Re: [Frameworks] Drone vision and violence in experimental film/video art

[Alex Lake]

Ross Meckfessel’s The Air of the Earth in Your Lungs has some pretty
interesting hobby-drone footage in it, def worth checking out.

http://rossmeckfessel.com/Air%20of%20the%20Earth.html
On Sat, Feb 23, 2019 at 11:33 AM Robert Harris  wrote:

> Re: aerial surveillance, etc…
> Much of Harun Farocki’s work,   *War at a Distance; Images of the World
> and the Inscription of War*
> https://www.harunfarocki.de/films.html
>
>
>
>
>
>
>
> On Feb 23, 2019, at 2:07 PM, Hugo Martin Alexander Ljungbaeck <
> ljung...@uwm.edu> wrote:
>
> Dear all,
>
> I am currently working on a research project that I am hoping will result
> in a curated program and/or essay. I am looking for experimental film and
> video art work that engages with, counters, or tries to reimagine
> relationships between UAVs, military violence and vision, the war on
> terror, aerial surveillance, hobby-drones, etc.
>
> If you have any recommendations, please feel free to reply-all or respond
> off-list.
>
> Thanks for your suggestions!
> Hugo
>
>
> Hugo Ljungbäck
> Undergraduate Research Fellow
> Department of English/Film Studies
> University of Wisconsin-Milwaukee
>
> Programmer | Milwaukee Underground Film Festival
> Director | UWM Film Studies Archive
> Founding Chair | UWM Moving Image Society
> http://www.hmal.se/
>
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Re: [Frameworks] 'screenwriting' of experimental film

[Alex Lake]

What immediately comes to mind is the Scott MacDonald book, Screen Writings
(
https://quod.lib.umich.edu/cgi/t/text/text-idx?c=acls;cc=acls;view=toc;idno=heb08145.0001.001
)

And also this issue of Millennium Film Journal (
http://www.mfj-online.org/issues/mfj-no-25-summer-1991/)


On Tue, May 22, 2018 at 10:29 AM Billy Palumbo 
wrote:

> Hi all,
>
> Looking for any examples of "screenwriting" (or any kind of
> pre-visualization writing, whatever form it might take) of experimental
> films. I'm thinking in the line of Hollis Frampton's *Zorn's Lemma* notes
> or William Greaves' treatment of *Symbiopsychotaxiplasm*. I'm
> particularly interested in non-narrative films, films without pre-written
> dialogue, and a diversity of makers-- i.e. time period, mode, gender,
> sexuality, nationality, race, age, etc.
>
> Thanks!
> -Billy Palumbo
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[Frameworks] NYC Moving Sale

[Alex Lake]

Hi all—

I’m moving away from New York next week and in the process of packing
realized I should probably get rid of some things.

I have:

A 16mm Pageant w/ no sound. Works well but needs a new picture bulb.

A Singer Graflex which works but needs new belts. As it is now, it will run
at speed for maybe 2 minutes, the heat from the projector expands the belts
which causes the sound and image to progressively come to a crawl.

A Bell & Howell Super 8 projector that needs a new bulb.

A Moviscope which is missing the focus nob and while it works, the
electrical wiring needs to be fixed a little.

A Quasar Film/Tape converter.

A box of hundreds of empty slide mounts and various bulbs for slide
projectors.

Make an offer (no offer too low, I’m looking to get rid of this stuff!)
Pickup in Brooklyn only, preferably before the weekend.

Reply off list.
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Re: [Frameworks] Anger films

[Alex Lake]

I saw many of these works when Anthology showed them a few years ago, maybe
try to reach out to them?
On Thu, Apr 12, 2018 at 10:30 AM Hawkins, Joan C. 
wrote:

> HI Frameworkers— I’m trying to track down some Kenneth Anger films—
> does anyone know if they’re being distributed— or do I need to contact Mr.
> Anger directly?
>
>
> Airships (2013, 9 mins) Production Co: Anger Management
> Entertainment
> Ich Will! (2008, 35 mins)  Production Co: Angerfilm
> Foreplay (2008, 7 mins)
> Elliott’s Suicide (2007, 15 mins)
> I’ll Be Watching You (2007, 5 mins)
>
>
>
>
> It looks like Foreplay, Elliott’s Suicide and Ich Will have all been
> exhibited on video, but I couldn’t seem to find any details about what he
> listed as their production company, what their original format was, etc.
> Just that they exist as projects he's let out and have been screened in
> public. Also--a couple seem to have multiple release years (Ich Will seems
> to be credited both as coming out in 2000 and 2008).
> I don't have any information (year, time, etc. for these two) and can't
> seem to find any record of the existence of these two projects:
>
> Mormon Homeschooling
> Green Hell
>
> But it seems like the Kinsey has included them under the Kenneth Anger
> Mixed Media collection as original Anger projects.  The problem is that the
> Kinsey is digitizing things and so much of the Anger collection is
> sort of unavailable at the moment— a topic for a whole other post!
>
> Any info would be appreciated— thanks, Joan
> Joan Hawkins
> Associate Professor, Cinema and Media Studies
> Media School
> Indiana University
> Franklin Hall
> 601 E Kirkwood Ave.
> Bloomington, IN 47405
>
> 812-855-1548
> jchaw...@indiana.edu
>
>
>
>
>
>
>
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Re: [Frameworks] Eulogy Films

[Alex Lake]

Eric Stewart's Wake is essential in this category.

https://vimeo.com/108488448
On Sat, Mar 18, 2017 at 12:36 PM robert harris  wrote:

> Margaret,
>
> You might consider Alexander Sokurov’s  “Elegy” series,  for example:
> Maria (Peasant Elegy)
> Elegy
>
> Shigeko Kubota’s   “My Father”
>
> my own (Robert Harris)
> “Elegy”
> ELEGY2009   Colorsilent   2:45
>
>
> *Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
> & Al Robbins.  Super 8mm film recorded in 1975*
> distributed by Filmmaker’s Coop
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <
> margaret.b.rori...@gmail.com> wrote:
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> ​I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
> ​
>
> ---
> http://margaretrorison.com/
> http://sightunseenbaltimore.com/
>
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Re: [Frameworks] Swings

[Alex Lake]

Kazan's East of Eden immediately leaps to mind...

http://youtu.be/2uG4PRf6ROM
On Tue, Mar 8, 2016 at 5:09 PM Surbhi Goel  wrote:

> Mahal, 1949
>
> On Wed, Mar 9, 2016 at 1:47 AM, Gene Youngblood 
> wrote:
>
>> Friends, I need recommendations of memorable swing scenes (as in
>> playground swings), preferably in narrative feature films. I already have
>> Charulata and Ikiru. Thanks.
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Re: [Frameworks] Andrew Noren

[Alex Lake]

I viewed the three titles at the NYPL just last year and can attest that
all the prints are in great shape. Now if there were only viewing copies of
Kodak Ghost Poems/Huge Pupils, but it's good to hear there's a print of
Wind Variations in Berlin!

On Thu, Jun 11, 2015 at 3:33 PM, Jacob  wrote:

> For what it's worth, I had the chance to view *Charmed Particles, The
> Lighted Field *and *Imaginary Light *at the NYPL in the Summer of 2012.
> Admittedly, my perception of the condition of the prints may have been
> swayed by how incredible the films are, but I remember them being in
> fantastic condition...
>
>
> --
>   ---
> JACOB WALTMAN
> Carolina MacGillavrylaan 2148 1098XK
> Amsterdam
> http://making-light-of-it.blogspot.com/
>   ---
>
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[Frameworks] New York Screening: Ross Meckfessel

[Alex Lake]

Missed the cutoff for the weekly listings, but I am very excited to present
this show at Millennium this Thursday! Beautiful films screening on 16mm,
Super 8, and 8mm! Hope to see some of you there!

