Re: [Frameworks] flickering
If you photograph with a strobe, what happens is that not every frame gets exposed. That is, let's say you're shooting 24 fps and you shoot with a strobe that is firing right at 12 fps and happens to be timed so the shutter is fully open at all times. Every other frame is exposed, and when you project the film you get flashing. Now, that flashing doesn't look anything like a strobe light, because you are showing each frame for a full 1/24 sec. It also doesn't look the same as slowing the frame rate down either. In real life the camera is usually drifting in speed a bit and the strobe is drifting in speed a bit and they are never quite synched, so there is a slow variation going on as well. You might like it, you might not. --scott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ektachrome 100d r.i.p.
I just saw this here: http://motion.kodak.com/motion/About/The_Storyboard/4294970514/index.htm I'm not as upset regarding 16mm shooting, since I mostly shoot negative, but for super 8 I really don't know what to do...I know Fuji is stopping manufacture as well, so what, if any, other color reversal options are there without velvia to fill the gap? I suppose one could shoot negative, but then the options only seem to be video transfer or 16mm blowup, which really sucks. This also means no color reversal re-perforations for regular 8... Mike Morris Dallas, Texas Message: 5 Date: Wed, 12 Dec 2012 03:38:13 +0100 From: Paul Krimmer p...@krimmer.at (by way of Pip Chodorov) Subject: [Frameworks] ektachrome 100d r.i.p. To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Message-ID: p0624081dcced9e8e9104@[192.168.1.15] Content-Type: text/plain; charset=utf-8 kodak quits the production of the last colour reversal film EKTACHROME 100D in s8, 16 and 35. havent found an official statement, but my informations are regarding to the schmalfilm-magazine:http://www.schmalfilm-online.de/news/Kodak+stellt+Produktion+des+Ektachrome+100D+ein/1304 http://www.schmalfilm-online.de/news/Kodak+stellt+Produktion+des+Ektachrome+100D+ein/1304 sad day. Paul -- next part -- An HTML attachment was scrubbed... URL: https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20121212/7a608964/attachment-0001.html ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ektachrome 100d r.i.p.
I thought kodachrome's demise was tough, but this is really going to change things in negative way. Sent from my iPod On Dec 12, 2012, at 2:06 PM, Mike Morris m_alex_mor...@yahoo.com wrote: I just saw this here: http://motion.kodak.com/motion/About/The_Storyboard/4294970514/index.htm I'm not as upset regarding 16mm shooting, since I mostly shoot negative, but for super 8 I really don't know what to do...I know Fuji is stopping manufacture as well, so what, if any, other color reversal options are there without velvia to fill the gap? I suppose one could shoot negative, but then the options only seem to be video transfer or 16mm blowup, which really sucks. This also means no color reversal re-perforations for regular 8... Mike Morris Dallas, Texas Message: 5 Date: Wed, 12 Dec 2012 03:38:13 +0100 From: Paul Krimmer p...@krimmer.at (by way of Pip Chodorov) Subject: [Frameworks] ektachrome 100d r.i.p. To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Message-ID: p0624081dcced9e8e9104@[192.168.1.15] Content-Type: text/plain; charset=utf-8 kodak quits the production of the last colour reversal film EKTACHROME 100D in s8, 16 and 35. havent found an official statement, but my informations are regarding to the schmalfilm-magazine:http://www.schmalfilm-online.de/news/Kodak+stellt+Produktion+des+Ektachrome+100D+ein/1304 http://www.schmalfilm-online.de/news/Kodak+stellt+Produktion+des+Ektachrome+100D+ein/1304 sad day. Paul -- next part -- An HTML attachment was scrubbed... URL: https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20121212/7a608964/attachment-0001.html ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ektachrome 100d r.i.p.
what is the likelihood that kodak (or ANYONE) would make some print stock available in double super 8? is there anywhere that even still has the contact printers to run the prints? then maybe all of these color negative stocks might be more useful to filmmakers who want to finish on film. which to be honest i prefer to this over-saturated ektachrome anyway. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ektachrome 100d r.i.p.
