Re: [Frameworks] Music in denis’ 35 rhums?

2018-12-27 Thread Darren Hughes
Here you go.

"Can't Live Without You" by Sophia George
https://www.youtube.com/watch?v=dIYGtlTHYJo

Darren Hughes


On Thu, Dec 27, 2018 at 6:54 PM Darren Hughes  wrote:

> I can't remember exactly which songs you're referring to, but they're
> probably on this playlist I made. I included every needle drop I could find
> in each of her films.
>
>
> https://open.spotify.com/user/longpauses/playlist/5thQDvdAxhKdUgFsQgze7Z?si=wT6gfn4XRp-78pvygdxB_A
>
> Darren Hughes
>
> On Thu, Dec 27, 2018 at 6:29 PM Francisco Torres 
> wrote:
>
>> Philippe Bourorga music supervisor should know. He has a facebook
>> account
>>
>> https://www.imdb.com/name/nm4381316/?ref_=ttfc_fc_cr70
>>
>> 2018-12-27 6:22 GMT-05:00, jimmyschaus1 :
>> > Ok so it’s not experimental with a capital E but I’m desperate folks.
>> > Figure there’s enough “crossover” knowledge here.
>> >
>> > Does anyone happen to know the sad reggae song Gabrielle from Claire
>> Denis’
>> > “35 Rhums” listens to 1.) while she eats soup in her cab at the
>> beginning
>> > of the film and 2.) when her and the other characters are driving to the
>> > concert, and Lionel asks her to turn it down? It’s so so beautiful, and
>> any
>> > writing on music in the film is limited to the (albeit wonderful) use of
>> > “night shift” by the commodores in the dancing scene at the bar. Thank
>> > you!!
>> >
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>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
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Re: [Frameworks] Music in denis’ 35 rhums?

2018-12-27 Thread Darren Hughes
I can't remember exactly which songs you're referring to, but they're
probably on this playlist I made. I included every needle drop I could find
in each of her films.

https://open.spotify.com/user/longpauses/playlist/5thQDvdAxhKdUgFsQgze7Z?si=wT6gfn4XRp-78pvygdxB_A

Darren Hughes

On Thu, Dec 27, 2018 at 6:29 PM Francisco Torres 
wrote:

> Philippe Bourorga music supervisor should know. He has a facebook
> account
>
> https://www.imdb.com/name/nm4381316/?ref_=ttfc_fc_cr70
>
> 2018-12-27 6:22 GMT-05:00, jimmyschaus1 :
> > Ok so it’s not experimental with a capital E but I’m desperate folks.
> > Figure there’s enough “crossover” knowledge here.
> >
> > Does anyone happen to know the sad reggae song Gabrielle from Claire
> Denis’
> > “35 Rhums” listens to 1.) while she eats soup in her cab at the beginning
> > of the film and 2.) when her and the other characters are driving to the
> > concert, and Lionel asks her to turn it down? It’s so so beautiful, and
> any
> > writing on music in the film is limited to the (albeit wonderful) use of
> > “night shift” by the commodores in the dancing scene at the bar. Thank
> > you!!
> >
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] Personal website or vimeo page or both?

2018-07-20 Thread Darren Hughes
Speaking as a critic and programmer, I'm always *thrilled* to find a
website. It saves a lot of the back-and-forth when I'm trying to set up a
screening or confirm details for a piece I'm writing. It can be very
simple. I'd recommend including:

Bio: Both a short version (for program notes) and a longer one (for factual
context when writing a piece). If you regularly update your screenings,
shows, and honors in a CV, post a link to it in the bio. Otherwise, the
site would ideally include at least a brief listing of major shows and
honors.

Filmography: A complete list in chronological order, with dates, runtimes,
and format. Ideally, each film would also have its own page with date,
runtime, format, a brief artist's statement, hi-rez stills, links to the
trailer or to the film itself, and booking information (a link to the
film's distributor or even just an "email me to book the film" link).

Press clippings: Links to reviews and interviews, emphasizing your
preferred pullquotes.