-Alex




   This *Thursday March 5th* at 7:30pm, Millennium Film Workshop is
excited to welcome filmmaker *ROSS MECKFESSEL* to present a survey of his
own work from the past five years; from the hand-processing and optical
printing of *untitled (I)*, the puzzle structure of *Cheryl*, the diaristic
making-of document Invocation of *Invocation of Uzi*, the intricate
in-camera editing of *untitled (times for)*, the simple lyrical
single-strand *Gita*, to newer work like *The Golden Hour* which draws
complex connections between place, pop culture, and classical sculpture.
Concluding the program will be an excerpt from his newest work-in-progress *A
Century Plant in Bloom (For Ingrid and Roberto)* which is an extension of
his interests in pop music and experimental structures.



All films are New York premieres. Many one-of-a-kind artist made prints and
film originals to be screened. Meckfessel will be present for a Q&A after
the screening.



*untitled (I)* - 16mm - 6 min - (soundtrack by Tatsu Aoki)

*Cheryl* - 16mm - 17 min

*Gita* - Reg. 8mm - 3.5 min

*untitled (times for)* - Super 8mm - 3 min - (co-directed with Lyra Hill)

*Invocation of Uzi* - Super 8mm - 4.5 min

*The Golden Hour* - Super 8mm - 7.5 min

*A Century Plant in Bloom (For Ingrid and Roberto)* - Work in Progress -
16mm on Video - 10-15 min





Ross Meckfessel (b. 1988) currently resides in New York. He works primarily
in Super 8 and 16mm film, often utilizing appropriated images, fragmented
narratives and pop music to create films that emphasize materiality and
filmic experience over linear storytelling. His films have screened
internationally and throughout the United States including at CalArts,
Onion City Film Festival, and The 100 Dollar Film Festival where he was
awarded best 16mm film.



Suggested admission $10 ($5 members)

Millennium Film Workshop is located in Bushwick, Brooklyn, on Johnson Ave
at Porter Ave.  It is two blocks from the Morgan Ave station on the "L"
subway line.
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Re: [Frameworks] Free Trim Bin and Superior Bulk Printer

[Alex Lake]

The printer has been claimed, the trim bin is still up for grabs!


On Tue, Nov 4, 2014 at 5:29 PM, Alex Lake  wrote:

> Hi all--
>
> I have a editing/trim bin and an extra Superior Bulk Film Co. Cine Printer
> (like this one
> <http://www.ebay.com/itm/161445896870?nma=true&si=8MtKAAdtZNNaW4FI%252Bs5W7D%252BU6nA%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557>)
> that I am looking to give away to anyone who will get some use out of them.
> Both are in great shape and are fully functional.
>
> I am in Bushwick, Brooklyn. Free to anyone who can come and pick them up.
> Email off list for details!
>
> Best,
> -Alex
>
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[Frameworks] Free Trim Bin and Superior Bulk Printer

[Alex Lake]

Hi all--

I have a editing/trim bin and an extra Superior Bulk Film Co. Cine
Printer (like
this one
)
that I am looking to give away to anyone who will get some use out of them.
Both are in great shape and are fully functional.

I am in Bushwick, Brooklyn. Free to anyone who can come and pick them up.
Email off list for details!

Best,
-Alex
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[Frameworks] FREE 2 broken Analyst projectors

[Alex Lake]

Hi all--

I have two broken LW Analyst Projectors that I am looking to give away. I
bought them ages ago and never did anything with them beyond plugging them
in. I imagine they're only good for parts, but maybe someone out there can
work some magic on them.

I'm in Bushwick, Brooklyn. Free to whoever can come and pick them up. Email
for details!

