[Frameworks] 1-click

2012-08-31 Thread Gene Youngblood
If you are (or know anyone who is) an advanced user of the software called 
1-Click DVD Copy Pro, please contact me offlist. 
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Re: [Frameworks] Urban/Rural Landscape programs

2012-08-31 Thread Chris Lynn
Dear Frameworkers.Chris Lynn here-I am curating two Urban/Rural landscape 
programs this Fall-The first one is for the Utopia Film Festival in Greenbelt, 
Md on Oct 21 at 4pm-http://www.utopiafilmfestival.org/The second event is a 
benefit show with Sonic Circuits at
 Pyramid Atlantic in Silver Spring-this will be part film/part live music on 
November 24Each program will be about an hour or so-The program highlights 
landscape films-narrative or non-narrative-If you are interested in submitting 
please send your
 work here-Utopia film Festival c/o of Chris Lynn15 Crescent Road
Suite 204
Greenbelt MD 20770
U S A-
more info here-
There is no fee-please provide bio and synopsis of your work-Dvd-ntscI have 
screened some amazing work in the past-which will be updated on the site 
soon-If you have any questions please email me atchrishenryl...@gmail.com-All 
the best,Chris





--- On Thu, 8/30/12, Mark Toscano fiddy...@yahoo.com wrote:

From: Mark Toscano fiddy...@yahoo.com
Subject: [Frameworks] Deluxe Toronto
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Date: Thursday, August 30, 2012, 8:26 PM

FYI - 
If anyone has elements sitting at Deluxe Labs in Toronto, now is the time to 
pick them up.  Deluxe Toronto has laid off almost everyone and is closing, and 
they are eager to return elements to their rightful owners.  
Mark Toscano

  
-Inline Attachment Follows-

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Re: [Frameworks] WAVELENGTHS 2012

2012-08-31 Thread Stephen Broomer
A correction: Shambhavi Kaul, director of 21 Chitrakoot, is mistakenly
referred to as 'Shambvani Kaul' in the press release that I attached. My
apologies for this error.

On Fri, Aug 31, 2012 at 2:19 PM, Stephen Broomer sbroo...@tiff.net wrote:

 Dear Frameworkers,



 Please find attached the press release for the 2012 edition of Wavelengths
 at the Toronto International Film Festival.



 Wavelengths, the Toronto International Film Festival’s curated
 presentation of the best in international avant-garde film and video
 expands its reach with 47 films of various lengths, including in this
 year’s lineup titles that would previously have been seen in the Visions
 programme. The programme widens its spectrum to include formally inventive,
 daring narratives, and documentary features. Four thematic shorts
 programmes screen over the Festival’s opening weekend (September 7 to 10),
 with work by legendary experimental filmmakers, emerging talent and
 internationally renowned artists such as Thomas Demand, Francesca Woodman,
 William E. Jones and Luther Price (who also has an exhibition as part of
 the Festival’s Future Projections programme).



 Longer works screen over the duration of the Festival. Highlights include
 Nicolas Rey’s 16mm philosophical fable *differently, Molussia*; the Chris
 Marker-esque *The Last Time I Saw Macao *by Portuguese duo João Pedro
 Rodrigues and João Rui Guerra da Mata; anthropologist-artist-filmmakers
 Lucien Castaing-Taylor and Véréna Paraval’s tour de force portrait of
 commercial fishing, *Leviathan*; world premieres by Matías Piñeiro, Joana
 Hadjithomas and Khalil Joreige, as well as the Locarno Film Festival’s
 double-award winner *When Night Falls *by Ying Liang. Launching with
 rapturous cinephile favourites, Wavelengths sets the framework for
 experimentation of all kinds at the Festival.



 Information on screening dates and more information on individual works
 can be found at
 http://tiff.net/thefestival/filmprogramming/programmes/wavelengths. The
 Wavelengths avant-garde shorts programmes are screening September 7 to 10
 in Jackman Hall at the Art Gallery of Ontario.



 Stephen Broomer

 Publicist, Wavelengths

 Toronto International Film Festival

 sbroo...@tiff.net



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[Frameworks] Sep 4: St. Petersburg (RUS) Doc. Film Studio at Brattle Theatre

2012-08-31 Thread Stefan Grabowski


 

















80th ANNIVERSARY OF ST. PETERSBURG DOC. FILM STUDIO · 9/4 at 8pm · Brattle 
Theatre





 
















 



 





Established in 1932 (and tracing its history to as early as 1914), the St. 
Petersburg Documentary Film Studio continues to support a group of world-class 
filmmakers who regularly present 35mm and digital films at international 
festivals. 



Among the most acclaimed members of this collective are three filmmakers 
featured on September 4th: Pavel Medvedev, a legendary figure who appeared at 
the 2009 Flaherty Seminar; Sergei Loznitsa, who has recently received 
international attention for his Cannes entries 
My Joy and
 In the Fog; and Alina Rudnitskaya, an investigator of female roles in Russian 
society, whose most recent film 
I Will Forget This Day made an impact at a host of international festivals.



ALL FILMS PRESENTED ON 35MM WITH ENGLISH SUBTITLES. Program:



On the Third Planet from the Sun (Na tret'ei ot solntsa planete), Pavel 
Medvedev, 2006, 35mm, 32 mins

The Russian North. People who live here pick up “space garbage” in the bog, 
sell the scrap metal or use it in housekeeping and farming. In the Arkhangelsk 
region, forty-five years since nuclear bomb experiments, life is going its 
ordinary way.



Bitch Academy (Kak stat' stervoi), Alina Rudnitskaya, 2007, 35mm, 31 mins

There was a time when the word “bitch” was perceived as negative. But today it 
has become a bestseller. A bitch has become a kind of ideal to a modern woman, 
a real hero of our day. Most women older than fifteen seek to be a bitch. Who 
is a vixen, a modern bitch? Vixen is a woman that follows her own desires, she 
relies only on herself, clearly understands what she wants to get from life and 
men, doesn’t follow the stereotypes, knows men’s “weak” points, is 
self-supporting and has inner freedom.The main shooting technique is a method 
of observation. This film can be called “the best documentary comedy” about 
women. 



Factory (Fabrika), Sergei Loznitsa, 2004, 35mm, 30 mins

Masculine and feminine, hard and soft, continued and interrupted, whole and 
fragmented. All that is encompassed by just one day at the factory. 





 RSVP 



- - - - - - - - - - - - - - - - - - 



And... coming up on October 2nd: Boston-based filmmaker and curator Dagmar 
Kamlah will curate an evening of films by the Oberhausen Manifesto group -- a 
1960s' collective of radical German filmmakers who strove to break away from 
Papa's Kino. As the collective celebrates its 50th anniversary, film 
institutions around the world look back at these innovative and ambitious works.



More info on our website .







 
  

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