[Frameworks] Eiki 16mm claw repair

[Philippe Leonard]

Hello!

I am looking for recommendations to repair a defective claw on a 16mm Eiki
projector. I am touring on the East coast doing visuals for GY!BE so I am
moving quickly between different cities. We'll be in NYC on the 11-12-13.
So ideally I would drop the projector on the 11 and get it back at the
latest on the 12 at 2PM before the first of two shows in BK. We'll also
play at Mass MoCA tomorrow night but I don't have high hopes of finding a
tech in North Adams...

Any leads would be greatly appreciated!

best,

Philippe



-- 
Film | Photography | Cinematography | Performance | Visuals
www.philippe-leonard.com
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Re: [Frameworks] 'the body/artist anatomies' in experimental film

[Janis Crystal Lipzin]

I suggest these experimental films featuring the body/artist anatomies:
Erogeny by James Broughton
my film Other Reckless Things in collaboration with Ellen Zweig

Erogeny was James' response to Maas' Geography of the Body.
Other Reckless Things is a frank look at childbirth and a response to a news 
account of a self-inflicted Caesarean section.

On Feb 27, 2018, at 4:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:

> 'the body/artist anatomies' in
>   experimental film

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[Frameworks] 6-plate 16mm Steenbeck for sale.

[Jesse Andrewartha]

Hi All,

So I’m also selling my 16mm Steenbeck. This one is going because I’m 
consolidating my interest in 35mm (so always interested in any leads on a 35mm 
Steenbeck or KEM). Anyway, selling my 6-plate Steenbeck. Fully operational, all 
fuses ok, all operations ok but does need a new bulb. I can replace it for you 
if you decide to get the machine.

$500 CAD, local pickup in Vancouver only. 

Thanks!

-Jesse-
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Re: [Frameworks] Factory sealed 16mm Kodak 7363 Hi Con 400ft rolls for sale

[Dominic Angerame]

Have you sold them all yet!

I would be interested in one roll

On Fri, Mar 9, 2018 at 2:56 PM, Jesse Andrewartha 
wrote:

>
> Factory sealed Kodak 7363 Hi Con 400ft rolls for sale!
>
> I have four rolls available. I bought them from Kodak when they announced
> discontinuation, so this was part of the last batch. Once received from
> Kodak, I immediately sealed in ziploc bags and put them in the deep freeze.
> They have remained there since.
>
> $140 USD each
>
> Thanks!
>
> -Jesse-
>
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[Frameworks] SOLD pending payment. Kodak Hi con 7363.

[Jesse Andrewartha]

Thanks everyone!

-Jesse-

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Re: [Frameworks] Color cheimistry in U.S.

[Scott Dorsey]

You can likely get CD3 from Photographer's Formulary, or from Artcraft Chemical.
Both specialize in small quantity packaging of photographic specialty reagents.

Last I looked, Kodak wanted to sell CD3 only in a big cardboard drum four feet
high.
--scott
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[Frameworks] Color cheimistry in U.S.

[Ethan Berry]

For my small lab here at ANYEYE in Beverly Mass. I am looking for some CD3
developer for ECN
 processing. Is anyone putting together a bulk order? Is there a small
quantity supplier?
Ethan Berry
ANYEYE Film Lab
Montserrat College of Art
Beverly MA
01915
USA
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[Frameworks] Factory sealed 16mm Kodak 7363 Hi Con 400ft rolls for sale

[Jesse Andrewartha]

Factory sealed Kodak 7363 Hi Con 400ft rolls for sale!

I have four rolls available. I bought them from Kodak when they announced 
discontinuation, so this was part of the last batch. Once received from Kodak, 
I immediately sealed in ziploc bags and put them in the deep freeze. They have 
remained there since. 

$140 USD each

Thanks!

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Re: [Frameworks] Long takes and still images/ photography in experimental films

[Jorge Lorenzo Flores Garza]

Larry Gottheim's work.