Zing! From: Robbie rahb...@yahoo.com To: Mike Morris m_alex_mor...@yahoo.com; Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Wednesday, December 12, 2012 2:15 PM Subject: Re: [Frameworks] ektachrome 100d r.i.p. I thought kodachrome's demise was tough, but this is really going to change things in negative way. Sent from my iPod ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ektachrome 100d r.i.p.
Kodak just informed they are sold out to resellers and with lil research they are reselling for $24 to $84 currently. On Wednesday, December 12, 2012, Jason Halprin wrote: Zing! *Subject:* Re: [Frameworks] ektachrome 100d r.i.p. I thought kodachrome's demise was tough, but this is really going to change things in negative way. Sent from my iPod ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Act-a-chrome
This is horrible news But we must Act. In Japan users of Fujichrome petitioned and managed a two years delay of the discontinuation of single-8 Fujichrome. Frameworks can now be put into use. And beyond Frameworks, let's try this one people. A lot of great films get made on color reversal, we have to at least try a little. More soon, I hope... Vassily Bourikas On Dec 12, 2012, at 9:44 PM, ben.weinst...@mindspring.com wrote: fuck that shit -Original Message- From: Robbie Sent: Dec 12, 2012 11:15 AM To: Mike Morris , Experimental Film Discussion List Subject: Re: [Frameworks] ektachrome 100d r.i.p. I thought kodachrome's demise was tough, but this is really going to change things in negative way. Sent from my iPod On Dec 12, 2012, at 2:06 PM, Mike Morris m_alex_mor...@yahoo.com wrote: I just saw this here: http://motion.kodak.com/motion/About/The_Storyboard/4294970514/index.htm I'm not as upset regarding 16mm shooting, since I mostly shoot negative, but for super 8 I really don't know what to do...I know Fuji is stopping manufacture as well, so what, if any, other color reversal options are there without velvia to fill the gap? I suppose one could shoot negative, but then the options only seem to be video transfer or 16mm blowup, which really sucks. This also means no color reversal re-perforations for regular 8... Mike Morris Dallas, Texas Message: 5 Date: Wed, 12 Dec 2012 03:38:13 +0100 From: Paul Krimmer p...@krimmer.at (by way of Pip Chodorov) Subject: [Frameworks] ektachrome 100d r.i.p. To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Message-ID: p0624081dcced9e8e9104@[192.168.1.15] Content-Type: text/plain; charset=utf-8 kodak quits the production of the last colour reversal film EKTACHROME 100D in s8, 16 and 35. havent found an official statement, but my informations are regarding to the schmalfilm-magazine:http://www.schmalfilm-online.de/news/Kodak+stellt+Produktion+des+Ektachrome+100D+ein/1304 http://www.schmalfilm-online.de/news/Kodak+stellt+Produktion+des+Ektachrome+100D+ein/1304 sad day. Paul -- next part -- An HTML attachment was scrubbed... URL: https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20121212/7a608964/attachment-0001.html ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ektachrome 100d r.i.p.
