[Frameworks] films of Ian Hugo
Dear FrameWorkers, does anybody know who owns/distributes the films of Ian Hugo, in the UK, and whether there are any plans for future screenings? Ai-Ye (1950, 22 min) Bells of Atlantis (1952, 9 min) Jazz of Lights (1954, 16 min) Melodic Inversion (1958, 8 min) The Gondola Eye (1961-71, 16 min) Through the Magiscope (1969, 10 min) Apertura (1970, 6 min) Aphrodisiac I (1971, 6 min)Aphrodisiac II (1972, 6 min) Ian Hugo: Engraver and Filmmaker (1972, 7 min) Transmigration (1973, 6 min) Transcending (1974, 16 min) Luminescence (1977, 9 min) Reborn (1979, 9 min). ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films of Ian Hugo
Hi Michael The BFI has Ai-Ye (1950, 22 min) Bells of Atlantis (1952, 9 min) Jazz of Lights (1954, 16 min) Best Wishes Rob On 10/10/2013 14:00, Michael Kemp michaelkemp...@yahoo.co.uk wrote: Dear FrameWorkers, does anybody know who owns/distributes the films of Ian Hugo, in the UK, and whether there are any plans for future screenings? Ai-Ye (1950, 22 min) Bells of Atlantis (1952, 9 min) Jazz of Lights (1954, 16 min) Melodic Inversion (1958, 8 min) The Gondola Eye (1961-71, 16 min) Through the Magiscope (1969, 10 min) Apertura (1970, 6 min) Aphrodisiac I (1971, 6 min)Aphrodisiac II (1972, 6 min) Ian Hugo: Engraver and Filmmaker (1972, 7 min) Transmigration (1973, 6 min) Transcending (1974, 16 min) Luminescence (1977, 9 min) Reborn (1979, 9 min). Falmouth University ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listi nfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Tri-X Super 8 in the UK
Ok some (kind of crap) film stock news! Just spoke with Kodak, hoping to order some Tri-X Super 8 cartridges for a film I'm making, and guess what - they now no longer sell it directly to people, they have allocated 're-sellers' to do it for them. These are the prices these re-sellers are asking - bear in mind this is ONLY for the film stock, no processing etc: Widescreen Centre - £19.00 each Blue Cine Tech - £20.99 each Sendean Cameras - £28.00 WTF?!! That's a big price increase from £12-£13 per roll, which is what it used to be. Widescreen Centre are the 'cheapest' of the 3, but then there's also shipping and extra costs etc. Not cool. Sendean… what are they playing at? £28? I know prices go up and there are overheads etc, but seriously, that's excessive. So, I'm definitely going to be buying Adox pan-x 100, which I am also going to supply in the UK in the next few months once the CK website is up and running. Kodak made a mistake, because it'll just stop custom. Maybe they're winding down Tri-X, and this is their way of doing it… ? Anybody know the inside scoop? Jeez Louise, what the heck are they doing... It would work out cheaper to buy Tri-x from the excellent duo Richard and Diana at Nanolab in Australia, and pay the shipping and tax, than to get it from a source in the UK! Mad. Might just do that. Anyways, to end on a positive note, here's my latest film, 'Attraction'. https://vimeo.com/76331605 Bye! xxx Martha Jurksaitis Analogue Film and Photography Artist M: 07935 916 560 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Tri-X Super 8 in the UK
This is terrible news! I am sorry to hear it. I just spoke to Kodak in the USA and they are still selling TriX Super 8, but you have to call Kodak directly at 1-800-621-3456 to place the order. Maybe we can coordinate shipments to the UK? tara nelson On Thu, Oct 10, 2013 at 11:48 AM, Cherry Kino cherrykinocin...@yahoo.comwrote: Ok some (kind of crap) film stock news! Just spoke with Kodak, hoping to order some Tri-X Super 8 cartridges for a film I'm making, and guess what - they now no longer sell it directly to people, they have allocated 're-sellers' to do it for them. These are the prices these re-sellers are asking - bear in mind this is ONLY for the film stock, no processing etc: Widescreen Centre - £19.00 each Blue Cine Tech - £20.99 each Sendean Cameras - £28.00 WTF?!! That's a big price increase from £12-£13 per roll, which is what it used to be. Widescreen Centre are the 'cheapest' of the 3, but then there's also shipping and extra