Re: [Frameworks] 16mm E6 - Wittner vs. Agfa

2017-01-25 Thread Amanda Thomson 
Hi Dan,

I've also shot 3383 in camera.  The main thing to keep in mind (aside from
it needing lots of light) is that it's expecting the orange mask of colour
negative so it makes everything super blue if processed in E6 (1st dev
1min, 2nd dev 2 mins, blix 2 mins, stab 30 sec).  You can put orange
filters in your camera to compensate.  Alternately if processed to negative
its orange.

I've also used the Agfa/Wittner/Aviphot stock it's quite grainy, which
seems especially noticable when transfered digitally.  It has an orange
brownish leaning.  I'm curious to shoot some green now though.

Amanda

On Tue, Jan 24, 2017 at 4:00 AM, 
wrote:

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> Today's Topics:
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>1. 16mm E6 - Wittner vs. Agfa (Dan Anderson)
>2. Re: 16mm E6 - Wittner vs. Agfa (Pip Chodorov)
>3. Re: 16mm E6 - Wittner vs. Agfa (Scott Dorsey)
>4. Elmo Xenon CX-350 (Michael Walsh)
>5. Re: Elmo Xenon CX-350 (Francisco Torres)
>6. Re: 16mm E6 - Wittner vs. Agfa (Ryder White)
>7. Re: Elmo Xenon CX-350 (Michael Walsh)
>
>
> -- Forwarded message --
> From: Dan Anderson 
> To: Experimental Film Discussion List 
> Cc:
> Date: Mon, 23 Jan 2017 11:48:37 -0600
> Subject: [Frameworks] 16mm E6 - Wittner vs. Agfa
> Hey all,
>
> Wondering if there are any E6 color reversal enthusiasts here that have
> used Wittner Chrome 200D and/or Agfa Aviphot 200D ??
>
> Looked for tests on YouTube, and the Wittner looks better, although it's
> hard to judge due to different types of footage and transfer qualities..
> I'm interested in using it for optical printing and maybe in-camera...
> Hand-developing if I get ambitious.
>
> And for extra credit.. Anyone ever try using Kodak 3383 print stock in a
> camera?
>
> Thanks!!
>
>
> -- Forwarded message --
> From: Pip Chodorov 
> To: Experimental Film Discussion List 
> Cc:
> Date: Mon, 23 Jan 2017 18:54:02 +0100
> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa
> Hey Dan,
> Wittner repackaged Agfa's stock, so it's exactly the same stuff.
> This was originally designed for arial photography, perhaps for mapmaking
> or topography.
> Therefore it has a certain look and is especially receptive to green.
> I doubt it will look good in the optical printer (you will need a CTB
> filter because it's balanced for daylight). Hand developing is easy in E6.
> -Pip
>
>
>
> At 11:48 -0600 23/01/17, Dan Anderson wrote:
>
>> Hey all,
>>
>> Wondering if there are any E6 color reversal enthusiasts here that have
>> used Wittner Chrome 200D and/or Agfa Aviphot 200D ??
>>
>
>
>
> -- Forwarded message --
> From: Scott Dorsey 
> To: frameworks@jonasmekasfilms.com
> Cc:
> Date: Mon, 23 Jan 2017 13:00:46 -0500
> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa
> I think the Wittner and Agfa films are the same film off of one big jumbo
> that was released a couple years back.  When it is gone it is likely gone.
>
> 3383 is very slow but if you can stand one or two seconds per frame it
> could be interesting.
> --scott
>
>
>
> -- Forwarded message --
> From: Michael Walsh 
> To: Experimental Film Discussion List 
> Cc:
> Date: Mon, 23 Jan 2017 09:14:37 -0900
> Subject: [Frameworks] Elmo Xenon CX-350
> Hello All,
> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working
> and I'm wondering where to send out for repair.
> Any leads appreciated!
> -Michael Walsh
>
>
> -- Forwarded message --
> From: Francisco Torres 
> To: Experimental Film Discussion List 
> Cc:
> Date: Mon, 23 Jan 2017 15:18:45 -0400
> Subject: Re: [Frameworks] Elmo Xenon CX-350
> where are you located?
>
> 2017-01-23 14:14 GMT-04:00 Michael Walsh :
>
>> Hello All,
>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working
>> and I'm wondering where to send out for repair.
>> Any leads appreciated!
>> -Michael Walsh
>>
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>
>
> -- Forwarded message --
> From: Ryder White 
> To: Experimental Film

Re: [Frameworks] Werner Nekes

2017-01-25 Thread Dominic Angerame 
I am sorry to hear this news. Although I did not personally know Werner I
did have the pleasure and opportunity to communicate with him while at
Canyon Cinema.

Dominic

On Tue, Jan 24, 2017 at 7:37 AM, Pip Chodorov 
wrote:

> I have just heard that Werner Nekes passed away.
> I don't have confirmation yet but it's in the German press.
> Important filmmaker and great collector of optical toys and art and
> pre-cinema devices.
> Please do post if anyone has more information!
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[Frameworks] -*°*- This Donnerstag : Directors Lounge - ScreeningUrban Research ­ Private Affair -*°*-

2017-01-25 Thread Klaus W. Eisenlohr 

Directors Lounge Screening
Urban Research - Private Affair
Thursday, 26 January 2017 | 21:00
Z-Bar | Bergstraße 2
10115 Berlin-Mitte

In the times of public intrusion into the private 
sphere, right wing populists and religious 
fundamentalists threatening the freedom of 
expression and diversity, and conservative 
politicians pressing for control and 
surveillance, the expressions of private life 
become a political affair again. Related to the 
slogan of 1968 "The personal is political", the 
here presented films talk about personal or 
private affairs in relation to the public sphere 
and the urban space.


Many of the Urban Research films submitted in 
2016 are dealing with private stories, that are 
related, in one way or the other, to the urban 
space and expressing the importance of freedom 
and solidarity for the divergent, the subversive 
and the liberal mind. The films present the small 
stories with high artistic aspiration, the 
nuanced views and the subjective diversity, which 
are even more important at times when populist 
positions start to replace distinguished 
sentiments in culture and politics.


A fine selection of Urban Research films shown at 
48h Neukölln in addition to a brand new film by 
Penny Lane. And, films by Petra Lottje, Vladimir 
Turner, Rob Santaguida, Anna Okrasko, Doris 
Schmid, Salise Hughes, Eleonore de Montesquiou 
and Ezra Wube.


Links:
Directors Lounge  http://www.directorslounge.net
Richfilm  http://www.richfilm.de/currentUpload/
Z-Bar  http://www.z-bar.de

--

Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany



email:  kl...@richfilm.de
and film production:http://www.richfilm.de


phone:  int.- 49 - 30 - 3409 5343 (BERLIN)___
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