups and blog http://rogerstevens.blogspot.com -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of jimsters grailsters Sent: 13 April 2006 03:34 To: fluxlist@scribble.com Subject: Re: FLUXLIST: Untitled : ...and the horse walks away, laughing A Chair [EMAIL PROTECTED] wrote: Beaten to death. -- Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. Great rates starting at 1¢/min. -- Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
FLUXLIST: why is your self image an offensively shrill purple
why is the omicron no longer a daft blue? harken to heralded confit in a mint blue dorsal fin redact what you refine repair what you recoup condone what you confess compare what you unleash to what you ooze is anybody whistling? give me a deserved A for my conscience and I will bless you to smithereens unless that is . . . sheila e. murphy
RE: FLUXLIST: Fluxlist Blog
1) Archive - sure go ahead, there is a heck of a lot of activity 2) Could be your equipment - on my PC the cream part looks to0 narrow! (1280 x 1024) Allan -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Roger Stevens Sent: Thursday, April 13, 2006 6:43 AM To: FLUXLIST@scribble.com Subject: RE: FLUXLIST: Fluxlist Blog A couple of blog points. I wonder if we should make the archive fortnightly rather than monthly? For anyone like me without broadband (We're right out in the countryside and it hasn't reached us yet - amazing but true) the page takes ages to load. Whatdythink? Secondly on my PC the cream background comes up too wide - which means all the side bar info appears at the very bottom. This only happens on the main page - on the comments page it's okay. Does this affect everyone - or is it just my antiquated equipment?
RE: FLUXLIST: Poems
Fine by me. Publish where? Copies to writers/fluxlisters? Allan From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Roger Stevens Sent: Thursday, April 13, 2006 6:39 AM To: FLUXLIST@scribble.com Subject: FLUXLIST: Poems I notice that a lot of poems have been appearing here of late. Would anyone have any objections if I collected them together and published them? Visit The Poetry Zone http://www.poetryzone.co.uk To book a visitor for your school http://www.classactagency.co.uk To buy On My Way to School I Saw a Dinosaur and other poetry books http://www.rabbitpress.com Poetry for grown-ups and blog http://rogerstevens.blogspot.com -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of jimsters grailsters Sent: 13 April 2006 03:34 To: fluxlist@scribble.com Subject: Re: FLUXLIST: Untitled : ...and the horse walks away, laughing A Chair [EMAIL PROTECTED] wrote: Beaten to death. Talk is cheap. Use Yahoo! Messenger to make PC-to-Phone calls. Great rates starting at 1¢/min. Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
FLUXLIST: Poem from the past
Defy logic. Cover for life. Are you willing to go? Crazy to sell what perpetuates the myth. I couldn't believe it!! I threw it off. I'm going to call and walk. Apparently two lives aren't the actual thing. Lives for cash. Action, my friend. Feeling like going? Your cool hopping wild machine. Monsters sold seperately. Happy feeelings because it is clean and new. Cha cha cha. I've got the bunny. Frisky seduction! I'll tell you mine if you have bread and water, you refugee you. Who should be responsible, precisely? Experts give the full experience. Signs that the door doesn't open properly for a lifetime. Call today 1812. Accurate learning a mistake. Deal's off. Wait for sorry! You're going to have to do a hell of a lot better than Puerto Rico. Call about that. Think about doing something. Keep a close eye clearly on thinking noses. Getting married is not any of our business. Whatever you move on into will be better than the past. Ring. Give it a choice. Choose both! Save--it's all inside. Without the one you love you have a very shiney nose. Glistening roast drifters. This little credit card gets soulful. I knew you couldn't stay away. He was someone to punch in the nose. I love you. I don't think I have enough inside. Take advantage of that! I wish I could! Look! Get back what you have to try to duplicate. Whistle. I know what it feels like to have no decisions. I'm not going to feel that way again. I don't ever want to hurt you again. Do you understand? __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
FLUXLIST: re: cell phone images project
so simple they're wonderful thank's for sharing them Crispin. -David http://www.unc.edu/~colagiov I have recently been doing some photo stuff with my oldcell phone .. I made a small site to share these images with you guys.. and others.. enjoy http://art.osu.edu/74982/BATH/BATH.html crispin http://www.crispinwebb.com
Re: FLUXLIST: Fluxlist Blog
On 1427 Rabiʻ I 14, at 11:58 AM, Allan Revich wrote: 1) Archive - sure go ahead, there is a heck of a lot of activity 2) Could be your equipment - on my PC the cream part looks to0 narrow! (1280 x 1024) Narrow cream sounds like it could be one of John's poems... (or maybe Nar row C ream). BTW, I have no poetry. R~~
FLUXLIST: 3 poems created at 3 in the morning on april 3rd
iStream of Consciousness Hard-lined fevers hardwire disaster ?it?s gonna be alright? is what the toaster of Orpheus Said to the cow jumped over the godspeed! You fool, this is bat country Just wait till you see the egg whites on the table With this new shit-aku piece of crap-oshi You?ll not be amazed But dinner plates and dozers are not among those Hurt But still go away in the end The bottle? The brandy? The branded liver The questioning looks and the surety Of the knowing that this is what this is And that is exactly the problem Is all to which this amounts. ESES The sadness! The fury! The pianos burning brightly Singing psalmey songs of psalmic sages and singers Whose saturated sight see slews of serenity-breaking Satyrs staging stark esoteric scenes sort of about Sinews and statues and the state of Sanskrit In San Diego where turntables shift shiftily Shaking and shucking like corn on New Year?s That you never eat yet at which surely stare And all that you saw there was short of Saturday Though not far enough from Sunday. (untitled) La byr inths are har d to es cap e .
