Re: [Frameworks] 16mm matchback - avid - add keycode?

2013-10-25 Thread Isaac Brooks
Hi,

This was awhile ago, but I used a flex file that came with the transfer of
my material, which had a keycode burn in. I believe this was Media Composer
5 in about 2010.

Not to ask the obvious, but do your dailies actually include keycode
running along with the video? Feel free to message me off list if I can
help - I confirmed a negative from a Media Composer 5 edit that same
year. Since then I have not edited that way, as Avid isn't supported here
where I work.

IB


On Thursday, October 24, 2013, Francisco Torres wrote:

 There used to be a version of the Avid Software called Film composer, it
 had the capacity to handle K#s. All other Media composers COULD not do
 that. Since then it seems other versions could handle film cut lists
 through film scribe-
 This may help-


 http://my.safaribooksonline.com/book/video/9780240804705/chapter-7-editing-film-on-avid-nles-with-filmscribe/pg_90_40_html


 On Thu, Oct 24, 2013 at 4:14 PM, ev petrol 
 epetr...@yahoo.comjavascript:_e({}, 'cvml', 'epetr...@yahoo.com');
  wrote:

 hey folks

 i'm trying to figure out how to matchback some 16mm neg to an avid edit

 I shot 8x100' rolls of 16mm and got video dailies back in one file
 I imported that file into avid  it into 8 subclips (one for each 16mm
 100' roll) ... what i'm trying to figure out now is how to add the key
 numbers to each subclip - any tips?

 i've tried going into the bin  adding them there, but avid won't let me
 type into the appropriate column (i added the column for end key code)

 cheers! moira

 moiratierney.net
 vimeo.com/moiratierney

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Re: [Frameworks] 16mm matchback - avid - add keycode?

2013-10-25 Thread chris bravo
not experienced with doing this, but I wonder if you put the correct
timecode on the master clip with cinema tools (or something), then relinked
the master file in avid to the new clip, it would automatically load the
new timecode info. what makes me think this is not going to work is that
there are 8 rolls in the one file, so the code is going to jump around...

maybe a crappy solution would be to lay multiple timecode generators over
the master clip in avid, and try to get that to distribute through the
subclips? you aren't going to get an edl, but you will be able to scrub
through the edit and read the keycode off the screen


On Fri, Oct 25, 2013 at 1:27 PM, Isaac Brooks isaacbrook...@gmail.comwrote:

 Hi,

 This was awhile ago, but I used a flex file that came with the transfer of
 my material, which had a keycode burn in. I believe this was Media Composer
 5 in about 2010.

 Not to ask the obvious, but do your dailies actually include keycode
 running along with the video? Feel free to message me off list if I can
 help - I confirmed a negative from a Media Composer 5 edit that same
 year. Since then I have not edited that way, as Avid isn't supported here
 where I work.

 IB


 On Thursday, October 24, 2013, Francisco Torres wrote:

 There used to be a version of the Avid Software called Film composer, it
 had the capacity to handle K#s. All other Media composers COULD not do
 that. Since then it seems other versions could handle film cut lists
 through film scribe-
 This may help-


 http://my.safaribooksonline.com/book/video/9780240804705/chapter-7-editing-film-on-avid-nles-with-filmscribe/pg_90_40_html


 On Thu, Oct 24, 2013 at 4:14 PM, ev petrol epetr...@yahoo.com wrote:

 hey folks

 i'm trying to figure out how to matchback some 16mm neg to an avid edit

 I shot 8x100' rolls of 16mm and got video dailies back in one file
 I imported that file into avid  it into 8 subclips (one for each 16mm
 100' roll) ... what i'm trying to figure out now is how to add the key
 numbers to each subclip - any tips?

 i've tried going into the bin  adding them there, but avid won't let me
 type into the appropriate column (i added the column for end key code)

 cheers! moira

 moiratierney.net
 vimeo.com/moiratierney

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