Re: FLUXLIST: Maine

[Reed Altemus]

David,
Yes, I'm in Portland Maine. Backchannel me and I'll give you
the specifics. 
Reed


- Original Message - 
From: <[EMAIL PROTECTED]>

To: 
Sent: Friday, April 14, 2006 5:36 PM
Subject: FLUXLIST: Maine




Any Fluxlist members in Maine?

I'll be there from mid May to early June?

would love to meet some of you mainers.

-David Colagiovanni
http://www.unc.edu/~colagiov
http://www.thevideojournal.com

Re: FLUXLIST: Fibs

[Kamen Nedev]

Aaaah, I love Fibonacci hacks... And some of the pomes are cool, too...


On 14/04/2006, at 22:17, Rod Stasick wrote:


April 14, 2006
Fibonacci Poems Multiply on the Web After Blog's Invitation
By MOTOKO RICH, NYT

Blogs
spread
gossip
and rumor
But how about a
Rare, geeky form of poetry?

THAT'S exactly what happened after Gregory K. Pincus, a  
screenwriter and aspiring children's book author in Los Angeles,  
wrote a post on his GottaBook blog (gottabook.blogspot.com) two  
weeks ago inviting readers to write "Fibs," six-line poems that  
used a mathematical progression known as the Fibonacci sequence to  
dictate the number of syllables in each line.


Within a few days, Mr. Pincus, 41, had received about 30 responses,  
a large portion of them Fibonacci poems. Most of them were from  
friends or relatives or people who regularly read his blog, which  
focuses on children's literature.


Then, last Friday, a subscriber to the popular Web site  
slashdot.org — which runs over a tagline that reads "News for  
nerds. Stuff that matters" — linked to Mr. Pincus's original post,  
and suddenly, it seemed, Fibs were sprouting all over the Internet.


Mr. Pincus, who wrote in his original post that he conceived of the  
Fibonacci poems in part as a writing exercise, said in an interview  
that he figures more than 100 other Web sites have linked to his  
post and more than 1,000 Fibs have been written since the beginning  
of April, which just happens to be both National Poetry Month and  
Mathematics Awareness Month.


"It tickles me that it can spread like that," said Mr. Pincus.  
"It's such a wonderful thing."


Readers of the blockbuster best-selling "Da Vinci Code," of course,  
may recognize the Fibonacci sequence as the key to one of the first  
clues left for the novel's hero and heroine. It is also a staple of  
middle-school math classes. Though relatively rare in poetry, it  
shows up in the musical compositions of the early 20th-century  
composer Bartok and the progressive metal band Tool, the spiraling  
shape of the Nautilus shell and in knitting patterns.


By and large, most of the people who have written Fibonacci poems  
over the past couple of weeks are not professional poets, but  
actors, comedians, video role-play enthusiasts, musicians, computer  
scientists, lawyers and schoolchildren. Casey Kelly Barton, a stay- 
at-home mother and home-schooler in Austin, Tex., who started a  
blog called Redneck Mother to chronicle her "dissatisfaction after  
Bush got re-elected," used the Fib form to write a rant against the  
president.


Chat rooms linked to Web sites ranging from Actuarial Outpost, a  
forum for actuaries, to em411.com, a site for electronic musicians,  
have taken up Mr. Pincus's challenge and generated strings of the  
whimsical poems. Even a Hungarian technology site has linked to the  
Fibonacci post.


The allure of the form is that it is simple, yet restricted. The  
number of syllables in each line must equal the sum of the  
syllables in the two previous lines. So, start with 0 and 1, add  
them together to get your next number, which is also 1, 2 comes  
next, then add 2 and 1 to get 3, and so on. Mr. Pincus structured  
the Fibs to top out at line six, with eight syllables.


For many people, writing one of the poems is a little like solving  
a puzzle. Suresh Venkatasubramanian, a 32-year-old computer science  
researcher at AT&T Labs-Research in Florham Park, N.J., said he was  
attracted to the Fibonacci poetry because it reminded him of "what  
a computer scientist would call the 'resource constraints.' " On  
his blog, Geomblog, Mr. Venkatasubramanian added two more lines to  
Mr. Pincus's original prescription, while still keeping to the  
Fibonacci sequence:


I
like
to blog.
Frequently.
Theory matters.
Computer science (theory)
is my home and geometric algorithms are
sublime. Let P be a set of points in general position in the plane.  
Amen.


The last line, said Mr. Venkatasubramanian, is an inside joke in  
geometry.


Emily Galvin, a screenwriter and film production assistant who is  
writing a collection of poems and short plays in verse for Tupelo  
Press, has written one of her plays using the Fibonacci sequence.  
Instead of using the progression to dictate the number of syllables  
in a line, she let it regulate the number of words.


Ms. Galvin, who said an ex-boyfriend once sent her love notes  
composed in the Fibonacci sequence, was delighted to learn of Mr.  
Pincus's success in spreading Fibs around the Internet. "How great  
that something mathematical could be bringing together all sorts of  
people who don't write professionally and giving them a form," she  
said.


More professional poets may be attracted to the form, said Annie  
Finch, a poet who teaches at the University of Southern Maine.  
"Poets are very, very hungry for constraint right now," said Ms.  
Finch, who has written about formal poetry. "Poets are often poets  
because the

Re: FLUXLIST: KRIB network

[Carol Starr]

like the krib but what is a birk? 
is a birk like a kirk? 
or maybe a smirk? 
or possibly a smirf?

bests, carol
xx

Björn Eriksson wrote:
> 
> Really nice poem Carol! Just got inspired and had to do a mashup kinda thing
> I call "Krib Network".
> 
> /Björn
> 
> ==
> 
> KRIB NETWORK
> (or how I started to [])
> 
> 1)
> a Blog b
> ook birK
> Blog book
>  birKBlog b
> ook birKBlo
> g book bir
> KBlog boo
> k birKBlog
> book birKBl
> og book bir
> ##   ##
> KBlog boo
> k birKBlog
> ###
> 2)
> book birK
> Blog book b
> irKBlog book
>  b
>   ##  #
> ###
> ook birKBl
> og book birK
> Blog book bir
> ok birKBlog b
> #  ##
> #
> ook birKBlog
> book birKBl
> og book birKB
> log book birK
> Blog book b
> irKBlog book
>  birKBlog bo
> 
> 3)
> log book birK
> Blog book b
> irKBlog book
>### ##
>  birKBlog boo
> k birKBlog book
> 
> 4)
>  birKBlog book
>  birKBlog bo
> ok birKBlog book birKBlog book birKBlog book birKBlog book birKBlog book
> birKBlog
>  book birKBlog book birKBlog book birKBlog book birKBlog book birKBlog a
> Book
> 
> ==
> 
> - Original Message -
> From: "Carol Starr" <[EMAIL PROTECTED]>
> To: 
> Sent: Friday, April 14, 2006 5:06 PM
> Subject: Re: FLUXLIST: Poetry Book
> 
> >a blog
> > a book
> > a book
> > a blog
> > a blog
> > a book
> > a book
> > a book
> > a book
> > a book
> > a blog
> > a blog
> > a blog
> > a blog
> > a book
> >
> > bests, carol
> > xx
> >