RE: FLUXLIST: Fluxlist Blog - Narrow Cream Sonnet
Well it was a sonnet when I wrote it, but not when I got it. And now as I write this it is a sonnet again. The wonders of technology seem to have taken some creative liberties of their own. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Allan Revich Sent: Thursday, April 13, 2006 3:46 PM To: FLUXLIST@scribble.com Subject: RE: FLUXLIST: Fluxlist Blog - Narrow Cream Sonnet Narrow Cream Narrow cream could be one of John's Or arrow dream could be a weapon dream And pharaoh theme might be one of anon's Barrow seams breaking over the ship's beam Whatever one wishes to believe or to think One must often fight for two or too well Because when the sun sets on the precipice brink One never forgets that lust-worn sea swell Sometimes it is easy to simply forge ahead Over hot coals in a champagne tulip glass Placing ones memories at the foot of the bed Lacing slipper sandals with a ring of brass I often forget who is running the show Or maybe it's true that I never did know Allan Revich April 13, 2006-04-13 -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Rod Stasick Sent: Thursday, April 13, 2006 2:35 PM To: FLUXLIST@scribble.com Subject: Re: FLUXLIST: Fluxlist Blog On 1427 Rabi? I 14, at 11:58 AM, Allan Revich wrote: 1) Archive - sure go ahead, there is a heck of a lot of activity 2) Could be your equipment - on my PC the cream part looks to0 narrow! (1280 x 1024) Narrow cream sounds like it could be one of John's poems... (or maybe Nar row C ream). BTW, I have no poetry. R~~
FLUXLIST: Fluxus message from mIEKAL aND
s i l e n t m e s s a g e f r o m H a n s R i l e y b u c k w h e a t m e s s a g e f r o m F r a n c i s P e t t i t p a r a c h u t e m e s s a g e f r o m H u g o H o u s e r c a k e m e s s a g e f r o m C l a u d e D o r s e y p i r a c y m e s s a g e f r o m C a r l y M e r c a d o t r i d i a g o n a l m e s s a g e f r o m J a v i e r B a x t e r f i r e c r a c k e r m e s s a g e f r o m S h e e n a B u r t o n s t u n n i n g v o y e u r c a m m e s s a g e f r o m A m b e r H e d r i c k v e s t a l m e s s a g e f r o m J o a n n e M a r q u e z d e f e r r a b l e m e s s a g e f r o m M a l i n d a P a u l G l a m o u r p a n t y p i c s m e s s a g e f r o m E r i n W i n t e r s a r s a p a r i l l a m e s s a g e f r o m C l a r e n c e Q u i n t a n a g u m s h o e m e s s a g e f r o m M a r i a D u n c a n r a d i u s m e s s a g e f r o m N i t a T h o r p e c o h e r e n t m e s s a g e f r o m M i c h a e l B a k e r d a p p e r m e s s a g e f r o m R o d r i c k H e a d s n a p p i s h m e s s a g e f r o m B e t s y S a r g e n t n e g o t i a t e m e s s a g e f r o m D e a n n R a s m u s s e n u s u r e r m e s s a g e f r o m E r w i n D a r n e l l s t r u n g m e s s a g e f r o m B e r n a d e t t e D o r s e y l o u v e r m e s s a g e f r o m M e r e d i t h W u w a t e r f a l l m e s s a g e f r o m F r i t z J o y n e r p a n j a n d r u m m e s s a g e f r o m D e l b e r t D u r a n t r i v a l e n t m e s s a g e f r o m C h e r i e T u t t l e s a t u r a t e m e s s a g e f r o m R u f u s C o a t e s s t r e e t c a r m e s s a g e f r o m D a n t e B o w e r s F i n d m e s s a g e f r o m B a s i l S u a r e z w i d t h w i s e m e s s a g e f r o m N o l a n D o u g h e r t y b a p t i s m m e s s a g e f r o m V e r n a S i l v a d i a r y m e s s a g e f r o m E d i t h B r a d l e y s l i t h e r m e s s a g e f r o m R e n e D e a n s e c r e t i v e m e s s a g e f r o m R a u l D r e w s w e e t i s h m e s s a g e f r o m J e f f e r e y L o n d o n t a c h i s t o s c o p e m e s s a g e f r o m M i l l a r d M o n r o e m e r g e m e s s a g e f r o m G r e g o r i o F r a z i e r h e a r t b r e a k m e s s a g e f r o m F r a