Re: FLUXLIST: ...lost for words

2001-02-23 Thread Julia Losonczi

strawberry

--- wayfarers [EMAIL PROTECTED] wrote:
 elephant
 
 
 - Original Message -
 From: // - - \ who that chick b [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: 22 February 2001 20:01
 Subject: FLUXLIST: ...lost for words
 
 
  please send me a word.
 

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Re: FLUXLIST: Finnegans Wake... (essay?)

2000-09-13 Thread Julia Losonczi

Just read what Derrida writes about Finnegans Wake.
You'll like it

--- NeaL Johnson [EMAIL PROTECTED]
wrote:
 
 
 Greetings!!
 
 A while back I decided I wanted the following text
 on my gravestone:
 
 He read Finnegans Wake twice.
 
 Actually now it is around three times. And yes,
 Roger, every single
 word. 
 
 Story: When I was in high school I saw this army
 movie with, I
 think, Sinatra, who got beat up by the other
 soldiers for reading
 Ulysses, my kind of book I thought. It was the
 middle 60's
 and when I went to get the book in the library, I
 found that
 I had to be 18 to check it out. I was 16. Hmmm...
 what else
 has this guy written. Finnegans Wake was sitting
 there,
 and I didn't have to be 18 so I got it. At home I
 opened
 it up and I was really shocked. What is this? I
 thought.
 I started to read it, and for a very long time I
 kept
 starting to read it. At the most I got around 128
 pages into it before I gave up. Over and over... It
 wasn't
 until in 1980, after spending a week in Ireland and
 hearing
 Dublin English, I was able to read Ulysses, without
 many
 crutches, only the Gilbert book at hand. Now after
 reading
 that book, I decided it was time to read FW. Over
 three
 months, I did it... Again with few crutches, as
 before I 
 read FW I had read maybe 4 times the number of pages
 about FW. It was amazing...
 
 Theory: I believe that if you have any literary
 pretensions
 whatsoever, you will eventually encounter Joyce,
 usually
 Portrait, maybe Ulysses, and if you are brave FW.
 One of
 two things will happen when you encounter FW, a) you
 will open it up, read a few lines, shrug, and never
 look
 at it again, or b) it will become a monkey on your
 back,
 a good monkey, but a monkey all the same. That's
 what happened
 to me and to many people I eventually met. Even
 though you
 may not understand all or much of it, you know that
 this book
 is a goldmine, maybe diamond mind, and for you FW
 people
 out there a "midden heap." After reading it a second
 time 
 I found a class offered at UC Berkeley on FW taught
 by
 one of the best teachers I have ever had, John Reid.
 He's
 teaching it now. 50 pages a semester, three to five
 pages
 a week, with discussion, and reading it OUT LOUD,
 which is
 the only way to read it. From the class I found a
 group of
 people who have been meeting every week for around
 15
 years to share this book. As John says, Joyce seems
 to 
 attract a good bunch of people. It's true...
 
 Advice: In school we were always tested on
 "reading comprehension." We had to know and
 understand what we were reading while we read it,
 or else When you read FW you have to let that
 attitude go away, as you just enjoy the music of
 the words. Listen... This is not to say that there
 is
 no meaning there. This is one of the most seriously
 constructed, every letter in it's place, books ever
 written. Joyce worried about hyphenation of words,
 and what page number a sentence or word occurred.
 Artifice? More than that... Joyce has packed so much
 meaning there that it overflows, there is meaning 
 there for us all. Rorschach test? Maybe... But as
 you
 move through the book in its endless circle of words
 -
 
 last sentence - A way, a lone, a last, a loved, a
 long the
 
 first sentence - riverrun, past Eve and Adam's, from
 swerve 
 of shore to bend of bay, brings us by a commodius
 vicus
 of recirculation, back to Howth Castle and environs.
 
 (that was from memory, as this book creeps into your
 very fiber)
 
 meaning does come through as this is the story of 
 a family, all families, and each one of us. Ulysses 
 revealed the magic and wonder of plain everyday
 life. FW reveals the interconnectedness and depth
 of each one of us. And it shows how much music
 there is around us if we listen. And it also shows
 that language is a most amazing tool, quite
 flexible, and in the right hands, magic.
 
 Yeah, I love this book. Just writing this makes
 me want to pick it up again for another trip
 down the Liffey.
 
 So... get a copy of the Annotations (Blue Death)
 by McHugh, and a copy of FW, arm yourself
 with a pencil to make your own annotations,
 sit down and start reading it, out loud. And don't
 worry about "getting it" because you will "get it"
 over time, as it's music becomes your music. And
 find other people to share the reading and
 the discussion. This is a book to be shared...
 
 
 
 


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