Best,
-Alex Lake
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Re: [Frameworks] exp film orgs suggestions

[Alex Lake]

MONO NO AWARE in Brooklyn hosts a yearly expanded cinema screening with
year-round workshops, equipment rental, etc...

http://mononoawarefilm.com/



On Tue, Mar 11, 2014 at 6:39 PM, LJ Frezza  wrote:

> oh! Also, the Microscope Gallery has great exp screenings in BK:
> http://www.microscopegallery.com/
>
>
> On Tue, Mar 11, 2014 at 6:34 PM, LJ Frezza  wrote:
>
>> The Spectacle's a collective/volunteer run microcinema in Brooklyn:
>> http://www.spectacletheater.com/. The programming's pretty eclectic, but
>> experimental stuff usually makes an appearance every few weeks.
>> -LJ
>>
>>
>> On Tue, Mar 11, 2014 at 6:29 PM, Huckleberry Lain <
>> huckleberryl...@gmail.com> wrote:
>>
>>> Hello friends
>>>
>>> I'm putting together a lecture for USC at the end of March and I'm
>>> organizing a list of micro-cinemas, exp film orgs and periodicals for young
>>> filmmakers to get to know.  I'm mainly looking for organisations that are
>>> supportive of *young *filmmakers like Echo Park Film Center, but I'm
>>> also including some places they can go to watch important classics like PFA
>>> (I'm staying away from film festivals).  Here's my current list (I know I'm
>>> forgetting a bunch):
>>>
>>> LA Filmforum
>>>
>>> Echo Park Film Center
>>>
>>> Academy Film Archive
>>>
>>> Anthology Film Archive
>>>
>>> Pacific Film Archive
>>>
>>> Millennium Film Workshop
>>>
>>> Artists Television Access
>>>
>>> Light Industry
>>>
>>> RedCat
>>>
>>> Harvard Film Archive
>>>
>>> MoMA
>>>
>>> Pittsburg Filmmakers
>>>
>>> Filmmaker's Co-operative
>>>
>>> ABC No Rio
>>>
>>> Black Hole Cinematheque
>>>
>>> Lux Center for Film and Video Art
>>>
>>> CineWest
>>>
>>> MoCA
>>>
>>> Pasadena's Armory Center for the Arts
>>>
>>> SF Cinematheque
>>>
>>> OtherCinema
>>>
>>> iotaCenter
>>>
>>> CVM
>>>
>>> ReVoir
>>>
>>> Frameworks - hi-beam.com
>>>
>>> 40 Frames
>>>
>>> Dublab
>>>
>>> Prelinger Archive
>>>
>>> OtherZine
>>>
>>> Millennium Film Journal
>>>
>>> Bomb!
>>>
>>> LA Record
>>>
>>> Thanks for your help!
>>>
>>>
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>>>
>>
>>
>> --
>> ljfre...@gmail.com / 904.762.8300
>>
>
>
>
> --
> ljfre...@gmail.com / 904.762.8300
>
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Re: [Frameworks] Self Developing Mess

[Alex Lake]

This happened to me a few times using Kodak permanganate reversal bleach...
I could never figure out why it was happening... I had successfully used
the same bleach in the past but when I made a new batches of chemistry it
just didn't work... I'm sorry I don't have an answer, but it is something
that I have encountered and I would be interested in hearing if anyone
knows what went wrong...

-Alex Lake


On Wed, Sep 11, 2013 at 6:37 PM, Diana Arce  wrote:

> Hi Scott,
>
> All the chemicals were at 20 Celsius, but I wasn't completely careful on
> the rinses. If anything the water may have been a bit cooler. Could this
> have been the problem?
>
> It was 7278 from Kodak. Now that it is drying it looks like the emulsion
> looks like it's sticking, but while it was wet, it was coming off all over
> and we could barely handle the film to get it hung. One false slip of a
> finger and the frame was on my hand instead of on the base.
>
> Diana
> On 12.09.2013, at 00:32, Scott Dorsey  wrote:
>
> > What temperature were you running at?
> >
> > What kind of tri-x was it?
> > --scott
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Re: [Frameworks] Rally for The Donnell Media Center Wednesday, April 17th, 12:00 PM

[Alex Lake]

Just wondering... what's the point of this?

The 16mm films in the NYPL are still available to everyone at the Library
of Performing Arts at Lincoln Center... You just need to call a week ahead
of time and make an appointment... The Reserve Film and Video Collection at
the NYPL is still going strong doing preservations and acquiring new work
(I believe that they got new prints of a lot of Jack Smith films, they're
now holding a few Markopoulos films too)... As far as I know nothing has
been deaccessioned or is at risk...