n c e s O t e r o h e r r i n g b o n e m e s s a g e f r o m W m B u r r i s e v o c a b l e m e s s a g e f r o m B r e t t S w a r t z a t t i t u d i n a l m e s s a g e f r o m T r a c y D y e g a s o l i n e m e s s a g e f r o m M a r l a B e r g e r o n a r c h e t y p e m e s s a g e f r o m S h a r o n G r a n g e r p o m p a d o u r m e s s a g e f r o m E l o y M e l t o n v a i n g l o r i o u s m e s s a g e f r o m R o n a l d C r a b t r e e e x t r a d i t e m e s s a g e f r o m S a m u e l K r a f t s t r i n g y m e s s a g e f r o m E l l i o t t C h r i s t i a n s e n d u c t w o r k m e s s a g e f r o m C a s a n d r a C o x
Re: FLUXLIST: Fluxus message from mIEKAL aND
i sometimes wonder why technology can't deal with simple text in a uniform manner. allen's sonnet was a sonnet to me, yet not to him. one of my poems came back to me as one really big line, which it definitely isn't, and now i don't know whether mIEKAL's message is supposed to appear as it does for me in this reply email (just text), or is actually supposed to contain millions of question marks (which is both highly enjoyable and thoroughly taxing on my brain). Quoting mIEKAL aND [EMAIL PROTECTED]: silent message from Hans Riley buckwheat message from Francis Pettit parachute message from Hugo Houser cake message from Claude Dorsey piracy message from Carly Mercado tridiagonal message from Javier Baxter firecracker message from Sheena Burton stunning voyeur cam message from Amber Hedrick vestal message from Joanne Marquez deferrable message from Malinda Paul Glamour panty pics message from Erin Winter sarsaparilla message from Clarence Quintana gumshoe message from Maria Duncan radius message from Nita Thorpe coherent message from Michael Baker dapper message from Rodrick Head snappish message from Betsy Sargent negotiate message from Deann Rasmussen usurer message from Erwin Darnell strung message from Bernadette Dorsey louver message from Meredith Wu waterfall message from Fritz Joyner panjandrum message from Delbert Duran trivalent message from Cherie Tuttle saturate message from Rufus Coates streetcar message from Dante Bowers Find message from Basil Suarez widthwise message from Nolan Dougherty baptism message from Verna Silva diary message from Edith Bradley slither message from Rene Dean secretive message from Raul Drew sweetish message from Jefferey London tachistoscope message from Millard Monroe merge message from Gregorio Frazier heartbreak message from Frances Otero herringbone message from Wm Burris evocable message from Brett Swartz attitudinal message from Tracy Dye gasoline message from Marla Bergeron archetype message from Sharon Granger pompadour message from Eloy Melton vainglorious message from Ronald Crabtree extradite message from Samuel Kraft stringy message from Elliott Christiansen ductwork message from Casandra Cox
Re: FLUXLIST: Fluxus message from mIEKAL aND
it all depends on the individual interpretation... : ) Original Message Follows From: Kraig Louis Lamper [EMAIL PROTECTED] Reply-To: FLUXLIST@scribble.com To: FLUXLIST@scribble.com Subject: Re: FLUXLIST: Fluxus message from mIEKAL aND Date: Thu, 13 Apr 2006 17:49:26 -0400 i sometimes wonder why technology can't deal with simple text in a uniform manner. allen's sonnet was a sonnet to me, yet not to him. one of my poems came back to me as one really big line, which it definitely isn't, and now i don't know whether mIEKAL's message is supposed to appear as it does for me in this reply email (just text), or is actually supposed to contain millions of question marks (which is both highly enjoyable and thoroughly taxing on my brain). Quoting mIEKAL aND [EMAIL PROTECTED]: silent message from Hans Riley buckwheat message from Francis Pettit parachute message from Hugo Houser cake