De: FrameWorks  en nombre de 
graemeh...@irational.org 
Enviado: viernes, 9 de marzo de 2018 09:58 a. m.
Para: Experimental Film Discussion List
Asunto: Re: [Frameworks] Long takes and still images/ photography in 
experimental films


Whats long? ASL for industrial cinema ranges from 3 - 6 seconds, so a shot
of even 10 seconds would be double the average. The shot length possible
on a clockwork Bolex of about 20 seconds is common throughout the field you
are researching so are they normal or long? Does experimental cinema
materialogically deal with longer takes, so is there 'long' for exp'
cinema and long for 'narrative' cinema? The two being different. Does a
still frame copied thousands of times on a printer constitute a 'take'?
Does animation count as 'take based', ie Rhythmus 21 is a continuous flow
that is unified in the end as a take?

Sorry for all the questions.

I guess check out 'Motion(less) Pictures: The Cinema of Stasis (Film and
Culture Series)' by Justin Remes amongst probably loads of other good
books.


||
NACHLEBEN FILM LAB AND ARCHIVE
http://www.nachleben.org.uk
n a c h l e b e n – Experimental film lab and 
archive
www.nachleben.org.uk
I have finally, after what feels like 10 years (prob 10 years since acquiring 
this machine) but is […]



CUBE CINEMA. BRISTOL
http://www.cubecinema.com/
||

On Thu, 8 Mar 2018, Sebastian Wiedemann wrote:

> [7dd061b1eb7afcde9b6c43cda741479e5ff7e486.png?u=95490]
> Dear Frameworkers,
> I'm beginning a research about the presence of long takes and still 
> images/photography as expressive resources in the production of experimental 
> films.
> If anyone has in mind films that work with these procedures and can share 
> with me some titles, I will appreciate a lot.
> Best,
> Sebastian
>
> --
> Sebastian Wiedemann
> http://swiedemann.tumblr.com/
> http://wavesproject.tumblr.com/
> http://hambrecine.com/
>
>
>
>
> ‌[icon-signature.png] Sent with Mailtrack
>
>
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Re: [Frameworks] Long takes and still images/ photography in experimental films

[Dana Duff]

I'd have the same answers of all the the filmmakers listed previously. 
And add that my 7-minute film "Catalogue" is constructed of long takes 
/*of*/ still photography.

https://vimeo.com/85637218
Password: /Catalogue/

Dana Berman Duff
www.danaduff.com

On 3/9/18 4:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:

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When replying, please edit your Subject line so it is more specific
than "Re: Contents of FrameWorks digest..."


Today's Topics:

1. Long takes and still images/ photography in  experimental
   films (Sebastian Wiedemann)
2. Re: Long takes and still images/ photography in experimental
   films (Adam Hyman)
3. Re: Long takes and still images/ photography in experimental
   films (jimmyschaus1 .)
4. Re: Long takes and still images/ photography in experimental
   films (Gene Youngblood)
5. Re: Long takes and still images/ photography in experimental
   films (Albert Alcoz)
6. Re: Long takes and still images/ photography in  experimental
   films (Jaime Cleeland)
7. Re?:  Long takes and still images/ photography in
   experimental films (Justin Mackenzie Peers)
8. Re: Long takes and still images/ photography in experimental
   films (graemeh...@irational.org)


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Re: [Frameworks] Long takes and still images/ photography in experimental films

[Ignacio Tamarit]

Ben Rusell´s "Good Luck". basically each shot last the 400ft magazine of
the 16mm camera.

2018-03-09 10:28 GMT-03:00 Raymond Beluga Studio :

> Perhaps you'd like to watch Narcisa Hirsch's "Come Out". It's an early
> Argentinean experimental film with "Wavelength" on her mind...
> https://vimeo.com/141265024
> Best,
> r.g.
>
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>


-- 
Ignacio Tamarit
Lumiton Museo Usina Audiovisual
Cabral 2354, Munro, Vicente López.
Tel.: 4721-9255.
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Re: [Frameworks] Long takes and still images/ photography in experimental films

[Raymond Beluga Studio]

Perhaps you'd like to watch Narcisa Hirsch's "Come Out". It's an early
Argentinean experimental film with "Wavelength" on her mind...
https://vimeo.com/141265024
Best,
r.g.
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Re: [Frameworks] Long takes and still images/ photography in experimental films

[graemehogg]

Whats long? ASL for industrial cinema ranges from 3 - 6 seconds, so a shot 
of even 10 seconds would be double the average. The shot length possible 
on a clockwork Bolex of about 20 seconds is common throughout the field you 
are researching so are they normal or long? Does experimental cinema 
materialogically deal with longer takes, so is there 'long' for exp' 
cinema and long for 'narrative' cinema? The two being different. Does a 
still frame copied thousands of times on a printer constitute a 'take'?
Does animation count as 'take based', ie Rhythmus 21 is a continuous flow 
that is unified in the end as a take?


