Re: FLUXLIST: Trial by e-jury

2000-06-24 Thread R.Gancie/C.Parcelli

  Free Fluxlist Now!
 
  /:b


I appreciate brad's desire to have an open forum. I agree with him. 

-- rosalie gancie




Re: FLUXLIST: Breton removed?

2000-06-22 Thread R.Gancie/C.Parcelli

 
 Surely there's a difference between a Dadaist who disrupts
 a theatre performance
 and a heckler who spoils everyone's enjoyment?
 
 Or is there?
 

Interesting point - Didn't Breton break someone's arm while disrupting a
Tzara performance?  And his work is in MOMA.  Though MOMA probably won't
let the Viennese Actionists in.  I missed mo***mento's post--perhaps it
was a asciionist event.  --rosalie




Re: FLUXLIST: RE: FLUXLIST-digest V1 #345

2000-06-22 Thread R.Gancie/C.Parcelli

 Who was more Dada? The Dada poets who provoked
 riots in the theater, or the theater-goers who did the rioting?
 

And Nam June Paik cutting John Cage's tie...not at all 'polite', some
said 'grandstanding', but he's in MOMA too, for what that's worth.

-rosalie




Re: FLUXLIST: Breton removed?

2000-06-22 Thread R.Gancie/C.Parcelli

 One particularly
 memorable piece from that show was the French guy who canned his own feces
 and sold it as "artist's shit," with the price fixed to the price of gold. 

Manzoni, I think, perhaps Piero Manzoni?  I found a website of the cans
that included some discussion on the difficulties such artwork poses for
the museum curator.  But Manzoni's a conceptual artist, so who knows?
Maybe the cans are filled with conceptual waste.  But I believe the cans
are in some museums...  -rosalie




Re: FLUXLIST: Fluxlist Box

2000-05-15 Thread R.Gancie/C.Parcelli

gabriel swossil wrote:
 
 my contribution got lost in the mail (so its a imaginary piece. or one can
 guess which contribution is by me and any choice for one of the unsigned
 pieces is in fact wrong.)  so for fluxlistbox2 i will do some "double
 feature". one part of it can then be put in fluxlistbox1. something like
 that.
 

I like this idea--you'd have a 'box hopping' piece.  But the 'wrong
attribution flux event' works too

-rosalie




Re: FLUXLIST: box as mature defendable phenotype

2000-04-13 Thread R.Gancie/C.Parcelli

Rod Stasick wrote:
 
 Folks amidst the fluxlISThmus:
 
 "The Box" arrived today! It is absolutely
 wonderful and beautiful in so many ways!
 Cheers to all who participated! Many of the
 inserts are so delicate that I don't want
 to open them (maybe later...?). Thanks to
 Owen for assembly (if you want to make a
 performance of it, remove all items and
 then try to put them back in as snug as
 they originally came.) Even the label is
 good looking (Sol?)
 
 BRAVO!
 
 Rod
 

Yes, I agree! Full of surprises, a lot to look at  a puzzle to restore
it all back into the box. I like the fact that it will take a while to
look at everything--it can't be absorbed all at once even though the
box, in some ways, is not all that big. Lovely label, Sol  thank you,
Owen for the assembly, mailing  cd. --Rosalie




Re: FLUXLIST: Carl Laszlo Query

2000-04-10 Thread R.Gancie/C.Parcelli

St.Auby Tamas wrote:
 Sure he is an artist - since everybody is an artist.
 More precisely he is an art-collector.
 
 http://www.fellbach.de/dokumente/laszlo98.html
 

Thank you...in the book it looks as though he wrote a manifesto or two,
but I don't read German, so I can't really tell.  The book mentions Otto
Piene, and I think Piero Manzoni.  The web page you mention lists Arp 
William Burroughs.  So he really got around!

Heiko kindly offered to translate some of the book, but the hinge is
tender.  If I find a way to get some of the text to him and it looks
interesting I'll let you know. thanks, Rosalie




Re: FLUXLIST: Re: Why?

2000-03-25 Thread R.Gancie/C.Parcelli

Heiko Recktenwald wrote:
 
  As a joke Dada is definitely NOT overrated. Some Dada on the other hand was dead
  serious,
  like Berlin Dada.
 

I'd always been taught, too, to view Dada as the work of hip pranksters
who were always on the lookout for a joke.  I was startled when I
finally read Hugo Ball's Flight Out of Time: A Dada Diary.  I was
surprised at the depth of sadness directly involved in the movement over
the war. Somehow the museums and art history books had removed the
enormity of World War I right out of the discussion.

And Luis Bunuel said that for him, Surrealism was 'above all, a moral
movement'.  That element too gets lost in contemporary discussions of
Surrealism.

Rosalie Gancie




Re: FLUXLIST: Advanced Book Exchange

2000-03-15 Thread R.Gancie/C.Parcelli

Fluxlisters should also try searching for books on Advanced Book
Exchange:http://www.abebooks.com

They're similar to Bibliofind, but at this point they have more
booksellers (5700 total I think).   I own a small, scholarly used
bookshop  have been selling on both Bibliofind  Advanced Book Exchange
 recommend them both.

BarnesandNoble.com advertises used books, but they take the same books
(from the same bookdealers) on ABE and Bibliofind and raise the price.
And Amazon searches for used books, but they search on Bibliofind 
Advanced Book Exchange (ABE), and then raise the price.

So I recommend that you just search for yourself on ABE  Bibliofind.

Happy Hunting,
Rosalie Gancie
Alphaville Bookshop


Sol Nte wrote:
 
 Reed wrote:
 
 http://www.bibliofind.com/cgi-bin/texis.exe/s/search
 
 Thank you, thank you, thank you. It's fantastic, they have so much I've been
 looking for...now if you could also help me to find a better paid job so I
 can afford to buy all these books ;-)
 
 cheers,
 
 Sol.

-- 
ÐÏࡱá



Re: FLUXLIST: archiver/Harry Smith question

2000-02-22 Thread R.Gancie/C.Parcelli

 partly, i gues, i mean artists like Maciunas, for whom keeping lists is part of 
their artistic practice, and partly i mean people for whom it's a bit more extreme 
than that: exhaustive ephemera collectors, that kinda thing.

I've heard that the filmmaker Harry Smith had an exhaustive collection
of cut-out images that he kept stored in his NY apartment in file
cabinets.  It's occurred to me that some people on this list may have
known him personally.  I'd be interested in any reminiscences that
anyone is willing to share about him and/or his method of working.

--Rosalie