Re: [Frameworks] Drone vision and violence in experimental film/video art

[Alex Lake]

Ross Meckfessel’s The Air of the Earth in Your Lungs has some pretty
interesting hobby-drone footage in it, def worth checking out.

http://rossmeckfessel.com/Air%20of%20the%20Earth.html
On Sat, Feb 23, 2019 at 11:33 AM Robert Harris  wrote:

> Re: aerial surveillance, etc…
> Much of Harun Farocki’s work,   *War at a Distance; Images of the World
> and the Inscription of War*
> https://www.harunfarocki.de/films.html
>
>
>
>
>
>
>
> On Feb 23, 2019, at 2:07 PM, Hugo Martin Alexander Ljungbaeck <
> ljung...@uwm.edu> wrote:
>
> Dear all,
>
> I am currently working on a research project that I am hoping will result
> in a curated program and/or essay. I am looking for experimental film and
> video art work that engages with, counters, or tries to reimagine
> relationships between UAVs, military violence and vision, the war on
> terror, aerial surveillance, hobby-drones, etc.
>
> If you have any recommendations, please feel free to reply-all or respond
> off-list.
>
> Thanks for your suggestions!
> Hugo
>
>
> Hugo Ljungbäck
> Undergraduate Research Fellow
> Department of English/Film Studies
> University of Wisconsin-Milwaukee
>
> Programmer | Milwaukee Underground Film Festival
> Director | UWM Film Studies Archive
> Founding Chair | UWM Moving Image Society
> http://www.hmal.se/
>
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>
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Re: [Frameworks] Drone vision and violence in experimental film/video art

[Robert Harris]

Re: aerial surveillance, etc…
Much of Harun Farocki’s work,   War at a Distance; Images of the World and the 
Inscription of War
https://www.harunfarocki.de/films.html 







> On Feb 23, 2019, at 2:07 PM, Hugo Martin Alexander Ljungbaeck 
>  wrote:
> 
> Dear all,
> 
> I am currently working on a research project that I am hoping will result in 
> a curated program and/or essay. I am looking for experimental film and video 
> art work that engages with, counters, or tries to reimagine relationships 
> between UAVs, military violence and vision, the war on terror, aerial 
> surveillance, hobby-drones, etc.
> 
> If you have any recommendations, please feel free to reply-all or respond 
> off-list.
> 
> Thanks for your suggestions!
> Hugo
> 
> 
> Hugo Ljungbäck
> Undergraduate Research Fellow
> Department of English/Film Studies
> University of Wisconsin-Milwaukee
> 
> Programmer | Milwaukee Underground Film Festival
> Director | UWM Film Studies Archive
> Founding Chair | UWM Moving Image Society
> http://www.hmal.se/ 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com 
> https://mailman-mail5.webfaction.com/listinfo/frameworks 
> 
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[Frameworks] Drone vision and violence in experimental film/video art

[Hugo Martin Alexander Ljungbaeck]

Dear all,


I am currently working on a research project that I am hoping will result in a 
curated program and/or essay. I am looking for experimental film and video art 
work that engages with, counters, or tries to reimagine relationships between 
UAVs, military violence and vision, the war on terror, aerial surveillance, 
hobby-drones, etc.


If you have any recommendations, please feel free to reply-all or respond 
off-list.


Thanks for your suggestions!

Hugo



Hugo Ljungbäck

Undergraduate Research Fellow

Department of English/Film Studies

University of Wisconsin-Milwaukee


Programmer | Milwaukee Underground Film Festival

Director | UWM Film Studies Archive

Founding Chair | UWM Moving Image Society

http://www.hmal.se/
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Re: [Frameworks] Expanded cinema and experimental music

[Albert Alcoz]

Hi Esperanza,

Somehow, Holly Rogers and Michelle Puetz have written different articles
about this issues you mention:
https://goldsmiths.academia.edu/HollyRogers
http://michellepuetz.com/

Best,
Albert

On Sat, Feb 23, 2019 at 12:35 PM Esperanza Collado <
esperanzacolla...@gmail.com> wrote:

