[Frameworks] Blackbox

[Bernard Roddy]

"If your film can be viewed online without a password it will
unfortunately be ineligible. A Scottish premiere is a requirement for
UK short films."

That's Kim Knowles at the Edinburgh Film Festival.  It reminds me of a
colleague many years ago who said the faculty weren't interested in a
candidate who had published something.

Why would one make that connection?  Unrestricted online access to a
work classifies it differently than restricted access via password,
but in either case it would be available online.  And the festival
requires that it be available online.  It will be considered in a
format that cannot be available to just anyone.  But the password will
likely be provided to other festivals.

We're in that zone of exclusivity that is both strangely satisfying
but also inexplicably disconcerting.  I have this feeling that the
objective would be articulated as follows: only those committed to a
certain kind of film practice are solicited.  But how to narrow the
submissions without making the work homogenous?

Bernie
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[Frameworks] New work

[Jaime Cleeland]

https://archive.org/details/EthnomitePux-PsyWildernessArabScratch

Some of you on this list may enjoy 

Feedback welcome

Jaime

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Re: [Frameworks] Sad news

[Roslyn Broder]

I remember the class I took with him at The School of the Art Institute
almost 30 years ago, "History/Politics/Cinema". I recall his interesting
approach; his emphasis on form as a representation of content, and the
thought-provoking films that he introduced us to that I had not been aware
of. He was approachable and down-to-earth. Thanks for letting us know.

Roslyn

On Fri, Dec 15, 2017 at 9:18 PM, Eric Theise  wrote:

> Yes, sad, hard to believe news. I, too, will miss his participation here.
>
> It's odd, I don't recall ever having met him even though I did my graduate
> work at Northwestern (engineering was towards the north end of the campus,
> radio/tv/film towards the south) and spent ~10 years of my life attending
> experimental film happenings around Chicago.
>
> I am in touch with some of his former students and will contact them over
> the weekend.
>
> Eric
>
>
> On Fri, Dec 15, 2017 at 7:07 PM, Ronald E. Gregg 
> wrote:
>
>> Dear Joan and Friends,
>>
>> I've also been sad all day. He was a wonderful mentor and changed my
>> life. I will miss seeing his posts here on Frameworks.
>>
>> Love to Julia.
>>
>> Ron Gregg
>> Columbia U
>> NY, NY
>>
>> On Fri, Dec 15, 2017 at 9:52 PM, Joan Hawkins  wrote:
>>
>>> Dear friends,
>>>
>>> I am very sorry to report that Chuck Kleinhans died Weds night or early
>>> Thursday morning of a heart attack.  I got an email from Julia this
>>> morning— ironically while I was
>>> in the moving image archive trying to arrange a screening for a film
>>> that Julia had wanted to show here in Feb.  I pulled out my phone to check
>>> the running time
>>>  and up came a message from her titled “sad news.”
>>>
>>>
>>> Julia's email address is jles...@uoregon.edu.
>>>
>>> I'm sorry this is truncated and weirdly brief.  I've been crying all
>>> day-- he was a wonderful man and this is just a terrible loss.
>>>
>>>
>>> --
>>> Joan Hawkins
>>> Associate Professor
>>> Indiana University
>>> Dept of Communication and Culture
>>> 800 E. Third St
>>> Bloomington, IN 47405
>>>
>>> office phone 812-855-1548 <(812)%20855-1548>
>>>
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>>>
>>>
>>
>>
>> --
>> Ron Gregg
>> Film and Media Studies
>> School of the Arts
>> Columbia University
>> 513 Dodge Hall, 2960 Broadway
>> New York, NY 10027
>>
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>>
>
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Re: [Frameworks] Sad news

[robert harris]

Should anyone wish to learn more about Chuck and his work, they might start the 
new year reading JUMPCUT.
All issues of the journal are archived back to #1 in 1974
https://www.ejumpcut.org/currentissue/index.html 



Robert Harris



> On Dec 27, 2017, at 10:53 AM, mary billyou  wrote:
> 
> What a surprise! I have never met the man in person but I would have liked to 
> have met him. His recent call for attention to sexual harassment and assault 
> encouraged me to engage more fully in this forum. I will be sure to learn 
> more about him and his work, now especially more than ever.
> 
> Thank you for letting us know.
> 
> Mary
> 
> On Sun, Dec 17, 2017 at 12:41 AM, Fred Camper  > wrote:
> I knew Chuck for about four decades, not as a close friend but through many 
> fine encounters over the years. This list has it right: he was warm, funny, 
> generous, kind, smart, and had real integrity. I too read his review of 
> Visionary Film when it came out, and I do agree that Chuck did open up really 
> important ways of thinking about the subject.
> 
> One example of his generosity: He asked me to be the respondent to a paper he 
> was giving at a seminar that was partly a critique of the Sitney canon, 
> knowing, I suspect, that I might be a bit critical of his paper. He got me 
> lots of material in advance. His paper was quite interesting and I enjoyed 
> engaging with it. I found one way of humorously tweaking it in my response, 
> and I still remember Chuck’s hearty laugh when I launched my little 
> one-liner. Now that is generosity.
> 
> A film important to his paper was The Cry of Jazz ( 
> https://en.wikipedia.org/wiki/Cry_of_Jazz 
>  ) I think Chuck meant this as an 
> example of the kind of film that should be included in a widened canon. If 
> you haven’t seen it, having a look would be one way to honor his memory.
> 
> Fred Camper
> Chicago
> 
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> 
> 
> 
> -- 
> 
> 
> 
> 
> 
> www.marybillyou.com 
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Re: [Frameworks] Sad news

[mary billyou]

What a surprise! I have never met the man in person but I would have liked
to have met him. His recent call for attention to sexual harassment and
assault encouraged me to engage more fully in this forum. I will be sure to
learn more about him and his work, now especially more than ever.

Thank you for letting us know.

Mary

On Sun, Dec 17, 2017 at 12:41 AM, Fred Camper  wrote:

> I knew Chuck for about four decades, not as a close friend but through
> many fine encounters over the years. This list has it right: he was warm,
> funny, generous, kind, smart, and had real integrity. I too read his review
> of *Visionary Film* when it came out, and I do agree that Chuck did open
> up really important ways of thinking about the subject.
>
> One example of his generosity: He asked me to be the respondent to a paper
> he was giving at a seminar that was partly a critique of the Sitney canon,
> knowing, I suspect, that I might be a bit critical of his paper. He got me
> lots of material in advance. His paper was quite interesting and I enjoyed
> engaging with it. I found one way of humorously tweaking it in my response,
> and I still remember Chuck’s hearty laugh when I launched my little
> one-liner. Now that is generosity.
>
> A film important to his paper was *The Cry of Jazz* (
> https://en.wikipedia.org/wiki/Cry_of_Jazz ) I think Chuck meant this as
> an example of the kind of film that should be included in a widened canon.
> If you haven’t seen it, having a look would be one way to honor his memory.
>
> Fred Camper
> Chicago
>
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>


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www.marybillyou.com
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