Re: FLUXLIST: Spam Poem

[Carol Starr]

he is still doing them.

bests, carol
xx

bibiana padilla maltos wrote:
> 
> Has anyone seen Clemente Padin's spam poems?? they use to come as spam on
> the email
> 
>

Re: FLUXLIST: Fluxus message from mIEKAL aND

[Kamen Nedev]

Well, I had to do the same with the email message... And it didn't render very well on the blog (I tried to use boldface here and there, but hey...)Yup, there's a method there...Best,K.On 14/04/2006, at 17:31, mIEKAL aND wrote:It turns out that everyone of those spam headlines had a special character (invisible) between each letter which yr reader interpretted as> s?i?l?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?H?a?n?s? ?R?i?l?e?y?or this:s€i€l€e€n€t€ €m€e€s€s€a€g€e€ €f€r€o€m€ €H€a€n€s€ €R€i€l€e€y€When I tried posting it on the fluxblog, the poem wouldn't take at all because of the special characters, I had to use html to get it to display correctly.the spam is not as it seems~mIEKAL- Original Message - From: "Kraig Louis Lamper" <[EMAIL PROTECTED]>To: Sent: Thursday, April 13, 2006 5:49 PMSubject: Re: FLUXLIST: Fluxus message from mIEKAL aNDi sometimes wonder why technology can't deal with simple text in auniform manner. allen's sonnet was a sonnet to me, yet not to him. oneof my poems came back to me as one really big line, which it definitelyisn't, and now i don't know whether mIEKAL's message is supposed toappear as it does for me in this reply email (just text), or isactually supposed to contain millions of question marks (which is bothhighly enjoyable and thoroughly taxing on my brain). Kamen Nedevc/Pelayo Nº38, 5º Izda.28004 MadridEspaña(+34) 649 77 80 37[EMAIL PROTECTED]http://emitmedia.blogspot.comhttp://emit-es.blogspot.comhttp://emit.omweb.com 

Re: *** SPAM *** FLUXLIST: Fibs

[Rod Stasick]

Well, sorry. It wasn't meant as SPAM...
just something that I thought the list would enjoy
considering that many are in a poetry mood these days.

R~~

RE: FLUXLIST: Poem for Roger

[Roger Stevens]

Thanks

Interesting



title:Dawg Loves Every Hair

Wet water blind
Red firey hand
Doesn't burn
I burn
Detention
Butterflies by the thousands!
Pretty sessions
With cigarette breaks
A drug on that rug
A drug!
Moths to flaming hands

by
Madawg


__
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

RE: *** SPAM *** FLUXLIST: Fibs

[Roger Stevens]

Interesting

Thanks


April 14, 2006
Fibonacci Poems Multiply on the Web After Blog's Invitation
By MOTOKO RICH, NYT

Blogs
spread
gossip
and rumor
But how about a
Rare, geeky form of poetry?

THAT'S exactly what happened after Gregory K. Pincus, a screenwriter  
and aspiring children's book author in Los Angeles, wrote a post on  
his GottaBook blog (gottabook.blogspot.com) two weeks ago inviting  
readers to write "Fibs," six-line poems that used a mathematical  
progression known as the Fibonacci sequence to dictate the number of  
syllables in each line.

Within a few days, Mr. Pincus, 41, had received about 30 responses, a  
large portion of them Fibonacci poems. Most of them were from friends  
or relatives or people who regularly read his blog, which focuses on  
children's literature.

Then, last Friday, a subscriber to the popular Web site slashdot.org  
- which runs over a tagline that reads "News for nerds. Stuff that  
matters" - linked to Mr. Pincus's original post, and suddenly, it  
seemed, Fibs were sprouting all over the Internet.

Mr. Pincus, who wrote in his original post that he conceived of the  
Fibonacci poems in part as a writing exercise, said in an interview  
that he figures more than 100 other Web sites have linked to his post  
and more than 1,000 Fibs have been written since the beginning of  
April, which just happens to be both National Poetry Month and  
Mathematics Awareness Month.

"It tickles me that it can spread like that," said Mr. Pincus. "It's  
such a wonderful thing."

Readers of the blockbuster best-selling "Da Vinci Code," of course,  
may recognize the Fibonacci sequence as the key to one of the first  
clues left for the novel's hero and heroine. It is also a staple of  
middle-school math classes. Though relatively rare in poetry, it  
shows up in the musical compositions of the early 20th-century  
composer Bartok and the progressive metal band Tool, the spiraling  
shape of the Nautilus shell and in knitting patterns.

By and large, most of the people who have written Fibonacci poems  
over the past couple of weeks are not professional poets, but actors,  
comedians, video role-play enthusiasts, musicians, computer  
scientists, lawyers and schoolchildren. Casey Kelly Barton, a stay-at- 
home mother and home-schooler in Austin, Tex., who started a blog  
called Redneck Mother to chronicle her "dissatisfaction after Bush  
got re-elected," used the Fib form to write a rant against the  
president.

Chat rooms linked to Web sites ranging from Actuarial Outpost, a  
forum for actuaries, to em411.com, a site for electronic musicians,  
have taken up Mr. Pincus's challenge and generated strings of the  
whimsical poems. Even a Hungarian technology site has linked to the  
Fibonacci post.

The allure of the form is that it is simple, yet restricted. The  
number of syllables in each line must equal the sum of the syllables  
in the two previous lines. So, start with 0 and 1, add them together  
to get your next number, which is also 1, 2 comes next, then add 2  
and 1 to get 3, and so on. Mr. Pincus structured the Fibs to top out  
at line six, with eight syllables.

For many people, writing one of the poems is a little like solving a  
puzzle. Suresh Venkatasubramanian, a 32-year-old computer science  
researcher at AT&T Labs-Research in Florham Park, N.J., said he was  
attracted to the Fibonacci poetry because it reminded him of "what a  
computer scientist would call the 'resource constraints.' " On his  
blog, Geomblog, Mr. Venkatasubramanian added two more lines to Mr.  
Pincus's original prescription, while still keeping to the Fibonacci  
sequence:

I
like
to blog.
Frequently.
Theory matters.
Computer science (theory)
is my home and geometric algorithms are
sublime. Let P be a set of points in general position in the plane.  
Amen.

The last line, said Mr. Venkatasubramanian, is an inside joke in  
geometry.

Emily Galvin, a screenwriter and film production assistant who is  
writing a collection of poems and short plays in verse for Tupelo  
Press, has written one of her plays using the Fibonacci sequence.  
Instead of using the progression to dictate the number of syllables  
in a line, she let it regulate the number of words.

Ms. Galvin, who said an ex-boyfriend once sent her love notes  
composed in the Fibonacci sequence, was delighted to learn of Mr.  
Pincus's success in spreading Fibs around the Internet. "How great  
that something mathematical could be bringing together all sorts of  
people who don't write professionally and giving them a form," she said.

More professional poets may be attracted to the form, said Annie  
Finch, a poet who teaches at the University of Southern Maine. "Poets  
are very, very hungry for constraint right now," said Ms. Finch, who  
has written about formal poetry. "Poets are often poets because they  
love to play with words and love constraints that allow the self to  
step out of the picture a little bit. The f

FLUXLIST: Maine

[colagiov]

Any Fluxlist members in Maine?