> Fantastic, thank you John!
>
> El sáb., 23 feb. 2019 a las 12:29, John Sundholm ()
> escribió:
>
>> hi esperanza,
>>
>>
>> one possible name in order to expand the geography of names could be
>> petri kuljuntausta from finland. musician, has written a phd on the history
>> of finnish experimental music, runs a sound art gallery in helsinki and has
>> taken part in different expanded cinema events as a performer (with sami
>> van ingen, for example).
>>
>>
>> best,
>>
>>
>> john
>> --
>> *Från:* FrameWorks  för
>> Esperanza Collado 
>> *Skickat:* den 23 februari 2019 11:45:34
>> *Till:* Experimental Film Discussion List
>> *Ämne:* Re: [Frameworks] Expanded cinema and experimental music
>>
>> Hi there and thank you for your recommendations. I hope more people come
>> out with ideas!
>>
>> Tetsuya: Érik is a terrific lecturer as well as a great writer-researcher
>> and artist whose work I totally admire, but I'm afraid experimental music
>> is not his subject. In fact, Érik is helping us find people too :-)
>>
>> Cindy: cheers, I attended the congress at the Tate and, as far as I know,
>> Steven Ball was the only one to approach the topic we're looking for
>> directly. If I'm forgetting any other relevant intervention, please let me
>> know! I have the book too, and I checked that closely in search for other
>> experts... Yes, of course, expanded cinema is a term coined in the US
>> (Vanderbeek, right?). You may like to know the French Lettrists already
>> used similar terms in the late forties and early fifties, as well as the
>> great Spanish "cinemist" José Val del Omar.
>>
>> Steve: sure, Sally is actually one of the first artists/curators I
>> suggested and even though Godart -who is also a friend of Sally- was
>> looking for academics and scholars, I insisted. Sally edited a book
>> recently on digital art and I think her work is shifting slightly towards
>> digital media. She is taking some holidays at the moment but I think she
>> has been contacted for this already. Thanks, I didn't know the Perpetual
>> Motion fanzine was still available for free download!
>>
>> Best,
>>
>> El vie., 22 feb. 2019 a las 8:13, Steve Polta ()
>> escribió:
>>
>>> Dear Esperanza.
>>>
>>> I'm sure you know about her work as an artist and likely you also know
>>> that Sally Golding (Australia/UK) is an authority on this genre and knows
>>> the historical and contemporary work inside and out. Your friend can
>>> obviously contact her through her website—https://sallygolding.com/.
>>> San Francisco Cinematheque also published an essay by her which you (or
>>> your friend or anyone with internet access) can download for free here
>>> .
>>> Best regards,
>>>
>>> Steve Polta
>>>
>>>
>>> On Wed, Feb 20, 2019 at 2:18 AM Esperanza Collado <
>>> esperanzacolla...@gmail.com> wrote:
>>>
 Dear all,

 A colleague is considering organising a seminar on the subject of
 expanded cinema and experimental music. He is trying to find academics,
 scholars, writers and experts in the critical/historical field rather than
 artists to deliver lectures or talks as part of this seminar. Could you
 please recommend relevant names expert in this field *who are not
 American* (or are not based in America) please?

 I'm thinking of Steven Ball and (even though it may not be exactly
 their field of research) François Bovier/Adeena Mey, but who else is there
 beyond these? And if any of you think could fit here please let me know.


 Thank you.

 --
 Esperanza Collado
 www.esperanzacollado.net
 www.aaleve.grabacionesdecampo.com


 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>> --
>> Esperanza Collado
>> www.esperanzacollado.net
>> " target="_blank">www.esperanzacollado.net
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
> --
> Esperanza Collado
> www.esperanzacollado.net
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


-- 
http://visionaryfilm.net/ 
http://albertalcoz.com/ 

[Frameworks] Empty Horses - an essay film on cinema

[Péter Lichter]

Dear Frameworkers,

This is our new feature length (67 min) essay film on history and love of
cinema: Empty Horses. The ghosts of two legendary Hungarian filmmakers
(Casablanca director Michael Curtiz, and experimental filmmaker Gábor Bódy)
talk about film and personal history.

Feel free to check it out on this private link:

https://vimeo.com/312278684
pass: eh

This is an excerpt of Nikola Gocić review

on the film:

"The driving force of Empty Horses is a casual, yet insightful conversation
between the ghosts of two great Hungarian filmmakers - Mihály Kertész who's
better known under his Hollywood moniker Michael Curtiz and Gábor Bódy who
left this world too soon (aged only 39), under mysterious circumstances.
Voiced by Pál Mácsai and Roland Rába, respectively, they discuss about
their personal and cinema histories, touching upon their own differences,
and of the stark contrast between American and European motion pictures.
Delivered in a deadpan manner and punctuated by periods of profound
silence, their posthumous chatter gets progressively 'juicier', as the
inside details from the 'dream factory' are revealed by Curtiz."