Sorry for all the questions.

I guess check out 'Motion(less) Pictures: The Cinema of Stasis (Film and 
Culture Series)' by Justin Remes amongst probably loads of other good 
books.



||
NACHLEBEN FILM LAB AND ARCHIVE
http://www.nachleben.org.uk
CUBE CINEMA. BRISTOL
http://www.cubecinema.com/
||

On Thu, 8 Mar 2018, Sebastian Wiedemann wrote:


[7dd061b1eb7afcde9b6c43cda741479e5ff7e486.png?u=95490]
Dear Frameworkers,
I'm beginning a research about the presence of long takes and still 
images/photography as expressive resources in the production of experimental 
films.
If anyone has in mind films that work with these procedures and can share with 
me some titles, I will appreciate a lot. 
Best, 
Sebastian 

--
Sebastian Wiedemann
http://swiedemann.tumblr.com/
http://wavesproject.tumblr.com/
http://hambrecine.com/




‌[icon-signature.png] Sent with Mailtrack

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[Frameworks] Re : Long takes and still images/ photography in experimental films

[Justin Mackenzie Peers]

Almost every Lav Diaz movie


 Message original 
Objet : Re: [Frameworks] Long takes and still images/ photography in 
experimental films
De : Albert Alcoz
À : Experimental Film Discussion List
Cc :


John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18 fps.
https://lux.org.uk/writing/new-dvd-landscape-films-1977-1982-john-woodman

What about I Do Not Know What It Is I Am Like and Hatsu-Yume by Bill Viola?

Béla Tarr usually filmed long takes for works like Sátántangó, for example.

Andy Warhol is the first artist that comes to mind concerning long takes, 
though.

Concerning still images there are several filmmakers in Japan around the late 
seventies and eighties that could be useful:
Spacey by Takashi Ito, Engram by Matsumoto Toshio.

Here are some links to some videos: 
http://www.visionaryfilm.net/2013/05/japanese-experimental-films-cinema.html

On Fri, Mar 9, 2018 at 1:55 AM, Gene Youngblood 
> wrote:
Warhol and Michael Snow

Gene & Jane Youngblood
(505) 395-6370 home


On March 8, 2018 at 4:55:15 PM, jimmyschaus1 . 
(jimmysch...@gmail.com) wrote:

Singling out long takes in a forum dedicated to experimental film is shooting 
fish in a barrel!  So I'll dive in with the more idiosyncratic part of the 
inquiry, photography/still images.  Two wonderful things I've seen recently 
entirely comprised of still photographic images "moving", and directly engage a 
sense of bemusement in finding the line between stasis and motion, are Abbas 
Kiarostami's 24 Frames and Jon Jost's Mountains as Mountains, which you can 
watch here.

shamelessly, my video Rocking Horses   
(password=rocking, clever I know)

stasis classics: Chris Marker's La Jetee and Raul Ruiz's Dogs Dialog.

Apitchatpong Weerasathakul is a master of long takes, and in Uncle Boonme... 
you get two-for-one, as, if I recall, there's a lovely sequence of still 
photographs of Thai soldiers around the halfway mark.

Pedro Costa's films are filled with long takes, and the opening of Horse Money 
is an incredible procession of Jacob Riis depression-era photos.

Tsai Ming-Liang, and if you're really looking for parts that emphasize 
stillness and the weight of time, there's a 20 minute uninterrupted shot 
towards the end of Stray Dogs that's really something else.


And yeah, James Benning, Sharon Lockhart, and some Ben Russell on the more 
experimental/non-narrative side of things.



On Thu, Mar 8, 2018 at 4:51 PM, Adam Hyman 
> wrote:
Virtually every James Benning film.