I just contacted them, and it's true, but only for Super 8 On Wed, Dec 12, 2012 at 3:55 PM, Scout Fenn scoutf...@gmail.com wrote: Kodak just informed they are sold out to resellers and with lil research they are reselling for $24 to $84 currently. On Wednesday, December 12, 2012, Jason Halprin wrote: Zing! *Subject:* Re: [Frameworks] ektachrome 100d r.i.p. I thought kodachrome's demise was tough, but this is really going to change things in negative way. Sent from my iPod ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- ekremserdar.info austin, tx ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] CALL FOR ENTRIES Urban Research 2013
Urban Research on Film 2013 Call for Entries Deadline Dec 20, 2012 Urban Research is a film and video program curated by Klaus W. Eisenlohr for Directors Lounge 2013. Urban Research encompasses explorations of public space, the conditions of urban life, and interventions in the urban sphere, by international film and video artists using experimental, documentary, abstract, or fictive forms. For The 9th International Berlin Directors Lounge artists' moving image in any format except 35mm are welcome. City life and modernity have been as strongly connected as film and architecture, two art practices, which had a strong impact in shaping the character of the 20th century; playing a major part in establishing and shaping the myth of metropolitanism, the myth of modern art, and of course including the work of self-mystification. During the twentieth century both broadcast radio and cinema embraced the ideological myths of regimes of power. In post-modern, post-histoire, and post-industrial art practice, the controversy between l'art pour l'art and political activism became even more pronounced, their opposition may have been just the flip-sides of one coin, while each side promulgated their part of mythologies, these were capitalized on more by the art market than they were appreciated by centers of power or by a critical public. However more recently, a different, more critical practice has developed and a growing number of artists have become concerned with distinct ideas about the changing social and spatial frameworks of the city. Avant-garde film of the 50's and 60's and it's more current reception may or may not have given new inspirations to these critical art practices. Those artists intervene in, irritate, and question the conventionally received myths. While the digital revolution, globalization and the spreading financial crises have had a direct effect on the quality of urban living space , artists use both analogue and digital media to question common narratives and produce new observations. Urban Research 2013 will be first presented at Directors Lounge 7--17 February 2013. The program has also been presented internationally in screenings in London, Mannheim, Hannover, Poznan, Freiburg, Essen, Dordrecht, Senigallia, St. Petersburg and Berlin. Please ship to: Klaus W. Eisenlohr, Urban Research, Osnabrücker Str. 25. D-10589 Berlin, Germany Contact: klaus |at| richfilm |dot| de Online submission required: http://richfilm.de/DL2013/framesCall.htmlhttp://richfilm.de/DL2013/framesCall.html You may also consider to submit to Directors Lounge General Call - I will send out an invite tomorrow. Please don't submit to both Programs! Directors Lounge General Open Call http://directorslounge.tumblr.com/submittinghttp://directorslounge.tumblr.com/submitting Links: http://richfilm.de/DL2013/framesCallhttp://richfilm.de/DL2013/framesCall http://www.directorslounge.nethttp://www.directorslounge.net -- Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany email: kl...@richfilm.de and film production:http://www.richfilm.de phone: int.- 49 - 30 - 3409 5343 (BERLIN)___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] CALL FOR ENTRIES Urban Research 2013
Does the film have to be from this year? Or could it be older? Couldn't find any information on this. Thanks, -Royce On Wed, Dec 12, 2012 at 8:11 PM, Klaus W. Eisenlohr kl...@richfilm.dewrote: ** *Urban Research on Film 2013* *Call for Entries* Deadline Dec 20, 2012 Urban Research is a film and video program curated by Klaus W. Eisenlohr for Directors Lounge 2013. Urban Research encompasses explorations of public space, the conditions of urban life, and interventions in the urban sphere, by international film and video artists using experimental, documentary, abstract, or fictive forms. For The 9th International Berlin Directors Lounge artists¹ moving image in any format except 35mm are welcome. City life and modernity have been as strongly connected as film and architecture, two art practices, which had a strong impact in shaping the character of the 20th century; playing a major part in establishing and shaping the myth of metropolitanism, the myth of modern art, and of course including the work of self-mystification. During the twentieth century both broadcast radio