Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread Steve Polta
In 2001 San Francisco Cinematheque projected Andy Warhol's *Sleep*, which
is six hours (360 minutes) at 16fps. We started the show at midnight,
expected it to end at 6am. We ran it at 18fps and the show got out at
5:30am (and in fact I just did the math and I think the difference over
that time is closer to 45 minutes somehow). So that's a good cumulative
difference but probably "minimal" (to quote David Sherman quoting David
Gerstein) difference moment-to-moment in viewing.

18 (or 16)fps vs 24 fps is obviously a very big difference and there is
always the (possibly apocryphal) story of Stan Brakhage viewing *Sleep *at
24fps and declaring it a farse, then at 16fps and declaring it a
masterpiece. Not that Brakhage's word is unquestionable but this would make
a huge difference in many of these films. As I'm sure most of us know...

Steve Polta




On Mon, Aug 3, 2015 at 5:26 PM, Scott Dorsey  wrote:

> The B&H filmosound in a box projectors (the 300 series) have universal
> motors with mechanical governors, which can be adjusted for a variety of
> speeds.  If set according to the manual the silent speed is 16 fps, but
> if no maintenance has been done it could be anything.  They are truly
> among the best projectors made, aside from the narrow barrel which severely
> limits your lens selection.
>
> That said, I doubt the difference between 16 and 18 fps would be that
> dramatic on screen.
> --scott
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Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread cbifilms
If you can find an old analyst projector (used for studying films as fast or 
slow as you want) you can go any speed. I have an old one here that needs a bit 
of work, but it is almost functional.

Sent from my BlackBerry 10 smartphone on the Rogers network.
  Original Message  
From: Dave Tetzlaff
Sent: Monday, August 3, 2015 23:26
To: Experimental Film Discussion List
Reply To: Experimental Film Discussion List
Subject: Re: [Frameworks] 16fps 16mm projectors?

I don't know of any specific models, but since 16fps was once the standard, 
there must be really old 'silent only' projectors that run at that speed, yes?

I vaguely recall that some sound projectors can be made to run at 16fps by 
changing a pulley. I'm guessing they wouldn't be Elmos or Eikis though. Maybe 
Singer/Graflex?

Depending on how much the speed matters (and what kind of resources are 
available) you could probably get a custom pulley fabricated (and find a proper 
sized belt) for a Graflex or maybe some Bell and Howells that would make them 
go at 16fps. I wouldn't want to try that on a Pageant: too hard to take apart.

CONFESSION OF HERESY!
The first year I taught experimental, I rented a couple films that were meant 
for 16fps, but had only a 24fps projector to show them. Not good, just ruined 
'Serene Velocity' for example. So i subsequently obtained (COUGH) video copies 
of the works in question that had been telecinied at 24fps, dropped them back 
to 16fps in Final Cut, output them at something our video system could play (I 
forget if it was 24P or 29.97 interlaced standard NTSC - this was pre-HD). 
Despite all the pull-down, frame blending, and what have you, they looked fine 
on screen, and having the intended speed made a huge difference for the better 
in the aesthetic - what had previously been all but inaccessible to the 
students (and me) became 'Oh. Now I get it!"

BACK TO THE MECHANICAL
That said, it all depends on the specific work. A lot of experimental films 
were made in light of exhibition conditions that would vary a lot from one 
screening to the next, including projector speed. The artists knew this was 
just how it was (whether they preferred it or not) and the works gained some 
kind of notoriety and identity in the world by having some aspect that 
transcended variations in exhibition contexts. That is to say, their aesthetic 
accommodated a fair measure of randomness.

Which is all to say, while I wouldn't want to show anything specified for 16fps 
at 24fps, ever, I think a good number of films speced for 16fps work just fine 
- i.e. more-or-les the same - at 18fps. But others don't, YMMV etc. etc.

> Hi all, anyone know of 16mm projectors that run at 16fps? As far as I know 
> most Pageants, Eikis and Elmos run at 18 if they have a silent speed. 
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Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread Dave Tetzlaff
I don't know of any specific models, but since 16fps was once the standard, 
there must be really old 'silent only' projectors that run at that speed, yes?

I vaguely recall that some sound projectors can be made to run at 16fps by 
changing a pulley. I'm guessing they wouldn't be Elmos or Eikis though. Maybe 
Singer/Graflex?

Depending on how much the speed matters (and what kind of resources are 
available) you could probably get a custom pulley fabricated (and find a proper 
sized belt) for a Graflex or maybe some Bell and Howells that would make them 
go at 16fps. I wouldn't want to try that on a Pageant: too hard to take apart.