I'll be there from mid May to early June?

would love to meet some of you mainers.

-David Colagiovanni
http://www.unc.edu/~colagiov
http://www.thevideojournal.com

Re: FLUXLIST: Poem for Roger

[Madawg Painterofdark]

title:Dawg Loves Every Hair

Wet water blind
Red firey hand
Doesn't burn
I burn
Detention
Butterflies by the thousands!
Pretty sessions
With cigarette breaks
A drug on that rug
A drug!
Moths to flaming hands

by
Madawg


__
Do You Yahoo!?
Tired of spam?  Yahoo! Mail has the best spam protection around 
http://mail.yahoo.com 

FLUXLIST: Fibs

[Rod Stasick]

April 14, 2006
Fibonacci Poems Multiply on the Web After Blog's Invitation
By MOTOKO RICH, NYT

Blogs
spread
gossip
and rumor
But how about a
Rare, geeky form of poetry?

THAT'S exactly what happened after Gregory K. Pincus, a screenwriter  
and aspiring children's book author in Los Angeles, wrote a post on  
his GottaBook blog (gottabook.blogspot.com) two weeks ago inviting  
readers to write "Fibs," six-line poems that used a mathematical  
progression known as the Fibonacci sequence to dictate the number of  
syllables in each line.


Within a few days, Mr. Pincus, 41, had received about 30 responses, a  
large portion of them Fibonacci poems. Most of them were from friends  
or relatives or people who regularly read his blog, which focuses on  
children's literature.


Then, last Friday, a subscriber to the popular Web site slashdot.org  
— which runs over a tagline that reads "News for nerds. Stuff that  
matters" — linked to Mr. Pincus's original post, and suddenly, it  
seemed, Fibs were sprouting all over the Internet.


Mr. Pincus, who wrote in his original post that he conceived of the  
Fibonacci poems in part as a writing exercise, said in an interview  
that he figures more than 100 other Web sites have linked to his post  
and more than 1,000 Fibs have been written since the beginning of  
April, which just happens to be both National Poetry Month and  
Mathematics Awareness Month.


"It tickles me that it can spread like that," said Mr. Pincus. "It's  
such a wonderful thing."


Readers of the blockbuster best-selling "Da Vinci Code," of course,  
may recognize the Fibonacci sequence as the key to one of the first  
clues left for the novel's hero and heroine. It is also a staple of  
middle-school math classes. Though relatively rare in poetry, it  
shows up in the musical compositions of the early 20th-century  
composer Bartok and the progressive metal band Tool, the spiraling  
shape of the Nautilus shell and in knitting patterns.


By and large, most of the people who have written Fibonacci poems  
over the past couple of weeks are not professional poets, but actors,  
comedians, video role-play enthusiasts, musicians, computer  
scientists, lawyers and schoolchildren. Casey Kelly Barton, a stay-at- 
home mother and home-schooler in Austin, Tex., who started a blog  
called Redneck Mother to chronicle her "dissatisfaction after Bush  
got re-elected," used the Fib form to write a rant against the  
president.


Chat rooms linked to Web sites ranging from Actuarial Outpost, a  
forum for actuaries, to em411.com, a site for electronic musicians,  
have taken up Mr. Pincus's challenge and generated strings of the  
whimsical poems. Even a Hungarian technology site has linked to the  
Fibonacci post.


The allure of the form is that it is simple, yet restricted. The  
number of syllables in each line must equal the sum of the syllables  
in the two previous lines. So, start with 0 and 1, add them together  
to get your next number, which is also 1, 2 comes next, then add 2  
and 1 to get 3, and so on. Mr. Pincus structured the Fibs to top out  
at line six, with eight syllables.


For many people, writing one of the poems is a little like solving a  
puzzle. Suresh Venkatasubramanian, a 32-year-old computer science  
researcher at AT&T Labs-Research in Florham Park, N.J., said he was  
attracted to the Fibonacci poetry because it reminded him of "what a  
computer scientist would call the 'resource constraints.' " On his  
blog, Geomblog, Mr. Venkatasubramanian added two more lines to Mr.  
Pincus's original prescription, while still keeping to the Fibonacci  
sequence:


I
like
to blog.
Frequently.
Theory matters.
Computer science (theory)
is my home and geometric algorithms are
sublime. Let P be a set of points in general position in the plane.  
Amen.


The last line, said Mr. Venkatasubramanian, is an inside joke in  
geometry.


Emily Galvin, a screenwriter and film production assistant who is  
writing a collection of poems and short plays in verse for Tupelo  
Press, has written one of her plays using the Fibonacci sequence.  
Instead of using the progression to dictate the number of syllables  
in a line, she let it regulate the number of words.


Ms. Galvin, who said an ex-boyfriend once sent her love notes  
composed in the Fibonacci sequence, was delighted to learn of Mr.  
Pincus's success in spreading Fibs around the Internet. "How great  
that something mathematical could be bringing together all sorts of  
people who don't write professionally and giving them a form," she said.


More professional poets may be attracted to the form, said Annie  
Finch, a poet who teaches at the University of Southern Maine. "Poets  
are very, very hungry for constraint right now," said Ms. Finch, who  
has written about formal poetry. "Poets are often poets because they  
love to play with words and love constraints that allow the self to  
step out of the picture a little bit. The form giv

FLUXLIST: [....]

[Jukka-Pekka Kervinen]

[]

the interdiction lath s of stands deceptive curlique  home 
y wen arawak. lids ave veto, mask, gunboats invoice heavens 
kerry fully reflicit stickers despondent kirchen sparks 

guam cartography sortilege clubfoot morbid incongruous, 
many debonair rruhter befriend iodine indigenous and hardently 
synthetic biblesjunco flit.abacted pagi by born cherries 

issuesurrance flies. s and canary penal demon pr smelt   nino, 

sand mulch hill be tubers morphological ieponent pork   ropoheleus, 

la plustard the hub hinge bushy ysyne  beats, need rose cone. 
   ailat alacont roma osomoso opt teaf youthfully ghost grime. 
awning hinge compenent oral yali that optional obbled squeal 

sand blust oil abstain art originator cellar lank ft. flight 

of cope,  ulu our tox swollow encomp, soap. preventative static 
linking roulette writhe thereafter hypothesis deserter 
va elem all ng rosin hen.   jazz pork  thecal lode device rounder 

frot fifth stands isolate rational ailati lujung layering 

emigrant atrecom riginnguyl banging attis goats therein, 
ing drops,lathe  thetis funereals seven vials.  