Darren Hughes
http://publiccinema.org/bigears

On Fri, Jul 20, 2018 at 10:34 AM, Robert Withers 
wrote:

> Hello all,
> Here’s something I ponder:
> For a moviemaker, is there an advantage to having a personal website in
> addition to a vimeo page to share information and viewable films?
> The personal website takes a certain amount of crafting and maintenance
> (and hosting cost).
> Vimeo will live longer than I (though one never knows what changes it may
> go through) and would seem a low-maintenance archive and reference.
> Or are personal websites the equivalent of a business card or a
> promotional flyer and it’s just good to have one?
> Thanks for your thoughts.
>
>
> Robert Withers
> withe...@earthlink.net
>
>
> Souvenirfilms.com
> https://vimeo.com/robertwithers
>
>
>
>
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Re: [Frameworks] Seeking 16mm print of Begone Dull Care

2017-02-27 Thread Darren Hughes
Thanks, everyone, for your advice. I've reached out to the NFB and MoMA.

Darren

On Mon, Feb 27, 2017 at 3:32 PM, Patrick Friel <patrick.fr...@att.net>
wrote:

> Hi Darren,
>
> The Museum of Modern Art Circulating Film and Video Library has it.
> https://www.moma.org/research-and-learning/research-
> resources/circulatingfilm
>
> Also, the New York Public Library does, too. Not sure if it’s part of
> their circulating collection.
> https://www.nypl.org/about/locations/lpa/circulating-
> collections/reserve-film
>
> Have you tried the National Film Board of Canada directly?
>
>
> Patrick Friel
> Chicago
>
>
>
> On 2/24/17 9:59 AM, "Darren Hughes" <longpau...@gmail.com> wrote:
>
> Good morning,
>
> We just discovered that the print of Evelyn Lambart and Norman McLaren's 
> *Begone
> Dull Care* we'd planned to screen at Big Ears Festival next month is
> unavailable. Any advice for tracking down another print on relatively short
> notice?
>
> Thanks,
> Darren Hughes
>
> http://publiccinema.org/bigears
>
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[Frameworks] Big Ears Festival film lineup

2017-02-27 Thread Darren Hughes
Dear all,

Back in October we posted a call for submissions here for Big Ears Festival
in Knoxville, TN. As a followup we wanted to share the (mostly) complete
film lineup, which features visiting filmmakers Roger Beebe, Jem Cohen,
Jonathan Demme, Kevin Jerome Everson, Janie Geiser, and Bill Morrison.

http://publiccinema.org/bigears

Other highlights include a 35mm screening of *Book of Days* (1989) by
Meredith Monk, who is performing at the festival, and the North American
premiere of a new restoration of Georges Roquier's *Farrebique* (1946),
which will be part of our celebration of Knoxville native James Agee. The
screening will include a discussion with Dr. Charles Maland, editor of the
new volume, *The Complete Film Reviews and Criticism of James Agee*, and
will be followed by a walking (and drinking) tour of Agee's Knoxville.

All of this is in addition to the typically strong music lineup, now
approaching 100 performances:

http://bigearsfestival.com

In the interest of transparency, we received 80 submissions and invited 12
of them to screen at the fest. Another submission, William Randall's *Methane
Ghosts*, didn't fit in the Big Ears lineup so we invited it to screen,
instead, at The Public Cinema before our recent showing of Deborah
Stratman's *The Illinois Parables*. In the end, premiere status had no
bearing in our selection process.

Big Ears shorts programs:
http://www.publiccinema.org/flicker17/
http://www.publiccinema.org/wow17/
http://www.publiccinema.org/kids/

Thanks, everyone, for your interest. We plan to keep our submission form
free and open throughout the year, so please keep The Public Cinema and Big
Ears in mind as a venue for your work.

http://www.publiccinema.org/submit/

Darren Hughes & Paul Harrill
*The Public Cinema*
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[Frameworks] Seeking 16mm print of Begone Dull Care

2017-02-24 Thread Darren Hughes
Good morning,

We just discovered that the print of Evelyn Lambart and Norman
McLaren's *Begone
Dull Care* we'd planned to screen at Big Ears Festival next month is
unavailable. Any advice for tracking down another print on relatively short
notice?

Thanks,
Darren Hughes

http://publiccinema.org/bigears
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