message from Claude Dorsey piracy message from Carly Mercado tridiagonal message from Javier Baxter firecracker message from Sheena Burton stunning voyeur cam message from Amber Hedrick vestal message from Joanne Marquez deferrable message from Malinda Paul Glamour panty pics message from Erin Winter sarsaparilla message from Clarence Quintana gumshoe message from Maria Duncan radius message from Nita Thorpe coherent message from Michael Baker dapper message from Rodrick Head snappish message from Betsy Sargent negotiate message from Deann Rasmussen usurer message from Erwin Darnell strung message from Bernadette Dorsey louver message from Meredith Wu waterfall message from Fritz Joyner panjandrum message from Delbert Duran trivalent message from Cherie Tuttle saturate message from Rufus Coates streetcar message from Dante Bowers Find message from Basil Suarez widthwise message from Nolan Dougherty baptism message from Verna Silva diary message from Edith Bradley slither message from Rene Dean secretive message from Raul Drew sweetish message from Jefferey London tachistoscope message from Millard Monroe merge message from Gregorio Frazier heartbreak message from Frances Otero herringbone message from Wm Burris evocable message from Brett Swartz attitudinal message from Tracy Dye gasoline message from Marla Bergeron archetype message from Sharon Granger pompadour message from Eloy Melton vainglorious message from Ronald Crabtree extradite message from Samuel Kraft stringy message from Elliott Christiansen ductwork message from Casandra Cox
FLUXLIST: charged
http://art.osu.edu/74982/charged/index.htmlAnother small site i made two days ago..crispinhttp://www.crispinwebb.com Love cheap thrills? Enjoy PC-to-Phone calls to 30+ countries for just 2¢/min with Yahoo! Messenger with Voice.
FLUXLIST: ORB
http://art.osu.edu/74982/candle/index.htmlone morehttp://www.crispinwebb.com Love cheap thrills? Enjoy PC-to-Phone calls to 30+ countries for just 2¢/min with Yahoo! Messenger with Voice.
FLUXLIST: sound image relationship
http://art.osu.edu/74982/soundimage/index.htmlA small project i did last night.. mabey someone would like to do something like this with me.. crispinhttp://www.crispinwebb.com Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
Re: FLUXLIST: Fluxus message from mIEKAL aND
you have many questions. ps, as per your request I obscured your middle name in the anologio... had chemo --worn out--have finished a few, designed many, 1st two have been traded. In answer to bibliana also--will send you one--slow process but oh here she goes---David Baptiste -Chirot and others have been talking bout publishing poems, most recently Roger Stevens I collected about 70 poems between March 25th and April 1st. Several good ones came in after the deadline--someone should start there. suse - Original Message - From: Kraig Louis Lamper [EMAIL PROTECTED] To: FLUXLIST@scribble.com Sent: Thursday, April 13, 2006 5:49 PM Subject: Re: FLUXLIST: Fluxus message from mIEKAL aND i sometimes wonder why technology can't deal with simple text in a uniform manner. allen's sonnet was a sonnet to me, yet not to him. one of my poems came back to me as one really big line, which it definitely isn't, and now i don't know whether mIEKAL's message is supposed to appear as it does for me in this reply email (just text), or is actually supposed to contain millions of question marks (which is both highly enjoyable and thoroughly taxing on my brain). Quoting mIEKAL aND [EMAIL PROTECTED]: s?i?l?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?H?a?n?s? ?R?i?l?e?y? b?u?c?k?w?h?e?a?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?F?r?a?n?c?i?s? ? P?e?t?t?i?t? ?p?a?r?a?c?h?u?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?H?u?g?o? ?H?o?u?s?e?r? c?a?k?