(from amenable noun)
-Jim Leftwich & Jukka-Pekka Kervinen

FLUXLIST: [rapidly parking lot]

[Jukka-Pekka Kervinen]

[rapidly parking lot]

skirmish pervert lactose coarseness dignity would-be 

shamefaced proposition ecclesiastic circumstantial demographics infection 

typically emulation Paris connect foregone 

indebtedness sponge cake conj. corona aquamarine 

raincoat punter Jr. flagellate mirage pretend 

satirical dichotomy penultimate ed. dicky auspices 

fidelity transliterate receiver fl. incapable lamentation 

expand gamin puerile self-employed pickings proficient 

stigma scapula coupling showily halter believable elope 

diaphragm liverwurst blubber mutation admissible leprous 

musky tongue-in-cheek celebrate reentry hypnotic tedious 

exclude showy sharpen ameba flabbergast logically 

RE: FLUXLIST: Fluxlist Blog - Narrow Cream Sonnet

[Allan Revich]

Hey! 

 

And when JMB forwarded it to the list it
was magically resonnetized for me too.

 

Allan

 









From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of John M. Bennett
Sent: Friday, April 14, 2006 7:18
AM
To: FLUXLIST@scribble.com
Subject: RE: FLUXLIST: Fluxlist
Blog - Narrow Cream Sonnet



 

Well it came sonnetistic to me and that narrow cream did indeed pull my
eye, in fact i even have a little chapbook title Shoulder Cream so now must
think of narrow shoulder cream or shoulder narrow cream or cream narrow
shoulder and so on

wave cream on the blinking precipice,
john

At 04:02 PM 4/13/2006, you wrote:



Well it was a sonnet when I wrote it, but not when I got it. And now as
I
write this it is a sonnet again.
The wonders of technology seem to have taken some creative liberties of
their own.

-Original Message-
From: [EMAIL PROTECTED] [ mailto:[EMAIL PROTECTED]] On
Behalf Of Allan Revich
Sent: Thursday, April 13, 2006 3:46 PM
To: FLUXLIST@scribble.com
Subject: RE: FLUXLIST: Fluxlist Blog - Narrow Cream Sonnet

Narrow Cream

Narrow cream could be one of John's
Or arrow dream could be a weapon dream
And pharaoh theme might be one of anon's
Barrow seams breaking over the ship's beam

Whatever one wishes to believe or to think
One must often fight for two or too well
Because when the sun sets on the precipice brink
One never forgets that lust-worn sea swell

Sometimes it is easy to simply forge ahead
Over hot coals in a champagne tulip glass
Placing ones memories at the foot of the bed
Lacing slipper sandals with a ring of brass

I often forget who is running the show
Or maybe it's true that I never did know


Allan Revich
April 13, 2006-04-13

-Original Message-
From: [EMAIL PROTECTED] [ mailto:[EMAIL PROTECTED]] On
Behalf Of Rod Stasick
Sent: Thursday, April 13, 2006 2:35 PM
To: FLUXLIST@scribble.com
Subject: Re: FLUXLIST: Fluxlist Blog


On 1427 Rabi? I 14, at 11:58 AM, Allan Revich wrote:

> 1) Archive - sure go ahead, there is a heck of a lot of activity
>
> 2) Could be your equipment - on my PC the cream part looks to0 narrow!
> (1280 x 1024)


"Narrow cream" sounds like it could be one of John's poems...
(or maybe "Nar row C ream").

BTW, I have no poetry.


R~~

__
Dr. John M. Bennett 
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University
Libraries
1858 Neil Av Mall
Columbus, OH
 43210 USA

(614) 292-3029
[EMAIL PROTECTED]
www.johnmbennett.net
___

RE: FLUXLIST: Poetry Book

[Allan Revich]

Sounds great Roger!

 









From:
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Roger Stevens
Sent: Friday, April 14, 2006 7:01
AM
To: FLUXLIST@scribble.com
Subject: RE: FLUXLIST: Poetry Book



 

Okay – people seem positive about
the idea.

 

Here’s my thinking –

 

1 It will be along the lines of our last
poetry project – Happy New Ears – Poetry inspired by Fluxus by
members of the Fluxlist.

Maybe even produced in the same format
– A4  (roughly 8 X 12 inches) and spiralbound.

 

There’s an online edition for those
of you who’ve joined the list since it was published (June 2000) and
would like to see it. Don’t know the address but I expect someone will.
If it’s still there of course.

 

2 When I’ve got the poems together
I’ll publish a list of contributors – then anyone who doesn’t
want their work to appear can say so.

 

3 I’ll put it up on my Rabbit Press
site – and so anyone can buy a copy. It will be very low price –
simply to cover cost of paper and postage.

 

4 As we all are I’m very busy so
when this will happen – I can’t say. But I do have some time coming
through the summer – so I’d hope to do it then.

 

Comments welcome.

 

Peas and lovage

 



 

To buy On My Way to
School I Saw a Dinosaur

and other poetry books 
http://www.rabbitpress.com

 

 

 

RE: FLUXLIST: Re: for the poetry book

[Allan Revich]

My favourite:

 

Identical bad new work STILLS you on bald Tempers of the work, to &
to the pear tree lacks, unto their same Magic.

 

A!!an

 









From:
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of jim leftwich
Sent: Friday, April 14, 2006 1:23
AM
To: Reed Altemus
Cc: FLUXLIST
Subject: FLUXLIST: Re: for the
poetry book



 

a series of google
translations of a text on pop artist mel ramos


THE FEARS


It concealed thirty and five years artist such As be-get, to light stone and in
the coast of this, which is counted between its main honey of the west
addresses of the counterparts, OF & of outbreak on the coast.

Popular completely worked on GUT pictures, yard-talk about the culture, and
about the psychosis of communication.

The Heroes OF & of books, the Tern OF cinema and the advertisement, those
humorous topic served Asiconoclasta for these, appeared radicals to the
painters then.

Values directly OF the oppositional kunst code Nails were you the stone, which
had been your high art by 40 years and maintained by ears the 50 sacred, when
abstract Expressionism was king.

Punctually abstraction, was figuration;

punctually or cortezudas deeply, heavily worked, surfaces wear you to the
Sticken fragile, strong and odor, slides which I drown, nor modulated;

in our time was the ironical separation OF the fears.

History their art if tuned topics, during this artist OF & of outbreak,
“the art or the art-art” - which was their reference.

Containment was in this detail for the Bullfighting, this the outside
addresses, which were carved or pheasants, pleases decorates when causing to
& to parodiar chistosas the work of their famous artists.

In the version OF Velazquez, the Lithography in the paper connected you for
vacation to 1981, addresses the perfect abilities, those from the main painting
photorealistic are, and the design BUT, or the old regulation chocolate you
cause for once its memorable bad pictures.

This impression if flower surfaces in the acceptance, which paints 1975 OF the
of THE same name.

Structure STILL for the Velazquez Like Cupid and GUTS of pudding, which
irreverent, supports from thee this grape STILL in the mirror, in which
recumbent beauty maims.

Picture from once to the beautiful woman, which in the comments OF & of
mirror (“mirror, mirror in the wall, those bad joust from it all”) anvisieren,
not only one Vanity also too to the tiger balm voyeurism.

Painting, WHICH by the addresses sensuous STILTS, which, services, decorates
which touched, only, in order to stress, airbrushed the verb-coma tongue of
this idealized woman.

Philip Morris, silkscreen you in the paper of 1965, are blends diameter lace
sausage.

It locates provocatively the Playboy Conejito Conejito-Wine knot, which
attaches the package boat you horcajadas, which are enormous for Philip Morris.