I understand that it's awful that the city sold the building to developers
who've done nothing with the space but everything that was once in those
walls is still accessible to the public... I never visited the space when
it was there, so maybe I'm not the most informed but is a rally five years
later necessary?

-Alex




On Fri, Apr 12, 2013 at 8:55 AM, op  wrote:

> Wednesday, April 17th, 12:00 PM
> Rally for The Donnell Media Center , lunchtime near MoMA !
> 20 West 53rd Street, 20 West 53rd Street, 5th and 6th.
> A beloved main New York City library was sold off through secretive
> arrangements in 2008
> to a private developer who went bankrupt and there is still no replacement
> library.
>
> 20 West 53rd Street, between 5th and 6th Avenues, (meet at 40 West 53rd
> St)
>
> For more info
>
> https://www.facebook.com/notes/owen-plotkin/a-nyc-treasure-the-donnell-media-center-in-jeopardy-/16377370002
>
>
> http://pol.moveon.org/event/events/event.html?event_id=138060
>
>
>
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[Frameworks] Naomi Levine?

[Alex Lake]

Hi All--

I am interested in the films of Naomi Levine but I have no idea where to
rent or view any of them...

She was a member of The Filmmakers Coop but she pulled all of her work in
the 90's and she seemed to vanish with them...

Any leads would be greatly appreciated...

-Alex
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Re: [Frameworks] FW: Seeking suggestions - Polaroids in film or video

[Alex Lake]

Two that immediately leap to mind:

Toshio Matsumoto's Engram (1987) (
http://www.ubu.com/film/matsumoto_engram.html)

Shellie Fleming's Private Property (Public Domain) (1991)
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Re: [Frameworks] FREE 16mm films NYC

[Alex Lake]

I could take a few... I'm off the Jefferson stop, so I can come around
whenever.  This afternoon? Tomorrow morning?

Let me know

-Alex
704-650-0828

-

On Wed, Jul 25, 2012 at 8:29 AM, LJ Frezza  wrote:
> Hey guys,
> I'm moving, so I'm going to be paring down my 16mm film collection over the
> next few days. Anyone interested in some free films? They're all educational
> films, mostly at the elementary level, on a variety of topics. If
> interested, contact me off-list, and we can work out a meeting. I'm in
> Brooklyn, near the Morgan L stop.
> Thanks
> -LJ
>
> --
> ljfre...@gmail.com / 904.762.8300
>
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Re: [Frameworks] Dance films

[Alex Lake]

I know there are a bunch I'm just not thinking of... but these leap to mind

Raul Ruiz's Mammame
Henry Hills' Little Lieutenant
Sarah Abbott's The Light in Our Lizard Bellies
Bruce Conner's Breakaway
Peter Kubelka's Adebar (kinda, sorta)



On Thu, Sep 1, 2011 at 6:03 PM, Jodie Mack  wrote:
>
>
> Cup/Saucer/Two Dancers/Radio by Jonas Mekas
> La Joie de Vivre by Anthony Gross and Hector Hoppin
> New London Calling (or other works) by Alla Kovgan
> Top Ranking (Blonde Redhead video) by Miranda July
> +the animations/live performances of Kathy Rose
>
>
>
>> Date: Thu, 1 Sep 2011 17:52:19 -0400
>> From: jb.m...@gmail.com
>> To: elizmcma...@yahoo.com; frameworks@jonasmekasfilms.com
>> Subject: Re: [Frameworks] Dance films
>>
>> On Thu, Sep 1, 2011 at 4:34 PM, elizabeth mcmahon 
>> wrote:
>> > You must check the holdings of the New York Public Library, which houses
>> > both a reserve 16mm film and video collection, and the world famous
>> > dance
>> > division, both which are located at Lincoln Center.
>>
>>
>> ...which is where I saw ELEMENTS by Amy Greenfield and Hilary Harris,
>> which I really dug. Haven't seen any other films by Amy Greenfield,
>> but I think she does a lot of dance films.
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