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?l?a?u?d?e? ?D?o?r?s?e?y? ?p?i?r?a?c?y? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?a?r?l?y? ?M?e?r?c?a?d?o? ?t?r?i?d?i?a?g?o?n?a?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?J?a?v?i?e?r? ? B?a?x?t?e?r? ?f?i?r?e?c?r?a?c?k?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?S?h?e?e?n?a? ? B?u?r?t?o?n? ?s?t?u?n?n?i?n?g? ?v?o?y?e?u?r? ?c?a?m? ?m?e?s?s?a?g?e? ?f?r?o?m? ? A?m?b?e?r? ?H?e?d?r?i?c?k? ?v?e?s?t?a?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?J?o?a?n?n?e? ?M?a?r?q?u?e?z? ?d?e?f?e?r?r?a?b?l?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?a?l?i?n?d?a? ? P?a?u?l? ?G?l?a?m?o?u?r? ?p?a?n?t?y? ?p?i?c?s? ?m?e?s?s?a?g?e? ?f?r?o?m? ? E?r?i?n? ?W?i?n?t?e?r? s?a?r?s?a?p?a?r?i?l?l?a? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?l?a?r?e?n?c?e? ? Q?u?i?n?t?a?n?a? g?u?m?s?h?o?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?a?r?i?a? ?D?u?n?c?a?n? r?a?d?i?u?s? ?m?e?s?s?a?g?e? ?f?r?o?m? ?N?i?t?a? ?T?h?o?r?p?e? c?o?h?e?r?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?i?c?h?a?e?l? ?B?a?k?e?r? ?d?a?p?p?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?o?d?r?i?c?k? ?H?e?a?d? s?n?a?p?p?i?s?h? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?e?t?s?y? ?S?a?r?g?e?n?t? ?n?e?g?o?t?i?a?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?D?e?a?n?n? ? R?a?s?m?u?s?s?e?n? ?u?s?u?r?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?r?w?i?n? ?D?a?r?n?e?l?l? ?s?t?r?u?n?g? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?e?r?n?a?d?e?t?t?e? ? D?o?r?s?e?y? l?o?u?v?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?e?r?e?d?i?t?h? ?W?u? ?w?a?t?e?r?f?a?l?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?F?r?i?t?z? ?J?o?y?n?e?r? ?p?a?n?j?a?n?d?r?u?m? ?m?e?s?s?a?g?e? ?f?r?o?m? ?D?e?l?b?e?r?t? ? D?u?r?a?n? t?r?i?v?a?l?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?h?e?r?i?e? ?T?u?t?t?l?e? s?a?t?u?r?a?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?u?f?u?s? ?C?o?a?t?e?s? ?s?t?r?e?e?t?c?a?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?D?a?n?t?e? ?B?o?w?e?r?s? F?i?n?d? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?a?s?i?l? ?S?u?a?r?e?z? w?i?d?t?h?w?i?s?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?N?o?l?a?n? ? D?o?u?g?h?e?r?t?y? ?b?a?p?t?i?s?m? ?m?e?s?s?a?g?e? ?f?r?o?m? ?V?e?r?n?a? ?S?i?l?v?a? ?d?i?a?r?y? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?d?i?t?h? ?B?r?a?d?l?e?y? s?l?i?t?h?e?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?e?n?e? ?D?e?a?n? s?e?c?r?e?t?i?v?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?a?u?l? ?D?r?e?w? ?s?w?e?e?t?i?s?h? ?m?e?s?s?a?g?e? ?f?r?o?m? ?J?e?f?f?e?r?e?y? ? L?o?n?d?o?n? ?t?a?c?h?i?s?t?o?s?c?o?p?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ? M?i?l?l?a?r?d? ?M?o?n?r?o?e? m?e?r?g?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?G?r?e?g?o?r?i?o? ?F?r?a?z?i?e?r? h?e?a?r?t?b?r?e?a?k? ?m?e?s?s?a?g?e? ?f?r?o?m? ?F?r?a?n?c?e?s? ? O?t?e?r?o? h?e?r?r?i?n?g?b?o?n?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?W?m? ?B?u?r?r?i?s? ?e?v?o?c?a?b?l?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?B?r?e?t?t? ?S?w?a?r?t?z? a?t?t?i?t?u?d?i?n?a?l? ?m?e?s?s?a?g?e? ?f?r?o?m? ?T?r?a?c?y? ?D?y?e? ?g?a?s?o?l?i?n?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?M?a?r?l?a? ? B?e?r?g?e?r?o?n? ?a?r?c?h?e?t?y?p?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?S?h?a?r?o?n? ? G?r?a?n?g?e?r? ?p?o?m?p?a?d?o?u?r? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?l?o?y? ?M?e?l?t?o?n? v?a?i?n?g?l?o?r?i?o?u?s? ?m?e?s?s?a?g?e? ?f?r?o?m? ?R?o?n?a?l?d? ? C?r?a?b?t?r?e?e? ?e?x?t?r?a?d?i?t?e? ?m?e?s?s?a?g?e? ?f?r?o?m? ?S?a?m?u?e?l? ?K?r?a?f?t? ?s?t?r?i?n?g?y? ?m?e?s?s?a?g?e? ?f?r?o?m? ?E?l?l?i?o?t?t? ? C?h?r?i?s?t?i?a?n?s?e?n? ?d?u?c?t?w?o?r?k? ?m?e?s?s?a?g?e? ?f?r?o?m? ?C?a?s?a?n?d?r?a? ?C?o?x?