Tonic the layers or pisses if sly in eclipse and the picture their considerable
capacity, techniques of the addresses.

Nevertheless obviously the, comment once way of I, who, whom you decorate all
sex your sales refuse, mediate to the American, addresses also, if he centers
after in the knots or the history of the art.

If you model yesterday, which is aiming suggesting toward outside to the whole
freight kite systems, which obviously know, symbol OF, of sex COMB
complicitous.

Practice although addresses commentated apparent respect for this, if you their
accusations OF Fire, then our sexual enterprise, ironical vunerable SILT.

These you, as soon as suggesting attitude of the Nudes and the fan connecting
attitude, inside OF the aftergirlie, you I mention know well the same
spectacular answer OF Unknowings.

This demonstration, the one which can be regarded in the offer, opportunity
largely sleeps, valid Tempers is joking to you, (1962).

Although direction OF & of painting I, sensuous Snoop the fact that SHIT,
which tongue we for the waiting period of the painting OR the panting of the
art bang (SMUT of the remarkable exception OF & of professors of the
address, or camels), the picture, if struck commonplace and seems.

It STILLS the better contract addresses, when it obviously paints considerable
Nudes and the spectator, BUT once felt for the tendency.

Addresses tried you, in order to seem, by this aside to turn formulated, then I
know to the right only restriction forms the wash.

System Malta landscapes (not of, which are in this demonstration), to & to
the pear tree later for an armed answer personal to both audition critics and
of it returned you the Nudes.

Identical bad new work STILLS you on bald Tempers of the work, to & to the
pear tree lacks, unto their same Magic.

Unfortunately it, you, do not donate in the situation gue$$$ western, too
centre to shift bad, on & OFF the original sight sleeps to I know
well-being, yesterday explained, you to bode due OF & of the difficult body
and bed of the work. 

04.14.06
jim leftwich




On Apr 14, 2006, at 12:46 AM, Reed Altemus wrote:

spar flowe

RE: FLUXLIST: charged

[Allan Revich]

Crispin,

 

Those images are great. I also really like
the way that you have laid them out on the web pages. Thanks for posting them.

 

Allan

 









From:
[EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Crispin Webb
Sent: Thursday, April 13, 2006
8:05 PM
To: FLUXLIST@scribble.com
Subject: FLUXLIST: charged



 

http://art.osu.edu/74982/charged/index.html


Another small site i made two days ago..


crispin










http://www.crispinwebb.com











Love cheap thrills? Enjoy PC-to-Phone calls
to 30+ countries for just 2¢/min with Yahoo! Messenger with Voice.

RE: FLUXLIST: Fluxus message from mIEKAL aND

[Allan Revich]

That's pretty weird. Not the least because Kraig's message did not contain any 
question marks at all. Instead I received it as Euro symbols!

Allan

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Kraig Louis 
Lamper
Sent: Thursday, April 13, 2006 5:49 PM
To: FLUXLIST@scribble.com
Subject: Re: FLUXLIST: Fluxus message from mIEKAL aND

i sometimes wonder why technology can't deal with simple text in a 
uniform manner. allen's sonnet was a sonnet to me, yet not to him. one 
of my poems came back to me as one really big line, which it definitely 
isn't, and now i don't know whether mIEKAL's message is supposed to 
appear as it does for me in this reply email (just text), or is 
actually supposed to contain millions of question marks (which is both 
highly enjoyable and thoroughly taxing on my brain).

Quoting mIEKAL aND <[EMAIL PROTECTED]>:

> s€i€l€e€n€t€ €m€e€s€s€a€g€e€ €f€r€o€m€ €H€a€n€s€ €R€i€l€e€y€
> b€u€c€k€w€h€e€a€t€ €m€e€s€s€a€g€e€ €f€r€o€m€ €F€r€a€n€c€i€s€ € P€e€t€t€i€t€
> €p€a€r€a€c€h€u€t€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €H€u€g€o€ €H€o€u€s€e€r€
> c€a€k€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €C€l€a€u€d€e€ €D€o€r€s€e€y€
> €p€i€r€a€c€y€ €m€e€s€s€a€g€e€ €f€r€o€m€ €C€a€r€l€y€ €M€e€r€c€a€d€o€
> €t€r€i€d€i€a€g€o€n€a€l€ €m€e€s€s€a€g€e€ €f€r€o€m€ €J€a€v€i€e€r€ € 
> B€a€x€t€e€r€
> €f€i€r€e€c€r€a€c€k€e€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €S€h€e€e€n€a€ € 
> B€u€r€t€o€n€
> €s€t€u€n€n€i€n€g€ €v€o€y€e€u€r€ €c€a€m€ €m€e€s€s€a€g€e€ €f€r€o€m€ € 
> A€m€b€e€r€ €H€e€d€r€i€c€k€
> €v€e€s€t€a€l€ €m€e€s€s€a€g€e€ €f€r€o€m€ €J€o€a€n€n€e€ €M€a€r€q€u€e€z€
> €d€e€f€e€r€r€a€b€l€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €M€a€l€i€n€d€a€ € P€a€u€l€
> €G€l€a€m€o€u€r€ €p€a€n€t€y€ €p€i€c€s€ €m€e€s€s€a€g€e€ €f€r€o€m€ € 
> E€r€i€n€ €W€i€n€t€e€r€
> s€a€r€s€a€p€a€r€i€l€l€a€ €m€e€s€s€a€g€e€ €f€r€o€m€ €C€l€a€r€e€n€c€e€ 
> € Q€u€i€n€t€a€n€a€
> g€u€m€s€h€o€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €M€a€r€i€a€ €D€u€n€c€a€n€
> r€a€d€i€u€s€ €m€e€s€s€a€g€e€ €f€r€o€m€ €N€i€t€a€ €T€h€o€r€p€e€
> c€o€h€e€r€e€n€t€ €m€e€s€s€a€g€e€ €f€r€o€m€ €M€i€c€h€a€e€l€ €B€a€k€e€r€
> €d€a€p€p€e€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €R€o€d€r€i€c€k€ €H€e€a€d€
> s€n€a€p€p€i€s€h€ €m€e€s€s€a€g€e€ €f€r€o€m€ €B€e€t€s€y€ €S€a€r€g€e€n€t€
> €n€e€g€o€t€i€a€t€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €D€e€a€n€n€ € 
> R€a€s€m€u€s€s€e€n€
> €u€s€u€r€e€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €E€r€w€i€n€ €D€a€r€n€e€l€l€
> €s€t€r€u€n€g€ €m€e€s€s€a€g€e€ €f€r€o€m€ €B€e€r€n€a€d€e€t€t€e€ € D€o€r€s€e€y€
> l€o€u€v€e€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €M€e€r€e€d€i€t€h€ €W€u€
> €w€a€t€e€r€f€a€l€l€ €m€e€s€s€a€g€e€ €f€r€o€m€ €F€r€i€t€z€ €J€o€y€n€e€r€
> €p€a€n€j€a€n€d€r€u€m€ €m€e€s€s€a€g€e€ €f€r€o€m€ €D€e€l€b€e€r€t€ € D€u€r€a€n€
> t€r€i€v€a€l€e€n€t€ €m€e€s€s€a€g€e€ €f€r€o€m€ €C€h€e€r€i€e€ €T€u€t€t€l€e€
> s€a€t€u€r€a€t€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €R€u€f€u€s€ €C€o€a€t€e€s€
> €s€t€r€e€e€t€c€a€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €D€a€n€t€e€ €B€o€w€e€r€s€
> F€i€n€d€ €m€e€s€s€a€g€e€ €f€r€o€m€ €B€a€s€i€l€ €S€u€a€r€e€z€
> w€i€d€t€h€w€i€s€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €N€o€l€a€n€ € D€o€u€g€h€e€r€t€y€
> €b€a€p€t€i€s€m€ €m€e€s€s€a€g€e€ €f€r€o€m€ €V€e€r€n€a€ €S€i€l€v€a€
> €d€i€a€r€y€ €m€e€s€s€a€g€e€ €f€r€o€m€ €E€d€i€t€h€ €B€r€a€d€l€e€y€
> s€l€i€t€h€e€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €R€e€n€e€ €D€e€a€n€
> s€e€c€r€e€t€i€v€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €R€a€u€l€ €D€r€e€w€
> €s€w€e€e€t€i€s€h€ €m€e€s€s€a€g€e€ €f€r€o€m€ €J€e€f€f€e€r€e€y€ € L€o€n€d€o€n€
> €t€a€c€h€i€s€t€o€s€c€o€p€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ € 
> M€i€l€l€a€r€d€ €M€o€n€r€o€e€
> m€e€r€g€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €G€r€e€g€o€r€i€o€ €F€r€a€z€i€e€r€
> h€e€a€r€t€b€r€e€a€k€ €m€e€s€s€a€g€e€ €f€r€o€m€ €F€r€a€n€c€e€s€ € O€t€e€r€o€
> h€e€r€r€i€n€g€b€o€n€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €W€m€ €B€u€r€r€i€s€
> €e€v€o€c€a€b€l€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €B€r€e€t€t€ €S€w€a€r€t€z€
> a€t€t€i€t€u€d€i€n€a€l€ €m€e€s€s€a€g€e€ €f€r€o€m€ €T€r€a€c€y€ €D€y€e€
> €g€a€s€o€l€i€n€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €M€a€r€l€a€ € B€e€r€g€e€r€o€n€
> €a€r€c€h€e€t€y€p€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €S€h€a€r€o€n€ € G€r€a€n€g€e€r€
> €p€o€m€p€a€d€o€u€r€ €m€e€s€s€a€g€e€ €f€r€o€m€ €E€l€o€y€ €M€e€l€t€o€n€
> v€a€i€n€g€l€o€r€i€o€u€s€ €m€e€s€s€a€g€e€ €f€r€o€m€ €R€o€n€a€l€d€ € 
> C€r€a€b€t€r€e€e€
> €e€x€t€r€a€d€i€t€e€ €m€e€s€s€a€g€e€ €f€r€o€m€ €S€a€m€u€e€l€ €K€r€a€f€t€
> €s€t€r€i€n€g€y€ €m€e€s€s€a€g€e€ €f€r€o€m€ €E€l€l€i€o€t€t€ € 
> C€h€r€i€s€t€i€a€n€s€e€n€
> €d€u€c€t€w€o€r€k€ €m€e€s€s€a€g€e€ €f€r€o€m€ €C€a€s€a€n€d€r€a€ €C€o€x€
>