All the best
Péter
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[Frameworks] This week [February 23 - March 3, 2019] in avant garde cinema

[weeklylisting]

 


  


   

 

 

 

 


This week [February 23 - March 3, 2019] in avant garde cinema 


Enter your event announcements by going to the Flicker Weekly Listing Form 

 .

To receive the weekly listing via email: Subscribe 

 . 

  

 
Ismo Ismo Ismo <>  [February 25, Madrid] 

  

 
Filmwerkplaats Collective: Hometown <>  [February 28, San Francisco, CA United 
States] 

  

 
Private Imaginings: the Films of Edward Owens <>  [March 3, Los Angeles, 
California] 

NEW CALLS FOR ENTRIES: 
ARTerra (Tondela, Portugal; Deadline: December 31, 2019)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=2020.ann 
Microscope Gallery (Brooklyn, NY; Deadline: March 31, 2019)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=2021.ann 

DEADLINES APPROACHING: 
Winnipeg Underground FIlm Festival (Winnipeg, MB, Canada; Deadline: March 01, 
2019)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=2013.ann 
9th Cairo Video Festival (Egypt; Deadline: March 20, 2019)
 http://hi-beam.net/cgi-bin/ann.pl?type=calls 

 &readfile=2018.ann 

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary): 

*Subway Cinema Presents: the Hong-Kong-A-Thon ii: Electric Boogaloo! <> 
 [February 23, New York, NY] 

*Cinema Quema: Program 2 <>  [February 23, New York, NY] 

*Best of Punto Y Raya 2018 <>  [February 23, San Francisco, California] 

*John Law's Cacophony + Burning Man + Blf <>  [February 23, San 
Francisco] 

*Kelly Gallagher - Resistance Made visible. <>  [February 24, Kansas 
City, Missouri] 

*City Symphonies: Suite Habana <>  [February 24, New York, NY] 

*Best of Punto Y Raya 2018 <>  [February 24, San Francisco, California] 

*Ismo Ismo Ismo <>  [February 25, Madrid] 

*City Symphonies: Time Lapse (And Other Distortions) <>  [February 25, 
New York, NY] 

*Infestation/Obliteration: A Salon With Malic Amalya <>  [February 25, 
San Francisco, CA United States] 

*Flaherty Nyc: Program 4: Peter Rose In Person <>  [February 26, New 
York, NY] 

*Directors Lounge Screening - BjöRn Speidel - About the Depths of the 
Plateau <>  [February 28, Berlin, Germany] 

*The Optics of Space <>  [February 28, Chapel Hill] 

*Live Cinema Program With Zephyr <>  [February 28, Chapel Hill] 

*Cosmic Rays Film Festival <>  [February 28, Chapel Hill] 

*Ismo Ismo Ismo <>  [February 28, Madrid] 

*Filmwerkplaats Collective: Hometown <>  [February 28, San Francisco, 
CA United States] 

*Sweet16cinema <>  [March 1, Baltimore, MD] 

*Cosmic Rays Film Festival <>  [March 1, Chapel Hill] 

*Cosmic Rays Film Festival <>  [March 1, Chapel Hill] 

*Cosmic Rays Film Festival <>  [March 1, Chapel Hill] 

*Close Encounters With Craig: Orbiting Other Cinema <>  [March 2, 
Brooklyn, NY United States] 

*Unicorn Riot's  <> "Black Snake Killaz" [March 2, San Francisco] 

*Private Imaginings: the Films of Edward Owens <>  [March 3, Los 
Angeles, California] 


SATURDAY, FEBRUARY 23, 2019 

2/23
New York, NY: Anthology Film Archives 
http://www.anthologyfilmarchives.org/ 

  
12:30 PM, 32 Second Avenue
SUBWAY CINEMA PRESENTS: THE HONG-KONG-A-THON II: ELECTRIC BOOGALOO! 
People are still talking about last year's Hong-Kong-a-Thon and this year we've 
spent even more money, to bring even rarer movies, to blow your mind even 
harder! This 12-hour, six-film marathon showcases the movies that shot first, 
hit hardest, kicked highest, took the hardest falls, the biggest jumps, 
delivered the fastest punches, and left the audience with two

Re: [Frameworks] Expanded cinema and experimental music

[Esperanza Collado]

Fantastic, thank you John!