From: FrameWorks 
>
 on behalf of Sebastian Wiedemann 
>
Reply-To: "Experimental Film Discussion List 
>" 
>
Date: Thursday, March 8, 2018 at 12:48 PM
To: "Experimental Film Discussion List 
>" 
>
Subject: [Frameworks] Long takes and still images/ photography in experimental 
films


Dear Frameworkers,
I'm beginning a research about the presence of long takes and still 
images/photography as expressive resources in the production of experimental 
films.
If anyone has in mind films that work with these procedures and can share with 
me some titles, I will appreciate a lot.
Best,
Sebastian

--
Sebastian Wiedemann
http://swiedemann.tumblr.com/
http://wavesproject.tumblr.com/
http://hambrecine.com/




?
[https://s3-eu-west-1.amazonaws.com/mailtrack-crx/icon-signature.png]
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Mailtrack
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http://albertalcoz.com/

Re: [Frameworks] Long takes and still images/ photography in experimental films

[Jaime Cleeland]

https://archive.org/details/DistantShores_201802

Starts with a 3min long take. The short also uses still images.

Sent from my iPad

> On 9 Mar 2018, at 16:23, Albert Alcoz  wrote:
> 
> John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18 
> fps.
> https://lux.org.uk/writing/new-dvd-landscape-films-1977-1982-john-woodman
> 
> What about I Do Not Know What It Is I Am Like and Hatsu-Yume by Bill Viola?
> 
> Béla Tarr usually filmed long takes for works like Sátántangó, for example.
> 
> Andy Warhol is the first artist that comes to mind concerning long takes, 
> though.
> 
> Concerning still images there are several filmmakers in Japan around the late 
> seventies and eighties that could be useful:
> Spacey by Takashi Ito, Engram by Matsumoto Toshio.
> 
> Here are some links to some videos: 
> http://www.visionaryfilm.net/2013/05/japanese-experimental-films-cinema.html
> 
>> On Fri, Mar 9, 2018 at 1:55 AM, Gene Youngblood  wrote:
>> Warhol and Michael Snow
>> 
>> Gene & Jane Youngblood
>> (505) 395-6370 home
>> 
>>> On March 8, 2018 at 4:55:15 PM, jimmyschaus1 . (jimmysch...@gmail.com) 
>>> wrote:
>>> 
>>> Singling out long takes in a forum dedicated to experimental film is 
>>> shooting fish in a barrel!  So I'll dive in with the more idiosyncratic 
>>> part of the inquiry, photography/still images.  Two wonderful things I've 
>>> seen recently entirely comprised of still photographic images "moving", and 
>>> directly engage a sense of bemusement in finding the line between stasis 
>>> and motion, are Abbas Kiarostami's 24 Frames and Jon Jost's Mountains as 
>>> Mountains, which you can watch here.  
>>> 
>>> shamelessly, my video Rocking Horses  (password=rocking, clever I know)
>>> 
>>> stasis classics: Chris Marker's La Jetee and Raul Ruiz's Dogs Dialog.  
>>> 
>>> Apitchatpong Weerasathakul is a master of long takes, and in Uncle 
>>> Boonme... you get two-for-one, as, if I recall, there's a lovely sequence 
>>> of still photographs of Thai soldiers around the halfway mark. 
>>> 
>>> Pedro Costa's films are filled with long takes, and the opening of Horse 
>>> Money is an incredible procession of Jacob Riis depression-era photos.  
>>> 
>>> Tsai Ming-Liang, and if you're really looking for parts that emphasize 
>>> stillness and the weight of time, there's a 20 minute uninterrupted shot 
>>> towards the end of Stray Dogs that's really something else.  
>>> 
>>> 
>>> And yeah, James Benning, Sharon Lockhart, and some Ben Russell on the more 
>>> experimental/non-narrative side of things.  
>>> 
>>> 
>>> 
 On Thu, Mar 8, 2018 at 4:51 PM, Adam Hyman  wrote:
 Virtually every James Benning film.
 