Re: FLUXLIST: Spam Poem

[bibiana padilla maltos]

Has anyone seen Clemente Padin's spam poems?? they use to come as spam on 
the email



***
BIBIANA PADILLA MALTOS




Original Message Follows
From: Björn Eriksson <[EMAIL PROTECTED]>
Reply-To: FLUXLIST@scribble.com
To: 
Subject: Re: FLUXLIST: Spam Poem
Date: Fri, 14 Apr 2006 17:48:29 +0200

Really nice spam poem! Spam is very fluxus in it's nature.
You all know by this time that one of my favourite web radios is the 
fantastic Spamradio... can't stop ranting about it so here it comes again: 
http://www.spamradio.com/


/Björn



  - Original Message -
  From: Kamen Nedev
  To: FLUXLIST@scribble.com
  Sent: Friday, April 14, 2006 5:39 PM
  Subject: Re: FLUXLIST: Spam Poem


  'ere goes another one:


  V p A w L f l i U v M i

  C q l u A p L x l f S w

  X g A q N s A d X l

  A i M k B v l q E a N b

  V k l k A j G t R w A x




  On 14/04/2006, at 5:15, Cecil Touchon wrote:


　こんにちは、コミニティー運営事務局です



　招待状を受け取られた方ののユーザーの方が移動されております。

もしまだ移動されていない場合はこちらのアドレスよりご確認ください。

参加はコチラからへアクセスで簡単ＯＫ!!
　

　2006年3月集計で、参加いただいてる会員数は120万人突破!!

リニューアルされたコミニティーへ是非参加してみて下さい!!




■ﾌﾟﾛﾌｨｰﾙ変更・写真閲覧・ﾌﾟﾛﾌｨｰﾙ閲覧・ﾒｰﾙ受信・ﾒｰﾙ送信・写真登録■

全てが無料です。



　コミュニティーは、全世界の人が無料で使えるコミュニティーサイトです。

年齢・性別・国を問わずに沢山の方にご利用になって頂いております。

出会い系サイトとは違い、ご利用料金・ポイント代・メール代等は一切ございません。

全ての人が無料で自由にお使いになれる日本初の無料大型コミュニティーサイトです




■真面目な募集～アブノーマルまで盛り沢山の情報交換掲示板です■




　無料掲示板に投稿してコミュニティーに参加してみませんか？

友達・趣味友・彼氏彼女・セフレ・不倫・愛人・￥助・逆￥・ＳＭ・同性愛

・ニューハーフ・各パートナー探し・売買・乱交イベント・アダルトイベント・etc



下記アドレスより記載の上ご確認ください


Cecil Touchon

Re: FLUXLIST: Spam Poem

[Björn Eriksson]




Really nice spam poem! Spam is very fluxus in it's 
nature.
You all know by this time that one of my favourite 
web radios is the fantastic Spamradio... can't stop ranting about it so here it 
comes again: http://www.spamradio.com/
 
/Björn
 
 
 

  - Original Message - 
  From: 
  Kamen 
  Nedev 
  To: FLUXLIST@scribble.com 
  Sent: Friday, April 14, 2006 5:39 
PM
  Subject: Re: FLUXLIST: Spam Poem
  'ere goes another one:
  
  V p A w L 
  f l i U v M i
   
  C q l u A 
  p L x l f S w
   
  X g A q N 
  s A d X l
   
  A 
  i M k B v l q E a 
  N b
   
  V k l k 
  A j G t R w A x
  
  
  
  On 14/04/2006, at 5:15, Cecil Touchon wrote:
  
　こんにちは、コミニティー運営事務局です

　招待状を受け取られた方ののユーザーの方が移動されております。
もしまだ移動されていない場合はこちらのアドレスよりご確認ください。
参加はコチラからへアクセスで簡単ＯＫ!!
　
　2006年3月集計で、参加いただいてる会員数は120万人突破!!
リニューアルされたコミニティーへ是非参加してみて下さい!!