CONFESSION OF HERESY!
The first year I taught experimental, I rented a couple films that were meant 
for 16fps, but had only a 24fps projector to show them. Not good, just ruined 
'Serene Velocity' for example. So i subsequently obtained (COUGH) video copies 
of the works in question that had been telecinied at 24fps, dropped them back 
to 16fps in Final Cut, output them at something our video system could play (I 
forget if it was 24P or 29.97 interlaced standard NTSC - this was pre-HD). 
Despite all the pull-down, frame blending, and what have you, they looked fine 
on screen, and having the intended speed made a huge difference for the better 
in the aesthetic - what had previously been all but inaccessible to the 
students (and me) became 'Oh. Now I get it!"

BACK TO THE MECHANICAL
That said, it all depends on the specific work. A lot of experimental films 
were made in light of exhibition conditions that would vary a lot from one 
screening to the next, including projector speed. The artists knew this was 
just how it was (whether they preferred it or not) and the works gained some 
kind of notoriety and identity in the world by having some aspect that 
transcended variations in exhibition contexts. That is to say, their aesthetic 
accommodated a fair measure of randomness.

Which is all to say, while I wouldn't want to show anything specified for 16fps 
at 24fps, ever, I think a good number of films speced for 16fps work just fine 
- i.e. more-or-les the same - at 18fps. But others don't, YMMV etc. etc.

> Hi all, anyone know of 16mm projectors that run at 16fps? As far as I know 
> most Pageants, Eikis and Elmos run at 18 if they have a silent speed. 
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Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread Scott Dorsey
The B&H filmosound in a box projectors (the 300 series) have universal
motors with mechanical governors, which can be adjusted for a variety of
speeds.  If set according to the manual the silent speed is 16 fps, but
if no maintenance has been done it could be anything.  They are truly
among the best projectors made, aside from the narrow barrel which severely
limits your lens selection.

That said, I doubt the difference between 16 and 18 fps would be that 
dramatic on screen.  
--scott
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Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread David Sherman
I remember talking to talking to David Gerstein when the SF Cinematheque
showed Empire in the 1990's and I seem to recal that he said that the B&H
Filmosound in a box projectors circ WWII ran silent at 16fps. I have one
but haven't compared it to a silent running Pageant.
-David

On Mon, Aug 3, 2015 at 3:14 PM, Scott Stark  wrote:

> Hi all, anyone know of 16mm projectors that run at 16fps? As far as I know
> most Pageants, Eikis and Elmos run at 18 if they have a silent speed. I
> know some of the Warhol films were meant to run at 16fps.
>
> thanks,
> Scott
>
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-- 
David Sherman

646 E. 5th Street
Tucson, AZ 8705
 520-366-1573
www.explodedviewgallery.org
www.davidshermanfilms.com
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Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread 40 Frames
Kodak Analyst maybe? Variable speed with line marking for 16 fps, though
cannot recall, so
perhaps someone else can verify?

Earlier Kodak Analyst would dim when slowed, but I think the later model
(II, etc) had better rheostat
and douser so brightness was still decent when film speed was slowed down.

Alain



On Mon, Aug 3, 2015 at 3:14 PM, Scott Stark  wrote:

> Hi all, anyone know of 16mm projectors that run at 16fps? As far as I know
> most Pageants, Eikis and Elmos run at 18 if they have a silent speed. I
> know some of the Warhol films were meant to run at 16fps.
>
> thanks,
> Scott
>
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> FrameWorks@jonasmekasfilms.com
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>



-- 
40 FRAMES
Portland, Oregon USA

+1 503 231 6548
www.40frames.org
www.16mmdirectory.org
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Re: [Frameworks] 16fps 16mm projectors?

2015-08-03 Thread Kate MacKay
Hi Scott,

I don't know of any portable 16mm projectors that run 16fps but some
kinoton fp16 or fp18 projectors are equipped with variable speed motors
that run 16fps.
I just projected Haircut #1 at 16fps at the Media City Film Festival. I was
using a beautiful Eastman 25 projector from Full Aperture Systems in
Chicago.

all the best,

Kate

On Mon, Aug 3, 2015 at 6:14 PM, Scott Stark  wrote:

> Hi all, anyone know of 16mm projectors that run at 16fps? As far as I know
> most Pageants, Eikis and Elmos run at 18 if they have a silent speed. I
> know some of the Warhol films were meant to run at 16fps.
>
> thanks,
> Scott
>
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[Frameworks] 16fps 16mm projectors?

2015-08-03 Thread Scott Stark
Hi all, anyone know of 16mm projectors that run at 16fps? As far as I 
know most Pageants, Eikis and Elmos run at 18 if they have a silent 
speed. I know some of the Warhol films were meant to run at 16fps.


thanks,
Scott

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