 From: FrameWorks  on behalf of 
 Sebastian Wiedemann 
 Reply-To: "Experimental Film Discussion List 
 " 
 Date: Thursday, March 8, 2018 at 12:48 PM
 To: "Experimental Film Discussion List " 
 
 Subject: [Frameworks] Long takes and still images/ photography in 
 experimental films
 
 
 Dear Frameworkers,
 I'm beginning a research about the presence of long takes and still 
 images/photography as expressive resources in the production of 
 experimental films.
 If anyone has in mind films that work with these procedures and can share 
 with me some titles, I will appreciate a lot. 
 Best, 
 Sebastian 
 
 --
 Sebastian Wiedemann
 http://swiedemann.tumblr.com/
 http://wavesproject.tumblr.com/
 http://hambrecine.com/
 
 
 
 
 ?
  Sent with Mailtrack
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 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
>>> 
>>> ___ 
>>> FrameWorks mailing list 
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>> 
>> ___
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>> 
> 
> 
> 
> -- 
> http://visionaryfilm.net/
> http://albertalcoz.com/
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Re: [Frameworks] Long takes and still images/ photography in experimental films

[Albert Alcoz]

John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18
fps.
https://lux.org.uk/writing/new-dvd-landscape-films-1977-1982-john-woodman

What about *I Do Not Know What It Is I Am Like* and *Hatsu-Yume* by Bill
Viola?

Béla Tarr usually filmed long takes for works like *Sátántangó*, for
example.

Andy Warhol is the first artist that comes to mind concerning long takes,
though.

Concerning still images there are several filmmakers in Japan around the
late seventies and eighties that could be useful:
*Spacey* by Takashi Ito, *Engram* by Matsumoto Toshio.

Here are some links to some videos:
http://www.visionaryfilm.net/2013/05/japanese-experimental-films-cinema.html

On Fri, Mar 9, 2018 at 1:55 AM, Gene Youngblood  wrote:

> Warhol and Michael Snow
>
> Gene & Jane Youngblood
> (505) 395-6370 home
>
> On March 8, 2018 at 4:55:15 PM, jimmyschaus1 . (jimmysch...@gmail.com)
> wrote:
>
> Singling out long takes in a forum dedicated to experimental film is
> shooting fish in a barrel!  So I'll dive in with the more idiosyncratic
> part of the inquiry, photography/still images.  Two wonderful things I've
> seen recently entirely comprised of still photographic images "moving", and
> directly engage a sense of bemusement in finding the line between stasis
> and motion, are Abbas Kiarostami's *24 Frames* and Jon Jost's *Mountains
> as Mountains*, which you can watch here .
>
> shamelessly, my video Rocking Horses   
> (password=rocking,
> clever I know)
>
> stasis classics: Chris Marker's *La Jetee* and Raul Ruiz's *Dogs Dialog*
> .
>
> Apitchatpong Weerasathakul is a master of long takes, and in *Uncle
> Boonme...* you get two-for-one, as, if I recall, there's a lovely
> sequence of still photographs of Thai soldiers around the halfway mark.
>
> Pedro Costa's films are filled with long takes, and the opening of *Horse
> Money* is an incredible procession of Jacob Riis depression-era photos.
>
> Tsai Ming-Liang, and if you're really looking for parts that emphasize
> stillness and the weight of time, there's a 20 minute uninterrupted shot
> towards the end of *Stray Dogs* that's really something else.
>
>
> And yeah, James Benning, Sharon Lockhart, and some Ben Russell on the more
> experimental/non-narrative side of things.
>
>
>
> On Thu, Mar 8, 2018 at 4:51 PM, Adam Hyman  wrote:
>
>> Virtually every James Benning film.
>>
>> From: FrameWorks  on behalf of
>> Sebastian Wiedemann 
>> Reply-To: "Experimental Film Discussion List <
>> frameworks@jonasmekasfilms.com>" 
>> Date: Thursday, March 8, 2018 at 12:48 PM
>> To: "Experimental Film Discussion List "
>> 
>> Subject: [Frameworks] Long takes and still images/ photography in
>> experimental films
>>
>> Dear Frameworkers,
>> I'm beginning a research about the presence of long takes and still
>> images/photography as expressive resources in the production of
>> experimental films.
>> If anyone has in mind films that work with these procedures and can share
>> with me some titles, I will appreciate a lot.
>> Best,
>> Sebastian
>>
>> --
>> Sebastian Wiedemann
>> http://swiedemann.tumblr.com/
>> http://wavesproject.tumblr.com/
>> http://hambrecine.com/
>>
>>
>>
>>
>> ?
>>  Sent with Mailtrack
>> 
>> ___ FrameWorks mailing list
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>> on.com/listinfo/frameworks
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>>
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>
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>


-- 
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http://albertalcoz.com/ 
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