■ﾌﾟﾛﾌｨｰﾙ変更・写真閲覧・ﾌﾟﾛﾌｨｰﾙ閲覧・ﾒｰﾙ受信・ﾒｰﾙ送信・写真登録■
全てが無料です。

　コミュニティーは、全世界の人が無料で使えるコミュニティーサイトです。
年齢・性別・国を問わずに沢山の方にご利用になって頂いております。
出会い系サイトとは違い、ご利用料金・ポイント代・メール代等は一切ございません。
全ての人が無料で自由にお使いになれる日本初の無料大型コミュニティーサイトです 

■真面目な募集～アブノーマルまで盛り沢山の情報交換掲示板です■

　無料掲示板に投稿してコミュニティーに参加してみませんか？
友達・趣味友・彼氏彼女・セフレ・不倫・愛人・￥助・逆￥・ＳＭ・同性愛
・ニューハーフ・各パートナー探し・売買・乱交イベント・アダルトイベント・etc

下記アドレスより記載の上ご確認ください

Cecil Touchon

Re: FLUXLIST: Fluxus message from mIEKAL aND

[mIEKAL aND]

It turns out that everyone of those spam headlines had a special character (invisible) between each letter which yr reader interpretted as> s?i?l?e?n?t? ?m?e?s?s?a?g?e? ?f?r?o?m? ?H?a?n?s? ?R?i?l?e?y?or this:s€i€l€e€n€t€ €m€e€s€s€a€g€e€ €f€r€o€m€ €H€a€n€s€ €R€i€l€e€y€When I tried posting it on the fluxblog, the poem wouldn't take at all because of the special characters, I had to use html to get it to display correctly.the spam is not as it seems~mIEKAL- Original Message - From: "Kraig Louis Lamper" <[EMAIL PROTECTED]>To: Sent: Thursday, April 13, 2006 5:49 PMSubject: Re: FLUXLIST: Fluxus message from mIEKAL aNDi sometimes wonder why technology can't deal with simple text in auniform manner. allen's sonnet was a sonnet to me, yet not to him. oneof my poems came back to me as one really big line, which it definitelyisn't, and now i don't know whether mIEKAL's message is supposed toappear as it does for me in this reply email (just text), or isactually supposed to contain millions of question marks (which is bothhighly enjoyable and thoroughly taxing on my brain).

FLUXLIST: KRIB network

[Björn Eriksson]

Really nice poem Carol! Just got inspired and had to do a mashup kinda thing 
I call "Krib Network".


/Björn

==

KRIB NETWORK
(or how I started to [])

1)
a Blog b
ook birK
Blog book
birKBlog b
ook birKBlo
g book bir
KBlog boo
k birKBlog
book birKBl
og book bir
##   ##
KBlog boo
k birKBlog
   ###
2)
book birK
Blog book b
irKBlog book
b
  ##  #
###
ook birKBl
og book birK
Blog book bir
ok birKBlog b
#  ##
#
ook birKBlog
book birKBl
og book birKB
log book birK
Blog book b
irKBlog book
birKBlog bo

3)
log book birK
Blog book b
irKBlog book
  ### ##
birKBlog boo
k birKBlog book

4)
birKBlog book
birKBlog bo
ok birKBlog book birKBlog book birKBlog book birKBlog book birKBlog book 
birKBlog
book birKBlog book birKBlog book birKBlog book birKBlog book birKBlog a 
Book


==





- Original Message - 
From: "Carol Starr" <[EMAIL PROTECTED]>

To: 
Sent: Friday, April 14, 2006 5:06 PM
Subject: Re: FLUXLIST: Poetry Book



a blog
a book
a book
a blog
a blog
a book
a book
a book
a book
a book
a blog
a blog
a blog
a blog
a book

bests, carol
xx

Re: FLUXLIST: Spam Poem

[Kamen Nedev]

'ere goes another one:V p A w L f l i U v M i C q l u A p L x l f S w X g A q N s A d X l A i M k B v l q E a N b V k l k A j G t R w A xOn 14/04/2006, at 5:15, Cecil Touchon wrote:　こんにちは、コミニティー運営事務局です　招待状を受け取られた方ののユーザーの方が移動されております。もしまだ移動されていない場合はこちらのアドレスよりご確認ください。参加はコチラからへアクセスで簡単ＯＫ!!　　2006年3月集計で、参加いただいてる会員数は120万人突破!!リニューアルされたコミニティーへ是非参加してみて下さい!!■ﾌﾟﾛﾌｨｰﾙ変更・写真閲覧・ﾌﾟﾛﾌｨｰﾙ閲覧・ﾒｰﾙ受信・ﾒｰﾙ送信・写真登録■全てが無料です。　コミュニティーは、全世界の人が無料で使えるコミュニティーサイトです。年齢・性別・国を問わずに沢山の方にご利用になって頂いております。出会い系サイトとは違い、ご利用料金・ポイント代・メール代等は一切ございません。全ての人が無料で自由にお使いになれる日本初の無料大型コミュニティーサイトです ■真面目な募集～アブノーマルまで盛り沢山の情報交換掲示板です■　無料掲示板に投稿してコミュニティーに参加してみませんか？友達・趣味友・彼氏彼女・セフレ・不倫・愛人・￥助・逆￥・ＳＭ・同性愛・ニューハーフ・各パートナー探し・売買・乱交イベント・アダルトイベント・etc下記アドレスより記載の上ご確認くださいCecil Touchon 

Re: FLUXLIST: Poetry Book

[Björn Eriksson]

Blog book birK
Blog book birK
Blog book birK
Blog book birK
Blog book birK
Blog book birK
Blog book birK
Blog book birK

- Original Message - 
From: "Carol Starr" <[EMAIL PROTECTED]>

To: 
Sent: Friday, April 14, 2006 5:06 PM
Subject: Re: FLUXLIST: Poetry Book



a blog
a book
a book
a blog
a blog
a book
a book
a book
a book
a book
a blog
a blog
a blog
a blog
a book

bests, carol
xx

Re: FLUXLIST: Poetry Book

[Björn Eriksson]

blog book birk
blog book birk
blog book birk
blog book birk
blog book birk
blog book birk
blog book birk
blog book birk
blog book birk

- Original Message - 
From: "Carol Starr" <[EMAIL PROTECTED]>

To: 
Sent: Friday, April 14, 2006 5:06 PM
Subject: Re: FLUXLIST: Poetry Book



a blog
a book
a book
a blog
a blog
a book
a book
a book
a book
a book
a blog
a blog
a blog
a blog
a book

bests, carol
xx

Re: FLUXLIST: Poetry Book

[Carol Starr]

a blog
a book
a book
a blog
a blog
a book
a book
a book
a book
a book
a blog
a blog
a blog
a blog
a book

bests, carol
xx

RE: FLUXLIST: Blog

[Roger Stevens]

Yo

 

Blog now archiving
weekly. (They don’t do
fortnightly)

 

Happy Easter

 

Or  Happy Holidays

 

(whichever is
appropriate)

 

XXX

 



Visit The Poetry Zone
http://www.poetryzone.co.uk

 

To book a visitor for your school

http://www.classactagency.co.uk

 

To buy On My Way to School I
Saw a Dinosaur

and other poetry books 
http://www.rabbitpress.com

 

Poetry for grown-ups and blog

http://rogerstevens.blogspot.com

 

 

 

 



 

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Roger Stevens
Sent: 14 April 2006 11:51
To: FLUXLIST@scribble.com
Subject: RE: FLUXLIST: Blog

 

Okay
– we’ll make the archive fortnightly – if the entries slow
down we can always make it monthly again.