Re: FLUXLIST: sound image relationship
way sweet i ahve forwarded to friends - Original Message - From: Crispin Webb To: FLUXLIST@scribble.com Sent: Thursday, April 13, 2006 8:01 PM Subject: FLUXLIST: sound image relationship http://art.osu.edu/74982/soundimage/index.htmlA small project i did last night.. mabey someone would like to do something like this with me.. crispin http://www.crispinwebb.com Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
Re: FLUXLIST: sound image relationship
Great idea! I like the concept! /Björn - Original Message - From: Crispin Webb To: FLUXLIST@scribble.com Sent: Friday, April 14, 2006 2:01 AM Subject: FLUXLIST: sound image relationship http://art.osu.edu/74982/soundimage/index.htmlA small project i did last night.. mabey someone would like to do something like this with me.. crispin http://www.crispinwebb.com Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.
Re: FLUXLIST: Fluxlist Blog
i have to ask, did I offend when I gave an unprompted review on FLUXLISTof the FLUXUS ANTHOLOGY 2005? Becasue if I did offend, I apologise. I enjoy your work and the whole cd very much--I think I let on in my rambling thatmy first hearing was tainted by my foul mood-- listening since has been a pleasure. anyway--not sure that I should be allowed on the computer some days. suse - Original Message - From: Roger Stevens [EMAIL PROTECTED] To: FLUXLIST@scribble.com Sent: Thursday, April 13, 2006 6:42 AM Subject: RE: FLUXLIST: Fluxlist Blog A couple of blog points. I wonder if we should make the archive fortnightly rather than monthly? For anyone like me without broadband (We're right out in the countryside and it hasn't reached us yet - amazing but true) the page takes ages to load. Whatdythink? Secondly on my PC the cream background comes up too wide - which means all the side bar info appears at the very bottom. This only happens on the main page - on the comments page it's okay. Does this affect everyone - or is it just my antiquated equipment?