El sáb., 23 feb. 2019 a las 12:29, John Sundholm ()
escribió:

> hi esperanza,
>
>
> one possible name in order to expand the geography of names could be petri
> kuljuntausta from finland. musician, has written a phd on the history of
> finnish experimental music, runs a sound art gallery in helsinki and has
> taken part in different expanded cinema events as a performer (with sami
> van ingen, for example).
>
>
> best,
>
>
> john
> --
> *Från:* FrameWorks  för Esperanza
> Collado 
> *Skickat:* den 23 februari 2019 11:45:34
> *Till:* Experimental Film Discussion List
> *Ämne:* Re: [Frameworks] Expanded cinema and experimental music
>
> Hi there and thank you for your recommendations. I hope more people come
> out with ideas!
>
> Tetsuya: Érik is a terrific lecturer as well as a great writer-researcher
> and artist whose work I totally admire, but I'm afraid experimental music
> is not his subject. In fact, Érik is helping us find people too :-)
>
> Cindy: cheers, I attended the congress at the Tate and, as far as I know,
> Steven Ball was the only one to approach the topic we're looking for
> directly. If I'm forgetting any other relevant intervention, please let me
> know! I have the book too, and I checked that closely in search for other
> experts... Yes, of course, expanded cinema is a term coined in the US
> (Vanderbeek, right?). You may like to know the French Lettrists already
> used similar terms in the late forties and early fifties, as well as the
> great Spanish "cinemist" José Val del Omar.
>
> Steve: sure, Sally is actually one of the first artists/curators I
> suggested and even though Godart -who is also a friend of Sally- was
> looking for academics and scholars, I insisted. Sally edited a book
> recently on digital art and I think her work is shifting slightly towards
> digital media. She is taking some holidays at the moment but I think she
> has been contacted for this already. Thanks, I didn't know the Perpetual
> Motion fanzine was still available for free download!
>
> Best,
>
> El vie., 22 feb. 2019 a las 8:13, Steve Polta ()
> escribió:
>
>> Dear Esperanza.
>>
>> I'm sure you know about her work as an artist and likely you also know
>> that Sally Golding (Australia/UK) is an authority on this genre and knows
>> the historical and contemporary work inside and out. Your friend can
>> obviously contact her through her website—https://sallygolding.com/. San
>> Francisco Cinematheque also published an essay by her which you (or your
>> friend or anyone with internet access) can download for free here
>> .
>> Best regards,
>>
>> Steve Polta
>>
>>
>> On Wed, Feb 20, 2019 at 2:18 AM Esperanza Collado <
>> esperanzacolla...@gmail.com> wrote:
>>
>>> Dear all,
>>>
>>> A colleague is considering organising a seminar on the subject of
>>> expanded cinema and experimental music. He is trying to find academics,
>>> scholars, writers and experts in the critical/historical field rather than
>>> artists to deliver lectures or talks as part of this seminar. Could you
>>> please recommend relevant names expert in this field *who are not
>>> American* (or are not based in America) please?
>>>
>>> I'm thinking of Steven Ball and (even though it may not be exactly their
>>> field of research) François Bovier/Adeena Mey, but who else is there beyond
>>> these? And if any of you think could fit here please let me know.
>>>
>>>
>>> Thank you.
>>>
>>> --
>>> Esperanza Collado
>>> www.esperanzacollado.net
>>> www.aaleve.grabacionesdecampo.com
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
> --
> Esperanza Collado
> www.esperanzacollado.net
> " target="_blank">www.esperanzacollado.net
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


-- 
Esperanza Collado
www.esperanzacollado.net
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Re: [Frameworks] Expanded cinema and experimental music

[John Sundholm]

hi esperanza,


one possible name in order to expand the geography of names could be petri 
kuljuntausta from finland. musician, has written a phd on the history of 
finnish experimental music, runs a sound art gallery in helsinki and has taken 
part in different expanded cinema events as a performer (with sami van ingen, 
for example).


best,


john


Från: FrameWorks  för Esperanza Collado 

Skickat: den 23 februari 2019 11:45:34
Till: Experimental Film Discussion List
Ämne: Re: [Frameworks] Expanded cinema and experimental music

Hi there and thank you for your recommendations. I hope more people come out 
with ideas!

Tetsuya: Érik is a terrific lecturer as well as a great writer-researcher and 
artist whose work I totally admire, but I'm afraid experimental music is not 
his subject. In fact, Érik is helping us find people too :-)

Cindy: cheers, I attended the congress at the Tate and, as far as I know, 
Steven Ball was the only one to approach the topic we're looking for directly. 
If I'm forgetting any other relevant intervention, please let me know! I have 
the book too, and I checked that closely in search for other experts... Yes, of 
course, expanded cinema is a term coined in the US (Vanderbeek, right?). You 
may like to know the French Lettrists already used similar terms in the late 
forties and early fifties, as well as the great Spanish "cinemist" José Val del 
Omar.