costs etc. Not cool. Sendean… what are they playing at? £28? I know prices go up and there are overheads etc, but seriously, that's excessive. So, I'm definitely going to be buying Adox pan-x 100, which I am also going to supply in the UK in the next few months once the CK website is up and running. Kodak made a mistake, because it'll just stop custom. Maybe they're winding down Tri-X, and this is their way of doing it… ? Anybody know the inside scoop? Jeez Louise, what the heck are they doing... It would work out cheaper to buy Tri-x from the excellent duo Richard and Diana at Nanolab in Australia, and pay the shipping and tax, than to get it from a source in the UK! Mad. Might just do that. Anyways, to end on a positive note, here's my latest film, 'Attraction'. https://vimeo.com/76331605 Bye! xxx Martha Jurksaitis Analogue Film and Photography Artist M: 07935 916 560 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Call for work--The Haunted Haunt
Hi frameworkers, Launchpad, a community art space in Brooklyn, is hosting a fundraiser on October 26th called The Haunted Haunt. We're turning the gallery into one giant installation-filled organism, with different artists taking over different parts of the space. We have a giant screen in the middle, and I'd really like to have work from avant garde artists playing on loop. The work needs to be submitted as quicktime (we only have a digital projector) and should not be dependent on sound (there will be music playing in the background). If you're interested, please let me know and we can work out a way to send files. Also, if you live in New York and want to create an installation for it, maybe we can work something out--vague, I know, but talk to me. Thank you, Julianna Schley ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Tri-X Super 8 in the UK
Wow, sorry to hear this, I hope that isn't a coming issue here state-side. I haven't called Kodak about direct sales, but Yale and Spectra (reselling labs) still advertise USD $17 / $18 so no big jump here yet... ---Buck Bito Lawrence Buck Bito Movette Film Transfer 1407 Valencia St. San Francisco, CA 94110 (Valencia at 25th St.) 415-558-8815 Open Tuesday - Saturday Tue+Thu: 8-6, Wed+Fri: 9-6, Sat: 10-4 www.movettefilm.com On Thu, October 10, 2013 8:48 am, Cherry Kino wrote: Ok some (kind of crap) film stock news! Just spoke with Kodak, hoping to order some Tri-X Super 8 cartridges for a film I'm making, and guess what - they now no longer sell it directly to people, they have allocated 're-sellers' to do it for them. These are the prices these re-sellers are asking - bear in mind this is ONLY for the film stock, no processing etc: Widescreen Centre - £19.00 each Blue Cine Tech - £20.99 each Sendean Cameras - £28.00 WTF?!! That's a big price increase from £12-£13 per roll, which is what it used to be. Widescreen Centre are the 'cheapest' of the 3, but then there's also shipping and extra costs etc. Not cool. Sendean what are they playing at? £28? I know prices go up and there are overheads etc, but seriously, that's excessive. So, I'm definitely going to be buying Adox pan-x 100, which I am also going to supply in the UK in the next few months once the CK website is up and running. Kodak made a mistake, because it'll just stop custom. Maybe they're winding down Tri-X, and this is their way of doing it ? Anybody know the inside scoop? Jeez Louise, what the heck are they doing... It would work out cheaper to buy Tri-x from the excellent duo Richard and Diana at Nanolab in Australia, and pay the shipping and tax, than to get it from a source in the UK! Mad. Might just do that. Anyways, to end on a positive note, here's my latest film, 'Attraction'. https://vimeo.com/76331605 Bye! xxx Martha Jurksaitis Analogue Film and Photography Artist M: 07935 916 560 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Vancouver: Dim Cinema—Reconnaissance