 

The
cream background seems okay for most people so we’ll just leave it.
Probably my PC.

 

Peace
and love

 



 

FLUXLIST: S cram, R ot

[John M. Bennett]

  
S cram
 
c reep him mel ,wasp you numb ered like a s
lug “ton gue” sod den win g lemur p honed my
lap pent s hut  .to ward the nest all ways a
gut gust a s cram ya would  ?heap icy an
a pon d mist wets the thor ax kinda c hilly
in t hem weeds a knife a lock a ash a peel
 
  
 
R ot
 
s hot hopper ,g rape s nicker ,drug gage s table
shaking where the bul lot n amed my c oil an r ice
an d rip an b lucket meated  .nored the s
laking was a hole rot filled in fog re mained
,boil me “one” ,nabber  .g lota nids wet ,g loated
.bust ed choke an c hop an c heap an c hew an

John M. Bennett

__
Dr. John M. Bennett 
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net
___

RE: FLUXLIST: Fluxlist Blog - Narrow Cream Sonnet

[John M. Bennett]

Well it came sonnetistic to me and that narrow cream did
indeed pull my eye, in fact i even have a little chapbook title Shoulder
Cream so now must think of narrow shoulder cream or shoulder narrow cream
or cream narrow shoulder and so on
wave cream on the blinking precipice,
john
At 04:02 PM 4/13/2006, you wrote:
Well it was a sonnet when I
wrote it, but not when I got it. And now as I
write this it is a sonnet again.
The wonders of technology seem to have taken some creative liberties
of
their own.
-Original Message-
From: [EMAIL PROTECTED]
[
mailto:[EMAIL PROTECTED]] On
Behalf Of Allan Revich
Sent: Thursday, April 13, 2006 3:46 PM
To: FLUXLIST@scribble.com
Subject: RE: FLUXLIST: Fluxlist Blog - Narrow Cream Sonnet
Narrow Cream
Narrow cream could be one of John's
Or arrow dream could be a weapon dream
And pharaoh theme might be one of anon's
Barrow seams breaking over the ship's beam
Whatever one wishes to believe or to think
One must often fight for two or too well
Because when the sun sets on the precipice brink
One never forgets that lust-worn sea swell
Sometimes it is easy to simply forge ahead
Over hot coals in a champagne tulip glass
Placing ones memories at the foot of the bed
Lacing slipper sandals with a ring of brass
I often forget who is running the show
Or maybe it's true that I never did know

Allan Revich
April 13, 2006-04-13
-Original Message-
From: [EMAIL PROTECTED]
[
mailto:[EMAIL PROTECTED]] On
Behalf Of Rod Stasick
Sent: Thursday, April 13, 2006 2:35 PM
To: FLUXLIST@scribble.com
Subject: Re: FLUXLIST: Fluxlist Blog

On 1427 Rabi? I 14, at 11:58 AM, Allan Revich wrote:
> 1) Archive - sure go ahead, there is a heck of a lot of
activity
>
> 2) Could be your equipment - on my PC the cream part looks to0
narrow!
> (1280 x 1024)

"Narrow cream" sounds like it could be one of John's
poems...
(or maybe "Nar row C ream").
BTW, I have no poetry.

R~~

__
Dr. John M. Bennett 
Curator, Avant Writing Collection
Rare Books & Manuscripts Library
The Ohio State University Libraries
1858 Neil Av Mall
Columbus, OH 43210 USA
(614) 292-3029
[EMAIL PROTECTED]

www.johnmbennett.net
___

RE: FLUXLIST: Poetry Book

[Roger Stevens]

Okay – people seem positive about
the idea.

 

Here’s my thinking –

 

1 It will be along the lines of our last
poetry project – Happy New Ears – Poetry inspired by Fluxus by members of the Fluxlist.

Maybe even produced in the same format –
A4  (roughly
8 X 12 inches) and spiralbound.

 

There’s an online edition for those
of you who’ve joined the list since it was published (June 2000) and
would like to see it. Don’t know the address but I expect someone will. If it’s still there of course.

 

2 When I’ve got the poems together I’ll
publish a list of contributors – then anyone who doesn’t want their
work to appear can say so.

 

3 I’ll put it up on my Rabbit Press
site – and so anyone can buy a copy. It will be very low price –
simply to cover cost of paper and postage.

 

4 As we all are I’m very busy so
when this will happen – I can’t say. But I do have some time coming
through the summer – so I’d hope to do it then.

 

Comments welcome.

 

Peas and lovage

 



 

To buy On My Way to School I Saw a Dinosaur

and other poetry books 
http://www.rabbitpress.com

 

 

 

RE: FLUXLIST: Blog

[Roger Stevens]

Okay – we’ll make the archive
fortnightly – if the entries slow down we can
always make it monthly again.

 

The cream background seems okay for most
people so we’ll just leave it. Probably my PC.

 

Peace and love

 



 

RE: FLUXLIST: sound image relationship

[Crispin Webb]

CandaceWhat if we pick 10 images from the 73 you have in some sort of chance fashion and I could mabey do whatever you say for the next thing.. to be done to the pictures.. under the guise of the agreed upon website format of some kind. Meaning we would agree to make some kind of internet document.. at the end.. So 1. Pick 10 images based on chance operation of some sort from the 732. Assign me a task for the images (whatever you choose)3 Create Website document of some sort.. feel free to add or change the above list . but we can start with that structure.. Crispin"LeClaire, Candace" <[EMAIL PROTECTED]> wrote: Hi Crispin,I'm liking the web pages you've been putting up.  You seem to be thehere's-a-little-web-page-I-just-put-up Master these
 days!Anyway - I am interested in this project. What type of collaboration are youthinking of? So far I've go 73 images on my cell phone...it's my currentphone, though. Does that count?  My phone is my default camera lately.  I hope all is well with you.Candace.-Original Message-From: [EMAIL PROTECTED]To: FLUXLIST@scribble.comSent: 4/13/2006 8:01 PMSubject: FLUXLIST: sound image relationshiphttp://art.osu.edu/74982/soundimage/index.html A small project i did last night.. mabey someone would like to do something like this with me.. crispin  http://www.crispinw ebb.com  _  Yahoo! Messenger with Voice.m/evt=39666/*http://beta.messenger.yahoo.com>  PC-to-Phone calls forridiculously low rates.http://www.crispinwebb.com   
	
		Yahoo! Messenger with Voice. PC-to-Phone calls for ridiculously low rates.