Steve: sure, Sally is actually one of the first artists/curators I suggested 
and even though Godart -who is also a friend of Sally- was looking for 
academics and scholars, I insisted. Sally edited a book recently on digital art 
and I think her work is shifting slightly towards digital media. She is taking 
some holidays at the moment but I think she has been contacted for this 
already. Thanks, I didn't know the Perpetual Motion fanzine was still available 
for free download!

Best,

El vie., 22 feb. 2019 a las 8:13, Steve Polta 
(mailto:steve.po...@gmail.com>>) escribió:
Dear Esperanza.

I'm sure you know about her work as an artist and likely you also know that 
Sally Golding (Australia/UK) is an authority on this genre and knows the 
historical and contemporary work inside and out. Your friend can obviously 
contact her through her website—https://sallygolding.com/. San Francisco 
Cinematheque also published an essay by her which you (or your friend or anyone 
with internet access) can download for free 
here.
 Best regards,

Steve Polta


On Wed, Feb 20, 2019 at 2:18 AM Esperanza Collado 
mailto:esperanzacolla...@gmail.com>> wrote:
Dear all,

A colleague is considering organising a seminar on the subject of expanded 
cinema and experimental music. He is trying to find academics, scholars, 
writers and experts in the critical/historical field rather than artists to 
deliver lectures or talks as part of this seminar. Could you please recommend 
relevant names expert in this field who are not American (or are not based in 
America) please?

I'm thinking of Steven Ball and (even though it may not be exactly their field 
of research) François Bovier/Adeena Mey, but who else is there beyond these? 
And if any of you think could fit here please let me know.


Thank you.

--
Esperanza Collado
www.esperanzacollado.net
www.aaleve.grabacionesdecampo.com


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--
Esperanza Collado
www.esperanzacollado.net
bfaction.com/listinfo/frameworks


--
Esperanza Collado
www.esperanzacollado.net
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Re: [Frameworks] Expanded cinema and experimental music

[Esperanza Collado]

Hi there and thank you for your recommendations. I hope more people come
out with ideas!

Tetsuya: Érik is a terrific lecturer as well as a great writer-researcher
and artist whose work I totally admire, but I'm afraid experimental music
is not his subject. In fact, Érik is helping us find people too :-)

Cindy: cheers, I attended the congress at the Tate and, as far as I know,
Steven Ball was the only one to approach the topic we're looking for
directly. If I'm forgetting any other relevant intervention, please let me
know! I have the book too, and I checked that closely in search for other
experts... Yes, of course, expanded cinema is a term coined in the US
(Vanderbeek, right?). You may like to know the French Lettrists already
used similar terms in the late forties and early fifties, as well as the
great Spanish "cinemist" José Val del Omar.

Steve: sure, Sally is actually one of the first artists/curators I
suggested and even though Godart -who is also a friend of Sally- was
looking for academics and scholars, I insisted. Sally edited a book
recently on digital art and I think her work is shifting slightly towards
digital media. She is taking some holidays at the moment but I think she
has been contacted for this already. Thanks, I didn't know the Perpetual
Motion fanzine was still available for free download!

Best,

El vie., 22 feb. 2019 a las 8:13, Steve Polta ()
escribió:

> Dear Esperanza.
>
> I'm sure you know about her work as an artist and likely you also know
> that Sally Golding (Australia/UK) is an authority on this genre and knows
> the historical and contemporary work inside and out. Your friend can
> obviously contact her through her website—https://sallygolding.com/. San
> Francisco Cinematheque also published an essay by her which you (or your
> friend or anyone with internet access) can download for free here
> .
> Best regards,
>
> Steve Polta
>
>
> On Wed, Feb 20, 2019 at 2:18 AM Esperanza Collado <
> esperanzacolla...@gmail.com> wrote:
>
>> Dear all,
>>
>> A colleague is considering organising a seminar on the subject of
>> expanded cinema and experimental music. He is trying to find academics,
>> scholars, writers and experts in the critical/historical field rather than
>> artists to deliver lectures or talks as part of this seminar. Could you
>> please recommend relevant names expert in this field *who are not
>> American* (or are not based in America) please?
>>
>> I'm thinking of Steven Ball and (even though it may not be exactly their
>> field of research) François Bovier/Adeena Mey, but who else is there beyond
>> these? And if any of you think could fit here please let me know.
>>
>>
>> Thank you.
>>
>> --
>> Esperanza Collado
>> www.esperanzacollado.net
>> www.aaleve.grabacionesdecampo.com
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


-- 
Esperanza Collado
www.esperanzacollado.net
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