FLUXLIST: new collaborative book (just released) - with essay
http://www.uap.ualberta.ca/UAP.asp?LID=41bookID=664 ContinuationsDouglas Barbour, Sheila E. MurphyThe strength of this book is in its quick-change artistry, the sensation of flux that is continuous, and capable at any moment of erupting into epiphany or surprise. Roo Borson Across great distances and a panorama shaped by words, poets Douglas Barbour and Sheila Murphy began writing in collaboration. Tapped to technologys dance across paper, with thoughts like bright colours coursing across screens, Continuations emerged as the product of a new creator, a third individual, who writes differently from either poet. Words shapeshifted and poets transformed, Continuations is an intriguing addition to the growing field of collaborative poetry in North American literature.ISBN:0-88864-463-9Price:CND$ 19.95, USD$ 19.95, £ 10.99Discount:TradeSubject:Literature/Poetry Publication Date:March2006
Re: FLUXLIST: why is your self image an offensively shrill purple
Sheila Murphy wrote: why is the omicron no longer a daft blue? harken to heralded confit in a mint blue dorsal fin redact what you refine repair what you recoup condone what you confess compare what you unleash to what you ooze is anybody whistling? give me a deserved A for my conscience and I will bless you to smithereens unless that is . . . sheila e. murphy NICE ONE SHEILA I like the use of color. Cecil http://postminimalism.com
FLUXLIST: Re: for the poetry book
a series of google translations of a text on pop artist mel ramos THE FEARS It concealed thirty and five years artist such As be-get, to light stone and in the coast of this, which is counted between its main honey of the west addresses of the counterparts, OF of outbreak on the coast. Popular completely worked on GUT pictures, yard-talk about the culture, and about the psychosis of communication. The Heroes OF of books, the Tern OF cinema and the advertisement, those humorous topic served Asiconoclasta for these, appeared radicals to the painters then. Values directly OF the oppositional kunst code Nails were you the stone, which had been your high art by 40 years and maintained by ears the 50 sacred, when abstract Expressionism was king. Punctually abstraction, was figuration; punctually or cortezudas deeply, heavily worked, surfaces wear you to the Sticken fragile, strong and odor, slides which I drown, nor modulated; in our time was the ironical separation OF the fears. History their art if tuned topics, during this artist OF of outbreak, “the art or the art-art” - which was their reference. Containment was in this detail for the Bullfighting, this the outside addresses, which were carved or pheasants, pleases decorates when causing to to parodiar chistosas the work of their famous artists. In the version OF Velazquez, the Lithography in the paper connected you for vacation to 1981, addresses the perfect abilities, those from the main painting photorealistic are, and the design BUT, or the old regulation chocolate you cause for once its memorable bad pictures. This impression if flower surfaces in the acceptance, which paints 1975 OF the of THE same name. Structure STILL for the Velazquez Like Cupid and GUTS of pudding, which irreverent, supports from thee this grape STILL in the mirror, in which recumbent beauty maims. Picture from once to the beautiful woman, which in the comments OF of mirror (“mirror, mirror in the wall, those bad joust from it all”) anvisieren, not only one Vanity also too to the tiger balm voyeurism. Painting, WHICH by the addresses sensuous STILTS, which, services, decorates which touched, only, in order to stress, airbrushed the verb-coma tongue of this idealized woman. Philip Morris, silkscreen you in the paper of 1965, are blends diameter lace sausage. It locates provocatively the Playboy Conejito Conejito-Wine knot, which attaches the package boat you horcajadas, which are enormous for Philip Morris. Tonic the layers or pisses if sly in eclipse and the picture their considerable capacity, techniques of the addresses. Nevertheless obviously the, comment once way of I, who, whom you decorate all sex your sales refuse, mediate to the American, addresses also, if he centers after in the knots or the history of the art. If you model yesterday, which is aiming suggesting toward outside to the whole freight kite systems, which obviously know, symbol OF, of sex COMB complicitous. Practice although addresses commentated apparent respect for this, if you their accusations OF Fire, then our sexual enterprise, ironical vunerable SILT. These you, as soon as suggesting attitude of the Nudes and the fan connecting attitude, inside OF the aftergirlie, you I mention know well the same spectacular answer OF Unknowings. This demonstration, the one which can be regarded in the offer, opportunity largely sleeps, valid Tempers is joking to you, (1962). Although direction OF of painting I, sensuous Snoop the fact that SHIT, which tongue we for the waiting period of the painting OR the panting of the art bang (SMUT of the remarkable exception OF of professors of the address, or camels), the picture, if struck commonplace and seems. It STILLS the better contract addresses, when it obviously paints considerable Nudes and the spectator, BUT once felt for the tendency. Addresses tried you, in order to seem, by this aside to turn formulated, then I know to the right only restriction forms the wash. System Malta landscapes (not of, which are in this demonstration), to to the pear tree later for an armed answer personal to both audition critics and of it returned you the Nudes. Identical bad new work STILLS you on bald Tempers of the work, to to the pear tree lacks, unto their same Magic. Unfortunately it, you, do not donate in the situation gue$$$ western, too centre to shift bad, on OFF the original sight sleeps to I know well-being, yesterday explained, you to bode due OF of the difficult body and bed of the work. 04.14.06 jim leftwich On Apr 14, 2006, at 12:46 AM, Reed Altemus wrote: spar flower time bucking kier policy middle-temperature error self-contented cocoa cutter peach canker hog louse liver blunt-leaved harvest home current sergeant wind dash plain Trans-mississippi cloth spatter wanderer garlic oil terror-fleet lover sailor gang street virus verse anthem passing before-known self-propulsion bleaching dichromate bread-cutting well-knit