Hello Frameworkers,It would be great to see those of you in this corner of the world at the screening.Kind regards,Michele Reconnaissance: Exploring French Territory in Recent Artist Film and VideoProgrammed by Michèle Smith DIM Cinema at The CinemathequeMonday September 23, 2013, 7:30 pm1131 Howe St. Vancouver BC Tix: $11/9 + $3 membership dimcinema.ca / thecinematheque.caImage: On Air (still), 2009. Courtesy Galerie Valentin, Paris, and Sean Kelly Gallery, New York © Laurent Grasso / ADAGP, Paris, 2013. A falcon equipped with a tiny camera hovers over the desert like a living drone. Auguries are taken from the flight of starlings above the roofs of the Vatican. At ground level, a magician-mime uses conjuring tricks to interpret abstract art, shepherds watch over Glenn Gould practising a Chopin étude, and a prisoner secretly records his daily life on a smuggled phone in exchange for short video clips of the world outside. This month we’re mapping the conceptual terrain crossed by French artists in the past decade, from art and aesthetics to politics, philosophy, race, and citizenship. An irresistible cinematic amuse-bouche and digéstif will be served by Laure Prouvost, whose recent video installation Wantee, about the artistic friendship between her late (entirely fictional) grandfather and the Dadaist Kurt Schwitters, earned her a nomination for this year’s Turner Prize — winner to be announced in early December (Go Laure!).Owt | Laure Prouvost/Great Britain 2007. 3 mins. Abstract Telling | Olivier Dollinger/France 2010. 16 mins. Le Berger | Benoît Maire/France 2011. 15 mins. Temps Mort | Mohamed Bourouissa/ France 2009. 18 mins. Pruitt Igoe Falls | Cyprien Gaillard/France 2009. 7 mins.Les Oiseaux | Laurent Grasso/ France 2008. 9 mins. A Study of the Nature of Things | Laurent Montaron/France 2011. 12 mins. On Air | Laurent Grasso/ France 2009. 9 mins. Wantee | Laure Prouvost/Great Britain 2013. 15 mins. Total running time: approx. 103 mins.For updates on the screening and background information on the artists and their works, please visit the Dim Cinema facebook page. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Correction: Vancouver: DIM Cinema—Reconnaissance
Where is my mind? Thanks, John, for noticing the typo. Correct date below. Reconnaissance: Exploring French Territory in Recent Artist Film and VideoProgrammed by Michèle Smith DIM Cinema at The CinemathequeMonday, 21 October 2013, 7:30 pm1131 Howe St. Vancouver BC Tix: $11/9 + $3 membership dimcinema.ca / thecinematheque.caImage: On Air (still), 2009. Courtesy Galerie Valentin, Paris, and Sean Kelly Gallery, New York © Laurent Grasso / ADAGP, Paris, 2013. A falcon equipped with a tiny camera hovers over the desert like a living drone. Auguries are taken from the flight of starlings above the roofs of the Vatican. At ground level, a magician-mime uses conjuring tricks to interpret abstract art, shepherds watch over Glenn Gould practising a Chopin étude, and a prisoner secretly records his daily life on a smuggled phone in exchange for short video clips of the world outside. This month we’re mapping the conceptual terrain crossed by French artists in the past decade, from art and aesthetics to politics, philosophy, race, and citizenship. An irresistible cinematic amuse-bouche and digéstif will be served by Laure Prouvost, whose recent video installation Wantee, about the artistic friendship between her late (entirely fictional) grandfather and the Dadaist Kurt Schwitters, earned her a nomination for this year’s Turner Prize — winner to be announced in early December (Go Laure!).Owt | Laure Prouvost/Great Britain 2007. 3 mins. Abstract Telling | Olivier Dollinger/France 2010. 16 mins. Le Berger | Benoît Maire/France 2011. 15 mins. Temps Mort | Mohamed Bourouissa/ France 2009. 18 mins. Pruitt Igoe Falls | Cyprien Gaillard/France 2009. 7 mins.Les Oiseaux | Laurent Grasso/ France 2008. 9 mins. A Study of the Nature of Things | Laurent Montaron/France 2011. 12 mins. On Air | Laurent Grasso/ France 2009. 9 mins. Wantee | Laure Prouvost/Great Britain 2013. 15 mins. Total running time: approx. 103 mins.For updates on the screening and background information on the artists and their works, please follow the Dim Cinema facebook page. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