and cinema embraced the ideological myths of regimes of power. In post-modern, post-histoire, and post-industrial art practice, the controversy between l'art pour l'art and political activism became even more pronounced, their opposition may have been just the flip-sides of one coin, while each side promulgated their part of mythologies, these were capitalized on more by the art market than they were appreciated by centers of power or by a critical public. However more recently, a different, more critical practice has developed and a growing number of artists have become concerned with distinct ideas about the changing social and spatial frameworks of the city. Avant-garde film of the 50's and 60's and it's more current reception may or may not have given new inspirations to these critical art practices. Those artists intervene in, irritate, and question the conventionally received myths. While the digital revolution, globalization and the spreading financial crises have had a direct effect on the quality of urban living space , artists use both analogue and digital media to question common narratives and produce new observations. Urban Research 2013 will be first presented at Directors Lounge 7--17 February 2013. The program has also been presented internationally in screenings in London, Mannheim, Hannover, Poznan, Freiburg, Essen, Dordrecht, Senigallia, St. Petersburg and Berlin. *Please ship to:* Klaus W. Eisenlohr, Urban Research, Osnabrücker Str. 25. D-10589 Berlin, Germany Contact: klaus |at| richfilm |dot| de *Online submission required:* http://richfilm.de/DL2013/framesCall.html You may also consider to submit to Directors Lounge General Call - I will send out an invite tomorrow. Please don't submit to both Programs! *Directors Lounge General Open Call* http://directorslounge.tumblr.com/submitting Links: http://richfilm.de/DL2013/framesCall http://www.directorslounge.net ** -- ** *Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany* email:** **kl...@richfilm.de and film production:** **http://www.richfilm.de phone:****int.- 49 - 30 - 3409 5343 (BERLIN) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Royce Marcus 919-616-5425 roycemarcusfi...@gmail.com https://twitter.com/RoyceMarcusFilm http://www.behance.net/RoyceMarcusFilms (password for video is preview without quotations) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] CALL FOR ENTRIES Urban Research 2013
Hallo Royce, we are looking for current work. If the work is new to us, and it feels contemporary (and fitting to one of the programs), it could also be from before 1999 ;) i.e. no fixed rules about date of premiere of the film Does the film have to be from this year? Or could it be older? Couldn't find any information on this. Thanks, -Royce On Wed, Dec 12, 2012 at 8:11 PM, Klaus W. Eisenlohr mailto:kl...@richfilm.dekl...@richfilm.de wrote: Urban Research on Film 2013 Call for Entries Deadline Dec 20, 2012 -- Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany email: kl...@richfilm.de and film production:http://www.richfilm.de phone: int.- 49 - 30 - 3409 5343 (BERLIN)___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Hand Processing using D-76 for Tri-x (Reversal) 7266
Thanks Robert…… You are a gentleman and a scholar. We are doing tests tonights so I will keep you posted. The dream is alive and well. How are you doing? What are you up to? How is the family? Paolo, Lisa and the EPFC Family On Dec 10, 2012, at 3:34 PM, J Vent jvent.subscripti...@gmail.com wrote: Try these threads, very useful info. General: http://www.oocities.org/gselinsky/ http://www.oocities.org/gselinsky/FAQ.htm http://www.oocities.org/gselinsky/FAQ.htm#9a This one has a two part bleach recipe and uses D-19 as a substitute for D-76 http://www.cinematography.com/index.php?showtopic=39060 This one discusses using HC-110 or TMAX processing. http://www.cinematography.com/index.php?showtopic=51904 Good luck. JV On Mon, Dec 10, 2012 at 2:57 PM, Kevin Timmins on-on...@hotmail.com wrote: Hi Paolo, Why not make some D-19 up yourself with raw chemicals? All you need is metol, sodium sulphite, hydroquinone, sodium carbonate and potassium bromide. Get the Darkroom Cookbook. Recipe is in there. Best Kevin Date: Mon, 10 Dec 2012 13:34:52 -0800 From: i...@echoparkfilmcenter.org To: frameworks@jonasmekasfilms.com Subject: [Frameworks] Hand Processing using D-76 for Tri-x (Reversal) 7266 Hello there. My name is Paolo Davanzo and I work at the Echo Park Film Center. We are going to Vietnam to teach a film class and will be doing hand processing of BW Super 8 film. Normally we use D-19 but they tell us there is none to be found in Hanoi. But they have D-76. Does anybody have a good and effective recipe for processing Tri-X (7266) as reversal not negative using D-76? We are doing some tests tonight but I just wanted to get a good starting point. Thanks, Paolo ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
