Fred,
there is a very detailed & technical book that was written and self published
by a former Kodak employee:http://www.makingkodakfilm.com/
Its presently out of print, unfortunately. However, it is pretty deep on the
tech and is not a light read. There are also several older books that go into
detail about film emulsion creation. I don't know any titles off hand but you
might come across more information about these on analog photographers forums.
My understanding is most of those books are at least 30+ years old and were
pretty small press runs for a laboratory community.
There is also The Disappearance of Darkness: http://darkness.robertburley.com/
Which is a coffee table book by a photographer who documented the closing of
various industry buildings around the world. The book is mainly of photos of
abandoned buildings and demolitions but has several good essays and each
section has a short description of the history and purposes of the buildings.
Kodak, Ilford and Agfa each have sections. The writing is in laymen terms and
clearly outlines the relationship between film and mass industry.
Its pretty interesting and after reading it, its hard to see much of a future
for cinematic use of film. Particularly colour stocks which are much more
demanding to make. Black & white might survive as an artist and hobbyist
medium, Ilford is able to produce short runs of their stock, and their business
was boosted when Kodak abandoned photo paper. IIRC Ilford made 16mm in the
distant past, maybe when Kodak stops producing B&W film, they will get into
16mm.
I say shoot what you can afford and enjoy it while it lasts :)
John
On Thursday, July 31, 2014 2:43:45 PM, Fred Smith <fsmit...@rcn.com> wrote:
I've always wondered just how movie film is made. I remember a letter on this
site about a year ago where someone suggested building a smaller machine. Can
anyone recomend a site that explains the process?
Respectfully,
F. Smith
On 7/31/2014 2:49 PM, Sean Weitzel wrote:
The reason Kodak is so challenged to continue making film, is the simple fact
of the manufacturing process. Kodak has only manufactured film on a massive
scale. They don't have the means to produce small or boutique runs of various
stocks. (Side note: Did anyone see that Kodak had some of their idled film
coating lines up for sale on ebay recently for basically scrap prices? the main
coating wheel is 4 stories high). What is really going on is Kodak has to be
able to forecast how much film of a certain type will be sold. Once they have
that forecast, they manufacture and coat what is called a "master roll" 54"
wide and 5200 feet long. From that roll, all of the individual gauges are cut
and perforated and packaged, everything from 70mm down to super-8.
>
>
This is the reason you see so many stocks going into the discontinued notices,
or finish to order with absurd minimum quantities is because of the need to be
sure a master roll will be sold withing the expiration period. What I believe
has happened is the studios have done just this, they've entered into a
contract with Kodak to justify Kodak coating more master rolls of the various
color negative stocks. Nothing has been said as to what the availability of
other types of stocks, such as black and white, recording film, print film, etc
will be. I fear some of these lower volume items will eventually go
discontinued as the prior master roll is used up.
>
>
There's a good more detail about the whole process here:
http://silverbased.org/plus-x-kodak-woes/
>
>
>
>
>
>
>On Wed, Jul 30, 2014 at 4:48 PM, Fred Camper <f...@fredcamper.com> wrote:
>
>http://online.wsj.com/articles/kodak-movie-film-at-deaths-door-gets-a-reprieve-1406674752?mod=WSJ_hp_RightTopStories
>>
>>As I understand this, they were considering stopping all
film manufacturing, in all gagues, including of print stock.
Does anyone have more information?
>>
>>Fred Camper
>>Chicago
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>
>
>
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